Category: 13 AK persona hoax

Correcting Netflix 3: Omitted - Dr Mignini Explains The Dirty Tricks The Dishonest Netflix Team Employed

Posted by Our Main Posters


Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.


1. The Wider Context

Longtime Italy-berater Judy Bachrach is one of the first to view the Netflix movie Amanda Knox. Predictably, she raves about it.

At bottom here Dr Mignini explains the actual final judgment on Knox and Sollecito, and shoots huge holes in Bachrach’s claims.

Judy Bachrach resembles one of those wind-up parrots. She repeats about a dozen of the Knox-PR talking points like mantras again and again.

There are literally hundreds of evidence points on this and other sites that overwhelmingly point to Knox and Sollecito guilt. There is no other way to account for them all. That is why the 2009 trial was so decisive.

Try running those past Bahrach and she is quite certain to come up short of any other explanation. Even simply our two posts directly below this, providing a flavor of that, would leave her seriously stumped. 

She published her first very simplistic take on the case in 2008, months before trial when much evidence was not public and the myth-making Knox and Sollecito PR was ramping up. Then another simplistic take every several years since. She has also repeatedly found her way onto TV and perhaps a dozen simplistic YouTubes are one result.

At Guede, she really rants. Clearly in her eyes the nasty black guy did it, and did it all alone even though not one court, ever, ruled that.

She makes it routine to mischaracterize Dr Mignini, who she seems to think really had it in for the girl (she always forgets Sollecito) because of something to do with sex. And in her mind all of Italy has been fooled.

Our main poster Machine posted an analysis of nine of Bachrach’ wild claims way back in April 2010. They are highly worth reading, here. Machine’s overall conclusion on Bachrach was this.

We have been analyzing Judy Bachrach’s many, many articles and TV commentaries about the case, and they all seem to point to the following conclusions. 

  • That she hasn’t ever read the Micheli report and doesn’t seem to have actually ever mentioned it.

  • That she hasn’t had full access to the prosecution’s 10,000-plus pages file of evidence, and maybe she has had no access at all.

  • That she didn’t attend the key court sessions in which highly incriminating forensic and circumstantial evidence was presented.

  • That she hasn’t absorbed the numerous factual newspaper and magazine reports about the key forensic and circumstantial evidence.

  • That she seems to rely either a lot or totally on sources with vested interests who feed her wrong theories and false information.

  • And that she comes across to us as the reporter most often showing on US media outlets the most complete ignorance of the case.

Quite a track record. We wonder if she is really very proud of it. She seems to sound so.


2. Judy Bachrach’s Latest Crackpot Claims

Judy Bachrach was fast to start beating the drum about the Netflix flick. Almost the first reporter there. You can read her article here. She clearly loves the Netflix report.

That it leaves out about 95% of the key facts seems to be over her head.

In the article, she quotes her recollection of an interview Dr Mignini gave her years ago.  This was clearly a gotcha moment for her - suddenly it was crystal clear why Amanda Knox is being tried for the crimes. Sex! It seems over her head that officially there really were sex crimes; all three were charged with them.

It pays to understand four things.

(1) Not only did the Netflix flick get things wrong and leave myriad things out (how many, we shall soon know) but it appears to accept that innocence was proved and that Knox and Sollecito had zero role. That was not what the Supreme Court said. See Dr Mignini’s final damning paras below.

(2) Italian lawyers think the Fifth Chambers ruling may have been illegal as well as bent. The reasoning can be read here. That is headed to court soon.

(3) Judy Bachrach’s crackpot inventions are not backed up by even one document, transcript or report. She really does parrot the Knox PR and uses inventions to fill in any gaps.

(4) There is a mafia angle, of which Bachrach could be part. Humiliating the forces of justice is what they like to do. We cannot go public until this officially starts to come out. Sollecito first drew attention to it, and law enforcement are on top of it.

3. Dr Mignini Corrects The Record At Length

We offered Dr Mignini this opportunity. He kindly came through. It is made pretty obvious that Bachrach was maliciously putting words in his mouth.  Dr Mignini spoke in Italian, and we translated, and he approved.

Dr Mignini speaks

I will share just some of my thoughts after reading the article in that magazine, which I would really prefer not to speak about. I mainly want to say that those statements which are put between quotation marks as attributed to me contained in that article? I never pronounced them.

I have never said ““ and anyone who knows me would understand (though this journalist Judy Bachrach doesn’t know me, doesn’t know me at all and I myself didn’t have the misfortune to know her) that I would never say, I’d never talk about, and I’d never mention, the morality or the immorality of a person as an argument within the explanation for a crime. Absolutely no way.

A crime is a violation of a law, an action that may be reprehensible or whatever you like, but it is an action regulated as provided by the penal code, subjected to penalty by the code, that needs to be ascertained, period. And that’s all. It needs to be ascertained following totally objective criteria. A crime is an objective action, a codified action. It has nothing to do with moral qualities, or allegations of moral qualities, or lack thereof, of an individuals.

The discussion in the article of Bachrach about those allegedly quoted statements about “morality” attributed to me, they are FALSE, I have simply never said them. And one cannot even say that they were a little changed, because I’ve never said anything even remotely like them. Those are statements of a kind that I would NEVER make.

Such is one statement reported in the article where I allegedly said “Amanda killed because motivated by a wish to be liked at any cost” ““ by the way, statements like those do not make any sense: the person who makes up such statements doesn’t realize she is saying things void of any meaning. 

The Italian Penal Procedure code (art. 220) prohibits that any research into the personality of a suspect could be used in court as evidence, such as the finding of a propensity of a suspect to commit crimes or similar argumentations. A proper research into the personality of a suspect is permitted only when there is a need to establish mental capabilities. On the other hand, some features of a suspect personality might be considered during investigations but only to understand the context of a crime.

When I happened to point at some features apparent in the personality of the suspects, I actually cited observations made by criminal psychiatrist Dr. Mastronardi who had given his opinion on the case. Aspects of personalities traits, showing features such as manipulative behaviours or a passive and dependent attitude ““ to mention some findings involving the suspects ““ were rather noted, highlighted or detailed not by the prosecution, but by the judges on various instances of the investigation and pre-trial hearings (Investigation Judge C. Matteini, Re-Examination Judge M. Ricciarelli, and Preliminary Judge P. Micheli).

[Editors note. These are the judges who really guided the case. Go to this post and scroll down and click through to posts #13 to #16. That includes the findings of the Supreme Court, which backed up the findings of Dr Matteini and Dr Ricciarelli’s panel. It also includes Dr Mignini’s interrogation of Knox, in which she in effect froze up; this was done at her own request though her lawyers were none too thrilled - they feared she would bomb out, and she did.]

As for the “motive” on this case. It should be pointed out that in a case like the murder of Meredith Kercher ““ the murder of a young student girl who was uninvolved in dangerous circles and had no enemies ““ independently from the identity of the perpetrators, we are talking about a crime that cannot have have a “motive” with a rational or consistent logical structure, nor could it be ascribed to a particular conscious and organized intention.

We may talk about causes that could have contributed to leading to a situation that ended in committing the crime. Among the factors we know that unbalanced personalities, life or emotional disorganization of perpetrators, behavioral excesses, inabilities to handle relations, psychological fragilities, are elements that always contribute to this kind of crimes, and we had reasons to believe that drugs also played a role.

The task of the judiciaries is not really to set out the motives of the individuals from a subjective point of view. We know that unfortunately a record of cases exists, in which apparent “ordinary” looking young people ““ including students ““ have committed very violent murders, in contexts where no “motive” could be explained in a way that appears rational or serious from an objective point of view, since futile crimes - including group murders - may emerge from the building up of situations involving individuals not able to handle issues of adult life.

Thus, all statements within quotation marks as reported in the article by Bachrach are false, I’d say absolutely false: they are the product of a making-up or a spin (I reserve for myself any necessary action in the event there is also a defamatory report) or reported without their context or with their context changed (like falsely reporting the dates, such as when I mentioned the time when some Perugian citizens used to compliment me).

I was stunned by one statement by the end of the article, that says ““ in which I am reported to have said ““ that “if they were innocent, they should forget”. That is a statement which I said on request of one of the two interviewers, who asked “what would you say to those young persons in the event that they were actually innocent?”. So what could I say, what should I answer to a question framed and spun in such a way? I might say: “it’s an experience that unfortunately happened to you, something that may happen, try to forget, seek all legal ways” ““ but I was saying that in the abstract, purely in the abstract ““ “that you think you can follow if you deem that you suffered an injustice” ““ albeit the Cassazione ruling is in the dubitative formula (Art. 530 § 2. cpp).

But then the Vanityfair journalist does not report my *second* statement, that is, the other one I said just following: “And what about if they are guilty? If they were guilty I’d suggest them to remind that our human life ends as trial that has an irreversible sentence, that will last forever”. My answer was made of two statements, not of one. Both were rhetorical and hypothetical. The last statement was the one I thought would have unleashed criticism, but curiously it’s the one missing in the article, there is no comment about it.

Another thing: it is true that people in Perugia happened to come to shake my hand and compliment me, but that happened much later, around 2013 and later, and those people basically complimented me about the Narducci case. It was somehow satisfying because it came after many years of difficulties and attacks. The Perugian people expressed their support to me because of the Narducci case, and secondarily they also expressed their support because of my independency in facing the international media campaign that was mounted against me after the Kercher case.

I don’t know if Vanityfair was the one which made up or spun my answers, falsely reporting them from the Netflix documentary, or if it was Netflix itself who made them up by editing the interview and disseminating content from a video prior to the premiere. I had a positive experience working with the documentary directors at the time. Not knowing what the journalist watched or made up, I will anyway reserve my decision as a consequence. I have to say, I am quite disconcerted about the way a certain American environment appears to think and keeps going on in a raving manner about this case.

One stunning aspect of this, is that the narrative they put forward, such as in the article we talk about, seems to be based on a focus on me, as if I were to become a kind of key character functional to their fictional story. I found this particularly strange since in reality the Kercher case investigation was actually based on the work of a number of judiciaries, all of them making decisions with a power that was equal, or greater than mine. So is how the Italian system works on these type of serious crimes.

The fact that even a second Public Minister was appointed almost from the beginning may suggest that we didn’t have personal investment: I asked Manuela Comodi ““ who has my equal rank, is not my deputy ““ to share the investigation and deal with the technical parts, such as the expert witnesses, since she is very good in this area. The other, multiple judiciaries involved beside us, all had greater powers, each of them could have stopped the investigation or changed its orientation and settings.

Therefore, a personalization of the case ““ as if I had some kind of special power ““ or a “polarization” of it ““ like a narrative that is woven between me and one of the suspects as main characters ““ that appears unrealistic to any person with a minimum of understanding of the system. Indeed if there are reporters who like to make up a story where a person with my name plays the role of a picturesque fictional character, motivated by “moral” or religious obsessions or else, all of this only shows an agenda pursued by those journalists that tells much more about them and about the type of campaign they are part of, than about the case. 

There is anyway one important element which, unfortunately, I know was left out from the documentary ““ partly because it was produced earlier than the publication of the Cassazione ruling ““ I know that something the documentary omits to mention, is the actual content of the latest ruling by the Fifth Panel of Cassazion. If we leave aside, for a moment, the several issues of consistency and law inherent in the ruling itself (those that may be spotted by those who read it with some knowledge of the topics), there is anyway the fact that the ruling confirms certain findings.

Some facts recognized as certain by the Cassazione, not reported in the documentary, are that it is anyway a “proven fact” that Amanda Knox was present at the scene of crime when crime was committed. The same ruling also points out how it is proven beyond doubt that Meredith Kercher was murdered by more than one person, and Rudy Guede certainly acted together with others. The fact that Amanda Knox was certainly there is emphasized by the Court to the point of noting their agreement with the lower Court on the fact that Ms. Knox heard Meredith’s harrowing scream, and even noted that she had the victim’s blood on her hands, that she washed them in order to clean them from Meredith’s blood.   

The High Court only raises a reasonable doubt about the active participation of Amanda Knox in the action of killing. The Court ““ in agreement with other definitive findings ““ also reminds that Ms. Knox voluntarily lied as she falsely accused an innocent, and notes that no way could this finding ever be overturned. All these things are missing in the documentary. I’d like all American friends to bear in mind these last bits of information as well, whenever they decide to seek information about the Kercher case.


Correcting Netflix 7: Omitted - How Knox Lied Repeatedly To Florence Court She Was Too Scared To Attend

Posted by Our Main Posters


Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.


1. Many false claims in the film

NONE of the false claims by speakers were rebutted. Not one, by the Knox PR team moonlighting as serious directors and producers.

The producers’ bizarre technique was to place Knox, Sollecito, Conti & Vecchiotti in front of a camera and then to let them lie unchecked as they did repeatedly throughout the 90 minute film.

For example, Knox makes a very shrill claim in the film that she was repeatedly hit and forced into a “confession” by angry and abusive cops.

In fact she wasnt hit by anyone, except by herself. There was not even an interrogation that night - only the building of a list of names with a couple of kind cops.

Her own lawyers confirmed she was not hit, and they never filed a complaint. They publicly pleaded that she stop making things up. The movie never tells us this, never ever challenges Knox.  We’ll return to this false claim in depth.

For balance, how many Italian justice officials do you suppose the PR team invited to represent the huge team of police, prosecutors and judges, and all of the witnesses, and the huge body of evidence? And to rebut Knox’ claims? After, all she was accusing his staff of crimes.

Precisely one. Dr Mignini. That was it.

He was not even told of the accusations of crimes from Knox. Instead he was asked to address only childish touchy-feely questions which no Italian journalist would ever dream of addressing to a highly trained prosecutor or judge. Dr Mignini is a regular on Italian TV explaining serious legal issues of some complexity, and is a master at it. 

2. Lies previously reported and rebutted

We have so far rebutted seven false claims made by the team in the media or in the film in the previous posts here..

(1) That Knox was found innocent by the Fifth Chambers and fully exonerated or exculpated. No she wasnt. She was confirmed as being at the scene at the time with blood on her hands based on copious evidence, and any trial or appeal court which normally handles murders (the Fifth Chambers does not) would have insisted the Nencini verdict should stand. She remains guilty for life of calunnia and she still owes Patrick his award. Research anyone?

(2) That Dr Mignini hoodwinked the Justice system some way in a supposed pursuit of Amanda Knox although 30-plus judges in fact guided the judicial process - in Italian justice they and not prosecutors are the equivalent of American district attorneys. Raffaele Sollecito is conveniently not accounted for in this conspiracy theory, although with the possible exception of Patrick Lumumba’s lawyer, Sollecito’s words for Knox were the harshest, and his anger rattled on for years. Research anyone?

(3) That Dr Mignini pursued this because he had been convicted, although the conviction, by a rogue prosecutor and rogue judge in Florence with murky connections, had been annulled (in effect deleted; no record) by an appeal court and that confirmed by a strident Supreme Court ruling more than three years prior to the Netflix movie. Research anyone?

(4) That Dr Mignini had consulted a psychic, though it was widely known for many years that he had done no such thing and had written to Corriere at length refuting this more than three years prior to the Netflix movie. Research anyone?

(5) That Dr Mignini holds satanic and sex-orgy theories in this and other cases. No he does not. He has been on national TV pushing satanic theories back and saying they are few. The satanic theory of the Monster of Florence case goes back over a decade before he was requested to check an arm of the case. Knox and Sollecito and Guede were all convicted of murder with a sex-crime element, read all the judges reports prior to trial, all agreed an attack with a sexual aspect was what the evidence said.  Research anyone?

(6) That the Italian justice system is somehow a dangerous error-prone joke (widely accepted as gospel by the movie’s reviewers) though in fact it is one of the most careful systems in the world and unlike the American system (with which it links extensively) never ever sees a false conviction standing by the end of the exhaustive appeals process. Research anyone?

(7) That the release of a provisional positive HIV finding for Knox and a list she created of her recent sex partners was a malicious act by prison staff or prosecutors, though they released precisely NOTHING and it was the Knox defense team that was fervently distributing those materials (of considerable damage to Knox’s public perception). Research anyone?

3. Starting to address Knox’s lies

Much of what Knox says in the movie is untrue. That is not unusual. She consistently lies in all her interviews. She also consistently tries to damage people.

In her book alone we have counted several lies on each page, close to 1000, and about 100 instances of defamations, lies intended to create real damage.

We are going to post separately on each of Knox’s most sweeping and most self-serving lies. Here, we give several dozen examples of lies repeatedly refuted, some of which are in the movie.

The Knox PR team moonlighting as serious directors and producers claim that they devoted SIX YEARS to getting their movie right. They could have found these rebuttals and read them all in a day or two if an honest movie was what they wanted to make.

Perhaps they were simply uncaring of the truth, lost in the complexities of the case, and uncaring of who they damaged, including the real victim’s family, and of what portrait they offered of Italy and Italian justice and its officers, however damaging and vile and untrue.

Or perhaps they were already deeply corrupted, and crazed at the prospect of fame and future career prospects and bloodmoney. If so, they are in unsavory company.

4. Knox’s lies to Italy (#1) rebutted

Knox does not often get the opportunity to lie on a grand scale to Italians. Just as well for her as the negative reaction is opposite and immediate.

Italians followed the trial in real-time witnessed a strident contemptuous sharp-tongued “Terminator Knox” on the witness stand for two days at trial, resulting in this sarcastic reaction and this sarcastic reaction.

“Daffy Knox” and “Terminator Knox” who forever sought media attention at trial in 2009 were retired from 2010 onward in favor of “Whiny Victim Knox”.

In 2013 Knox was too timid to return for her own Florence appeal presided over by Judge Nencini, but not too timid to send him a massively self-infatuated email containing some of the same lies Knox repeats in the movie. Here they all are, easily rebutted by Finn MacCool in Dec 2013. Research anyone?


[By Finn MacCool] You can read here the email Amanda Knox sent to Judge Nencini.

It is dated 15 December 2013 and was handed to Dr Nencini by Dr Ghirga, apparently to the disdain of both of them. It contains many statements which, if she were under oath, could be considered perjury.

One telling point is that she claims “I am not present in the courtroom because I am afraid.”  Her co-defendant, Raffaele Sollecito, was not so afraid and he did present himself at an earlier stage of the proceedings.

He made a spontaneous statement and the judge assured him that he should feel free to intervene and make further interventions whenever he wished. So far he hasn’t wished to - he preferred to head back to the Caribbean for his holiday.

But that event and that presence by Sollecito completely undermine the credibility of Knox’s claim that she feels afraid of the court proceedings. There would be nothing to stop her coming and going, at this stage, just as Sollecito did.

I have no doubt that my lawyers have explained and demonstrated the important facts of this case that prove my innocence and discredit the unjustified accusations of the prosecution and civil parties.

That’s what her lawyers were about to try to do. But instead they had to hand this email to the judge, showing their client’s complete contempt for the court process.

I seek not to supplant their work

She doesn’t want to supplant the work of her own lawyers? Most defendants don’t, nor do they feel the need to tell the court that using an archaic seventeenth-century grammatical construction (where modern English would have “I do not mean to…” or “I do not wish to”¦”)

Because I am not present to take part in [my own appeal], I feel compelled to share.

As Judge Nencini said, if anyone wants to talk to a court, come to court. Knox chose not to be present, which means that the word “because” is not a logical connector for why she feels compelled to share what she thinks. “Even though” would make more sense.

The Court has access to my previous declarations and I trust will review them…

The court has access to thousands of pages. Everybody trusts that courts will review the evidence before passing judgment ““ that’s how the legal process works.

I must repeat: I am innocent.

In fact she does not have to repeat that, which is simply a reiteration of her not guilty plea.

I am not present in the courtroom because I am afraid.

The wording is reminiscent of a previous declaration, “I am very afraid of Patrik, the African boy who…” Also the court may remember the presence of her co-defendant, who made a brief presentation to the court (and was invited to intervene again at any time he saw fit) and who afterwards flew back to his extended vacation in the Dominican Republic. It is difficult to see what the defendants have to be afraid of from the court, except perhaps the truth.

I am afraid that the prosecution’s vehemence will leave an impression on you, that their smoke and mirrors will blind you.

The prosecution’s case has already been made; this was the opportunity for the defense to make their case. It is the court’s duty to consider the evidence without being overly swayed by the vehemence of lawyers from either side ““ they look at the facts, and pass judgment based on that, and this happens in literally millions of cases every year. (Cassazione alone reviews more than 80 thousand cases each year.)

This is not for lack of faith in your powers of discernment, but because the prosecution has succeeded before in convincing a perfectly sound court of concerned and discerning adults to convict innocent people ““ Raffaele and me.

The second half of the sentence contradicts the first. The writer is explicitly stating that she doubts that the court has sufficient powers of discernment to be able to see through the prosecution’s arguments. Her justification for saying this is simply that it has happened before, with a previous court.

I’ve attentively followed this process and gleaned the following facts…

This is a delusional statement. The writer is the defendant, who is the subject of the process, not an external observer to it. We can compare it with her statements following her arrest, in which she claimed still to be helping the police on an equal basis with them, despite being charged with the murder.

No physical evidence places me in Meredith’s bedroom, the scene of the crime…

The bedroom is where the murder took place, but the crime scene is much wider than that, and certainly encompasses the adjoining room where the burglary was faked, the bathroom where the killers cleaned up, and the corridor that connects those rooms. Knox’s blood, DNA, bare footprints are all found in those places. Within Meredith’s room itself, there is also a woman’s shoeprint that does not match the victim, and which Knox’s own lawyer was obliged to claim was caused by an unfortunate fold in the pillowcase.

Meredith’s murderer left ample evidence in the brutal scenario: handprints, footprints, shoe prints in Meredith’s blood, DNA in her purse, on her clothing, in her body.

The term “brutal scenario” makes no sense here, although she repeats it again a couple of lines later. Perhaps she means “crime scene” or “bedroom”. The only footprints found at the crime scene are those of Knox and Sollecito. A woman’s shoeprint in the room where the murder took place cannot be that of either Guede or the victim, and is most likely that of Knox.

The prosecution has failed to explain how I could have… been the one to fatally wound Meredith ““ without leaving any genetic trace of myself. That is because it is impossible.

Actually it is perfectly possible to do this ““ for example, simply by stabbing someone to death while wearing gloves. However, in this case the prosecution has in fact explained how several traces of Knox’s DNA have been found on the handle of the knife which had the victim’s DNA on the blade. That obviously fits a scenario in which Knox stabbed Meredith Kercher with that knife.

Either I was there, or I wasn’t.

The same thing applies to the appeal court. Either the defendants are there, or they are not. In this case, the defendant is not.

The analysis of the crime scene answers this question: I wasn’t there.

Knox’s footprints, blood and DNA, sometimes mixed with that of the victim, all place her at the crime scene, and so does her DNA on the handle of the murder weapon.

My interrogation was illegal and produced a false “confession” that demonstrated my non-knowledge of the crime.

“Non-knowledge” is a curious word. Knox’s witness interview was perfectly legal ““ it was only the unexpected confession from the witness that changed the status of that interview, so that its contents could no longer be used against her. But there is no question over its legality.

The subsequent memoriali, for which I was wrongfully found guilty of slander…

This is an extraordinary aside. The defendant is here rejecting the legitimacy of the Italian Supreme Court, which has definitively found against her, and is also rejecting the findings of the Hellmann court that provisionally freed her, pending appeal. Every single court has found against her on this count.

. ...did not further accuse but rather recanted that false “confession”.

Let us reread some excerpts from this supposed recantation: “After dinner I noticed there was blood on Raffaele’s hand… I stand by my statements that I made last night about events that could have taken place in my home with Patrik… In these flashbacks I’m having, I see Patrik as the murderer…Why did I think of Patrik?... Is there any other evidence condemning Patrik or any other person?” This is not a recantation, and it does in fact contain further accusations of Patrick Lumumba while also seeking to throw suspicion both on Sollecito and an unnamed “other person”.

My behavior after the discovery of the murder indicates my innocence.

As dozens of witnesses have testified in a series of trials and appeals, Knox’s post-murder behavior indicated the exact opposite, which is why suspicion fell on her in the first place.

I did not flee Italy when I had the chance.

On page 71 of her memoir, Knox recounts the following exchange with Officer Ficarra, on the day after the murder was discovered: “My parents want me to go to Germany to stay with relatives for a couple of weeks. Is that okay?” She said, “You can’t leave Perugia. You’re an important part of the investigation.”

I stayed in Perugia and was at the police’s beck and call for over 50 hours in four days.

Chapter Ten of her memoir gives her own account of what she did on Monday, November 5th. She went to a nine o’clock grammar class, at which she refused to discuss the case with her fellow students; she spoke on the phone with her Aunt Dolly, admitting that she had not yet contacted the US embassy; she bumped into Patrick Lumumba where she refused to talk to BBC reporters; she spent the afternoon with Sollecito and then accompanied him to a friend’s house where she played the ukulele. Far from being at the police’s beck and call, she ignored their request that she stay home while they interview Sollecito separately, and turned up to the Questura regardless, although not before they had finished their evening meal.

The police coerced me into signing a false “confession””¦.

Her false accusation of Patrick Lumumba, for which she was convicted and has already served four years in prison, was not a confession and was not coerced.

. “¦one may be coerced into giving a false “confession” because of psychological torture”¦ This is a universal problem.

The US-based Innocence Project reports that there have been 244 exonerations since 2000, which is just over seventeen per year, which in turn means that currently in the USA, roughly 0.1% of cases are eventually overturned. Being wrongfully convicted might be devastating for the person concerned, but it is not a universal problem.

I did not carry around Raffaele’s kitchen knife.

The defendant has not been accused of carrying the knife around, but rather of stabbing Meredith Kercher to death with it. Forensic evidence supports that accusation, too.

I had no contact with Rudy Guede. Like many youth in Perugia, I had once crossed paths with Rudy Guede.

Very typical of Knox’s writing is this kind of self-contradiction, sometimes occurring within the same sentence, or as in this case, in consecutive sentences, seemingly with no self-awareness that any contradiction has even occurred.

If the prosecution truly had a case against me, there would be no need for these theatrics.

The prosecution is present in the court, having made its presentation in the usual way. The defense lawyers are about to do exactly the same thing. The only theatrics happening in the court at that moment is a bizarre email sent by one of the defendants, in lieu of attending her own appeal to her own murder conviction.

But because no evidence exists that proves my guilt, the prosecution would seek to deceive you with these impassioned, but completely inaccurate and unjustified pronouncements.

No further comments… [End Finn MacCool] 

5. Knox’s lies to Italy (#2) rebutted

The Italian weekly magazine Oggi is actually on trial for contempt of court for translating and republishing some of the numerous lies and defamations in Knox’s book Waiting To Be Heard.  This is the article with offending Knox quotes in bold, and below our own rebuttal. Research anyone?

Amanda Knox: The American girl’s sensational story

Chilling. No other adjectives come to mind after having read Waiting to be Heard, finally released in the United States. An extremely detailed and very serious charge against the police and magistrates who conducted the investigation into the murder of Meredith Kercher.

Immediately after the crime, Amanda recounts, and for entire days and nights, they had interrogated the American girl and placed her under pressure to make her confess to a non-existent truth, without officially investigating her, denying her the assistance of a lawyer, telling her lies, even prohibiting her from going to the bathroom and giving her smacks so as to make her sign a confession clearly extorted with something similar to torture.

And now the situation is very simple. There are only two choices: either Amanda is writing lies, and as a consequence the police officers and magistrates are going to have to sue her for defamation; or else she is telling the truth, and so they are going to have to go, not without being sanctioned by the CSM [the magistrates’ governing body] and the top brass of the Police. The third possibility, which is to pretend that nothing has happened, would be shameful for the credibility of our judicial system.

Amanda Knox has written her Waiting to be Heard memoir with the sense of revulsion and of relief of someone who has escaped by a hair’s breadth from a legal disaster, but has got her sums wrong. Cassation has decided that the [appeal] proceedings have to be redone and the hearings should be (re)commencing in October before the Florence Court of Appeal.

In a USA Today interview, Ms Knox has not excluded the possibility of “returning to Italy to face this battle too”, but it would be a suicidal decision: it’s likely that the appeal will result in a conviction, and the Seattle girl will end up in the black hole from which she has already spent 1,427 days.

In this way Waiting to be Heard risks being the “film” on which Amanda’s last words are recorded about the Mystery of Perugia, her definitive version.

We have read a review copy. And we were dumbfounded. Waiting to be Heard is a diary that has the frenetic pace of a thriller, written in a dry prose (behind the scenes is the hand of Linda Kulman, a journalist at the Huffington Post), even “promoted” by Michiko Kakutani, long-time literary critic at the New York Times.

The most interesting part does not concern the Raffaele Sollecito love story (which Amanda reduces it to puppy love: “With the feeling, in hindsight, I knew that he… that we were still immature, more in love with love than with each other”), and whoever goes looking for salacious details about the three Italian boys Amanda had casual sex with, one night stands, will be frustrated (Ms Knox describes those enounters with the nonchalance of an entomologist disappointed with his experiments: “We undressed, we had sex, I got dressed again with a sense of emptiness”).

There are no scoops about the night of the murder and even the many vicissitudes endured during the 34,248 hours spent in Capanne prison ““ the [claimed] sexual molestations suffered under two guards, the unexpected kiss planted by a bisexual cellmate, the threats made by another two prisoners ““ remain on the backdrop, like colourful notations.

Because what is striking and upsetting, in the book, is the minute descriptions, based on her own diaries, on the case documents and on a prodigious memory, of how Ms Knox had been incriminated (or “nailed”).

COME IN KAFKA. A Kafkian account in which the extraordinary naivety of Amanda (the word naïve, ingénue, is the one which recurs most often in the 457 pages of the book) mixes with the strepitous wickedness of the investigators decided on “following a cold and irrational trail because they had nothing better in hand”.

Devour the first 14 chapters and ask yourself: is it possible that the Police and Italian justice work with such incompetence, ferocity, and disdain for the truth? You place yourself in her situation and you scare yourself: If it happened to me? You’re in two minds: is it a likely accusation, or a squalid calumny, the version of Amanda?

Because in reading it you discover that in the four days following the discovery of Meredith Kercher’s body (on 2 November 2007), Amanda was interrogated continuously, and without the least of procedural guarantees [=due process].

She changes status from witness to suspect without being aware of it.” No one had told me my rights, no one had told me that I could remain silent”, she writes. When she asked if she had the right to a lawyer, the Public Prosecutor, Giuliano Mignini, had responded like this: “No, no, that will only worsen things: it would mean that you don’t want to help us”. Thus, the Public Prosecutor, Giuliano Mignini.

For a long period of time, Ms Knox, who at the time spoke and understood hardly any Italian at all, mistook him for the Mayor of Perugia, come to the police station to help her.

Then, with the passage of time and of the pages, the assessment changes: Mignini is a prosecutor “with a bizarre past”, investigated for abuse of office (he was convicted at first instance, but Cassation annulled the verdict on the grounds of lack of jurisdiction: the case will be held in Torino ““ ndr) and with the hunger to fabricate “strange stories to solve his cases”.

Mignini “is a madman who considers his career more important than my liberty or the truth about the killing of Meredith”. On the phone, the Perugian prosecutor reacts with aplomb: “First I will read the book and then I will consider it. Certainly, if it really calls me “˜mad’ or worse, I think I will file suit”.

BEING IN PRISON IS LIKE CAMPING Amanda goes looking. When the officers mysteriously bring her along to the crime scene inspection of the apartment below the one in which she and Meredith were living in, Ms Knox put on the shoe protectors and the white forensics gloves and called out Ta-dah! spreading her arms “as if I was at the start of a musical: I wanted to appear helpful”.

When they dragged her in handcuffs into Capanne Prison, she believed what the Police would have told her, and that was they would hide her for a couple of days to protect her (from the true killer, one presumes) and for unspecified bureaucratic reasons. “In my head I was camping: “˜This won’t last more than a week in the mountains’, I told myself,” writes Amanda.

They take her money off her, and her credit cards, licence and passport, and she draws strength from repeating to herself that “surely they’re not going to give me a uniform, seeing that I’m a special case and that I’ll be here for only a little while”.

But it’s the account of the notorious interrogation that takes the breath away. Around ten in the evening on her last day of freedom, Ms Knox accompanies Raffaele to the police station (he was called in, also without a lawyer, by the Police) and is thrown into a nightmare which she populates with many faces: there is Officer Rita Ficcara, who gives her two cuffs on the head (“To help you remember,” she would say); there’s another officer who advises her: “If you don’t help us, you’ll end up in prison for 30 years”; Mignini arrives and advises her not to call a lawyer; super-policewoman Monica Napoleoni dives in and bluffs: “Sollecito has dropped your alibi: he says that on the night of the murder you had left his apartment and that you had told him to lie to “˜cover you’”.

And a crescendo of yelling and intimidations that lasts from 11 at night until 5.45 in the morning. Seven hours “produce” two confessions that, exactly because they are made without a defence lawyer, cannot be used in the proceedings, but forever after “stain” the image of the accused Knox: Amanda places herself at the scene of the crime and accuses Patrick Lumumba.

RAFFAELE CONFIRMS THE ACCUSATIONS An account of the horror is confirmed by Sollecito in his memoir, Honor Bound, Raffaele writes of having heard “the police yelling at Amanda and then the cries and sobs of my girl, who was yelling “˜Help!’ in Italian in the other room”, and of having being threatened in his turn (“If you try to get up and go, I’ll punch you till you’ll bleed and I’ll kill you. I’ll leave you in a pool of blood”, another officer had whispered to him).

Published lines which have passed right under the radar of the Perugian investigators: “No legal action [against the interrogators] has been notified to us,” Franco Sollecito, Raffaele’s dad, tell us. For having recounted the sourness of her interrogation in court, Amanda was investigated for calunnia: the trial will take place in Florence. This one, too, will be a circumstantial case: it’s the word of two young people against that of the public prosecutor and the police.

The recording of the interrogation would have unveiled which side the truth stands on. But it has gone missing.

Our own rebuttals:

  • Knox was NOT interrogated for days and nights. She was put under no pressure in her brief witness interviews except possibly by Sollecito who had just called their latest alibi “a pack of lies”.

  • Knox WAS officially investigated in depth, after she surprisingly “confessed” and placed herself and Patrick at the scene. Prior to that she’d been interviewed less than various others, who each had one consistent alibi.

  • Knox herself pushed to make all three statements without a lawyer on the night of 5-6 November 2007 in which she claimed she went out from Sollecito’s house, met Patrick, and witnessed him killing Meredith.

  • Far from Knox being denied a lawyer, discussions were stopped before the first statement and not resumed, in the later hearing she was formally warned she needed one; she signed a confirmation of this in front of witnesses.

  • Prosecutor Mignini who Knox accuses of telling her a lawyer would hurt her prospects when she claims she asked for one was not even in the police station at that interview; he was at home.

  • She was not prohibited from going to the bathroom. At trial, she testified she was treated well and was frequently offered refreshments. Her lawyers confirmed this was so.

  • She was not given smacks by anyone, though she did repeatedly smack her own head. Over a dozen witnesses testified that she was treated well, broke into a conniption spontaneously, and thereafter her talking was hard to stop.

  • There is no evidence whatsoever that Knox was subject to “something similar to torture” and as mentioned above only Sollecito applied any pressure, not any of the police.

  • There is nothing “suicidal” about returning to Italy to defend herself at the new appeal. Sollecito did. She risks an international arrest warrant and extradition if she doesn’t.

  • There is no proof except for her own claims of sexual molestations in prison; she is a known serial liar; and she stands out for an extreme willingness to talk and write about sex.

  • Many people have testified she was treated well in prison: her own lawyers, a member of parliament, and visitors from the US Embassy were among them; she herself wrote that it was okay.

  • She may have based her account on her diaries and “prodigious memory” but the obviously false accusation against the prosecutor suggests that much of the book was made up.

  • The investigators had a great deal of evidence against Knox in hand, not nothing, and they were not ever faulted for any action; they helped to put on a formidable case at trial in 2009.

  • “Police and Italian justice work with such incompetence, ferocity, and disdain for the truth” is contradicted by a very complete record prior to trial which was praised by the Supreme Court.

  • Mr Mignini has NO bizarre past at all. He is widely known to be careful and fair. He would not have been just promoted to first Deputy Prosecutor General of Umbria otherwise.

  • He was put on trial by a rogue prosecutor desperate to protect his own back from Mignini’s investigations; the Supreme Court has killed the trumped up case dead.

  • There was nothing “mysterious” about Knox being taken to the crime scene to see if any knives were gone, but her wailing panic when she saw the knives was really “mysterious”.

  • Knox never thought she was in prison for her own protection; she had signed an agreement at the 5:00 am interview confirming she did know why she was being held.

  • Monica Napoleoni did not “bluff” that Sollecito had just trashed their joint alibi; he actually did so, because his phone records incriminated him; he agreed to that in writing.

  • There was no crescendo of “yelling and intimidations that lasts from 11 at night until 5.45”. There were two relatively brief sessions. Knox did most of the talking, named seven possible perps, and drew maps.

  • There was zero legal requirement to record the recap/summary interview, no recording has “gone missing” and many officers present testified to a single “truth” about what happened.


6. Coming up In Our Next Posts

More of the same. Knox blowing smoke and our exposing her. Some of the same smoke she blew for Netflix. And also, our lies of omission seies.


Correcting Netflix 10: Omitted - How Amanda Knox Falsely Accused Dr Mignini Of A Felony

Posted by Peter Quennell


Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.


1. The 2009 Trial Verdict Was Exactly Right

The 2009 prosecution phase was as perfect as any Italian prosecution heard in court. 

This phase from January to June was fast and implacable, about as forceful as a high-speed train. Amidst so much that damned, days of largely unchallenged police testimony for example proved that Knox framed Patrick only because Sollecito sold her out.

Nothing else. He said she had made him lie, and never wanted to see her again, and he and Knox never got back to one narrative theme.

Knox on the witness stand in June was a wince-making disaster - this tough sarcastic rather thuggish girl claiming “the cops were meanies to fragile little me” did not exactly ring true.

The defense lawyers never ever recovered from that and we expected at least two to simply walk off. Late in the trial Sollecito lawyer Maori sarcastically said Knox had been high on cocaine (we believe that is true) as barb after barb was exchanged.

Remember that the Massei court was the only one to see all of the massive evidence.  That included days and days of autopsy-related evidence in closed court with both the perps being closely observed throughout.

And that jury got the verdict and sentence exactly right. Knox and Sollecito should indeed be serving their time as in the US or UK they would. 

So. Why did the two ever get released? Simple. Gaming of the Italian justice system to produce two bent appeals.

The 2011 appeal court was bent when the defenses got the Umbria region’s top criminal judge blatantly forced aside in favor of a semi-senile business judge absolutely at sea on the law.  Additionally his “independent” DNA experts were cherry-picked for him.

The 2015 Supreme Court was bent by way of known mafia connections and of the blatant breaking of Italian appeal law. Italian law enforcement never talks about mafia investigations before some bad guys are locked up, but one day the whole story should be widely known. We know much of it now.

2. Thirty PR Hoaxes To Make You Ignore The Above

Check out the 30 PR Hoaxes in our right column, or better still, wait a few days, and we will open a new page summarizing each hoax. What the Netflix hoaxers have done is to pick up a few of those hoaxes, and run with them in a mocking, sneering tone.

Hence the mocking, sneering tone of many ill-researched movie reviews.

The best way to annihilate the Netflix slant is to fully comprehend each hoax they used. One major hoax is that the synthetic Knox you see now is the real-life Knox around the time of the crime and at trial through 2009.

We can show that back then Amanda Knox was a loose cannon - and widely seen as such.

Another major hoax Amanda Knox herself advances in the film is that she was yelled at and abused by cops on 5-6 November 2007 over a long time. And so, desperate, she fingered as the real killer Patrick Lumumba.

Believe her? We address this question to Knox herself about the “interrogation” as described in her book six years later. Let us see if her response (if any) makes her look like someone you can blindly trust.

We will also post more later to destroy the interrogation hoax.

3. Question For Knox About Her “Interrogation”

Here is how you describe in BOTH editions of your book (2013 and 2015) a supposed interrogation by Prosecutor Mignini at your first (witness) interview. Below the quote, we describe what everyone else present says took place.

[This is the voluntary witness interview.] Eventually they told me the pubblico ministero would be coming in.

I didn’t know this translated as prosecutor, or that this was the magistrate that Rita Ficarra had been referring to a few days earlier when she said they’d have to wait to see what he said, to see if I could go to Germany.

I thought the “public minister” was the mayor or someone in a similarly high “public” position in the town and that somehow he would help me.

They said, “You need to talk to the pubblico ministero about what you remember.”

I told them, “I don’t feel like this is remembering. I’m really confused right now.” I even told them, “I don’t remember this. I can imagine this happening, and I’m not sure if it’s a memory or if I’m making this up, but this is what’s coming to mind and I don’t know. I just don’t know.”

They said, “Your memories will come back. It’s the truth. Just wait and your memories will come back.”

The pubblico ministero came in.

Before he started questioning me, I said, “Look, I’m really confused, and I don’t know what I’m remembering, and it doesn’t seem right.”

One of the other police officers said, “We’ll work through it.”

Despite the emotional sieve I’d just been squeezed through, it occurred to me that I was a witness and this was official testimony, that maybe I should have a lawyer. “Do I need a lawyer?” I asked.

He said, “No, no, that will only make it worse. It will make it seem like you don’t want to help us.”

It was a much more solemn, official affair than my earlier questioning had been, though the pubblico ministero was asking me the same questions as before: “What happened? What did you see?”

    I said, “I didn’t see anything.”

    “What do you mean you didn’t see anything? When did you meet him?”

    “I don’t know,” I said.

    “Where did you meet him?”

    “I think by the basketball court.” I had imagined the basketball court in Piazza Grimana, just across the street from the University for Foreigners.

    “I have an image of the basketball court in Piazza Grimana near my house.”

    “What was he wearing?”

    “I don’t know.”

    “Was he wearing a jacket?”

    “I think so.”

    “What color was it?”

    “I think it was brown.”

    “What did he do?”

    “I don’t know.”

    “What do you mean you don’t know?”

    “I’m confused!”

    “Are you scared of him?”

    “I guess.”

I felt as if I were almost in a trance. The pubblico ministero led me through the scenario, and I meekly agreed to his suggestions.

    “This is what happened, right? You met him?”

    “I guess so.”

    “Where did you meet?”

    “I don’t know. I guess at the basketball court.”

    “You went to the house?”

    “I guess so.”

    “Was Meredith in the house?”

    “I don’t remember.”

    “Did Patrick go in there?”

    “I don’t know, I guess so.”

    “Where were you?”

    “I don’t know. I guess in the kitchen.”

    “Did you hear Meredith screaming?”

    “I don’t know.”

    “How could you not hear Meredith screaming?”

    “I don’t know. Maybe I covered my ears. I don’t know, I don’t know if I’m just imagining this. I’m trying to remember, and you’re telling me I need to remember, but I don’t know. This doesn’t feel right.”

    He said, “No, remember. Remember what happened.”

    “I don’t know.”

At that moment, with the pubblico ministero raining questions down on me, I covered my ears so I could drown him out.

    He said, “Did you hear her scream?”

    I said, “I think so.”

My account was written up in Italian and he said, “This is what we wrote down. Sign it.”

So you choose to portray yourself as reluctant to talk at all? While Dr Mignini relentlessly edges you more and more into saddling Patrick with the blame? While you have no lawyer there?

In fact, as you well know, every word of that dialogue is made up. You invented it. Dr Mignini was not even there. Right then, he was home in bed.

Now we contrast this malicious figment of your imagination with the account of that night by many others who were present at various times. Even you yourself essentially agreed to this narrative at trial, with the one exception that the slaps to your head that several observed were by you were actually by someone else.

Feel free to tell us where we have got this wrong:

1. You insist on being around in the central police station despite being grumpy and tired while Sollecito helps investigators to check a few claims.

2. After a while an investigator, Rita Ficarra, politely invites you to help build a list of names of men who might have known Meredith or the house. She is somewhat reluctant as it was late and no interpreter was on hand. You quite eagerly begin. An interpreter is called from home. You calmly produce seven names and draw maps.

3. Sollecito breaks suddenly and unexpectedly early in his own recap/summary session when confronted with phone records which showed he had lied. He quickly points the finger at you as the one having made him lie. You are briefly told he is saying you went out.

4. You break explosively soon after when an outgoing text shows up on your phone after you had claimed you sent none. You slap your head. You yell words to the effect that Patrick is the one, he killed Meredith. Police did not even know of the existence of Patrick before you identified the text as to him.

5. Thereafter you talk your head off, explaining how you had overheard Patrick attack Meredith at your house. The three ladies present and one man do what they can to calm you down. But you insist on a written statement, implicating him, and stating you went out from Sollecito’s alone.

6. This from about 2:00 am is the state of play. You are taken to the bar for refreshments and helped to sleep. You testify at trial that you were given refreshments, and everybody treated you well.

7. As you had admitted being at the scene of a crime you had not reported, you had in effect admitted to a crime, so a legal Miranda-type caution is required saying the signee understands they should not talk without a lawyer, and if they do talk that can be used as evidence in court.

8. Dr Mignini, the on-call duty judge for that night, is by multiple account, including your own at trial, not present at that list-building session with Rita Ficarra, and in fact knows nothing about it until Rita Ficarra closes it down. He comes from home.

9. Dr Mignini reads you your rights. You now sign acknowledging you know you should not talk unless your lawyer is there. Dr Mignini asks you no questions. He is anxious to get the session over so he can get on to the task of pulling Patrick in. You yourself shrug off a lawyer and repeat your accusation and insist on a new written statement. Though you are again warned, you see it done.

10. Under Italian law that second statement could and should have been used against you, but the Supreme Court denied its use except against Patrick. Dr Mignini has said he thinks that was wrong in law but did not appeal.

Really a very simple chain of events, which was attested to at trial by all of those who had been present on the night, even including yourself.

There are no signs at all in anyone else’s description that you were leaned on by anybody, and nobody at the central police station had the slightest vested interest in making you into a target that night.

So where precisely does this new claim in your book and the Netfllix film of an illegal interrogation by Dr Mignini fit in? Now would seem a very good time to simply admit it is a hoax. Remember all courts saw it as such.


Correcting Netflix 11: Omitted - How Italian Justice Is Misrepresented By Multiple Cherrypickings Of Facts

Posted by Swansea Jack


Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.



Quote: “The media is the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that’s power. Because they control the minds of the masses.”  Malcolm X

We live in a society where I believe I’m justified in saying a majority of people are easily swayed by the material they see on TV or read in the newspapers.

Recently I have witnessed a mass of new posters on Twitter and other social media forums who after watching the Amanda Knox Netflix documentary have formed a cast iron, unshakable opinion on the case.

It is clear after engaging with them very briefly that they frankly have very limited knowledge and understanding of the facts relating to the murder of Meredith Kercher.

I will credit the producers of the documentary Blackhurst and McGinn on what I consider to be a quite clever (but ever so sneaky) disguising of their absolute bias towards Amanda Knox which will not be evident to those who are not acquainted with the case.

They have obviously correctly banked on the ignorance of the majority of their audience.

I get the impression that Nick Pisa is used as a “filler” and a distraction. I come to this conclusion as I feel the producers would be hard pushed to make a 90 minute documentary, favourable to Knox, while addressing the real facts of the case without getting themselves into serious legal trouble.

I also know from first-hand experience that it is a long-term strategy of Knox and her little band of PR hate-mongers to vilify others, in order to distract attention away from the real villains.

It is my impression that the intended main target for vilification was Perugian Prosecutor Giuliano Mignini.

But try as they might, even with their selective editing, they could not produce enough material to achieve their goal due to Mignini’s humility and integrity.

For me personally the documentary raised a few questions which I will share with you.

We have Knox herself stating words to the effect of “either i am a psychopath, a Wolf in sheep’s clothing or I am you” Well she certainly isn’t me or anyone else, she is her, so is this an involuntary but frank admission?

The documentary shows a clip of Diane Sawyer’s interview with Knox in which Amanda is asked “Were you there that night?” She replies “No” but nods yes.

It is my opinion that Knox gets a real power kick out of the notoriety afforded to her and revels in the “Did I or didn’t I” mystery.

She then goes from being the wolf in sheep’s clothing to being a “Warrior Princess like Xena”. An ultimate and powerful fantasy figure.

Knox maintains that she was at Sollecito’s address at 110 Corso Garibaldi watching Amelie at the time of Meredith’s murder.

Not even Raffaele supports this version of events.

It begs the question why Blackhurst and McGinn have omitted the fact that Marasca and Bruno who acquitted the pair state in their motivation report “her (Knox) presence inside the house, the location of the murder, is a proven fact in the trial.”

The acquitting Judges go on to explain their reasoning that Knox was the first person to offer a sexual motive before there was any cadaver or autopsy reports available.

They also make mention of Amanda’s description of “the victim’s terrible scream” which was confirmed some time later by witnesses Nara Capezzali, Antonella Monacchia and others.

How could a person who wasn’t present know these details of the crime?

Knox goes on to describe an idyllic evening, smoking pot and making love, yet makes no mention of who was listening to music on Sollecito’s computer at 05:32 in the morning, a time when both Knox and Sollecito claim to be blissfully sleeping.

Knox can’t comprehend why there is a knife with her DNA on the handle and Meredith’s DNA on the blade.

There is no mention in the documentary of Amanda’s recorded prison conversation with her parents in which she says “I am very worried about this thing with the knife, because there is a knife of Raffaele’s” (*Reference Massei report page 292.)

Neither do they address Sollecito’s claim that the reason Meredith’s DNA is on the blade is because he “accidentally pricked her while cooking.”

He later admitted this was a total fabrication, Meredith had never attended his home.

Knox claims that she accused Diya Lumumba after long hours of questioning. Yet we know that due to the time recorded on her signed voluntary statement that she had fabricated a story swapping Guede for Lumumba in under 2 hours.

She only did so upon learning Sollecito was no longer supporting her alibi.

There is no mention in the documentary that Amanda had provided Diya Lumumba’s name to Rita Ficarra in a list of persons of interest prior to learning Raffaele was not corroborating her version of events.

There is no mention of the sample of Knox’s blood recovered from the faucet of the bathroom she shared with Meredith which Amanda herself dated in her court testimony to the night of Meredith’s murder.

There is no mention of the mixed DNA sample of Knox and Meredith, recovered from a luminol revealed bloodstain in Filomena Romanelli’s room. This is where the alleged point of entry for the burglary occurred. It is worth noting there is no biological trace of Rudy Guede in this room.

Addressing the bra clasp, the Netflix documentary fails to address the fact that the only other sample of Sollecito’s DNA identified in Via Della Pergola 7 was on a cigarette butt in an ashtray in the kitchen. This was a mixed sample containing Raffaele and Amanda’s DNA.

The documentary emphasises the farcical views of the so called “independent experts” Stefano Conti and Carla Vecchiotti. It fails to mention that Vecchiotti confirmed that contamination at Dr Patrizia Stefanoni’s laboratory was not possible if there was a six day gap in the testing of materials during cross questioning at the Hellmann appeal hearing.

    PROSECUTOR COMODI: “Is six days a sufficient interval to rule out contamination?”

    CARLA VECCHIOTTI: “Yes absolutely”

Neither do they address Conti’s explanation (or lack of) as to how and why Sollecito’s DNA was located on the hook of Meredith’s bra clasp

    PROSECUTOR COMODI: “How would Sollecito’s DNA accidentally arrive on the hook of Meredith’s bra?”

    STEFANO CONTI: “Anything is possible”

During his input in the documentary Conti implies that DNA is easily transferable, he gives an example of running his fingers along his arm and magically shedding DNA.

If this is the case I would like to pose a few of questions to him.

1, Why is the only other sample of Sollecito’s DNA located on a cigarette butt in the kitchen?

2, Why is there no genetic trace of Guede in the small bathroom or in Filomena Romanelli’s room?

3, Can you provide a figure for the statistical probability of Sollecito’s solitary sample of DNA (other than the mixed trace on the cigarette butt) innocently finding it’s way on to Meredith’s bra clasp?

Blackhurst and McGinn predictably make use of Rudy Guede’s Skype conversation with Giacomo Bendetti in which he states Knox wasn’t there, yet do not address the letter Guede wrote to his lawyers in which he refers to “a horrible murder of a splendid, beautiful girl that was Meredith by Raffaele Sollecito and Amanda Knox”

Why have the documentary makers chosen to ignore so very many facts?


Correcting Netflix 12: Omitted - How In Multiple Ways Poorly Researched Movie Contradicts Knox’s Own Book

Posted by Chimera



Ummmm… Amanda Knox is wildly unable to keep her multiple stories straight

Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.


1 Knox’s Own Book Says Differently

Inadmissibility issues aside, the film is blatantly contradicted by many claims WITHIN KNOX’S OWN BOOK.  Links below are for my extended series “Revenge of the Knox” on close to 1000 defamations and lies.

I rated the book as 90-95% bullshit.  There is a reason it was not 100%—because there are truthful parts of it which contradict other parts.  Research anyone?

Click here for post:  Revenge Of The Knox: How Knox’s Body Of Lies Headed For The Dark Side (Series Overview)

Click here for post:  Revenge Of The Knox, The Smear-All Book: We Get Down To Nailing ALL Her Invented Claims #1

Click here for post:  How Her Tide Of Malicious Defamation Now Threatens To Swamp Knox #1

Click here for post:  How Her Tide Of Malicious Defamation Now Threatens To Swamp Knox #2

Click here for post:  How Her Tide Of Malicious Defamation Now Threatens To Swamp Knox #3

Click here for post:  Revenge “On” The Knox: Bruno And Marasca Strike Back

Click here for post:  Revenge of the Knox, Series 4: Exposing The Tortured Logic That Permeates Her Book #1

Click here for post:  Revenge of the Knox, Series 4: Exposing The Tortured Logic That Permeates Her Book #2

2. Precisely How Knox Tries To Have It Both Ways

(A) Knox didn’t speak Italian in 2007, but supplies long conversation (that were in Italian), word for word.

(B) Knox tries to be “respectful” towards Meredith’s memory, while publishing lurid details about her death and sexual assault.

(C) Knox tries to be “fair” towards others in her life, while smearing them for drug use.

(D) Knox “thanks” her lawyers, while citing supposed incidents of their illegal acts, and professional misconduct.

(E) Knox was traumatized by her “interrogation” from Mignini, but remembers it (in Italian), word for word

(F) The same crime scene experts who “bungled” things for AK/RS were professional regarding Guede

(G) The same DNA experts who “failed to meet international standards” for AK/RS, did a great job against Guede

(H) The same authorities who “jumped to conclusions” against AK/RS, handled Guede properly.

(I) The same Judge Paolo Micheli who ran a “farce of a pre-trial” for AK/RS, properly presided over Guede’s short form trial

(J) Roommates and eyewitnesses who implicate AK/RS are “unreliable”, yet jailhouse snitches who make exculpatory claims are “very credible”.

(K) AK frequently claims “I don’t remember”, while criticizing unreliable memories of Capazelli, Quintavalle, and others.

(L) AK criticizes Italian Authorities for being dishonest, but admits to fabricating parts of this “memoir”

(M) And on, and on, and on ....

3. Contradictions Just In Author’s Note At Back

Admission #1: Knox Admits she Didn’t Write WTBH

[Author’s Note] ” .... I wouldn’t have been able to write this memoir without Linda Kulman. Somehow, with her Post-it notes and questions, with her generosity, dedication, and empathy, she turned my rambling into writing, and taught me so much in the meantime.”

Commentary:

So why isn’t Linda Kuhlman listed as the author instead of Knox?

Admission #2: Knox Admits She Doesn’t Know What her Source Material is

[Author’s Note] ” .... The writing of this memoir came to a close after I had been out of prison for over a year. I had to relive everything, in soul-wrenching detail. I read court documents and the transcripts of hearings, translated them, and quoted them throughout.”

So, what is the main source of the book?  AK claims that court documents and transcripts are translated and quoted throughout, yet those quotes are oddly absent from the book.  What exactly is AK “re-living”?  She claims not to speak Italian, yet quotes Italian conversations verbatim.  Knox also claims to have been traumatized, but she “remembers” the details and conversations almost perfectly.  And wasn’t a huge part of the 2009 defense that she and RS couldn’t remember anything?

The only documents that seem to be “quoted” are: (1) Matteini verdict where Knox did a snowjob on Judge Matteini by framing Lumumba; (2) 3rd Statement of November 5/6, 2007; (3) AK’s statement to Hellmann Appeal Court.

Admission #3: Knox Admits Parts of the Book are fabricated

[Author’s Note] ” .... The names of certain people, including friends, prisoners, and guards, have been changed to respect their privacy.”

Commentary:

Knox “did” create the persona of Cristiano, the man she met on the train.  His real name is Federico Martini, a drug dealer whose number Knox gave to authorities.  This information is publicly available.  Some “tell-all” book. Makes one wonder if AK “changed” the name of her attacker to Rita Ficarra, or “changed” the name of her interrogator to Guiliano Mignini.  Unfortunately, AK never specifies “which” names she changed.  Also makes one wonder if AK should also have added the disclaimer that certain events had been changed as well.

Admission #4: Knox Admits she Spoke Italian (even in 2007)

[Author’s Note] ” .... Aided by my own diaries and letters, all the conversations were rendered according to my memory.”

Commentary:

How did Knox “remember” long Italian conversations is 2007?  She claimed to know only basic Italian, so either that claim is false, or the conversations are largely made up.  Or both.

Admission #5: Knox Implies Book is Largely Fictional

[Author’s Note] ” .... So much has been said of the case and of me, in so many languages, in so many books, articles, talk shows, news reports, documentaries, and even a TV movie. Most of the information came from people who don’t know me, or who have no knowledge of the facts.”

Commentary:

While this comment seems to imply that “other” media is based on people with no knowledge of the case, taken literally, it could mean that WTBH was also written by someone who didn’t know Knox, and had no knowledge of the case. Ms. Kuhlman?  I’m looking at you.

Admission #6: Knox Never Bothered to Change Anything From the 2013 Version of WTBH

[Author’s Note] ” .... Until now I have personally never contributed to any public discussion of the case or of what happened to me.”

Commentary:

While that “may” have been true when the book was released in 2013, Knox did at least 30 interviews since then

4. Contradictions In Body Of Book Itself

Admission #7: Knox Admits There was no Contamination of Evidence

(a) While Claiming Evidence Against AK/RS is “contaminated”  ....

[Chapter 23, Page 276] “ ... Starting right after we were indicted, Raffaele’s and my lawyers had requested the raw data for all Stefanoni’s forensic tests. How were the samples collected? How many cotton pads had her team used to swab the bathroom sink and the bidet? How often had they changed gloves? What tests had they done - and when? Which machines had they used, at what times, and on which days? What were the original unedited results of the DNA tests?”

[Chapter 25, Page 304] “˜’ ... When the defense questioned her, Napoleoni’s manner switched from professional “”albeit dishonest””to exasperated, incredulous, and condescending. For instance, when Raffaele’s lawyer Giulia Bongiorno asked if the gloves police used at the crime scene were sterilized or one-use gloves, Napoleoni took a snarky tone, saying, “It’s the same thing.”

[Chapter 27, Page 338]  “˜’ ....Gino said. Stefanoni had met none of the internationally accepted methods for identifying DNA. When the test results are too low to be read clearly, the protocol is to run a second test. This was impossible to do, because all the genetic material had been used up in the first test. Moreover, there was an extremely high likelihood of contamination in the lab, where billions of Meredith’s DNA strands were present.

[Chapter 32, Page 414]  Before the first trial, the defense began requesting forensic data from the prosecution in the fall of 2008, but DNA analyst Patrizia Stefanoni dodged court orders from two different judges. She gave the defense some of, but never all, the information. Now it was Conti and Vecchiotti’s turn to try to get the raw data that Stefanoni had interpreted to draw conclusions about the genetic profiles on the knife and the bra clasp. Stefanoni continued to argue that the information was unnecessary. Not until May 11, under additional orders from Judge Hellmann, did she finally comply.

(b).... Knox Admits Evidence Against Guede is Solid and “Properly” Collected

[Chapter 10, Page 105] “˜’ .... There was a bloody handprint smeared on the wall and a bloody shoeprint on the floor. A blood-soaked handkerchief was lying in the street nearby.’”˜

[Chapter 21, Page 254] “˜’ ... “Amanda, the investigators are in a conundrum,” Carlo said. “They found so much of Guede’s DNA in Meredith’s room and on and inside her body. But the only forensic evidence they have of you is outside her bedroom. Raffaele’s DNA evidence is only on the bra hook. If you and Raffaele participated in the murder, as the prosecution believes, your DNA should be as easy to find as Guede’s.” “But Carlo, no evidence doesn’t mean we cleaned up. It means we weren’t there!” “I know,” Carlo said, sighing. “But they’ve already decided that you and Raffaele faked a break-in to nail Guede. I know it doesn’t make sense. They’re just adding another link to the story. It’s the only way the prosecution can involve you and Raffaele when the evidence points to a break-in and murder by Guede.”

[Chapter 23, Page 274] “˜’ ... The evidence gathered during the investigation pointed toward his guilt. His DNA was all over Meredith’s room and her body, on her intimate clothing and her purse. He had left his handprint in her blood on her pillowcase. He had fled the country. The prosecution called Guede’s story of how he “happened” to be at the villa and yet had not participated in the murder “absurd”””though they readily believed his claims against Raffaele and me. One of the big hopes for us was that with so much evidence against Guede, the prosecution would have to realize Raffaele and I hadn’t been involved”¦.

[Chapter 27, Page 339] “  Copious amounts of Rudy Guede’s genetic material had been found in Meredith’s bedroom, on her body, in her purse, and in the toilet.”

[Afterword, Page 464] “ .... None of my DNA was found in my friend Meredith Kercher’s bedroom, where she was killed. The only DNA found, other than Meredith’s, belonged to the man convicted of her murder, Rudy Guede. And his DNA was everywhere in the bedroom. It is, of course, impossible to selectively clean DNA, which is invisible to the naked eye. We simply DNA and left Guede’s and Meredith’s behind. Nor was any other trace of me found at the murder scene, not a single fingerprint, footprint, piece of hair, or drop of blood or saliva. My innocence and Raffaele’s was irrefutable. Like my legal team, I believed that the Corte di Cassazione would affirm the innocence finding.

Commentary:

AK goes on at length about how unprofessional the Italian CSI are, and how substandard their methods are.  However, AK repeatedly rants about how strong the evidence is against Guede.  “Copious” amounts of evidence seems to be Knox’s favourite expression.  So, are the Italian authorities complete crime-scene-destroying screw-ups, or did they do a good job?  It can’t simultaneously be both.  Perhaps the “A-Team” was sent in first get the evidence against Guede, while the “Inspector Gadget Team” went bumbling in afterwards.

Admission #8: Knox Admits that Conti and Vecchiotti Were “Selective” in Which DNA They Tested

[Chapter 32, Page 415] ” .... Now it was Conti and Vecchiotti’s turn to try to get the raw data that Stefanoni had interpreted to draw conclusions about the genetic profiles on the knife and the bra clasp. Stefanoni continued to argue that the information was unnecessary. Not until May 11, under additional orders from Judge Hellmann, did she finally comply.”

Commentary:

AK talks many times about how these experts were “independent, court appointed”.  In the Common Law Countries, such experts are referred to as “friends of the Court”, meaning their allegience is to the Court, not to either the Prosecution or Defense.  If that was the case, would they not want to test as many samples as possible to see just how far (if at all), that contamination really happened?  If police methods were as shoddy as AK describes, why in the world analyze just 2 samples???  Why go through the time, effort and expense to hire these experts if you are only going to contest 2 pieces of DNA???  Heck, just look all the above section, with all those “copius” amounts of evidence that supposedly implicated Guede. 

Conti and Vecchiotti later ran into legal trouble over their methods, but just from reading this book, it seems they were partial and selective about their work.

Admission #9: Knox Admits that Claims of her Being “Sex-Obsessed” Really Are True

[Chapter 2, Page 16] This was my first bona fide one-night stand.
I’d told my friends back home that I couldn’t see myself sleeping with some random guy who didn’t matter to me. Cristiano was a game changer.
We didn’t have a condom, so we didn’t actually have intercourse. But we were making out,  fooling around like crazy, when, an hour later, I realized, I don’t even know this guy. I jumped up, kissed him once more, and said good-bye. I went upstairs to the tiny room Deanna and I were sharing.
She was wide awake, standing by the window. “Where have you been?” she asked. “I didn’t know where you were or if you were okay.”

[Chapter 3, Page 32] “Do you want to eat at my place?” Mirko asked. “We can watch a movie.”
“Sure,” I said, and instantly felt an inner jolt. It came from the sudden certainty that we would have sex, that that’s where our flirtation had been heading all along.
We carried our pizza boxes through Piazza Grimana, by the University for Foreigners, and down an unfamiliar street, past a park. Mirko’s house was at the end of a gravel drive. “I live here with my sister,” he told me.
During dinner at his kitchen table my thoughts battled. Was I ready to speed ahead with sex like this? I still regretted Cristiano. But I’d also been thinking about what Brett and my friends at UW had said. I could picture them rolling their eyes and saying, “Hell000, Amanda. Sex is normal.”  Casual sex was, for my generation, simply what you did.

[Chapter 4, Page 39] The next morning I got up before he did, got dressed, and went to make myself breakfast. Bobby came into the kitchen a few minutes later. We were eating cookies when Laura came out of her bedroom. I’d never entertained a lover at the villa for breakfast, and it was awkward, despite Laura’s proclaimed sense of easy sexuality. All three of us tried to ignore the feeling away.
After breakfast Bobby left to return to Rome. 1 walked him to the door. He smiled, waved, and walked away.
I didn’t feel the same regret I’d had after sex with Mirko, but I still felt the same emptiness. I had no way of knowing what a big price I would end up paying for these liaisons.

[Chapter 5, Page 57] Being with Raffaele also taught me a big lesson about my personality that I’d tried so hard””and harmfully, in Cristiano’s case””to squelch. I was beginning to own up to the fact that casual hookups like I’d had with Mirko and Bobby weren’t for me.
I like being able to express myself not just as a lover but in a loving relationship. Even from the minuscule perspective of a few days with Raffaele, I understood that, for me, detaching emotion from sex left me feeling more alone than not having sex at all””bereft, really.

Commentary:

This isn’t so much an “admission”, but showing the obvious.  4 of the first 5 chapters go on and on about her casual flings, and the book is littered with references to her bunny vibrator.  Later chapters make serious accusations (never reported) of sexual assault, and sexual harassment.

Admission #10: Knox Admits She Likes Writing Stories (True or False) About Women Being Sexually Abused

[Chapter 6, Page 73] ” .... itself””how sadistic her killer had been. When the police lifted up the corner of Meredith’s beige duvet they found her lying on the floor, stripped naked from the waist down. Her arms and neck were bruised. She had struggled to remain alive. Her bra had been sliced off and left next to her body. Her cotton T-shirt, yanked up to expose her breasts, was saturated with blood. The worst report was that Meredith, stabbed multiple times in the neck, had choked to death on her own blood and was found lying in a pool of it, her head turned toward the window, eyes open.”

[Chapter 8, Page 92] ” .... While we stood there, the detectives started asking me pointed questions about Giacomo and Meredith. How long had they been together? Did she like anal sex? Did she use Vaseline?”

[Chapter 10, Page 104] “.... There was evidence that Meredith had been penetrated, but none that proved there had been an actual rape.”

[Chapter 10, Page 119] ” .... I do not remember if Meredith was there or came shortly afterward. I have a hard time remembering those moments but Patrick had sex with Meredith, with whom he was infatuated, but I cannot remember clearly whether he threatened Meredith first. I remember confusedly that he killed her.”

[Chapter 11, Page 137] “˜’ ... Still, what came next shocked me. After my arrest, I was taken downstairs to a room where, in front of a male doctor, female nurse, and a few female police officers, I was told to strip naked and spread my legs. I was embarrassed because of my nudity, my period””I felt frustrated and helpless. The doctor inspected the outer lips of my vagina and then separated them with his fingers to examine the inner. He measured and photographed my intimate parts. I couldn’t understand why they were doing this. I thought, Why is this happening? What’s the purpose of this? ....’”˜

[Chapter 12, Page 145] ” .... “Your panties and bra, please,” Lupa said. She was polite, even gentle, but it was still an order.  I stood naked in front of strangers for the second time that day. Completely disgraced, I hunched over, shielding my breasts with one arm. I had no dignity left. My eyes filled with tears. Cinema ran her fingers around the elastic of the period-stained red underwear I’d bought with Rafael at Bubble,”

[Chapter 12, Page 152] ” .... Later, while I was sitting on the toilet, the redheaded guard came by and watched me through the peephole. So there was no privacy at all, then.”

[Chapter 16, Page 192] ” .... The first time he asked me if I was good at sex, I was sure I’d misheard him.
I looked at him incredulously and said, “What?!”
He just smiled and said, “Come on, just answer the question. You know, don’t you?”
Every conversation came around to sex. He’d say, “I hear you like to have sex. How do you like to have sex? What positions do you like most? Would you have sex with me? No? I’m too old for you?”

[Chapter 17, Page 197] ” ....November 15-16,2007.Vice-Comandante Argiro broke the news. Instead of his usual greeting””a lecherous smile and a kiss on both cheeks””he stayed seated behind his desk.”

[Chapter 18, Page 207] ” .... They were convinced that Meredith had been raped””they’d found her lying on the floor half undressed, a pillow beneath her hips””and that the sexual violence had escalated to homicidal violence.”

[Chapter 24, Page 286] ” .... They said she kissed me once and that I feared further sexual harassment. They knew she was a cleaning fanatic and that she wouldn’t let me make coffee because it would leave water spots on the sink.”

[Chapter 27, Page 335] ” .... I couldn’t stand thinking about Meredith in the starkly clinical terms the scientists were using to describe her. Did her bruises indicate sexual violence or restraint? What did the wounds to her hands and neck suggest about the dynamics of the aggression? What did the blood splatter and smears on the floor and armoire prove about her position in relation to her attacker or attackers?”

[Chapter 30, page 377] ” .... When we first met, we’d entertained each other making light of prison’s darkest aspects””being subjected to daily strip searches by agenti”

Commentary:

AK was made (more) infamous from her “Baby Brother” story, published online in 2007

Short Story Shows Amanda Knox Had Rape “In Her Mind”

[Chapter 18, Page 207] ” ....They published parts of a short story I’d written for a UW creative writing class, about an older brother angrily confronting his younger brother for raping a woman.”

Commentary:

Also see this (supplied by Hopeful), where Knox gets to “proxy-rape” someone else.  The 3rd paragraph is disturbing.

How Amanda Knox Is Encouraging West Seattle To Adulate Seriously Sick Individuals

Amanda’s View: The Stanford rape case: redirecting focus

Commentary:

Again, not so much an admission, but showing the obvious.  Just a thought, but maybe Meredith’s murder really wasn’t about anger or jealousy.  Perhaps Knox is just a sexual predator, who decided to “silence” her victim afterwards.

Admission #11: Knox Admits There is a Strong Case

[Chapter 6, Page 65] Reference to the bloody footprint on the bathmat, (dismissed as “dripping”)

[Chapter 10, Page 113] Knox admits Sollecito pulled her alibi.

[Chapter 17, Page 197] References the murder weapon being found.

[Chapter 17, Page 199] Reference to a striped sweater that went missing.

[Chapter 18, Page 212] Reference to AK’s blood on the faucet (and implausible story about taking earrings out).

[Chapter 20, Page 234] Reference to story of RS killing Meredith, then planting AK’s fingerprints.

[Chapter 21, Page 245] Reference to RS DNA on bra clasp.

[Chapter 21, Page 246] Reference to the bloody footprints in the hall.

[Chapter 21, Page 250] Reference to blood soaked bathroom.

[Chapter 22, Page 269] Reference to the bloody knife imprint on Meredith’s bedsheet.

[Chapter 23, Page 280] References to attempts to stage crime scene.

[Chapter 25, Page 291] References to statements of November 5/6.

[Chapter 25, page 297] Reference to the cut on AK’s neck (which she calls a hickey)

[Chapter 25, Page 307] Reference to AK/RS phones being switched off.

[Chapter 26, Page 313] Reference to Kokomani seeing Knox/Sollecito/Guede together.

[Chapter 26, Page 314] Reference to Marco Quintavalle seeing Knox in his store the morning after.

[Chapter 26, Page 315] Reference to neighbor Nara Capezzali hearing Meredith scream.

[Chapter 26, Page 318] Reference to Antonio Curatolo seeing Knox.

[Chapter 26, Page 325/326] Knox testimony restricted to calunnia charge.

[Various] See the section below.  Knox makes numerous incriminating admissions.  Details she knew about the murder.

Admission #12: Knox Admits She Knows What Happened to Meredith

(a) Knox knew that Guede had used the toilet at her flat.  There is no other explanation.  Consider that Meredith’s murder happened sometime between 10pm and midnight, and Knox came back around 11am the next morning.  This means it had been unflushed for 11-13 hours.

(b) Knox knew Meredith had her throat cut—before the police did.

(c) Knox knew that Meredith had been moved—before the police did.

(d) Knox knew Meredith had been sexually assaulted—before the police did.

(e) Knox knew that Meredith had suffered.

(f) Knox knew that Meredith had screamed—a detail confirmed by neighbours.

(g) Knox knew more about Guede’s criminal past than the police did assuming this isn’t just another smear

(Why Knox’s Damning Last Live TV Interview Was Attacked And Labeled “Controversial”)

(h) Know knew which knife was the murder weapon

(Why Knox’s Damning Last Live TV Interview Was Attacked And Labeled “Controversial”)

(I) Knox knew that Meredith’s money had been taken.

(j) Knox knew—as did Sollecito—that nothing had been taken during the break in.

(k) Knox knew a black man was involved.  She just falsely accused the wrong one.

(l) Knox’s “alibi” for her footprints—Sollecito’s—in Meredith’s blood was that it was just bleach.

Commentary:

Although the details have been “dripping” out, this in particular reads like a pretty damning murder confession.)

Admission #13: Knox Admits her “50 hour interrogation” is false

[Chapter 6, Page 77] ” .... Now I see that I was a mouse in a cat’s game. While I was trying to dredge up any small thing that could help them find Meredith’s killer and trying to get my head around the shock of her death, the police were deciding to bug Raffaele’s and my cell phones.

[Chapter 7, Page 83] ” .... The police weren’t stopping to sleep and didn’t seem to be allowing us to, either. Rafael and I were part of the last group to leave the questura, along with Laura, Filomena, Giacomo, and the other guys from downstairs, at 5:30 A.M. The police gave Rafael and me explicit instructions to be back at the questura a few hours later, at 11 A.M. “Sharp,” they said.

[Chapter 10, Page 105] ” .... But trying to be adult in an unmanageable situation, I borrowed Raffaele’s sweatpants and walked nervously to my 9 A.M. grammar class. It was the first time since Meredith’s body was found that I’d been out alone.
Class wasn’t as normal as I would have liked. Just before we began the day’s lesson, a classmate raised her hand and asked, “Can we talk about the murder that happened over the weekend?”

[Chapter 10, Page 108] ” .... Did the police know Id show up, or were they purposefully separating Rafael and me? When we got there they said I couldn’t come inside, that I’d have to wait for Rafael in the car. I begged them to change their minds. I said, “I’m afraid to be by myself in the dark.”
They gave me a chair outside the waiting room, by the elevator. I’d been doing drills in my grammar workbook for a few minutes when a silver-haired police officer””I never learned his name””came and sat next to me. He said, “As long as you’re here, do you mind if I ask you some questions?”
I was still clueless, still thinking I was helping the police, still unable or unwilling to recognize that I was a suspect.”

[Chapter 10, Page 114] ” .... “Where did you go? Who did you text?” Ficarra asked, sneering at me.
“I don’t remember texting anyone.”
They grabbed my cell phone up off the desk and scrolled quickly through its history.
“You need to stop lying. You texted Patrick. Who’s Patrick?”
“My boss at Le Chic.”
“What about his text message? What time did you receive that?”
“I don’t know. You have my phone,” I said defiantly, trying to combat hostility with hostility. I didn’t remember that I’d deleted Patrick’s message.”

[Chapter 10, Page 117] ” .... People were shouting at me. “Maybe you just don’t remember what happened. Try to think. Try to think. Who did you meet? Who did you meet? You need to help us. Tell us!”
A cop boomed, “You’re going to go to prison for thirty years if you don’t help us.”

Commentary:

A number of points to address in the “Knox Interrogation Hoax”

(a) Knox complains that her phone and RS’ were tapped, but it seems that no effort was ever made either to pull their phone records, confirm their locations, confirm if the phones were on, or to read any text messages.  Seems very half assed.  Knox further claims that while she and RS were the targets, police went out of their way to get them to implicate—someone else! Patrick Lumumba.

(b) Knox admits that “all” the residents of the house were detained, not just her.  And hanging around the central police station is not the same as being questioned.

(c) Knox admits she went to class on Monday

(d) Knox admits she showed up at the Questura uninvited

(e) Knox admits she had to ask to be let in and to stay on

(f) Knox admits she gave PL’s name to the police

Admission #14: Knox Admits that Mysogeny was not an Issue

All of these women were involved in the case and none claimed THEY were made targets:

(a) Monica Napoleoni—Chief Inspector

(b) Rita Ficarra—Inspector

(c) Manuela Comodi—Prosecutor

(d) Claudia Matteini—Judge

(e) Patrizia Stefanoni—DNA expert

(f) Sarah Gino—Defense DNA expert

(g) Maria del Grosso—Knox lawyer

(h) Guilia Bongiorno—Sollecito lawyer

(i) Carla Vecchiotti—“Independent” expert appointed by Judge Hellmann

Commentary:

So at least 9 women were described in positions of power and influence in WTBH, and none of them claimed bias or discrimination.

Admission #15: Knox Admits Her Lawyers Didn’t “Sign Off” on her Book

[Chapter 16, Page 194] ” .... Luciano looked revolted, and Carlo urged me, “Anytime At-giro calls you alone into an office, tell him you don’t want to speak with him. He could be talking about sex because Meredith was supposedly the victim of a sexual crime and he wants to see what you’ll say. It could be a trap.”

[Chapter 20, Page 230] “˜’ ... “It’s risky,” Carlo said. “Mignini will try to pin things on you.” “He already has,” I told them. The first time I met Mignini at the questura, I hadn’t understood who he was, what was going on, what was wrong, why people were yelling at me, why I couldn’t remember anything. I thought he was someone who could help me (the mayor), not the person who would sign my arrest warrant and put me behind bars”¦’”˜

[Chapter 21, Page 254] “˜’ ... “Amanda, the investigators are in a conundrum,” Carlo said. “They found so much of Guede’s DNA in Meredith’s room and on and inside her body. But the only forensic evidence they have of you is outside her bedroom. Raffaele’s DNA evidence is only on the bra hook. If you and Raffaele participated in the murder, as the prosecution believes, your DNA should be as easy to find as Guede’s.” “But Carlo, no evidence doesn’t mean we cleaned up. It means we weren’t there!” “I know,” Carlo said, sighing. “But they’ve already decided that you and Raffaele faked a break-in to nail Guede. I know it doesn’t make sense. They’re just adding another link to the story. It’s the only way the prosecution can involve you and Raffaele when the evidence points to a break-in and murder by Guede.”

[Chapter 22, Page 270] “˜’ ... Carlo, the pessimist, said, “Don’t get your hopes up, Amanda. I’m not sure we’ll win. There’s been too much attention on your case, too much pressure on the Italian legal system to think that you won’t be sent to trial.”

[Chapter 27, page 330] ” .... Carlo, who’d never sugarcoated my situation, said, “These are small-town detectives. They chase after local drug dealers and foreigners without visas. They don’t know how to conduct a murder investigation correctly. Plus, they’re bullies. To admit fault is to admit that they’re not good at their jobs. They suspected you because you behaved differently than the others. They stuck with it because they couldn’t afford to be wrong.”

Commentary:

While Carlo Dalla Vedova and Luciano Ghirga don’t seem overly bright (or ethical), it is very doubtful that either would commit career suicide by endorsing such claims, in essence that they failed to act to protect their client.  These claims from the book were never reported.

Admission #16: Knox Admits that Guede got no “Deal” to Testify

[Chapter 22, Page 273] ” .... The first day of the pretrial was mostly procedural. Almost immediately Guede’s lawyers requested an abbreviated trial. I had no idea the Italian justice system offered this option. Carlo later told me that it saves the government money. With an abbreviated trial, the judge’s decision is based solely on evidence; no witnesses are called. The defendant benefits from this fast-track process because, if found guilty, he has his sentence cut by a third.”

[Chapter 30, Page 384] ” .... friend. That feeling was compounded when, about three weeks after Raffaele and I were convicted, the appeals court cut Rudy Guede’s sentence nearly in half, from thirty years to sixteen. Meredith’s murderer was now serving less time than I was””by ten years! How can they do this?!”

In summary:

WTBH is mostly dishonest crap, but the truthful parts (about 5-10%) contradict the other parts.  Research, anyone?

5. Will the documentary makers please actually read AK’s book?

Painful yes, but red flags are everywhere. I ASSUME they want the truth…

6. Knox Illegally In Toronto

This post is one in our ongoing series.

Netflix’s “Amanda Knox” was first shown at the September 2016 Toronto International Film Festival. Knox herself attended to promote the movie.

That got it off to a fast start but under the law, with her criminal record, she should not even have been there.  Knowing her criminal record, it is unclear “why” she was allowed into Canada.  Section 140 of the Canadian Criminal Code (public mischief), makes it a crime, punishable by up to 5 years in prison to falsely accuse someone of a crime, or to divert suspicion from him/herself.

This is the Canadian equivalent of “calunnia”, which Judge Massei gave her 1 year for, which Judge Hellmann raised to 3 years.  Even though Canada has a different name for calunnia, the act itself is still very much illegal.

Since the financial restitution to PL was never paid for the hell she put him through, AK still has outstanding legal obligations, another reason she is inadmissible.

Knox claims she was not paid or compensated in any way for this documentary, though that is very unlikely.  Further, the Province of Ontario has rules which prohibit criminals from cashing in on the notoriety of their crimes, still another reason Knox should not have been allowed into Canada.  This is similar to American “Son-of-Sam” laws.

Even though the rape and murder charges were ultimately thrown out, Canada Border Services and Canadian Immigration are required to not allow entry to persons who pose a danger to the public.  “Present at the murder scene, washing blood off her hands” isn’t exactly being “innocent” of the crime.  This is the strongest reason Knox should have been denied entry.

In future, countries she visits should be put in the know on all of this.


Below: Stephen Robert Morse, Rod Blackhurst, and Brian McGinn: NO CLUE what is in book?


Correcting Netflix 15: Omitted - Amanda Knox’s Incriminating Lies To The Police, Prosecution And Courts

Posted by The Machine



In 2008 Knox lawyers publicly ask that she stop lying publicly; one resigned earlier over lies.

Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.


Overview Of This Post

The filmmakers Blackhurst, McGinn and Morse allow Amanda Knox to portray herself as a terrified ingenue.

One who lied about Diya Lumumba killing Meredith and placed herself at the cottage only because she was subjected to a coercive police interrogation and was physically assaulted.

They don’t question ANY of the witnesses who were present when she was questioned at the police station to contradict her account of events - witnesses who testified as to exactly what did happen over many days at the trial in 2009.

They allow her account of her questioning to go unchallenged though NOT ONE JUDGE at pre-trial hearings, the trial, first appeal, Supreme Court, second appeal, and Supreme Court appeal considered any of her varying accounts to be the truth.

The filmmakers also don’t address the fact that Amanda Knox lied repeatedly to the police and others both before and after her questioning on 5 November 2007, let alone provide viewers with a plausible innocent explanation for these lies.

In this article, I will detail the lies Amanda Knox told the police and others using the official court reports and court testimonies as well as Amanda Knox’s book Waiting to Be Heard.

Instances Of Knox Lies Refuted

Amanda Knox lied to Filomena about where she was on 2 November 2007.

But the Nencini report, 2014, page 174, said:

“In the first telephone call the defendant made to Filomena Romanelli, she clearly said that she would go back to Raffaele’s place to tell him about the strange things discovered in the apartment, and then return with him to check the situation. This circumstance is clearly false, since when Amanda Knox made the first call to Romanelli at 12:08:44 pm on 2 November 2007 she was at already Raffaele Sollecito’s apartment and not at 7 Via Della Pergola.

This fact is certain because it is gleaned from the telephone records, as has been already been said, and specifically from the fact that the telephone call above connected to the cell that served precisely 130 Via Garibaldi, a cell that is not within reach of anyone who would have been at 7 Via Della Pergola.

Amanda Knox claimed that she and Sollecito called 112 before the arrival of the postal police officers at the cottage.

But the Nencini report, 2014, page 176, said:

“There was one specific circumstance about which, this time, both the defendants lied. This is about the succession of events at the moment when the postal police intervened on the spot.”

And the Nencini report, 2014, page 179, said:

“From the testimony of the witnesses referred to above it thus clearly emerges how both of the defendants (but to be precise it was Raffaele Sollecito to tell the police this) declared to Inspector Battistelli that they were sitting there awaiting the arrival of the Carabinieri whom they had called. However Inspector Battistelli indicated in his service notes that he arrived on the scene at 12:35 pm, and questioned in the court hearings by the Judges of First Instance Court, he explained that he looked at his watch at the moment when he arrived at the cottage.” (The Nencini report, page 179).

Amanda Knox told the postal police on 2 November that Meredith always locked her door.

But the Massei trial report, 2010, page 31, said:

“This last circumstance, downplayed by Amanda, who said that even when she went to the bathroom for a shower Meredith always locked the door to her room (see declarations of Marco Zaroli, page 180, hearing of February 6, 2009 and declarations of Luca Altieri, page 218, hearing of February 6, 2009), had alarmed Ms. Romanelli more. She said she was aware of only once, when she had returned to England and had been away for a few days, that Meredith had locked the door of her room. (This circumstance was confirmed by Laura Mezzetti, page 6, hearing of February 14, 2009).”.

Knox pretended she hadn’t called Meredith when she spoke to Filomena.

But the Massei trial report, 2010, page 387, said:

“Amanda called Romanelli, to whom she started to detail what she had noticed in the house (without, however, telling her a single word about the unanswered call made to Meredith, despite the question expressly put to her by Romanelli)”

Amanda Knox falsely claimed in her e-mail to friends on 4 November 2007 that she had called Filomena first

But she had actually called Meredith a minute earlier.  The Nencini appeal report, 2014, page 169, said:

“A first discrepancy is immediately noticeable between what the defendant states in the memorial and what is ascertained from the telephone records.”

“At the moment when Amanda Marie Knox rang Filomena Romanelli she had already made a call to the English telephone used by Meredith Kercher, not therefore the opposite.”

Amanda Knox claimed that when she called Meredith’s English phone after speaking to Filomena, it “just kept ringing, no answer”.

But the Nencini appeal report, 2014, page 170, said:

“From the telephone records it appears that the telephone call made at 12:11:02 pm to the Italian Vodafone service of the victim lasted 3 seconds”

Amanda Knox claimed she slept until around 10:00am the next morning.

But the Nencini appeal report, 2014, page 158, said:

“What the Court finds proved is that at 6:02:59 am on 2 November 2007 they were not in fact asleep, as the defendants claim, but rather the occupants were well awake. At 5:32 am on 2 November 2007 the computer connected to a site for listening to music, remaining connected for around half an hour. Therefore, at 5:32 am someone in the house occupied by Amanda Knox and Raffaele Sollecito sat in front of the computer and listened to music for around half an hour and then, at 6:02:59 am, switched on Raffaele Sollecito’s mobile phone”¦”

Amanda Knox claimed she was at Sollecito’s apartment when she received Diya Lumumba’s text message.

But the Nencini appeal report, 2014, pages 132-132, said: 

“At 8:18 pm and 12 seconds, Amanda Marie Knox received a text message sent to her by Patrick Lumumba, in which he informed her that it would not be necessary for her to go to the bar to carry out her usual work. At the time of receipt, Amanda Marie Knox’s handset connected via the sector 3 mast at Torre dell’Acquedotto, 5 dell’Aquila, as shown by phone records entered in evidence. This mast cannot be reached from the vicinity of 130 Corso Garibaldi, the home of Raffaele Sollecito. According to the findings of the judicial police entered in evidence, this mast could be reached by anyone in Via Rocchi, Piazza Cavallotti or Piazza 4 Novembre, all locations in Perugia which are intermediate between 130 Corso Garibaldi, the home of Raffaele Sollecito, and Via Alessi, where the “Le Chic” bar is located.

“From this set of facts established in the case, Amanda Marie Knox’s claim, according to which she received Patrick Lumumba’s text message while she was at 130 Corso Garibaldi, appears false. Given the mast connected to and the time, it is reasonable to assume that, when Amanda received the message, she had already left Raffaele Sollecito’s home and was on her way to the “˜Le Chic’ bar. Presumably, she then turned around and went back.”

Amanda Knox initially claimed she was at Sollecito’s apartment on the night of the murder.

But Sollecito categorically stated in his own signed witness statement that Amanda Knox wasn’t at his apartment on the night of the murder: Raffaele Sollecito’s witness statement, 5 November 2007, said:

“At 9pm I went home alone and Amanda said that she was going to Le Chic because she wanted to meet some friends. We said goodbye. I went home, I rolled myself a spliff and made some dinner, but I don’t remember what I ate. At around eleven my father phoned me on the house phone. I remember Amanda wasn’t back yet. I surfed on the Internet for a couple of hours after my father’s phone call, and I stopped only when Amanda came back, about one in the morning, I think.”

And Judge Bruno and Judge Marasca of the Fifth Chambers stated in their 2015 report that Amanda Knox was at the cottage when Meredith was killed.

The Bruno and Marasca report, 2015, said:

“”¦ now we note, regarding Amanda Knox, that her presence in the dwelling, that was the “theatre of the murder”, was proclaimed in the trial process in alignment with her own admissions, including those contained in her signed statement in the part where she states she was in the kitchen, after the young English girl [Meredith] and another person went off to Kercher’s room for sexual intercourse, she heard a harrowing scream from her friend, so piercing and unbearable that she fell down huddled on the floor, holding her hands tightly against her ears so as not to hear more.

We do indeed share the previous judge [Nencini’s] opinion that this part of the accused’s story is reliable, due to the plausible observation that it was she who first put forward a possible sexual motive for the murder and mentioned the victim’s harrowing scream, at a time when the investigators still didn’t have the results of the examination of the corpse or the autopsy, nor the witness information, which was subsequently gathered, about the victim’s scream and the time it was heard.

Amanda Knox told the police she hadn’t replied to Diya Lumumba’s text message.

But Judge Chieffi’s Supreme Court report, 2008, page 36, said:

“the police, who merely asked Ms Knox whether she had replied to the message that he had sent her, that her phone showed she had received, and to the young woman’s negative response it was put to her that [her telephone showed] that a reply was in fact given.”

Amanda Knox claimed the police hit her.

But the witnesses who were present when Knox was questioned, including her interpreter, testified under oath at the trial in 2009 that she wasn’t hit.

These repudiations are from the relevant court transcripts:

Giuliano Mignini: ... violence, of “¦

Monica Napoleoni: But absolutely not!

Mignini:  You remember it”¦ you’ve described it; however, I’ll ask it. Was she threatened? Did she suffer any beatings?

Anna Donnino: Absolutely not.

GM: She suffered maltreatments?

AD:  Absolutely not.

Carlo Pacelli:  In completing and consolidating in cross-examination the questions by the public prosecutor, I refer to the morning of the 6th of November, to the time when Miss Knox had made her summary information. In that circumstance, Miss Knox was struck on the head with punches and slaps?

Anna Donnino:  Absolutely not.

CP:  In particular, was she struck on the head by a police woman?

AD:  Absolutely not!

CP:  Miss Knox was, however, threatened?

AD:  No, I can exclude that categorically!

CP:  With thirty years of prison”¦ ?

AD:  No, no, absolutely not.

CP:  Was she, however, sworn at, in the sense that she was told she was a liar?

AD:  I was in the room the whole night, and I saw nothing of all this.

CP:  So the statements that had been made had been made spontaneously, voluntarily?

AD:  Yes.

Carlo Della Valla:  This”¦

Giancarlo Massei:  Pardon, but let’s ask questions”¦ if you please.

CP:  You were also present then during the summary informations made at 5:45?

AD:  Yes.

CP:  And were they done in the same way and methods as those of 1:45?

AD:  I would say yes. Absolutely yes.

CP:  To remove any shadow of doubt from this whole matter, as far as the summary information provided at 5:45 Miss Knox was struck on the head with punches and slaps?

AD:  No.

CP:  In particular, was she struck on the head by a policewoman?

AD:  No.

Knox told the police she hadn’t smoked marijuana.

But Amanda Knox herself in “Waiting to Be Heard” said:

“When we finished, a detective put me through a second round of questioning, this time in Italian. Did we ever smoke marijuana at No.7 Via della Pergola? ‘No, we don’t smoke,’ I lied. squirming inwardly as I did.”

Amanda Knox was forced to accuse Diya Lumumba of murder.

But Amanda Knox voluntarily told the police and her interpreter that Diya Lumumba had killed Meredith.

Anna Donnino: “It’s a thing that has remained very strongly with me because the first thing that she did is that she immediately puts her hands on her ears, making this gesture rolling her head, curving in her shoulders also and saying “˜It’s him! It’s him! It was him!’”

Rita Ficarra: “She suddenly put her hands to her head, burst out crying and said to us “˜It’s him, it’s him, it was him, he killed her’.

Amanda Knox then claimed Diya Lumumba killed Meredith in two witness statements she insisted on writing.

But the Nencini appeal report, 2014, page 114, said:

“Amanda Marie Knox accused Patrick Lumumba of the murder at 1:45 am on 6 November 2007.”

“Amanda Marie Knox repeated the allegations before the magistrate, allegations which she never retracted in all the following days.”

Also Amanda Knox reiterated her false allegation against Diya Lumumba on 6 November 2007 when under no pressure.

“[Amanda] herself, furthermore, in the statement of 6 November 2007 (admitted into evidence ex. articles 234 and 237 of the Criminal Procedure Code and which was mentioned above) wrote, among other things, the following:

“I stand by my [accusatory] statements that I made last night about events that could have taken place in my home with Patrick”¦in these flashbacks that I’m having, I see Patrick as the murderer”¦”

This statement was that specified in the notes of 6 November 2007, at 20:00, by Police Chief Inspector Rita Ficarra, and was drawn up following the notification of the detention measure, by Amanda Knox, who “requested blank papers in order to produce a written statement to hand over” to the same Ficarra. (Massei report, page 389.)

For several weeks Amanda Knox let the police believe Diya Lumumba killed Meredith.

But the Nencini report, pages 115-116, said:

She never retracted her false and malicious allegation the whole time he was in prison. This verdict from the 2013-14 Nencini Appeal Court was THE FINAL WORD from the courts; the Supreme Court did not reverse it: 

“Amanda Marie Knox maintained her false and malicious story for many days, consigning Patrick Lumumba to a prolonged detention. She did not do this casually or naively. In fact, if the young woman’s version of events is to be relied upon, that is to say, if the allegations were a hastily prepared way to remove herself from the psychological and physical pressure used against her that night by the police and the prosecuting magistrate, then over the course of the following days there would have been a change of heart. This would inevitably have led her to tell the truth, that Patrick Lumumba was completely unconnected to the murder. But this did not happen.

“And so it is reasonable to take the view that, once she had taken the decision to divert the attention of the investigators from herself and Raffaele Sollecito, Amanda Marie Knox became fully aware that she could not go back and admit calunnia. A show of remorse would have exposed her to further and more intense questioning from the prosecuting magistrate. Once again, she would bring upon herself the aura of suspicion that she was involved in the murder.

Indeed, if Amanda Marie Knox had admitted in the days following to having accused an innocent man, she would inevitably have exposed herself to more and more pressing questions from the investigators. She had no intention of answering these, because she had no intention of implicating Rudy Hermann Guede in the murder.

“By accusing Patrick Lumumba, who she knew was completely uninvolved, because he had not taken part in the events on the night Meredith was attacked and killed, she would not be exposed to any retaliatory action by him. He had nothing to report against her. In contrast, Rudy Hermann Guede was not to be implicated in the events of that night because he, unlike Patrick Lumumba, was in Via della Pergola, and had participated [100] in the murder. So, he would be likely to retaliate by reporting facts implicating the present defendant in the murder of Meredith Kercher.

“In essence, the Court considers that the only reasonable motive for calunnia against Patrick Lumumba was to deflect suspicion of murder away from herself and from Raffaele Sollecito by blaming someone who she knew was not involved, and was therefore unable to make any accusations in retaliation. Once the accusatory statements were made, there was no going back. Too many explanations would have had to be given to those investigating the calunnia; explanations that the young woman had no interest in giving.”

Knox claimed that Mignini questioned her and made suggestions on 5 November 2007.

But the transcript of Knox’s cross-examination at trial 2009 said:

Amanda Knox: The declarations were taken against my will. And so, everything that I said, was said in confusion and under pressure, and, because they were suggested by the public minister [Giuliano Mignini].

Carlo Pacelli: Excuse me, but at 1:45, the pubblico ministero was not there, there was only the judicial police.


Conclusion

The computer and telephone records as well as the corroborative testimony of multiple eyewitnesses provide irrefutable proof that Amanda Knox lied repeatedly to the police and others. Many of these lies were told before and after her questioning on 5 November 2007, so they can’t be attributed to police coercion.

There isn’t a plausible innocent explanation for these lies. Perhaps that’s the reason why the filmmakers don’t address them - they presumably don’t want to portray Amanda Knox in a negative light. It would be far harder to persuade their audience that Amanda Knox is an innocent victim, which is undeniably their ultimate objective. They were never interested in making an objective and balanced documentary that give viewers the full picture. 

Judge Bruno and Judge Marasca clearly couldn’t brush these numerous lies under the carpet and pretend they didn’t exist because Judge Massei, Judge Nencini and Judge Chieffi had detailed Amanda Knox’s lies in their reports. They acknowledge that Amanda Knox lied and claimed she had lied to cover for Rudy Guede.

The Netflix filmmakers completely hide all of this in their documentary.


Correcting Netflix 16: Omitted - Good Media Reporting From Italy, Depicted As Fake News

Posted by Peter Quennell



Nick Pisa was among those who filed court reports objectively and very fast

1. Overview Of This Series

This is the first of three posts describing how in the real world various arms of the media performed.

The Netflix report showed British reporter Nick Pisa relishing some early headlines, and a scene where the solving of the crime by the national and Perugia police is announced to the press.

From those seemingly damning episodes, the audience is encouraged to make the vast extrapolation that it was a voracious media and an overzealous police that drove the whole case.

Also that this was fundamentally unfair to a self-effacing, publicity-shy Knox, and that it caused the verdicts to go the “wrong” way - twice, first in the 2009 Massei trial, and second in the 2013-14 Nencini appeal.

2. The Real Police “Slant”

The police announcement - typical of such announcements in the US and UK when the local population is freaked out - was NOT made simply to win points for the police or to isolate and slam Knox (Sollecito and at that point Patrick were also described as suspects in the crime).

There had not been a single murder in Perugia for many years. This murder was reported (rightly) as singularly depraved and (rightly) as a pack attack with knives.

Many people could not sleep at night. The immediate effect upon Perugia and in particular its huge student population (over 20,000) of Meredith’s death was that many men and women, especially women as a sex crime was (rightly) described, did indeed become freaked out.

Literally thousands began to leave town.

Both the town managers and the university managers were quite desperately demanding an early break or major assurances to stem this tide. The police announcement did in fact do that.

Thereafter the investigators went on about their work for the better part of a year, and the documentation is huge - it was put at 10,000 pages early on but is now substantially larger than that.

Here is one example of just how much work was done after the police calmed things down.

At the infamous “interrogation” of Knox on 5-6 November 2007 she in fact worked on a list of seven names of people who might be able to help the police. The police took that list and they tracked down all seven, and the cross-checking of their accounts went on for months.

Complicated, of course, because Knox most heavily pointed at Patrick, and used the list to point away from herself. Her drug dealer, which police soon found out about, did not appear on the list though he had repeatedly been at her house.

3. The Real Media “Slant”

In the next post, we shall show how there really was a huge slant - but not what Netflix depicts.

All of the Netflix’s global demonization of the media flows from Nick Pisa’s few deprecating words. No extensive checking of his reports is seen.

No Italian media disposition was examined at all - the Italian media was by far the most likely to have an effect on a jury of Italian speakers who are encouraged by the system to do some research.

Netflix maybe omitted this for their own convenience - there was little or no slant to point to at all.

Italian media reported methodically before and during trial and long thereafter on what the US and UK media mostly did not - all the crucial process steps pre-trial were reported in Italy but largely ignored by the UK and US press.

You can read about the remorselessly building evidence in this eye-opening series here.

The Netflix team dont appear to have read even one official document on the case.

The key two documents here would be the report on the Massei guilty verdict in 2009 and the report on the Nencini guilty verdict in 2014. That was respectively two years and over seven years after the early “damning” media reports. 

Take a look.

In fact try to find even ONE instance where a UK reporter writing in English for an English audience in late 2007 got inside an entire panel of Italian judges’ heads late in 2009, and again in 2014, which is what Netflix would like you to believe.

4. Nick Pisa’s Real Reporting On The Case

Fortunately for the hard truth, what we often called the “Rome pool” of foreign correspondents included nearly a dozen exceptionally talented reporters (those posted in other countries usually are the cream of the crop).

Thanks to their very hard work and their incessant costly travel to Perugia, we were able to repost on the 2008 and 2009 developments with a scope far beyond what any one “man on the spot” could do (we did have several of those too).

Free-lancer Nick Pisa in fact reported from the court for a lot of media outlets in the UK, not simply one. He was the only non-Italian reporter to pretty consistently have a cameraman along, for his reports for Sky News, and some of his good video reports still show.

This kind of fast, comprehensive coverage badly rattled the Knoxes and Mellases and their camps and especially diminished their PR, and they openly displayed angry aggression at times.

We’ll describe in the next post their desperate attempts to demonize all of the few reporters they did not have on a chain as coming straight from hell. 

We have carried a total of 43 of Nick Pisa’s reports, in whole or in part. Check them all out below. Do you see ANY bias here?

5. Reports We Used As Trusted Valuable Source

Click here for post:  Trial: The Proceedings Commence: The UK’s Daily Mail Reports First

Click here for post:  Trial: Friday Morning Not A Good Start For The Knox Team

Click here for post:  Trial: Defendant Noticeably Bubblier Than Meredith’s Sad Friends

Click here for post:  Trial: Nick Pisa Of On-The-Ball Sky News Reports Early Testimony

Click here for post:  Trial: Nick Pisa Of On-The-Ball Sky News Reports On Saturday Morning

Click here for post:  Guede’s Grounds For Appeal Sound None Too Convincing

Click here for post:  Trial: Sky News Video Report On Friday’s Court Session

Click here for post:  Confirmed: Neither Knox’s Father Nor Stepfather Were So Solicitous In Seattle

Click here for post:  Trial: Prosecution Witnesses Present Many More Reports On Odd Behavior Of Knox

Click here for post:  Sollecito Gets A Birthday Card From His Co-Defendant

Click here for post:  Trial: Witness Emulates A Loud Scream She Heard On The Night

Click here for post:  Trial: Sky News’s Report On Today’s Eyewitnesses

Click here for post:  Trial: The Closed Court Sees Graphic Photos And Video Footage Of The Autopsy

Click here for post:  Trial: One Busy Day On The Court Agenda For The Judges And Jury

Click here for post:  Owner Says The House Will Be Available For Rent

Click here for post:  Trial: The Trial Agenda For Today And Tomorrow Is Physical And Forensic Evidence

Click here for post:  Trial: At Saturday Morning Session Bloody Footprints Said To Match The Defendants

Click here for post:  Trial: The Morning Report By Sky New’s Nick Pisa

Click here for post:  Trial: Court Hears Of Enormous Cruelty Of The Crime

Click here for post:  Trial: Meredith’s Family Recounts The Terrible Pain Of Her Loss

Click here for post:  Trial: Richard Owen Reports First Knox Testimony With Nick Pisa Video

Click here for post:  The Letters Between The Women’s And Men’s Wings In Capanne

Click here for post:  Trial: Dr Sollecito Testifies About The Human Qualities Of His Son

Click here for post:  Trial: Nick Pisa Reports Knox Sisters’ Macabre Posing Where Meredith Was Killed

Click here for post:  Trial: Early Report By Nick Pisa On What Was Expected To Be Heard Today

Click here for post:  Trial: Defense Witnesses Testify On Cannabis Effects And Meredith’s Mobile Phone

Click here for post:  Trial: Further Expert Examinations Denied - The Report From Nick Pisa

Click here for post:  The Summations: Nick Pisa In Daily Mail Has A Late-Morning Report

Click here for post:  The Summations: Defendant Leaves Court As Prosecutor Proposes What Meredith Was Subjected To

Click here for post:  The Summations: Patrick Lumumba’s Lawyer Describes Defamation By Knox As Ruthless

Click here for post:  Could The Italian Authorities Be Starting A Wave Of Libel + Slander Investigations?

Click here for post:  The Summations: Lawyer Luca Maori Sums Up All Day Today In Sollecito’s Defense

Click here for post:  The Summations: The Two Defendants Make Their Final Pleas To The Court

Click here for post:  US Overreaction: Amanda Knox’s Own Lawyer Groans “That’s All We Need, Hillary Clinton

Click here for post:  The Controversy Over The Lifetime Movie Seems To Be Stirring Some Needed Changes

Click here for post:  Kercher Family Lawyer Walks Out As Amanda Knox Engages In What Looks Like Yet Another Stunt

Click here for post:  UK’s Sky News Carries A Pre-Session Report from Nick Pisa In Perugia This Morning

Click here for post:  A Belated Attempt To Do A U-Turn On The Misconceived Loser Of A PR Campaign?

Click here for post:  The Fourth Appeal Hearing Today Saturday: The Main Items On The Court’s Agenda

Click here for post:  Fourteenth Appeal Session: Judge Hellmann Consults Jury And Concludes They Have Enough To Wrap Up

Click here for post:  Conspicuous By Their Absence Now: Legal Commentators For Sollecito And Knox

Click here for post:  Lord Justice Leveson: In Fact MANY Press Errors Were Made In The Reporting On Meredith’s Case

Click here for post:  A Smug Killer Who Thought Perhaps He’d Escaped Justice Was Brought Down In The UK Today


Correcting Netflix 17: Omitted - Too Many Pesky Truths, To Inflame False Notion Italian Justice Failed Here

Posted by Corpusvile



Inside Netflix’s Silicon Valley headquarters


Amanda Knox the Netflix documentary was directed and exec produced by two ardent Knox supporters, Rod Blackhurst and Stephen Robert Morse

They have been campaigning for Knox since 2011, which has included harassing real journalists who actually covered the case far more thoroughly than they did.

The movie opens with lingering almost gleeful close ups of the bloody crime scene and goes downhill from there. It begins by trying to shape a false narrative of handy villains who all seemingly came together like the stars aligning to make innocent Amanda look so screamingly, beyond a reasonable doubtingly guilty.

In the beginning, there were the cops. It was them who railroaded and coerced poor Amanda.

Then it was the nasty prosecutor, who the documentary falsely intimates took part in Knox’s trial and appeal, whereas he only took part in her trial and was one of several prosecutors. The documentary attempts to make out he’s some Sherlock Holmes fanboy nut job.

They also mistranslate him, by having him proclaim that only a female killer would cover a female victim, when he actually said that an “unknown” male killer - within the context of a supposed burglary gone wrong - would be unlikely to cover up a victim.

Then it was the ENFSI certified forensic specialist who Knox’s fan club labeled a “lab technician”. (Oddly, though, the same forensic specialist and prosecutor seemed to do a great job testifying against and prosecuting the black guy, and sogood work guys).

Then it was Meredith Kercher’s friends who conspired against The Railroaded One, then it was the innocent victim’s innocent family themselves who were “persecuting” sweet Amanda.

Now, courtesy of Netflix, the REAL villains were the tabloid media, specifically one tabloid hack, Cockney wideboy Nick Pisa, who comes across like I’d imagine Danny Dyer’s dad would come across as and is quite hilarious, albeit totally devoid of any scruples as any tabloid hack worth his/her salt would.

The media, the prosecutor, the witnesses, THEY were the ones who were responsible for poor Amanda’s woes (and not the 10,000 pages of behavioral, circumstantial and hard physical evidence against her which the documentary brushes over in a cursory manner.)

It makes out that Knox and Sollecito were in love after an alleged five day romance. I say “alleged” as Sollecito is rather inconsistent in this regard, variously claiming a fortnight, 10 days, to a week to now apparently five days. This is hammered home by shots of what I presume to be lovebirds, complete with feel-good treacle music.

Sollecito comes across as a smirking stoned weirdo, and Knox comes across as her usual creepy quasi psychopathic self, complete with crocodile tears and loud theatrical sighs.

Knox is also her usual inconsistent self and can’t seem to stop changing her story, whether it’s droning on that she and Meredith weren’t the best of friends (after droning on in other interviews that they were “dear friends”).

Or claiming that she only knew Guede to look at and had only seen him two or three times. This despite claiming that she only saw Guede for the first time ever in court (Dianne Sawyer interview) and claiming she never had contact with Guede, in her rambling eight page email to the Nencini appellate court before claiming - in a consecutive sentence no less - that she actually did have contact with him.

She proclaims it’s “impossible” for her DNA to be on the murder weapon, disregarding that it was a matter of established fact that her DNA is on the murder weapon with Meredith’s DNA on the blade.

The film makes out that Rudy Guede, the sole person convicted for Meredith Kercher’s murder, left his DNA all over the crime scene, with funky arrows pointing here, there, and everywhere. The problem is this simply isn’t true. Rudy Guede was convicted on less DNA evidence (five samples) than Amanda Knox (six samples).

The documentary also displays quasi racism, where trial and appellate courts can be rejected for innocent Amanda, but innuendo is sufficient for black guys, as Knox lies in the documentary that Guede is a known burglar.

The documentary happily facilitate this lie by obligingly showing a mugshot of Guede with the intimation that it’s a mugshot for burglary. The problem again is, this is simply untrue. Guede has no burglary convictions, and indeed was the only one out of the trio with no prior criminal record before Ms Kercher’s murder.

Knox and Sollecito both had minor run-ins with the law resulting in fines. Guede was never even charged with the burglary, and even the acquitting court decreed that the burglary was staged, as in staged in another flatmate’s room where Amanda Knox left her presumed blood DNA mixed with the murder victim’s and where no trace of Rudy Guede exists.

Knox also claims that no biological traces of her exist in one localized area of the crime scene, specifically Meredith’s bedroom, yet ignores that by such a rationale Guede couldn’t have committed the burglary.

Knox also claims that Guede acted alone, but no court decreed this, and she claims that he broke into her home when Meredith was present, neglecting to explain how Meredith never heard the 4 kilo rock hurling through Filomena Romanelli’s bedroom and why she obligingly did nothing while Guede shimmied 13 feet up a sheer wall TWICE.

The documentary, apparently not content with trying to match the record of most lies ever told in a single documentary before, then breezily attempts to surpass such a record, by introducing the film’s saviors, Stefano Conti and Carla Vechiotti, as “independent forensic DNA experts”.

Conti hypothesizes, like he did in court, that anything is possible. It’s like totally possible that contamination could have occurred, therefore it…  DID occur. Basically a hypothesis on the basis that “anything’s possible” supersedes actual submitted evidence.

Vechiotti not to be outdone promptly contradicts Conti by attacking Low Copy Number (LCN) DNA as a science. Basically he claims Meredith Kercher’s DNA profile on the murder weapon (found in Sollecito’s flat, causing him to lie in his diary as to how the DNA got there by claiming that Meredith had cut herself cooking while at his apartment; but Meredith had never visited Sollecito’s apartment) is so tiny that it should be discarded and ignored.

LCN DNA is however now accepted by courts of law worldwide, including in the State of New York USA. Vechiotti also admitted in court that it was Meredith’s profile, and that contamination couldn’t have occurred due to the six day delay between testing.

She does a u-turn on the documentary though, claiming that contamination was likely due to Meredith’s profile being LCN and so small, despite testifying the exact opposite where it mattered the most, in court.

Problem is, Conti makes the contamination hypothesis for the bra clasp, only Sollecito’s DNA found there isn’t LCN, it’s a 17 loci match, with a US court considering between 10-15 loci sufficient enough to be used as evidence.

The doc also fails to explain how his DNA ended up only on the tiny bra clasp in such abundance and nowhere else apart from a cigarette, but mixed with Knox’s. So, too small for the knife, and hey, anything’s possible for the bra clasp.

They also make a big thing about the bra clasp lying in a sealed crime scene for 46 days, yet don’t mention that two samples of DNA evidence used to convict Guede (Meredith’s sweatshirt and purse) also lay there for 46 days. I guess there’s different burdens of proof bars for black guys.

However again the problem is that all of this (yep, again) is simply untrue. Conti and Vechiotti are not experts in forensic DNA or ENFSI certified.

Carla Vechiotti is a pathologist. Her lab at Sapienza University was shut down due to atrocious hygiene practices including honest to God corpses being strewn about the halls, I kid you not.

Conti’s expertise is “computer medical science”...whatever that’s supposed to be. Nor are they independent. Conti and Vechiotti were found “Objectively biased” and “Objectively deceptive” in court by the Nencini appellate. Specifically because Vechiotti falsely claimed that the technology did not exist to re-test the murder weapon. It did indeed exist in 2011.

Vechiotti was also filmed by the BBC shaking hands with Sollecito’s father in court, no less, hardly appropriate behavior for so-called independents. Vechiotti has also been found guilty of criminal misconduct in a separate case, and was fined €150,000 for screwing up in yet another separate case, known as the Olgiatta murder.

You’ll notice in this review how I’ve rarely mentioned the victim Meredith Kercher. That’s because she barely gets a mention in this sad excuse for a documentary. Not even an RIP.

Meredith, the victim is relegated to a mere footnote and indeed a foot under a duvet.

The doc does use archive footage of her mother, Arline, and intimates that she herself is having doubts, whereas the Kerchers have made very clear on several occasions that they know who murdered their daughter.

Reprehensibly, the doc also displays close up autopsy photos of Meredith, yet the autopsy photos were never made public.

Considering only the Kerchers (who didn’t take part in Netflix’s PR makeover) and the defence - and by extension the two former defendants - had access to such material, this begs the very pertinent question: who provided two ardent Knox supporters with autopsy photos of the murder victim?

The filmmakers should be ashamed of themselves for this alone, utterly contemptible behavior which comes across as needlessly and despicably taunting the victim’s family, and at the very least exploiting their daughter and sister purely for lurid effect to make their documentary more “gritty”.

So what’s the verdict on Amanda Knox the documentary?

Well, it’s a terrible, false and ultimately immoral exercise in innocence fraud, and here are some more of the facts that Knox’s PR infomercial left out:

1 The Supreme Court’s acquitting report states that Amanda Knox was present during Meredith’s murder and may even have possibly washed the victim’s blood from her hands afterwards but it STILL can’t be proved that she did it, which begs more questions, namely why didn’t innocent Amanda call the cops for her friend and why wasn’t she charged as an accessory at least? (The same Supreme Court did not make the same allowance for the black guy though, had he washed the victim’s blood from his shoes for example.) The court also states that there’s “strong suspicion” that Sollecito was there.

2 The Supreme Court’s acquitting report states that the burglary was staged.

3 The Supreme Court’s acquitting report states that Meredith was murdered by three attackers and that Guede had two accomplices. (And you really don’t have to be Stephen Hawking to figure out who these two accomplices were, when you view the evidence in its totality)

4 The Supreme Court’s acquitting report states that Meredith’s murder was NOT due to a burglary gone wrong.

5 The Supreme Court’s acquitting nonetheless finalizes Knox’s calumny/criminal slander conviction, which she was handed for falsely accusing her innocent employer of rape and murder, leaving him in prison for two weeks, and never retracting her statement, despite false reports that she did, meaning that Knox’s status is still that of a convicted criminal felon.

6 In finalizing Amanda Knox’s calumny/criminal slander conviction, the Supreme Court’s acquitting report states that Knox blamed her boss to protect Rudy Guede as she was afraid that Guede could “retaliate by incriminating” her, which of course begs some more very interesting and pertinent questions, such as how could Guede incriminate innocent Amanda to begin with?

7 The Supreme Court’s acquitting report does NOT exonerate Knox, it acquits her due to “insufficient evidence”,like Casey Anthony, OJ Simpson and that nice man Robert Durst now back on trial.

The Truth is Out There, as a fictional 90s FBI agent who investigated strange stuff once mused. The truth in Meredith Kercher’s case is out there too, specifically in the Massei and Nencini court reports.

Never have I seen a case where such overwhelming evidence existed and where all the primary sources and court reports are fully available, only for such false reporting and fawning (and equally false accounts abound). It’s like the mainstream media have collectively turned into the robotic town of Stepford.

Yet the truth often has the strangest habit of coming to light, often when we least expect it to shine. I have hopes it’ll shine in Meredith’s case, in time. The supporter fanboy filmmakers are fooling nobody who is familiar with Meredith’s case, and neither are Amanda Knox or Raffaele Sollecito.

RIP Meredith Kercher, who along with her stoic dignified family (who have been subjected to absolutely abhorrent abuse and attacks by Knox’s supporters online) and Knox’s employer Patrick Lumumba are the only victims here.

May the truth shine in your case one day and the facts and truth come to light.


Correcting Netflix 28 Omitted - The Case Against RS & AK Is Actually Getting Stronger Still

Posted by Peter Quennell




Pro-Guilt Trends

See the pointilist painting above? It consists entirely of dots. The more dots, the more it makes sense.

Justice can take its sweet time. But the global trend is for it to win out in the end. There is actually a huge industry that does what we do. Continue to harden cases dot by dot.

Primarily for that reason, opinion polls and surveys taken of the attitudes to specific crimes show that over time most of those attitudes trend toward guilt. Even Netflix can’t buck that.

Smoking Guns

This case is like that. Take a look at our new page. Created at popular request. The stark facts in any one of those posts is pretty well impossible to innocently explain away.

Eight of those 12 posts appeared - could only appear - in the past three years. New documents and new translation continue to arrive. The enormous Case Wiki and PMF and TJMK add more depth all the time. 

Media Shortfalls

This goes on despite almost no help from US and UK media, who between them barely ever translated a single word. There was some fine reporting (see next posts). But major happenings in the case often got no reporting at all.

The blatant corruption of the Hellman appeal? No report. Sollecito’s telling second trip to the Dominican Republic? No report. Guede pointing more and more strongly at the pair? No report. Knox inevitably facing charges for the defamations in her book? No report. Her 400 lies there plus many more? No report.

The final vexatious outcome from the Supreme Court, which put Knox with blood on her hands right at the scene of the crime (the whole house)? No report. Sollecito’s two losses in court this year over his damages-award claim and his book? No report.

Bad books (think of PR shills Dempsey, Burleigh, Fischer, Heavey, Preston, Douglas, and Moore - as well as Sollecito and Knox) don’t stand the test of time. They are now really easy to shoot down. In contrast strong well-documented legal takes like James Raper’s book quietly move in. The BBC airs the best report done so far.

Inflection Point

Italians are strongly pro-guilt. Especially toward Knox, widely seen as the enraged and jealous prime mover and the killer of Meredith who wielded the final stab in the attack.

So we are pretty confident that the US and UK will see an inflection point in 2018. Just sayin’ Netflix.