Category: The Netflix hoax

Correcting Netflix 2: Omitted - Producers Morse, Blackhurst, McGinn Commited Stalking Crimes

Posted by Our Main Posters



Bigotry & stalking for fame & profit: producers Morse, Blackhurst, McGinn


Under Italian law the stalkers Stephen Robert Morse, Rod Blackhurst, and Brian McGinn have committed four kinds of crimes.

    (1) Misrepresenting evidence in an attempt to affect the outcome of an ongoing legal process in Italy.

    (2) Stalking justice officials (see below) in an attempt to affect the outcome of an ongoing legal process.

    (3) Stalking the family of the victim (this is a crime also in England and the United States).

    (4) Stalking members of the media (see further below) including screaming abuse at them in public.





Numerous abusive tweets have been deleted, but these and others were captured, and would weigh against them in court.

@NickPisa “Convinced you’re a heartless tabloid journo, but wanted to remind you that you f*cked up people’s lives:”

@BLNadeau “Reminder: Your quest for the latest, greatest story damaged people. You should be ashamed of yourself:”

@andreavogt “Wanted to remind you that your work seriously damaged many lives & you should be ashamed of yourself:”

Our main poster Pataz posted this about the gang’s harrassment of the Kercher family on his own site.

See “Amanda Knox” producer Stephen Morse’s shocking comment about the Kercher family

Posted on September 26, 2016 by pataz1

Here’s what we know: Sometime in late 2010 or early 2011, “Amanda Knox” directors Rod Blackhurst and Brian McGinn hooked up with Stephen Robert Morse and decided to create a documentary on Knox. Morse and Blackhurst went to Perugia in September of 2011 when Knox’s first appeal was heard. It appears that McGinn may have been with them, and that they connected with journalist Mario Spezi (who had previously been arrested by prosecutor Mignini for interfering with an investigation).

The Kercher family was represented at trial by their lawyer, Francesco Maresca. In Italy, the civil suit happens at the same time as the criminal suit, so Maresca was there to represent the Kerchers in their civil suit against the defendants for Meredith’s death. As a part of the original conviction in 2009, the Kerchers were awarded damages.

Knox’s defenders frequently attacked the Kercher family and their lawyer, Maresca, for the damages awarded to the Kercher family. Knox’s defenders claimed Maresca and the Kercher family were driven by the monetary damages awarded to the Kerchers.

Producer Stephen Morse, while covering the appeals, joined in these attacks on Meredith’s family, claiming the Kerchers were blinded by money.  While covering the appeals, Morse stated his belief the DNA evidence would result in an acquittal. Three days later, while waiting for the verdict, Morse claimed the Kerchers were ignoring evidence. In a tweet (still available Sept 2016), Morse charged the Kercher family with being driven by money:

“i feel for the kercher family but they cannot ignore dna evidence simply because they were awared an 8 figure civil victory. #amandaknox” ““Stephen Robert Morse, 3-Oct 2011, 7:57 am.

For US readers, this is similar to claiming the Nicole Brown family was only out for money when they filed their civil suit against O.J. Simpson.

Two of the Kerchers- Meredith’s father John and her brother Lyle- have previously spoken about the symbolic nature of the damages, and that they do not care about the money awarded. In 2009 Lyle told the Guardian “It’s not the case that this has ever been about us seeking money, which is why we’ve been reluctant to do much media stuff throughout. That money will never really change anything in that respect.”

Meredith’s father John Kercher spoke to the Sun after the Hellmann appellate court overturned the trial conviction. He spoke out against potential book and movie deals for Knox and Sollecito:

Kercher explained that their civil claim- and an £8million damages award made when Knox was convicted ““ were symbolic in Italian law. “I find it distasteful that Knox stands to make millions from what happened to Meredith. I don’t think anyone should make money out of it ““ not us, not them,” he said.

“How would any parent feel if their daughter’s murder was to be turned into a movie for people’s entertainment?”

“We would not take a single cent from Amanda Knox,” Kercher added.

Nobody has asked yet how much Netflix is paying Rod Blackhurst, Brian McGinn, and producer Stephen Robert Morse for the rights to add the “Amanda Knox” film to Netflix’s library on September 30th, 2016.


Correcting Netflix 3: Omitted - Dr Mignini Explains The Dirty Tricks The Dishonest Netflix Team Employed

Posted by Our Main Posters


Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.


1. The Wider Context

Longtime Italy-berater Judy Bachrach is one of the first to view the Netflix movie Amanda Knox. Predictably, she raves about it.

At bottom here Dr Mignini explains the actual final judgment on Knox and Sollecito, and shoots huge holes in Bachrach’s claims.

Judy Bachrach resembles one of those wind-up parrots. She repeats about a dozen of the Knox-PR talking points like mantras again and again.

There are literally hundreds of evidence points on this and other sites that overwhelmingly point to Knox and Sollecito guilt. There is no other way to account for them all. That is why the 2009 trial was so decisive.

Try running those past Bahrach and she is quite certain to come up short of any other explanation. Even simply our two posts directly below this, providing a flavor of that, would leave her seriously stumped. 

She published her first very simplistic take on the case in 2008, months before trial when much evidence was not public and the myth-making Knox and Sollecito PR was ramping up. Then another simplistic take every several years since. She has also repeatedly found her way onto TV and perhaps a dozen simplistic YouTubes are one result.

At Guede, she really rants. Clearly in her eyes the nasty black guy did it, and did it all alone even though not one court, ever, ruled that.

She makes it routine to mischaracterize Dr Mignini, who she seems to think really had it in for the girl (she always forgets Sollecito) because of something to do with sex. And in her mind all of Italy has been fooled.

Our main poster Machine posted an analysis of nine of Bachrach’ wild claims way back in April 2010. They are highly worth reading, here. Machine’s overall conclusion on Bachrach was this.

We have been analyzing Judy Bachrach’s many, many articles and TV commentaries about the case, and they all seem to point to the following conclusions. 

  • That she hasn’t ever read the Micheli report and doesn’t seem to have actually ever mentioned it.

  • That she hasn’t had full access to the prosecution’s 10,000-plus pages file of evidence, and maybe she has had no access at all.

  • That she didn’t attend the key court sessions in which highly incriminating forensic and circumstantial evidence was presented.

  • That she hasn’t absorbed the numerous factual newspaper and magazine reports about the key forensic and circumstantial evidence.

  • That she seems to rely either a lot or totally on sources with vested interests who feed her wrong theories and false information.

  • And that she comes across to us as the reporter most often showing on US media outlets the most complete ignorance of the case.

Quite a track record. We wonder if she is really very proud of it. She seems to sound so.


2. Judy Bachrach’s Latest Crackpot Claims

Judy Bachrach was fast to start beating the drum about the Netflix flick. Almost the first reporter there. You can read her article here. She clearly loves the Netflix report.

That it leaves out about 95% of the key facts seems to be over her head.

In the article, she quotes her recollection of an interview Dr Mignini gave her years ago.  This was clearly a gotcha moment for her - suddenly it was crystal clear why Amanda Knox is being tried for the crimes. Sex! It seems over her head that officially there really were sex crimes; all three were charged with them.

It pays to understand four things.

(1) Not only did the Netflix flick get things wrong and leave myriad things out (how many, we shall soon know) but it appears to accept that innocence was proved and that Knox and Sollecito had zero role. That was not what the Supreme Court said. See Dr Mignini’s final damning paras below.

(2) Italian lawyers think the Fifth Chambers ruling may have been illegal as well as bent. The reasoning can be read here. That is headed to court soon.

(3) Judy Bachrach’s crackpot inventions are not backed up by even one document, transcript or report. She really does parrot the Knox PR and uses inventions to fill in any gaps.

(4) There is a mafia angle, of which Bachrach could be part. Humiliating the forces of justice is what they like to do. We cannot go public until this officially starts to come out. Sollecito first drew attention to it, and law enforcement are on top of it.

3. Dr Mignini Corrects The Record At Length

We offered Dr Mignini this opportunity. He kindly came through. It is made pretty obvious that Bachrach was maliciously putting words in his mouth.  Dr Mignini spoke in Italian, and we translated, and he approved.

Dr Mignini speaks

I will share just some of my thoughts after reading the article in that magazine, which I would really prefer not to speak about. I mainly want to say that those statements which are put between quotation marks as attributed to me contained in that article? I never pronounced them.

I have never said ““ and anyone who knows me would understand (though this journalist Judy Bachrach doesn’t know me, doesn’t know me at all and I myself didn’t have the misfortune to know her) that I would never say, I’d never talk about, and I’d never mention, the morality or the immorality of a person as an argument within the explanation for a crime. Absolutely no way.

A crime is a violation of a law, an action that may be reprehensible or whatever you like, but it is an action regulated as provided by the penal code, subjected to penalty by the code, that needs to be ascertained, period. And that’s all. It needs to be ascertained following totally objective criteria. A crime is an objective action, a codified action. It has nothing to do with moral qualities, or allegations of moral qualities, or lack thereof, of an individuals.

The discussion in the article of Bachrach about those allegedly quoted statements about “morality” attributed to me, they are FALSE, I have simply never said them. And one cannot even say that they were a little changed, because I’ve never said anything even remotely like them. Those are statements of a kind that I would NEVER make.

Such is one statement reported in the article where I allegedly said “Amanda killed because motivated by a wish to be liked at any cost” ““ by the way, statements like those do not make any sense: the person who makes up such statements doesn’t realize she is saying things void of any meaning. 

The Italian Penal Procedure code (art. 220) prohibits that any research into the personality of a suspect could be used in court as evidence, such as the finding of a propensity of a suspect to commit crimes or similar argumentations. A proper research into the personality of a suspect is permitted only when there is a need to establish mental capabilities. On the other hand, some features of a suspect personality might be considered during investigations but only to understand the context of a crime.

When I happened to point at some features apparent in the personality of the suspects, I actually cited observations made by criminal psychiatrist Dr. Mastronardi who had given his opinion on the case. Aspects of personalities traits, showing features such as manipulative behaviours or a passive and dependent attitude ““ to mention some findings involving the suspects ““ were rather noted, highlighted or detailed not by the prosecution, but by the judges on various instances of the investigation and pre-trial hearings (Investigation Judge C. Matteini, Re-Examination Judge M. Ricciarelli, and Preliminary Judge P. Micheli).

[Editors note. These are the judges who really guided the case. Go to this post and scroll down and click through to posts #13 to #16. That includes the findings of the Supreme Court, which backed up the findings of Dr Matteini and Dr Ricciarelli’s panel. It also includes Dr Mignini’s interrogation of Knox, in which she in effect froze up; this was done at her own request though her lawyers were none too thrilled - they feared she would bomb out, and she did.]

As for the “motive” on this case. It should be pointed out that in a case like the murder of Meredith Kercher ““ the murder of a young student girl who was uninvolved in dangerous circles and had no enemies ““ independently from the identity of the perpetrators, we are talking about a crime that cannot have have a “motive” with a rational or consistent logical structure, nor could it be ascribed to a particular conscious and organized intention.

We may talk about causes that could have contributed to leading to a situation that ended in committing the crime. Among the factors we know that unbalanced personalities, life or emotional disorganization of perpetrators, behavioral excesses, inabilities to handle relations, psychological fragilities, are elements that always contribute to this kind of crimes, and we had reasons to believe that drugs also played a role.

The task of the judiciaries is not really to set out the motives of the individuals from a subjective point of view. We know that unfortunately a record of cases exists, in which apparent “ordinary” looking young people ““ including students ““ have committed very violent murders, in contexts where no “motive” could be explained in a way that appears rational or serious from an objective point of view, since futile crimes - including group murders - may emerge from the building up of situations involving individuals not able to handle issues of adult life.

Thus, all statements within quotation marks as reported in the article by Bachrach are false, I’d say absolutely false: they are the product of a making-up or a spin (I reserve for myself any necessary action in the event there is also a defamatory report) or reported without their context or with their context changed (like falsely reporting the dates, such as when I mentioned the time when some Perugian citizens used to compliment me).

I was stunned by one statement by the end of the article, that says ““ in which I am reported to have said ““ that “if they were innocent, they should forget”. That is a statement which I said on request of one of the two interviewers, who asked “what would you say to those young persons in the event that they were actually innocent?”. So what could I say, what should I answer to a question framed and spun in such a way? I might say: “it’s an experience that unfortunately happened to you, something that may happen, try to forget, seek all legal ways” ““ but I was saying that in the abstract, purely in the abstract ““ “that you think you can follow if you deem that you suffered an injustice” ““ albeit the Cassazione ruling is in the dubitative formula (Art. 530 § 2. cpp).

But then the Vanityfair journalist does not report my *second* statement, that is, the other one I said just following: “And what about if they are guilty? If they were guilty I’d suggest them to remind that our human life ends as trial that has an irreversible sentence, that will last forever”. My answer was made of two statements, not of one. Both were rhetorical and hypothetical. The last statement was the one I thought would have unleashed criticism, but curiously it’s the one missing in the article, there is no comment about it.

Another thing: it is true that people in Perugia happened to come to shake my hand and compliment me, but that happened much later, around 2013 and later, and those people basically complimented me about the Narducci case. It was somehow satisfying because it came after many years of difficulties and attacks. The Perugian people expressed their support to me because of the Narducci case, and secondarily they also expressed their support because of my independency in facing the international media campaign that was mounted against me after the Kercher case.

I don’t know if Vanityfair was the one which made up or spun my answers, falsely reporting them from the Netflix documentary, or if it was Netflix itself who made them up by editing the interview and disseminating content from a video prior to the premiere. I had a positive experience working with the documentary directors at the time. Not knowing what the journalist watched or made up, I will anyway reserve my decision as a consequence. I have to say, I am quite disconcerted about the way a certain American environment appears to think and keeps going on in a raving manner about this case.

One stunning aspect of this, is that the narrative they put forward, such as in the article we talk about, seems to be based on a focus on me, as if I were to become a kind of key character functional to their fictional story. I found this particularly strange since in reality the Kercher case investigation was actually based on the work of a number of judiciaries, all of them making decisions with a power that was equal, or greater than mine. So is how the Italian system works on these type of serious crimes.

The fact that even a second Public Minister was appointed almost from the beginning may suggest that we didn’t have personal investment: I asked Manuela Comodi ““ who has my equal rank, is not my deputy ““ to share the investigation and deal with the technical parts, such as the expert witnesses, since she is very good in this area. The other, multiple judiciaries involved beside us, all had greater powers, each of them could have stopped the investigation or changed its orientation and settings.

Therefore, a personalization of the case ““ as if I had some kind of special power ““ or a “polarization” of it ““ like a narrative that is woven between me and one of the suspects as main characters ““ that appears unrealistic to any person with a minimum of understanding of the system. Indeed if there are reporters who like to make up a story where a person with my name plays the role of a picturesque fictional character, motivated by “moral” or religious obsessions or else, all of this only shows an agenda pursued by those journalists that tells much more about them and about the type of campaign they are part of, than about the case. 

There is anyway one important element which, unfortunately, I know was left out from the documentary ““ partly because it was produced earlier than the publication of the Cassazione ruling ““ I know that something the documentary omits to mention, is the actual content of the latest ruling by the Fifth Panel of Cassazion. If we leave aside, for a moment, the several issues of consistency and law inherent in the ruling itself (those that may be spotted by those who read it with some knowledge of the topics), there is anyway the fact that the ruling confirms certain findings.

Some facts recognized as certain by the Cassazione, not reported in the documentary, are that it is anyway a “proven fact” that Amanda Knox was present at the scene of crime when crime was committed. The same ruling also points out how it is proven beyond doubt that Meredith Kercher was murdered by more than one person, and Rudy Guede certainly acted together with others. The fact that Amanda Knox was certainly there is emphasized by the Court to the point of noting their agreement with the lower Court on the fact that Ms. Knox heard Meredith’s harrowing scream, and even noted that she had the victim’s blood on her hands, that she washed them in order to clean them from Meredith’s blood.   

The High Court only raises a reasonable doubt about the active participation of Amanda Knox in the action of killing. The Court ““ in agreement with other definitive findings ““ also reminds that Ms. Knox voluntarily lied as she falsely accused an innocent, and notes that no way could this finding ever be overturned. All these things are missing in the documentary. I’d like all American friends to bear in mind these last bits of information as well, whenever they decide to seek information about the Kercher case.


Correcting Netflix 4: Omitted - Netflix Illegally Demonizes Dr Mignini To The Advantage Of The Mafias

Posted by Peter Quennell



[Above: Giuliano Mignini at left at Lake Trasimeno where Dr Narducci’s body believed bound was recovered]

The Cynical Demonizing Of Dr Mignini

This was was in fact a deliberate PR ploy, with some collusion from the mafias.

Remember that huge PR campaign, probably the largest and most abusive ever run for someone charged with a crime? Which the Netflix producers somehow managed to forget totally?

More on that later. This corrects wrong impressions about a main target.

Our posts here and here and especially here blow the gaff on the “power-mad prosecutor” claims.

The demonization originally began as a ploy to stop Amanda Knox talking. It was because she was so exceptionally naive.

The Supreme Court noted how Curt Knox shut her down angrily when her parents first visited Knox at Capanne Prison. Family knew she could very well spill the beans, and she maybe came very close to that at various times.

From late 2007 she seemed to rather like Dr Mignini, and to want to keep explaining to him over and over again. Dr Mignini thought she came really close at the interrogation on 17 December 2007 when her lawyers stepped in to stop her.

So they started to demonize Dr Mignini in her eyes.

In her book she says she wanted to keep talking, especially to him, and she quotes things that they told her to try to frighten her - pretty far from the truth. The lawyers once said quite publicly that they wish she’d simply shut up.

The demonization was deliberately jumped to a higher plane by Curt Knox, Paul Ciolino and David Marriott, still with no basis in fact unless you consider Doug Preston’s and Mario Spezi’s MOF book fact (they left out that they were caught trying to frame an innocent man) in a meeting in West Seattle in January 2009.

The month the trial began, after 14 months already of Knox still dropping herself in it. 

Watch this amazing Powerpoint in which Kermit brilliantly takes the big lie apart.

Here we correct two of the main hoaxes which are yet again pushed out, this time by the Netflix team.

False Charges And A False Verdict Against Dr Mignini Were ANNULLED

Annulled means “wiped off the books” as the Supreme Court’s First Chambers wiped off the books most of Hellmann’s appeal verdict in 2013.

Read the whole arc of this case from 2010 to 2013 here and here and here.

The year 2013 was the year BEFORE Morse’s dishonest tweet. Both the rogue prosecutor and rogue judge took considerable hits.

By then it was extremely well known why and how Dr Mignini was set up, and why the Florence Appeal Court and Supreme Court not merely arrived at a not-guilty verdict but annulled the verdict of the rogue Florence Court.

Dr Mignini Has Never Consulted A Psychic, Never Claims Satanic Plots

Take a look at what Dr Mignini himself wrote to Corriere on this in 2013. This was translated and posted here three years ago.

To the editor of Florence Corriere

Dear Director,

I am Giuliano Mignini, the magistrate who performed the investigation and trials of first instance and appeal in Perugia against the people accused of the murder of Meredith Kercher, as well as the investigation into the death of Francesco Narducci linked to the one performed by the Florence Prosecution Office in relation to the masterminds of the “Monster of Florence” murders.

I saw reported the interview that the journalist Mario Spezi ““ a person accused in the Narducci case ““ did with Amanda Knox, a main defendant in the appeal trial that will start today ““ published in the Corriere Fiorentino on Sep. 29.
 
In two recent cases the Court of Cassation has annulled verdicts, which acquitted Knox and Sollecito, and which decided [by Judge Micheli] a dropping of charge against Spezi (the parts regarding “˜lack of certainty about malice’ were annulled too).

Therefore I don’t need to add anything further on that point.  Instead, I need to point out the falsehood of an assertion which Mr. Spezi makes at the beginning of his article, as he tries to explain the reason for a link which, in his opinion, allegedly exists between the two cases, the one related to the Monster murders and Narducci’s death, and the one about the Kercher murder.

Mr. Spezi’s text says: “”¦ a strangely similar background, for two different cases, behind which the magistrate thought he could see satanic orgies on the occasion of Halloween for Amanda, and ritual blood sacrifices as a worship to the Devil in the Monster of Florence case”¦”.

This is an assertion that Mr. Spezi and crime-fiction author Douglas Preston have been repeating for years, but does not find the smallest confirmation in the documentation of the two trials, nor in the scenario put forward by the prosecution in which the Meredith murder (which didn’t happen on Halloween but on the subsequent night) was the consequence of a sex hazing to which Meredith herself did not intend to take part, and, above all, it was the consequence of a climate of hostility which built up progressively between the Coulsdon girl and Amanda because of their different habits, and because of Meredith’s suspicion about alleged money thefts by Knox.

Furthermore the object of the proceedings in the Narducci case is the scenario about the murder of the same Narducci and the attempt, by the doctor’s father and brother, to conceal the cause of his violent death, and this included the background within which the event ““ which was a homicide in my opinion and in the opinion of my technical consultant, coroner Prof. Giovanni Pierucci of the University of Pavia ““ had developed and taken place.

I had already denied several time assertions of such kind, but Mr. Spezi and Mr. Preston, and some people connected to them, go on repeating a lie, apparently hoping that it will become true by repeating it.

Another astonishing fact is that, despite that I was the prosecutor in the Kercher trial together with my colleague Manuela Comodi and then subsequently with my colleague Giancarlo Costagliola [at annulled apeal], and despite that I limited myself to formulating judicial requests which were all agreed to by a multitude of judges and confirmed by the Supreme Court, I am still considered as the only one responsible for an accusation against Ms. Knox and Mr. Sollecito, by twisting its content in various ways.

In the Narducci case, in the same way, I simply limited myself to performing the investigation and requesting the remands to trial, and the trial will have to start again now because the Supreme Court has annulled the dropping of charges [by Judge Micheli] and sent back the trial to another preliminary judge in Perugia.

The purpose ““ quite overt ““ of such endlessly repeated lies, is to defame the investigator, picturing him as a magistrate who is following alleged personal obsessions rather than sticking at facts, as instead he is.

The hope that such conscious misrepresentation of reality could bring advantage to the defences (foremost that of Spezi himself) is consistent with a bad habit which has all along flourished in Italy but is now also copied abroad.

Therefore I ask you to please publish my rectification against false and seriously defamatory information.

Kind regards

Giuliano Mignini

Do you know who is most often on TV in Italy DENOUNCING the notion that satanic plots are widespread?  Dr Mignini, in fact. Satanic plots do occur (the MOF crimes are accepted in Italy as one) but they are extremely rare.

Dr Mignini in fact locked up the psychic for false testimony to the police. And as he says, and as a vast volume of documents and media reports and court testimony attests, he never ever claimed anything satanic in Meredith’s case.

Dr Mignini Is Doing Just Fine

Dr Mignini is a huge hero in Italy for getting both the Knox-Sollecito-Guede case right (even Judge Hellmann and the Fifth Chambers did not fully let the perps off the hook) and the Monster of Florence case right.

Meanwhile, the crackpot Stephen Robert Morse who rages incessantly at Dr Mignini looks terrible. Much more to come.


Special credit to Machiavelli, Ergon, the Machine, Kermit, and the PMF Dot-Net crowd, for the guts of this post.


Correcting Netflix 5 Omitted - Blackhurst Now Nervous Of Legal Risks For Doing Mafias’ Dirty Work?

Posted by Our Main Posters



Netflix Director Rod Blackhurst has worked for Knox PR since 2010

1. How Blackhurst Went Wrong

First, see above. Blackhurst’s pro-Knox fanaticism goes back seven years THAT is sure not explained in the film.

Second, see the image of Blackhurt’s bizarre tweet at bottom, conceivably welcoming our expose of his huge hoax. A minor development which could come to signify more.

The REAL story here is not the framing of Knox or a justice system that doesnt play fair. It is instead the giant innocence fraud perpetrated by Curt Knox and David Marriott since late 2007, and the known mafia manipulation to spring RS and AK and to bring Italian justice down a peg.

The aggressive PR scheme is not even mentioned at all, though it put out and took in millions of dollars. It has promoted anti-Italy fanaticism to the extent that several dupes have screamed at public events in Perugia and cops have been told to be wary of Americans who might tote guns.

Check out the 30 hoaxes in our right column hatched by the PR which we will expand upon in coming weeks. Many are furthered by this hapless film.

2. How Blackhurst Might Get Things Right

Blackhurst could start setting things right by starting way back when. That well-documented childhood abuse (touched on also in Knox’s book) could explain why so many have found Amanda Knox erratic and hard to take.

Not the least of those of course is Sollecito, who on and off  since 2007 has railed at her.

Meredith and her other flatmates and her cellmates in prison and pretty well anyone she ever met in Perugia found her hard to take, though when she was not high on drugs she did seem now and then to be trying to act right.

Why did Curt Knox initiate take-no-prisoners PR in a heartbeat in 2007? To cover his own tail for damage he had done to her in childhood, provoking a crazed escalation resulting in Meredith’s death? And why did so few in Seattle speak up for Amanda Knox in 2007? Why were so few parents keen to see an award created in her name at her high school?

Let’s hope Blackhurst is capable of real work and not simply parroting the PR..



Correcting Netflix 6: Omitted - The Almost Unique Carefulness Of Italy’s Justice System

Posted by Our Main Posters



Bigotry for fame and profit: Stephen Robert Morse, Rod Blackhurst, and Brian McGinn

Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.


1. Wrong “facts” and numerous omissions

As first explained previously in this series the very loaded Netflix report Amanda Knox included some seriously wrong “facts”.

Here is another of them.  The HIV Hoax. Italian doctors did NOT fool Knox about a possible HIV positive; they told her in confidence not to worry, they would retest (a common practice in HIV testing) and that test soon came back negative.

NOBODY in the justice system leaked about this. The leak to the media complete with Knox’s list of recent sex partners was blatantly and well-recordedly made by the Knox-Mellas defense team. Even several of us were leaked-to - this was months before we got a grip on the case.

We shall be deconstructing the various wrong “facts”.

But mainly though the film operated at the level of cut-and-paste innuendo. And it banked on the extreme ignorance of its audience.  Hundreds of inconvenient facts were omitted, any few of which would have disrupted its propaganda purpose.

We shall be adding in the numerous omissions.

2. The report’s macro-level takeaways

About 50 movie reviewers so far have mostly declared these to be their main takeways.

    (1) A muddled or desperate or evil Dr Mignini framed Knox and fooled his co-prosecutor, numerous experts, 30-plus judges, and most of Italy.

    (2) The justice system of Italy is a dangerous error-prone joke, but thankfully some much smarter Americans are here, to save silly Italy from itself.

    (3) Somehow a few BRITISH tabloids influenced an ITALIAN jury to vote “guilty” and the damning prosecution case the hapless defenses did not once dent in 2009 was immaterial.

All three of them are untrue. We’ll take a first stab at correcting for them below, with much more to come.   

(1) The REAL Dr Mignini

He framed Knox? On this there is vast evidence to the contrary. Dr Mignini has already explained some and we have much more to come. Dr Mignini had no motive, early on he was pretty good to Knox, and the checks and balances against any such hoax are simply enormous.

Ask yourself, why would a prosecutor intent on framing Knox do this recorded interrogation?

In fact he did it as a favor to Knox, because she asked him for it. She asked also for the interrogation at trial. Those were the ONLY two interrogations of Knox. Both damning. There were no others, ever.

In both of them, Knox by her own tongue dropped herself in it, far more than any police or prosecutor ever did. The second had a major effect on the jury (and on Italy).

In that same post we pointed to two of the Netflix team’s numerous self-serving omissions.

(1) [The movie]  appears to accept that innocence was proved and that Knox and Sollecito had zero role. That was not what the Supreme Court said. [See Dr Mignini’s final paras.]

(2) Italian lawyers think the Fifth Chambers ruling may have been illegal as well as bent. The reasoning can be read here. That is headed to court soon.


(2) Italy’s REAL justice system

Pretty well the exact opposite of what you’d suppose if you read only Michael Heavey and Frank Sforza and Paul Ciolino and Bruce Fischer and John Douglas and Saul Kassin and Steve Moore and of course Doug Preston and the late Mario Spezi. Read only them, and one might be excused for thinking Italy’s is a huge, horrible system which the Italian population desperately needs THEM to save it from! Bigotry for fame and profit.

A total illusion, which Morse, Blackhurst, and McGinn now want you to swallow. Bigotry for fame and profit.

The main characteristics of the Italian system are (1) a large and visible national and local police presence with excellent forensics labs, (2) a low crime rate even by European standards, and even more-so by American standards, and (3) a very low rate of incarceration that is only 1/6 the rate of the US.

The system is immensely careful and with two AUTOMATIC rights of appeal for convictions for serious crimes the chances of a false conviction standing are zero. Compare this with thousands uncovered in the US. The vast wave of appeals has clogged the courts and right now Parliament is trying to reverse this. 

Appellants have a huge advantage which makes it easy for them to game this system: the prosecution presents their case ONLY at trial. Then seasoned defences can game bewildered prosecutors at higher levels.

Officially the US knows all of this. It has much to gain politically from Italian co-operation and works very hard on their functional relationships. The FBI and the Italian equivalent embed one another’s officers in Rome and Washington, aid one another’s labs, share huge amounts of information, mutually take down mafia, and organize dozens of extraditions annually.

Almost all prosecutors are highly-trained by career-path; the only three who were not in this case (Judges Hellmann, Marasca and Bruno) and sprung Knox and Sollecito are all believed to have been corrupted.

Finally, the mafias and fellow-travelers work hard to smear police and prosecutors (as well as assassinating them, over 100 now). In this respect the Knox PR has wittingly or unwittingly been functioning as an arm of the mafias. Bongiorno, substituted for the hapless Sollecito PR which cost Vanessa her Carabinieri post, became famous for mafia defenses.

The 20 posts we link to below go deeper. You might read at least the headlines and the quotes below. That Italy’s is a pretty good system should be compelling.


1. Click here for post: How Italian Justice REALLY Works

Comparing the US and UK common law system - a model founded on non-written laws and developed through judicial proceedings - with this system which arose from the Roman Law model - based on a written civil code - is really like comparing apples to oranges.

They were both conceived to protect individual’s rights at a maximum level, while seeking justice for the victims. But with entirely different processes.

One is not necessarily better or worse. But there are legal experts who think the Italian system is distinctly fairer - much more weighted toward the defendants. In the US and the UK the prosecutor usually has to make it through only one pre-trial hoop. In Italy the prosecutor has to make it through a whole row of pre-trial hoops…

2. Click here for post:  Why The Prosecutors In Italy Are Relatively Popular

Italy’s a tough country with, albeit dwindling now, a legacy of violent crime, and many brave prosecutors over the years have been assassinated.

And the Italian legal system is not particularly weighted in their direction, with a large number of hurdles they have to climb over before a case ever gets to trial.

And the Italian prison system is relatively lenient, heavily pro-prisoner-remediation and early release, and proportionally only 1/10 the size of the US’s.

So the endemic attempts to undermine Prosecutor Mignini have invariably won only MORE popular support for him and his case in Perugia and Italy in general.

3. Click here for post:  Why The Italian Judiciary’s Probably Less Prone to Pressure Than Any Other In The World

Italian magistrates enjoy an extraordinary level of autonomy from the other powers of government (executive and legislative) and the point of this post is to explain why. This autonomy is above all due to the Italian constitutional framework.

That framework is intended to guarantee such an exceptional level of independence so as to avoid the abuses that occurred during Mussolini’s fascist regime, when Italian magistrates were forced by the executive to prosecute (and persecute) political opponents to the fascist dictator…

4. Click here for post:  Explaining How The Italian Appeals Process Works And Why It Consumes So Much Time 

The extraordinary broad appeal rights awarded by the Italian system are all part of the 1989 reform, which intended to add even more guarantees to the right of the accused. This has resulted in an incredible increase in pending cases in the overburdened Italian justice system….

This situation is exacerbated by the broad appeal rights guaranteed also on the 2nd level of appeal, at the Supreme Court of Cassation. Like other supreme courts around the world, such court does not re-examine the entire body of evidence, but only “˜errores in iudicando’ and “˜errores in procedendo’ (errors in procedure or application of the law).

However, unlike its American or English counterparts, the Italian Supreme Court cannot refuse to review a case, and defendants have unlimited appeal rights to the Supreme Court of Cassation. They don’t even have to wait for the Appeal Court. You can in fact appeal to the Supreme Court directly after the first trial. ...

5. Click here for post:  Barbara Benedettelli: Campaigner For Victims And Families Says Italian System Denies Them Justice

There are proportionally very few perpetrators in Italians prison by global standards, and when there in prison they are given quite a nice time, trained to perform usefully when released, and very often get out of prison early.

Seemingly very humane. But this does carry very high costs. There are often almost unbearable pressures on victims’ families, as Meredith’s father John Kercher has several times described. On top of all this, there is the growing western fascination with perps, and in many cases their elevating to popular cult-worship status.

Barbara Benedettelli is a writer and columnist and the editor of the popular “Top Secret” program on Rete4 TV…  Her latest book (only in Italian) is called “Victims Forever”. She talks of various prominent perps and the enormous and unrequiting pressures on victims’ families. In polls a large majority of Italians detest this. They want much less stress on “fairness” and MUCH more compassion for victims families and, if still alive, for the victims.

6. Click here for post:  Harvard Political Review Writer Alex Koenig Reproaches The Sliming of Italy’s Justice System 

The fact of the matter is, those that immediately claim that Knox was wrongly accused and jailed by a corrupt justice system make two extremely arrogant assumptions that reveal perverse American exceptionalism.

1) It is assumed that, as an American ““ an American woman no less ““ Knox is incapable of murder. This case differs, of course, from the 1,176 domestic murders committed by women because, well, who knows?

2) It is assumed that not only is the Italian justice system incapable of fulfilling its legal duties, but that the intentions of the court were swayed by anti-Americanism.

This is not merely an abstract sentiment, but was actually articulated by Senator Maria Cantwell (D) of my home state of Washington.

7. Click here for post:  Interesting Tilts Of Marcia Clark And Alan Dershowitz Toward Educated, Informed Italian-type Juries 

“[American] jury instructions are so numerous and complex, it’s a wonder jurors ever wade through them. And so it should come as no surprise that they can sometimes get stuck along the way. The instruction on circumstantial evidence is confusing even to lawyers. And reasonable doubt? That’s the hardest, most elusive one of all. And I think it’s where even the most fair-minded jurors can get derailed.”

“Well, if you want justice, don’t look to the criminal law system. That’s not its job. Its job is not to produce a just result. Its job is to produce a legally correct result…”

“We’ve opted for a much more democratic system, and it means that in the end you’re going to be dissatisfied with a lot of verdicts. Just don’t expect too much from our legal system. Don’t expect truth. Don’t expect justice, because that’s not what it’s supposed to give you.”

8. Click here for post:  The Chief Enforcer Of The Constitution And The Rule Of Law is Wildly Popular Throughout Italy 

He is said to receive dozens of petitions a day and in certain cases he does act to get things done. Significantly, two that he chose to ignore recently concerned the ongoing Sollecito-Knox appeal process.

Of two pretty blatant attempts to bias the Perugia process, one came from Joel Simon of the US-based Committee to Protect Journalists, and one came from the junior Berlusconi-party MP Rocco Girlanda.

President Giorgio Napolitano simply ignored both of them.

9. Click here for post:  Compared To Italy, Say, Precisely How Wicked Is The United States? 

We have often remarked that Italy’s crime rate is low, the three mafia families (Sicily, Calabria and Naples) are on the rocks, and the justice system is one of the most cautious - conviction rates are infuriatingly low for the suffering families of victims, but in a forgiving Catholic nation rates of incarceration are unlikely to jump any time soon.

The American incarceration rate in sharp contrast has for a decade led the rest of the world, and it increased every year for nearly 30 straight years from the arrival of President Reagan to the departure of President GW Bush. Its prison rate is ahead of Russia’s, with its mafias and corruption and poverty, and ahead of China’s, with its large population of political prisoners.

10. Click here for post:  Involvement Of The Formidable Carabinieri Shows How Italian Justice Will Not Be Leaned Upon 

Judge Nencini may have invoked the help of the Carabinieri for reasons going beyond simply very good science.

Italy has among the world’s lowest crime-rates, murder-rates and incarceration-rates. Unusually low criminal and anti-social tendencies among native-born Italians, and strong family pride, explains a large part of this.

But another main reason is the high-profile and exceptionally smart police presence. Deliberately a cool presence rather than a hot and intimidating presence, and in fact a very popular one

11. Click here for post:  Italy’s Unpopular Politicians And Mafia Fellow Travelers Against Italy’s Popular Justice System 

For comparison, in 2011 the percentage of Italians who declared they trust the justice system “a lot” or “enough” was 53.3%. By comparison, the percentage of Italians who declared they trust the government “a lot” or “enough”  were 14.7%, and those who trust the parliament were only 15%.

In 2012, the percentage of Italians who trust the parliament is now only 9.5%, and those who trust the Mario Monti administration are only 21.1%.

Over the eight years from 2004 to 2012 the percentage of Italians who trust the justice system was always bigger than those who trust parliament or government by at least ten points, and in some years we can see a spread of 20, 30, even 39 percentage points achieved by the judiciary over the parliament and government.

12. Click here for post:  Italy’s Advanced, Effective, Humane Law & Order System Also Adopted By City Of New York

New York is now the safest big city in America. It is following a route that is not only almost identical to Italy’s - it is being watched and emulated elsewhere across the US….

Now that the United States has the world’s highest reported rate of incarceration, many criminologists are contemplating another strategy. What if America reverted to the penal policies of the 1980s? What if the prison population shrank drastically? What if money now spent guarding cellblocks was instead used for policing the streets?

13. Click here for post:  Italian Prime Minister Renzi Will Push Measures To Speed Up Justice 

In a move popular not least among those who are part of it Mr Renzi announces moves to speed up Italian justice.

Italian justice and those who work in it are widely trusted and respected in Italy. But a very humane system designed post WWII to give those accused a level of rights unique in the world has been even further tilted over the years by politicians passing laws to aid political and business colleagues in legal trouble.

14. Click here for post:  Why Numerous American JUDGES Favor The Supremely Neutral Italian Kind Of System 

See that above at the bottom of the YouTube screen? Some $280 million has been spent since the year 2000. Can you guess what the $280 million was for?

In fact the $280 million is funds raised and spent for judges’ election campaigns in the roughly 3/4 of all American states where such judges’ elections are held - the original intention of which was good: to get judicial choices out of smoke-filled rooms.

15. Click here for post:  Meredith May Not See Justice (Yet) But She Will Leave At Least Three Legacies 

Knox behaved grossly irresponsibly in heading to Perugia under-funded, intent on drug-doing, and with zero intention of seriously studying.

The University of Washington and many others realised they could have huge liabilities if they did not distance themselves a lot from such loose cannons in future.

In October 2009 we reposted this report by Andrea Vogt which described the initiation of measures many American universities have now come to implement….

16. Click here for post:  Counterterrorism: Another Way Italian Law Enforcement Is An Effective Model For Everywhere Else 

A leading military analyst is citing Italy as a model of counterterrorism done right, pointing out that despite many factors going against it, Islamic terrorists have failed to kill a single person on Italian soil.

17. Click here for post:  Italian Justice & The Telling Status Of Extraditions To And From Italy 

If countries agree to extradite to other countries, that suggests a high degree of trust in justice at both ends. They are in effect voting confidence in each other’s justice systems.

Italy achieves an exceptionally high rate of extraditions in both directions and continues to sign more bilateral treaties.

It is clearly trusted almost worldwide as a destination where those charged will receive a fair shake. And it is very no-nonsense about sending back fleeing felons who try to go to ground there.

18. Click here for post:  Knox’s Nasty-Prisons Hoax: NY Times Describes How Italy Leads The World In Rehabilitation 

Around five years ago, largely because of immigrant crimes, the prison population (previously below 100,000 - in the US, California prisons alone hold almost twice that) began to balloon.

New prisons were built, with no expenses spared, and in these images you can see the result.

Stories of extreme over-crowding have gone away, and the New York Times profiles the new prisons and their programs of today.

19. Click here for post:  How The Italian “Justice Tortoise” Is The Likely Winner Compared To For Example the US System 

Italy is working to try to update its justice system right now and we will report on that shortly. At least in theory, it has one of the easiest tasks in the world, because post WWII its legal system was redesigned from the ground up. It had already junked bad aspects, some going back centuries.

Italy already has some of the world’s smartest juries - jury service is compulsory, so smart people cannot dodge them. And the system already has some other very positive things going for it.

Mainly what is needed is some weeding. And such reforms are made easier in Italy because (1) judges and prosecutors all follow career paths and so they are not politically competing with one another;  and (2) there is the Council of Magistrates (CSM) which can be very progressive in the reforms it pushes at its level.

20. Click here for post:  So Where Would YOU Want To Go On Trial? In Italy Or In The U.S.?

We have still not seen even ONE American lawyer claim that after the first trial in 2009 which found RS and AK guilty that there were strong grounds for an appeal.

In the US, back in 2009, full prison terms would have been begun.

And in fact virtually nothing at the 2009 trial was challenged in the appeal. But the defenses subversively organized to get Civil Judge Hellmann instead of Criminal Judge Chiari to preside, and in 2011 a farcical “not guilty” outcome was the result.

Then there was a THIRD jury trial, in 2013-14, which (as so often in Italy) threw out the not guilty outcome of the previous appeal trial.

And finally, in 2015, due to more subversive defense machinations with a little mafia help, the final Supreme Court appeal was assigned to the FIFTH Chambers, for the first murder appeal that Chambers has ever heard.

A second farcical “not guilty” outcome was the result.

Say what you like about the American system, there is not remotely any parallel in its judicial history to all of that.  Quite the opposite in fact. We have had various posts pointing to an increasingly hard line in the US.


(3) British tabloids corrupted a jury in THIS system?

Subject of future posts. Check back shortly.


Correcting Netflix 7: Omitted - How Knox Lied Repeatedly To Florence Court She Was Too Scared To Attend

Posted by Our Main Posters


Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.


1. Many false claims in the film

NONE of the false claims by speakers were rebutted. Not one, by the Knox PR team moonlighting as serious directors and producers.

The producers’ bizarre technique was to place Knox, Sollecito, Conti & Vecchiotti in front of a camera and then to let them lie unchecked as they did repeatedly throughout the 90 minute film.

For example, Knox makes a very shrill claim in the film that she was repeatedly hit and forced into a “confession” by angry and abusive cops.

In fact she wasnt hit by anyone, except by herself. There was not even an interrogation that night - only the building of a list of names with a couple of kind cops.

Her own lawyers confirmed she was not hit, and they never filed a complaint. They publicly pleaded that she stop making things up. The movie never tells us this, never ever challenges Knox.  We’ll return to this false claim in depth.

For balance, how many Italian justice officials do you suppose the PR team invited to represent the huge team of police, prosecutors and judges, and all of the witnesses, and the huge body of evidence? And to rebut Knox’ claims? After, all she was accusing his staff of crimes.

Precisely one. Dr Mignini. That was it.

He was not even told of the accusations of crimes from Knox. Instead he was asked to address only childish touchy-feely questions which no Italian journalist would ever dream of addressing to a highly trained prosecutor or judge. Dr Mignini is a regular on Italian TV explaining serious legal issues of some complexity, and is a master at it. 

2. Lies previously reported and rebutted

We have so far rebutted seven false claims made by the team in the media or in the film in the previous posts here..

(1) That Knox was found innocent by the Fifth Chambers and fully exonerated or exculpated. No she wasnt. She was confirmed as being at the scene at the time with blood on her hands based on copious evidence, and any trial or appeal court which normally handles murders (the Fifth Chambers does not) would have insisted the Nencini verdict should stand. She remains guilty for life of calunnia and she still owes Patrick his award. Research anyone?

(2) That Dr Mignini hoodwinked the Justice system some way in a supposed pursuit of Amanda Knox although 30-plus judges in fact guided the judicial process - in Italian justice they and not prosecutors are the equivalent of American district attorneys. Raffaele Sollecito is conveniently not accounted for in this conspiracy theory, although with the possible exception of Patrick Lumumba’s lawyer, Sollecito’s words for Knox were the harshest, and his anger rattled on for years. Research anyone?

(3) That Dr Mignini pursued this because he had been convicted, although the conviction, by a rogue prosecutor and rogue judge in Florence with murky connections, had been annulled (in effect deleted; no record) by an appeal court and that confirmed by a strident Supreme Court ruling more than three years prior to the Netflix movie. Research anyone?

(4) That Dr Mignini had consulted a psychic, though it was widely known for many years that he had done no such thing and had written to Corriere at length refuting this more than three years prior to the Netflix movie. Research anyone?

(5) That Dr Mignini holds satanic and sex-orgy theories in this and other cases. No he does not. He has been on national TV pushing satanic theories back and saying they are few. The satanic theory of the Monster of Florence case goes back over a decade before he was requested to check an arm of the case. Knox and Sollecito and Guede were all convicted of murder with a sex-crime element, read all the judges reports prior to trial, all agreed an attack with a sexual aspect was what the evidence said.  Research anyone?

(6) That the Italian justice system is somehow a dangerous error-prone joke (widely accepted as gospel by the movie’s reviewers) though in fact it is one of the most careful systems in the world and unlike the American system (with which it links extensively) never ever sees a false conviction standing by the end of the exhaustive appeals process. Research anyone?

(7) That the release of a provisional positive HIV finding for Knox and a list she created of her recent sex partners was a malicious act by prison staff or prosecutors, though they released precisely NOTHING and it was the Knox defense team that was fervently distributing those materials (of considerable damage to Knox’s public perception). Research anyone?

3. Starting to address Knox’s lies

Much of what Knox says in the movie is untrue. That is not unusual. She consistently lies in all her interviews. She also consistently tries to damage people.

In her book alone we have counted several lies on each page, close to 1000, and about 100 instances of defamations, lies intended to create real damage.

We are going to post separately on each of Knox’s most sweeping and most self-serving lies. Here, we give several dozen examples of lies repeatedly refuted, some of which are in the movie.

The Knox PR team moonlighting as serious directors and producers claim that they devoted SIX YEARS to getting their movie right. They could have found these rebuttals and read them all in a day or two if an honest movie was what they wanted to make.

Perhaps they were simply uncaring of the truth, lost in the complexities of the case, and uncaring of who they damaged, including the real victim’s family, and of what portrait they offered of Italy and Italian justice and its officers, however damaging and vile and untrue.

Or perhaps they were already deeply corrupted, and crazed at the prospect of fame and future career prospects and bloodmoney. If so, they are in unsavory company.

4. Knox’s lies to Italy (#1) rebutted

Knox does not often get the opportunity to lie on a grand scale to Italians. Just as well for her as the negative reaction is opposite and immediate.

Italians followed the trial in real-time witnessed a strident contemptuous sharp-tongued “Terminator Knox” on the witness stand for two days at trial, resulting in this sarcastic reaction and this sarcastic reaction.

“Daffy Knox” and “Terminator Knox” who forever sought media attention at trial in 2009 were retired from 2010 onward in favor of “Whiny Victim Knox”.

In 2013 Knox was too timid to return for her own Florence appeal presided over by Judge Nencini, but not too timid to send him a massively self-infatuated email containing some of the same lies Knox repeats in the movie. Here they all are, easily rebutted by Finn MacCool in Dec 2013. Research anyone?


[By Finn MacCool] You can read here the email Amanda Knox sent to Judge Nencini.

It is dated 15 December 2013 and was handed to Dr Nencini by Dr Ghirga, apparently to the disdain of both of them. It contains many statements which, if she were under oath, could be considered perjury.

One telling point is that she claims “I am not present in the courtroom because I am afraid.”  Her co-defendant, Raffaele Sollecito, was not so afraid and he did present himself at an earlier stage of the proceedings.

He made a spontaneous statement and the judge assured him that he should feel free to intervene and make further interventions whenever he wished. So far he hasn’t wished to - he preferred to head back to the Caribbean for his holiday.

But that event and that presence by Sollecito completely undermine the credibility of Knox’s claim that she feels afraid of the court proceedings. There would be nothing to stop her coming and going, at this stage, just as Sollecito did.

I have no doubt that my lawyers have explained and demonstrated the important facts of this case that prove my innocence and discredit the unjustified accusations of the prosecution and civil parties.

That’s what her lawyers were about to try to do. But instead they had to hand this email to the judge, showing their client’s complete contempt for the court process.

I seek not to supplant their work

She doesn’t want to supplant the work of her own lawyers? Most defendants don’t, nor do they feel the need to tell the court that using an archaic seventeenth-century grammatical construction (where modern English would have “I do not mean to…” or “I do not wish to”¦”)

Because I am not present to take part in [my own appeal], I feel compelled to share.

As Judge Nencini said, if anyone wants to talk to a court, come to court. Knox chose not to be present, which means that the word “because” is not a logical connector for why she feels compelled to share what she thinks. “Even though” would make more sense.

The Court has access to my previous declarations and I trust will review them…

The court has access to thousands of pages. Everybody trusts that courts will review the evidence before passing judgment ““ that’s how the legal process works.

I must repeat: I am innocent.

In fact she does not have to repeat that, which is simply a reiteration of her not guilty plea.

I am not present in the courtroom because I am afraid.

The wording is reminiscent of a previous declaration, “I am very afraid of Patrik, the African boy who…” Also the court may remember the presence of her co-defendant, who made a brief presentation to the court (and was invited to intervene again at any time he saw fit) and who afterwards flew back to his extended vacation in the Dominican Republic. It is difficult to see what the defendants have to be afraid of from the court, except perhaps the truth.

I am afraid that the prosecution’s vehemence will leave an impression on you, that their smoke and mirrors will blind you.

The prosecution’s case has already been made; this was the opportunity for the defense to make their case. It is the court’s duty to consider the evidence without being overly swayed by the vehemence of lawyers from either side ““ they look at the facts, and pass judgment based on that, and this happens in literally millions of cases every year. (Cassazione alone reviews more than 80 thousand cases each year.)

This is not for lack of faith in your powers of discernment, but because the prosecution has succeeded before in convincing a perfectly sound court of concerned and discerning adults to convict innocent people ““ Raffaele and me.

The second half of the sentence contradicts the first. The writer is explicitly stating that she doubts that the court has sufficient powers of discernment to be able to see through the prosecution’s arguments. Her justification for saying this is simply that it has happened before, with a previous court.

I’ve attentively followed this process and gleaned the following facts…

This is a delusional statement. The writer is the defendant, who is the subject of the process, not an external observer to it. We can compare it with her statements following her arrest, in which she claimed still to be helping the police on an equal basis with them, despite being charged with the murder.

No physical evidence places me in Meredith’s bedroom, the scene of the crime…

The bedroom is where the murder took place, but the crime scene is much wider than that, and certainly encompasses the adjoining room where the burglary was faked, the bathroom where the killers cleaned up, and the corridor that connects those rooms. Knox’s blood, DNA, bare footprints are all found in those places. Within Meredith’s room itself, there is also a woman’s shoeprint that does not match the victim, and which Knox’s own lawyer was obliged to claim was caused by an unfortunate fold in the pillowcase.

Meredith’s murderer left ample evidence in the brutal scenario: handprints, footprints, shoe prints in Meredith’s blood, DNA in her purse, on her clothing, in her body.

The term “brutal scenario” makes no sense here, although she repeats it again a couple of lines later. Perhaps she means “crime scene” or “bedroom”. The only footprints found at the crime scene are those of Knox and Sollecito. A woman’s shoeprint in the room where the murder took place cannot be that of either Guede or the victim, and is most likely that of Knox.

The prosecution has failed to explain how I could have… been the one to fatally wound Meredith ““ without leaving any genetic trace of myself. That is because it is impossible.

Actually it is perfectly possible to do this ““ for example, simply by stabbing someone to death while wearing gloves. However, in this case the prosecution has in fact explained how several traces of Knox’s DNA have been found on the handle of the knife which had the victim’s DNA on the blade. That obviously fits a scenario in which Knox stabbed Meredith Kercher with that knife.

Either I was there, or I wasn’t.

The same thing applies to the appeal court. Either the defendants are there, or they are not. In this case, the defendant is not.

The analysis of the crime scene answers this question: I wasn’t there.

Knox’s footprints, blood and DNA, sometimes mixed with that of the victim, all place her at the crime scene, and so does her DNA on the handle of the murder weapon.

My interrogation was illegal and produced a false “confession” that demonstrated my non-knowledge of the crime.

“Non-knowledge” is a curious word. Knox’s witness interview was perfectly legal ““ it was only the unexpected confession from the witness that changed the status of that interview, so that its contents could no longer be used against her. But there is no question over its legality.

The subsequent memoriali, for which I was wrongfully found guilty of slander…

This is an extraordinary aside. The defendant is here rejecting the legitimacy of the Italian Supreme Court, which has definitively found against her, and is also rejecting the findings of the Hellmann court that provisionally freed her, pending appeal. Every single court has found against her on this count.

. ...did not further accuse but rather recanted that false “confession”.

Let us reread some excerpts from this supposed recantation: “After dinner I noticed there was blood on Raffaele’s hand… I stand by my statements that I made last night about events that could have taken place in my home with Patrik… In these flashbacks I’m having, I see Patrik as the murderer…Why did I think of Patrik?... Is there any other evidence condemning Patrik or any other person?” This is not a recantation, and it does in fact contain further accusations of Patrick Lumumba while also seeking to throw suspicion both on Sollecito and an unnamed “other person”.

My behavior after the discovery of the murder indicates my innocence.

As dozens of witnesses have testified in a series of trials and appeals, Knox’s post-murder behavior indicated the exact opposite, which is why suspicion fell on her in the first place.

I did not flee Italy when I had the chance.

On page 71 of her memoir, Knox recounts the following exchange with Officer Ficarra, on the day after the murder was discovered: “My parents want me to go to Germany to stay with relatives for a couple of weeks. Is that okay?” She said, “You can’t leave Perugia. You’re an important part of the investigation.”

I stayed in Perugia and was at the police’s beck and call for over 50 hours in four days.

Chapter Ten of her memoir gives her own account of what she did on Monday, November 5th. She went to a nine o’clock grammar class, at which she refused to discuss the case with her fellow students; she spoke on the phone with her Aunt Dolly, admitting that she had not yet contacted the US embassy; she bumped into Patrick Lumumba where she refused to talk to BBC reporters; she spent the afternoon with Sollecito and then accompanied him to a friend’s house where she played the ukulele. Far from being at the police’s beck and call, she ignored their request that she stay home while they interview Sollecito separately, and turned up to the Questura regardless, although not before they had finished their evening meal.

The police coerced me into signing a false “confession””¦.

Her false accusation of Patrick Lumumba, for which she was convicted and has already served four years in prison, was not a confession and was not coerced.

. “¦one may be coerced into giving a false “confession” because of psychological torture”¦ This is a universal problem.

The US-based Innocence Project reports that there have been 244 exonerations since 2000, which is just over seventeen per year, which in turn means that currently in the USA, roughly 0.1% of cases are eventually overturned. Being wrongfully convicted might be devastating for the person concerned, but it is not a universal problem.

I did not carry around Raffaele’s kitchen knife.

The defendant has not been accused of carrying the knife around, but rather of stabbing Meredith Kercher to death with it. Forensic evidence supports that accusation, too.

I had no contact with Rudy Guede. Like many youth in Perugia, I had once crossed paths with Rudy Guede.

Very typical of Knox’s writing is this kind of self-contradiction, sometimes occurring within the same sentence, or as in this case, in consecutive sentences, seemingly with no self-awareness that any contradiction has even occurred.

If the prosecution truly had a case against me, there would be no need for these theatrics.

The prosecution is present in the court, having made its presentation in the usual way. The defense lawyers are about to do exactly the same thing. The only theatrics happening in the court at that moment is a bizarre email sent by one of the defendants, in lieu of attending her own appeal to her own murder conviction.

But because no evidence exists that proves my guilt, the prosecution would seek to deceive you with these impassioned, but completely inaccurate and unjustified pronouncements.

No further comments… [End Finn MacCool] 

5. Knox’s lies to Italy (#2) rebutted

The Italian weekly magazine Oggi is actually on trial for contempt of court for translating and republishing some of the numerous lies and defamations in Knox’s book Waiting To Be Heard.  This is the article with offending Knox quotes in bold, and below our own rebuttal. Research anyone?

Amanda Knox: The American girl’s sensational story

Chilling. No other adjectives come to mind after having read Waiting to be Heard, finally released in the United States. An extremely detailed and very serious charge against the police and magistrates who conducted the investigation into the murder of Meredith Kercher.

Immediately after the crime, Amanda recounts, and for entire days and nights, they had interrogated the American girl and placed her under pressure to make her confess to a non-existent truth, without officially investigating her, denying her the assistance of a lawyer, telling her lies, even prohibiting her from going to the bathroom and giving her smacks so as to make her sign a confession clearly extorted with something similar to torture.

And now the situation is very simple. There are only two choices: either Amanda is writing lies, and as a consequence the police officers and magistrates are going to have to sue her for defamation; or else she is telling the truth, and so they are going to have to go, not without being sanctioned by the CSM [the magistrates’ governing body] and the top brass of the Police. The third possibility, which is to pretend that nothing has happened, would be shameful for the credibility of our judicial system.

Amanda Knox has written her Waiting to be Heard memoir with the sense of revulsion and of relief of someone who has escaped by a hair’s breadth from a legal disaster, but has got her sums wrong. Cassation has decided that the [appeal] proceedings have to be redone and the hearings should be (re)commencing in October before the Florence Court of Appeal.

In a USA Today interview, Ms Knox has not excluded the possibility of “returning to Italy to face this battle too”, but it would be a suicidal decision: it’s likely that the appeal will result in a conviction, and the Seattle girl will end up in the black hole from which she has already spent 1,427 days.

In this way Waiting to be Heard risks being the “film” on which Amanda’s last words are recorded about the Mystery of Perugia, her definitive version.

We have read a review copy. And we were dumbfounded. Waiting to be Heard is a diary that has the frenetic pace of a thriller, written in a dry prose (behind the scenes is the hand of Linda Kulman, a journalist at the Huffington Post), even “promoted” by Michiko Kakutani, long-time literary critic at the New York Times.

The most interesting part does not concern the Raffaele Sollecito love story (which Amanda reduces it to puppy love: “With the feeling, in hindsight, I knew that he… that we were still immature, more in love with love than with each other”), and whoever goes looking for salacious details about the three Italian boys Amanda had casual sex with, one night stands, will be frustrated (Ms Knox describes those enounters with the nonchalance of an entomologist disappointed with his experiments: “We undressed, we had sex, I got dressed again with a sense of emptiness”).

There are no scoops about the night of the murder and even the many vicissitudes endured during the 34,248 hours spent in Capanne prison ““ the [claimed] sexual molestations suffered under two guards, the unexpected kiss planted by a bisexual cellmate, the threats made by another two prisoners ““ remain on the backdrop, like colourful notations.

Because what is striking and upsetting, in the book, is the minute descriptions, based on her own diaries, on the case documents and on a prodigious memory, of how Ms Knox had been incriminated (or “nailed”).

COME IN KAFKA. A Kafkian account in which the extraordinary naivety of Amanda (the word naïve, ingénue, is the one which recurs most often in the 457 pages of the book) mixes with the strepitous wickedness of the investigators decided on “following a cold and irrational trail because they had nothing better in hand”.

Devour the first 14 chapters and ask yourself: is it possible that the Police and Italian justice work with such incompetence, ferocity, and disdain for the truth? You place yourself in her situation and you scare yourself: If it happened to me? You’re in two minds: is it a likely accusation, or a squalid calumny, the version of Amanda?

Because in reading it you discover that in the four days following the discovery of Meredith Kercher’s body (on 2 November 2007), Amanda was interrogated continuously, and without the least of procedural guarantees [=due process].

She changes status from witness to suspect without being aware of it.” No one had told me my rights, no one had told me that I could remain silent”, she writes. When she asked if she had the right to a lawyer, the Public Prosecutor, Giuliano Mignini, had responded like this: “No, no, that will only worsen things: it would mean that you don’t want to help us”. Thus, the Public Prosecutor, Giuliano Mignini.

For a long period of time, Ms Knox, who at the time spoke and understood hardly any Italian at all, mistook him for the Mayor of Perugia, come to the police station to help her.

Then, with the passage of time and of the pages, the assessment changes: Mignini is a prosecutor “with a bizarre past”, investigated for abuse of office (he was convicted at first instance, but Cassation annulled the verdict on the grounds of lack of jurisdiction: the case will be held in Torino ““ ndr) and with the hunger to fabricate “strange stories to solve his cases”.

Mignini “is a madman who considers his career more important than my liberty or the truth about the killing of Meredith”. On the phone, the Perugian prosecutor reacts with aplomb: “First I will read the book and then I will consider it. Certainly, if it really calls me “˜mad’ or worse, I think I will file suit”.

BEING IN PRISON IS LIKE CAMPING Amanda goes looking. When the officers mysteriously bring her along to the crime scene inspection of the apartment below the one in which she and Meredith were living in, Ms Knox put on the shoe protectors and the white forensics gloves and called out Ta-dah! spreading her arms “as if I was at the start of a musical: I wanted to appear helpful”.

When they dragged her in handcuffs into Capanne Prison, she believed what the Police would have told her, and that was they would hide her for a couple of days to protect her (from the true killer, one presumes) and for unspecified bureaucratic reasons. “In my head I was camping: “˜This won’t last more than a week in the mountains’, I told myself,” writes Amanda.

They take her money off her, and her credit cards, licence and passport, and she draws strength from repeating to herself that “surely they’re not going to give me a uniform, seeing that I’m a special case and that I’ll be here for only a little while”.

But it’s the account of the notorious interrogation that takes the breath away. Around ten in the evening on her last day of freedom, Ms Knox accompanies Raffaele to the police station (he was called in, also without a lawyer, by the Police) and is thrown into a nightmare which she populates with many faces: there is Officer Rita Ficcara, who gives her two cuffs on the head (“To help you remember,” she would say); there’s another officer who advises her: “If you don’t help us, you’ll end up in prison for 30 years”; Mignini arrives and advises her not to call a lawyer; super-policewoman Monica Napoleoni dives in and bluffs: “Sollecito has dropped your alibi: he says that on the night of the murder you had left his apartment and that you had told him to lie to “˜cover you’”.

And a crescendo of yelling and intimidations that lasts from 11 at night until 5.45 in the morning. Seven hours “produce” two confessions that, exactly because they are made without a defence lawyer, cannot be used in the proceedings, but forever after “stain” the image of the accused Knox: Amanda places herself at the scene of the crime and accuses Patrick Lumumba.

RAFFAELE CONFIRMS THE ACCUSATIONS An account of the horror is confirmed by Sollecito in his memoir, Honor Bound, Raffaele writes of having heard “the police yelling at Amanda and then the cries and sobs of my girl, who was yelling “˜Help!’ in Italian in the other room”, and of having being threatened in his turn (“If you try to get up and go, I’ll punch you till you’ll bleed and I’ll kill you. I’ll leave you in a pool of blood”, another officer had whispered to him).

Published lines which have passed right under the radar of the Perugian investigators: “No legal action [against the interrogators] has been notified to us,” Franco Sollecito, Raffaele’s dad, tell us. For having recounted the sourness of her interrogation in court, Amanda was investigated for calunnia: the trial will take place in Florence. This one, too, will be a circumstantial case: it’s the word of two young people against that of the public prosecutor and the police.

The recording of the interrogation would have unveiled which side the truth stands on. But it has gone missing.

Our own rebuttals:

  • Knox was NOT interrogated for days and nights. She was put under no pressure in her brief witness interviews except possibly by Sollecito who had just called their latest alibi “a pack of lies”.

  • Knox WAS officially investigated in depth, after she surprisingly “confessed” and placed herself and Patrick at the scene. Prior to that she’d been interviewed less than various others, who each had one consistent alibi.

  • Knox herself pushed to make all three statements without a lawyer on the night of 5-6 November 2007 in which she claimed she went out from Sollecito’s house, met Patrick, and witnessed him killing Meredith.

  • Far from Knox being denied a lawyer, discussions were stopped before the first statement and not resumed, in the later hearing she was formally warned she needed one; she signed a confirmation of this in front of witnesses.

  • Prosecutor Mignini who Knox accuses of telling her a lawyer would hurt her prospects when she claims she asked for one was not even in the police station at that interview; he was at home.

  • She was not prohibited from going to the bathroom. At trial, she testified she was treated well and was frequently offered refreshments. Her lawyers confirmed this was so.

  • She was not given smacks by anyone, though she did repeatedly smack her own head. Over a dozen witnesses testified that she was treated well, broke into a conniption spontaneously, and thereafter her talking was hard to stop.

  • There is no evidence whatsoever that Knox was subject to “something similar to torture” and as mentioned above only Sollecito applied any pressure, not any of the police.

  • There is nothing “suicidal” about returning to Italy to defend herself at the new appeal. Sollecito did. She risks an international arrest warrant and extradition if she doesn’t.

  • There is no proof except for her own claims of sexual molestations in prison; she is a known serial liar; and she stands out for an extreme willingness to talk and write about sex.

  • Many people have testified she was treated well in prison: her own lawyers, a member of parliament, and visitors from the US Embassy were among them; she herself wrote that it was okay.

  • She may have based her account on her diaries and “prodigious memory” but the obviously false accusation against the prosecutor suggests that much of the book was made up.

  • The investigators had a great deal of evidence against Knox in hand, not nothing, and they were not ever faulted for any action; they helped to put on a formidable case at trial in 2009.

  • “Police and Italian justice work with such incompetence, ferocity, and disdain for the truth” is contradicted by a very complete record prior to trial which was praised by the Supreme Court.

  • Mr Mignini has NO bizarre past at all. He is widely known to be careful and fair. He would not have been just promoted to first Deputy Prosecutor General of Umbria otherwise.

  • He was put on trial by a rogue prosecutor desperate to protect his own back from Mignini’s investigations; the Supreme Court has killed the trumped up case dead.

  • There was nothing “mysterious” about Knox being taken to the crime scene to see if any knives were gone, but her wailing panic when she saw the knives was really “mysterious”.

  • Knox never thought she was in prison for her own protection; she had signed an agreement at the 5:00 am interview confirming she did know why she was being held.

  • Monica Napoleoni did not “bluff” that Sollecito had just trashed their joint alibi; he actually did so, because his phone records incriminated him; he agreed to that in writing.

  • There was no crescendo of “yelling and intimidations that lasts from 11 at night until 5.45”. There were two relatively brief sessions. Knox did most of the talking, named seven possible perps, and drew maps.

  • There was zero legal requirement to record the recap/summary interview, no recording has “gone missing” and many officers present testified to a single “truth” about what happened.


6. Coming up In Our Next Posts

More of the same. Knox blowing smoke and our exposing her. Some of the same smoke she blew for Netflix. And also, our lies of omission seies.


Correcting Netflix 8: Omitted - Honest Picture Of Sleazy Production Team, Hard Facts That Challenge Them

Posted by Ergon


Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.



I saw the film at the Toronto International Film Festival. As a passionate lover of movies and documentaries, I respect the right of ANYONE to create a documentary or film through the prism of their own POV.

On the other hand, they owe us, the audience, a modicum of honesty in their reporting. Otherwise, as some one once complained about deceptive editing and reporting in one of Katie Couric’s documentaries, it prevents “democratic discourse” and this is what we ask.

By all means, engage with us, but do so honestly.

Having followed the case for many years as well as attending the earlier Supreme Court hearing in 2013 I can add the following:

  • Rudy Guede’s lawyer Valter Biscotti had a lot more to say about his client being convicted ‘in conjunction with others’. This was edited out, as well as the caption Knox put alongside her blog when she posed with a machine gun, “The Nazi Within”.  Something the media reported correctly at the time, McGinn and Blackhurst not.

  • The Producer Stephen Robert Morse hid his involvement in the project with Brian McGinn and Rod Blackhurst since 2011. They had ALL made inflammatory comments in favour of Amanda Knox over the years, with Morse hastily deleting some (but not all) as the Netflix sale came up.

  • He even called Nick Pisa “a piece of shit” in Perugia in 2011. It was the reputable Danish production company head Mette Heide that approached Mignini and Pisa, who didn’t know of Morse’s involvement, but that gives the background to this biased ‘documentary’ and why some may feel it is less than fair or balanced in its portrayal of the protagonists.

  • Mignini was referring to the Monster of Florence case when he talked of people coming up to shake his hand, the film makes it look like they were congratulating him for putting away Amanda Knox.

  • He was referring to it being an inside job when he said an “unknown” man (edited out to make him seem misogynistic) would not have covered Meredith with a blanket.

  • The film emphasized his Catholic beliefs to make it seem he was making a moralistic judgement about her. As he pointed out, the evidence was somewhat overwhelming. It also made it seem like his love of Sherlock Holmes was proof of him following a hunch. Um, that’s what investigators sometimes do, especially when faced with the numerous prevarications and failed alibis of Amanda Knox. Obscuring the evidence to match your narrative is dishonest to the extreme.

  • The ‘independent’ DNA experts Conti and Vecchiotti were given lots of room to claim contamination though that was never proved in court, only inferred. Also left out: Vecchiotti’s sentence for not maintaining sterile conditions in HER laboratory. Her switching a suspect’s DNA with another in one of Italy’s worst murder cases in order to falsely exonerate someone with ‘connections’. The tests had to be redone to obtain a conviction. As they make fun of Nick Pisa for ‘not fact-checking’, should they not have fact-checked before they placed her on camera?

  • The biggest laugh the Toronto audience gave was WITH Nick Pisa when he said “I mean, she’s (Knox) a complete and utter loon”.

  • This follows the Netflix template of creating reasonable doubt as it did with “The Making Of A Murder”. By over emphasizing the defense case, and ignoring the prosecution’s, it reads like propaganda.

  • This is neither fair nor balanced, nor is it original. It adds nothing to our knowledge, being a rehash of her book and numerous TV interviews, and already covered in Michael Winterbottom’s “The Face Of An Angel” in his fictionalized ‘the making of a movie within a movie’ adaptation of reporter Barbie Nadeau’s book. Oh, and producer Morse insulted HER too.

  • There were several prosecutors and numerous judges helped convict her, not just prosecutor Mignini. Nor was it an exercise in misogyny, the case was largely driven by five women: Judge Claudia Matteini, co-prosecutor Manuela Comodi, Scientific Police DNA lab technician Patrizia Stefanoni, homicide Inspector Monica Napoleoni, and Inspector Rita Ficarra.

  • This exercise in PR looks like an Amanda Knox Production, with her playing the lead role, director, producer and writer. Yet she fails to see how she comes across with her melodramatic styling and emotive pauses and outbursts. She is neither believable nor sympathetic, no matter how hard they all try.

  • Two stars out of ten for production values and slick cinematography, none for the film itself.

In the end, the picture belongs to Meredith Kercher, remembered by her family with a grieving Arline Kercher, her mother saying how she just could not understand how there could be two convictions and two acquittals; justice denied.

And a haunting video of Meredith, taken in the full bloom of her youthful promise by Amanda Knox. She didn’t want to be filmed, but as Knox admits in her book, she took the video anyway. (And included in her film).

Meredith Kercher, RIP.


Correcting Netflix 9 Omitted - Numerous Facts The More Widely Viewed BBC Report Did Not Hide

Posted by Our Main Posters


1. The BBC Report

This fine BBC production has been aired in many countries and although it has been “officially” blocked in the US over one million have watched it there.

The superior Andrea Vogt/Paul Russell report for the BBC Is Amanda Knox Guilty? was made on a lower budget and took substantially less production time.

It actually contained some Italians other than two discredited DNA experts and a hoodwinked Dr Mignini and Nick Pisa.

British viewership exceeded 700,000 in its first airing in February 2014. Foreign broadcasts worldwide - mysteriously it was not ever aired in the US - exceeded that by up to 10 times. There are several pirated uploads available on BitTorrent, and YouTube views are well over 100,000.

Let us say a total of at least 5 million worldwide for the BBC production by Andrea Vogt and Paul Russell, and maybe up to twice that. 

Promotion of the fair and unemotional BBC production was low-key worldwide. The formidable prosecution case is explained in an interesting way, and the very odd claim that some minor 2007 UK reporting is what swayed a row of judges and a smart Italian jury two years later is absent.

2. The Netflix Report

More than twice those who have watched the biased Netflix report online. It is hard to see Amanda Knox breaking even. It could be a big loss for the Knox-beholden producers.

iTechPost is estimating viewership of Amanda Knox as below 400,000.  A typical primetime success in the US would exceed that by maybe 30 times.

The iTechPost report suggests that leaving so much factual material out, and simply playing to American emotions, looks to have been a major mistake.

By comparison, Netflix’s Avery success Making A Murderer which dwelled on plenty of evidence (though not all of it) and courtroom drama exceeded one million views in the US for each of 10 episodes, making a total of over 10 million. 

There were many more views elsewhere.

Amanda Knox included such audience-bait as demonization of the prosecutor to hiss at, and demonization of one UK reporter to hiss at. Plenty about Italian justice to hiss at.

Also a major (and long discredited) smear by Amanda Knox accusing the investigators of felonies - which Dr Mignini was not even told about, let alone allowed to respond to; now that would have been fair and interesting.

The promotional theme was Monster v Victim but the movie did not devote even a minute to exploring that theme. Now that really could have been interesting.

Amanda Knox was given pervasive and very expensive promotion in the US including a costly billboard in NYC’s Madison Square Gardens. Netflix and Knox PR have engineered close to 100 positive reviews (though negative reader comments are in the clear majority).

3. The Bottom Line

Why pay to see PR distortions? Objectivity rules. Truth rules. Fairness rules. Fact rules. Good word-of-mouth rules. A lot less of the dishonest ultra-self-absorbed whiner Amanda Knox rules.

The ratings for Amanda Knox are a fail by Netflix’s own Avery standard. And a big fail by the BBC standard.


Correcting Netflix 10: Omitted - How Amanda Knox Falsely Accused Dr Mignini Of A Felony

Posted by Peter Quennell


Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.


1. The 2009 Trial Verdict Was Exactly Right

The 2009 prosecution phase was as perfect as any Italian prosecution heard in court. 

This phase from January to June was fast and implacable, about as forceful as a high-speed train. Amidst so much that damned, days of largely unchallenged police testimony for example proved that Knox framed Patrick only because Sollecito sold her out.

Nothing else. He said she had made him lie, and never wanted to see her again, and he and Knox never got back to one narrative theme.

Knox on the witness stand in June was a wince-making disaster - this tough sarcastic rather thuggish girl claiming “the cops were meanies to fragile little me” did not exactly ring true.

The defense lawyers never ever recovered from that and we expected at least two to simply walk off. Late in the trial Sollecito lawyer Maori sarcastically said Knox had been high on cocaine (we believe that is true) as barb after barb was exchanged.

Remember that the Massei court was the only one to see all of the massive evidence.  That included days and days of autopsy-related evidence in closed court with both the perps being closely observed throughout.

And that jury got the verdict and sentence exactly right. Knox and Sollecito should indeed be serving their time as in the US or UK they would. 

So. Why did the two ever get released? Simple. Gaming of the Italian justice system to produce two bent appeals.

The 2011 appeal court was bent when the defenses got the Umbria region’s top criminal judge blatantly forced aside in favor of a semi-senile business judge absolutely at sea on the law.  Additionally his “independent” DNA experts were cherry-picked for him.

The 2015 Supreme Court was bent by way of known mafia connections and of the blatant breaking of Italian appeal law. Italian law enforcement never talks about mafia investigations before some bad guys are locked up, but one day the whole story should be widely known. We know much of it now.

2. Thirty PR Hoaxes To Make You Ignore The Above

Check out the 30 PR Hoaxes in our right column, or better still, wait a few days, and we will open a new page summarizing each hoax. What the Netflix hoaxers have done is to pick up a few of those hoaxes, and run with them in a mocking, sneering tone.

Hence the mocking, sneering tone of many ill-researched movie reviews.

The best way to annihilate the Netflix slant is to fully comprehend each hoax they used. One major hoax is that the synthetic Knox you see now is the real-life Knox around the time of the crime and at trial through 2009.

We can show that back then Amanda Knox was a loose cannon - and widely seen as such.

Another major hoax Amanda Knox herself advances in the film is that she was yelled at and abused by cops on 5-6 November 2007 over a long time. And so, desperate, she fingered as the real killer Patrick Lumumba.

Believe her? We address this question to Knox herself about the “interrogation” as described in her book six years later. Let us see if her response (if any) makes her look like someone you can blindly trust.

We will also post more later to destroy the interrogation hoax.

3. Question For Knox About Her “Interrogation”

Here is how you describe in BOTH editions of your book (2013 and 2015) a supposed interrogation by Prosecutor Mignini at your first (witness) interview. Below the quote, we describe what everyone else present says took place.

[This is the voluntary witness interview.] Eventually they told me the pubblico ministero would be coming in.

I didn’t know this translated as prosecutor, or that this was the magistrate that Rita Ficarra had been referring to a few days earlier when she said they’d have to wait to see what he said, to see if I could go to Germany.

I thought the “public minister” was the mayor or someone in a similarly high “public” position in the town and that somehow he would help me.

They said, “You need to talk to the pubblico ministero about what you remember.”

I told them, “I don’t feel like this is remembering. I’m really confused right now.” I even told them, “I don’t remember this. I can imagine this happening, and I’m not sure if it’s a memory or if I’m making this up, but this is what’s coming to mind and I don’t know. I just don’t know.”

They said, “Your memories will come back. It’s the truth. Just wait and your memories will come back.”

The pubblico ministero came in.

Before he started questioning me, I said, “Look, I’m really confused, and I don’t know what I’m remembering, and it doesn’t seem right.”

One of the other police officers said, “We’ll work through it.”

Despite the emotional sieve I’d just been squeezed through, it occurred to me that I was a witness and this was official testimony, that maybe I should have a lawyer. “Do I need a lawyer?” I asked.

He said, “No, no, that will only make it worse. It will make it seem like you don’t want to help us.”

It was a much more solemn, official affair than my earlier questioning had been, though the pubblico ministero was asking me the same questions as before: “What happened? What did you see?”

    I said, “I didn’t see anything.”

    “What do you mean you didn’t see anything? When did you meet him?”

    “I don’t know,” I said.

    “Where did you meet him?”

    “I think by the basketball court.” I had imagined the basketball court in Piazza Grimana, just across the street from the University for Foreigners.

    “I have an image of the basketball court in Piazza Grimana near my house.”

    “What was he wearing?”

    “I don’t know.”

    “Was he wearing a jacket?”

    “I think so.”

    “What color was it?”

    “I think it was brown.”

    “What did he do?”

    “I don’t know.”

    “What do you mean you don’t know?”

    “I’m confused!”

    “Are you scared of him?”

    “I guess.”

I felt as if I were almost in a trance. The pubblico ministero led me through the scenario, and I meekly agreed to his suggestions.

    “This is what happened, right? You met him?”

    “I guess so.”

    “Where did you meet?”

    “I don’t know. I guess at the basketball court.”

    “You went to the house?”

    “I guess so.”

    “Was Meredith in the house?”

    “I don’t remember.”

    “Did Patrick go in there?”

    “I don’t know, I guess so.”

    “Where were you?”

    “I don’t know. I guess in the kitchen.”

    “Did you hear Meredith screaming?”

    “I don’t know.”

    “How could you not hear Meredith screaming?”

    “I don’t know. Maybe I covered my ears. I don’t know, I don’t know if I’m just imagining this. I’m trying to remember, and you’re telling me I need to remember, but I don’t know. This doesn’t feel right.”

    He said, “No, remember. Remember what happened.”

    “I don’t know.”

At that moment, with the pubblico ministero raining questions down on me, I covered my ears so I could drown him out.

    He said, “Did you hear her scream?”

    I said, “I think so.”

My account was written up in Italian and he said, “This is what we wrote down. Sign it.”

So you choose to portray yourself as reluctant to talk at all? While Dr Mignini relentlessly edges you more and more into saddling Patrick with the blame? While you have no lawyer there?

In fact, as you well know, every word of that dialogue is made up. You invented it. Dr Mignini was not even there. Right then, he was home in bed.

Now we contrast this malicious figment of your imagination with the account of that night by many others who were present at various times. Even you yourself essentially agreed to this narrative at trial, with the one exception that the slaps to your head that several observed were by you were actually by someone else.

Feel free to tell us where we have got this wrong:

1. You insist on being around in the central police station despite being grumpy and tired while Sollecito helps investigators to check a few claims.

2. After a while an investigator, Rita Ficarra, politely invites you to help build a list of names of men who might have known Meredith or the house. She is somewhat reluctant as it was late and no interpreter was on hand. You quite eagerly begin. An interpreter is called from home. You calmly produce seven names and draw maps.

3. Sollecito breaks suddenly and unexpectedly early in his own recap/summary session when confronted with phone records which showed he had lied. He quickly points the finger at you as the one having made him lie. You are briefly told he is saying you went out.

4. You break explosively soon after when an outgoing text shows up on your phone after you had claimed you sent none. You slap your head. You yell words to the effect that Patrick is the one, he killed Meredith. Police did not even know of the existence of Patrick before you identified the text as to him.

5. Thereafter you talk your head off, explaining how you had overheard Patrick attack Meredith at your house. The three ladies present and one man do what they can to calm you down. But you insist on a written statement, implicating him, and stating you went out from Sollecito’s alone.

6. This from about 2:00 am is the state of play. You are taken to the bar for refreshments and helped to sleep. You testify at trial that you were given refreshments, and everybody treated you well.

7. As you had admitted being at the scene of a crime you had not reported, you had in effect admitted to a crime, so a legal Miranda-type caution is required saying the signee understands they should not talk without a lawyer, and if they do talk that can be used as evidence in court.

8. Dr Mignini, the on-call duty judge for that night, is by multiple account, including your own at trial, not present at that list-building session with Rita Ficarra, and in fact knows nothing about it until Rita Ficarra closes it down. He comes from home.

9. Dr Mignini reads you your rights. You now sign acknowledging you know you should not talk unless your lawyer is there. Dr Mignini asks you no questions. He is anxious to get the session over so he can get on to the task of pulling Patrick in. You yourself shrug off a lawyer and repeat your accusation and insist on a new written statement. Though you are again warned, you see it done.

10. Under Italian law that second statement could and should have been used against you, but the Supreme Court denied its use except against Patrick. Dr Mignini has said he thinks that was wrong in law but did not appeal.

Really a very simple chain of events, which was attested to at trial by all of those who had been present on the night, even including yourself.

There are no signs at all in anyone else’s description that you were leaned on by anybody, and nobody at the central police station had the slightest vested interest in making you into a target that night.

So where precisely does this new claim in your book and the Netfllix film of an illegal interrogation by Dr Mignini fit in? Now would seem a very good time to simply admit it is a hoax. Remember all courts saw it as such.


Correcting Netflix 11: Omitted - How Italian Justice Is Misrepresented By Multiple Cherrypickings Of Facts

Posted by Swansea Jack


Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.



Quote: “The media is the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that’s power. Because they control the minds of the masses.”  Malcolm X

We live in a society where I believe I’m justified in saying a majority of people are easily swayed by the material they see on TV or read in the newspapers.

Recently I have witnessed a mass of new posters on Twitter and other social media forums who after watching the Amanda Knox Netflix documentary have formed a cast iron, unshakable opinion on the case.

It is clear after engaging with them very briefly that they frankly have very limited knowledge and understanding of the facts relating to the murder of Meredith Kercher.

I will credit the producers of the documentary Blackhurst and McGinn on what I consider to be a quite clever (but ever so sneaky) disguising of their absolute bias towards Amanda Knox which will not be evident to those who are not acquainted with the case.

They have obviously correctly banked on the ignorance of the majority of their audience.

I get the impression that Nick Pisa is used as a “filler” and a distraction. I come to this conclusion as I feel the producers would be hard pushed to make a 90 minute documentary, favourable to Knox, while addressing the real facts of the case without getting themselves into serious legal trouble.

I also know from first-hand experience that it is a long-term strategy of Knox and her little band of PR hate-mongers to vilify others, in order to distract attention away from the real villains.

It is my impression that the intended main target for vilification was Perugian Prosecutor Giuliano Mignini.

But try as they might, even with their selective editing, they could not produce enough material to achieve their goal due to Mignini’s humility and integrity.

For me personally the documentary raised a few questions which I will share with you.

We have Knox herself stating words to the effect of “either i am a psychopath, a Wolf in sheep’s clothing or I am you” Well she certainly isn’t me or anyone else, she is her, so is this an involuntary but frank admission?

The documentary shows a clip of Diane Sawyer’s interview with Knox in which Amanda is asked “Were you there that night?” She replies “No” but nods yes.

It is my opinion that Knox gets a real power kick out of the notoriety afforded to her and revels in the “Did I or didn’t I” mystery.

She then goes from being the wolf in sheep’s clothing to being a “Warrior Princess like Xena”. An ultimate and powerful fantasy figure.

Knox maintains that she was at Sollecito’s address at 110 Corso Garibaldi watching Amelie at the time of Meredith’s murder.

Not even Raffaele supports this version of events.

It begs the question why Blackhurst and McGinn have omitted the fact that Marasca and Bruno who acquitted the pair state in their motivation report “her (Knox) presence inside the house, the location of the murder, is a proven fact in the trial.”

The acquitting Judges go on to explain their reasoning that Knox was the first person to offer a sexual motive before there was any cadaver or autopsy reports available.

They also make mention of Amanda’s description of “the victim’s terrible scream” which was confirmed some time later by witnesses Nara Capezzali, Antonella Monacchia and others.

How could a person who wasn’t present know these details of the crime?

Knox goes on to describe an idyllic evening, smoking pot and making love, yet makes no mention of who was listening to music on Sollecito’s computer at 05:32 in the morning, a time when both Knox and Sollecito claim to be blissfully sleeping.

Knox can’t comprehend why there is a knife with her DNA on the handle and Meredith’s DNA on the blade.

There is no mention in the documentary of Amanda’s recorded prison conversation with her parents in which she says “I am very worried about this thing with the knife, because there is a knife of Raffaele’s” (*Reference Massei report page 292.)

Neither do they address Sollecito’s claim that the reason Meredith’s DNA is on the blade is because he “accidentally pricked her while cooking.”

He later admitted this was a total fabrication, Meredith had never attended his home.

Knox claims that she accused Diya Lumumba after long hours of questioning. Yet we know that due to the time recorded on her signed voluntary statement that she had fabricated a story swapping Guede for Lumumba in under 2 hours.

She only did so upon learning Sollecito was no longer supporting her alibi.

There is no mention in the documentary that Amanda had provided Diya Lumumba’s name to Rita Ficarra in a list of persons of interest prior to learning Raffaele was not corroborating her version of events.

There is no mention of the sample of Knox’s blood recovered from the faucet of the bathroom she shared with Meredith which Amanda herself dated in her court testimony to the night of Meredith’s murder.

There is no mention of the mixed DNA sample of Knox and Meredith, recovered from a luminol revealed bloodstain in Filomena Romanelli’s room. This is where the alleged point of entry for the burglary occurred. It is worth noting there is no biological trace of Rudy Guede in this room.

Addressing the bra clasp, the Netflix documentary fails to address the fact that the only other sample of Sollecito’s DNA identified in Via Della Pergola 7 was on a cigarette butt in an ashtray in the kitchen. This was a mixed sample containing Raffaele and Amanda’s DNA.

The documentary emphasises the farcical views of the so called “independent experts” Stefano Conti and Carla Vecchiotti. It fails to mention that Vecchiotti confirmed that contamination at Dr Patrizia Stefanoni’s laboratory was not possible if there was a six day gap in the testing of materials during cross questioning at the Hellmann appeal hearing.

    PROSECUTOR COMODI: “Is six days a sufficient interval to rule out contamination?”

    CARLA VECCHIOTTI: “Yes absolutely”

Neither do they address Conti’s explanation (or lack of) as to how and why Sollecito’s DNA was located on the hook of Meredith’s bra clasp

    PROSECUTOR COMODI: “How would Sollecito’s DNA accidentally arrive on the hook of Meredith’s bra?”

    STEFANO CONTI: “Anything is possible”

During his input in the documentary Conti implies that DNA is easily transferable, he gives an example of running his fingers along his arm and magically shedding DNA.

If this is the case I would like to pose a few of questions to him.

1, Why is the only other sample of Sollecito’s DNA located on a cigarette butt in the kitchen?

2, Why is there no genetic trace of Guede in the small bathroom or in Filomena Romanelli’s room?

3, Can you provide a figure for the statistical probability of Sollecito’s solitary sample of DNA (other than the mixed trace on the cigarette butt) innocently finding it’s way on to Meredith’s bra clasp?

Blackhurst and McGinn predictably make use of Rudy Guede’s Skype conversation with Giacomo Bendetti in which he states Knox wasn’t there, yet do not address the letter Guede wrote to his lawyers in which he refers to “a horrible murder of a splendid, beautiful girl that was Meredith by Raffaele Sollecito and Amanda Knox”

Why have the documentary makers chosen to ignore so very many facts?


Correcting Netflix 12: Omitted - How In Multiple Ways Poorly Researched Movie Contradicts Knox’s Own Book

Posted by Chimera



Ummmm… Amanda Knox is wildly unable to keep her multiple stories straight

Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.


1 Knox’s Own Book Says Differently

Inadmissibility issues aside, the film is blatantly contradicted by many claims WITHIN KNOX’S OWN BOOK.  Links below are for my extended series “Revenge of the Knox” on close to 1000 defamations and lies.

I rated the book as 90-95% bullshit.  There is a reason it was not 100%—because there are truthful parts of it which contradict other parts.  Research anyone?

Click here for post:  Revenge Of The Knox: How Knox’s Body Of Lies Headed For The Dark Side (Series Overview)

Click here for post:  Revenge Of The Knox, The Smear-All Book: We Get Down To Nailing ALL Her Invented Claims #1

Click here for post:  How Her Tide Of Malicious Defamation Now Threatens To Swamp Knox #1

Click here for post:  How Her Tide Of Malicious Defamation Now Threatens To Swamp Knox #2

Click here for post:  How Her Tide Of Malicious Defamation Now Threatens To Swamp Knox #3

Click here for post:  Revenge “On” The Knox: Bruno And Marasca Strike Back

Click here for post:  Revenge of the Knox, Series 4: Exposing The Tortured Logic That Permeates Her Book #1

Click here for post:  Revenge of the Knox, Series 4: Exposing The Tortured Logic That Permeates Her Book #2

2. Precisely How Knox Tries To Have It Both Ways

(A) Knox didn’t speak Italian in 2007, but supplies long conversation (that were in Italian), word for word.

(B) Knox tries to be “respectful” towards Meredith’s memory, while publishing lurid details about her death and sexual assault.

(C) Knox tries to be “fair” towards others in her life, while smearing them for drug use.

(D) Knox “thanks” her lawyers, while citing supposed incidents of their illegal acts, and professional misconduct.

(E) Knox was traumatized by her “interrogation” from Mignini, but remembers it (in Italian), word for word

(F) The same crime scene experts who “bungled” things for AK/RS were professional regarding Guede

(G) The same DNA experts who “failed to meet international standards” for AK/RS, did a great job against Guede

(H) The same authorities who “jumped to conclusions” against AK/RS, handled Guede properly.

(I) The same Judge Paolo Micheli who ran a “farce of a pre-trial” for AK/RS, properly presided over Guede’s short form trial

(J) Roommates and eyewitnesses who implicate AK/RS are “unreliable”, yet jailhouse snitches who make exculpatory claims are “very credible”.

(K) AK frequently claims “I don’t remember”, while criticizing unreliable memories of Capazelli, Quintavalle, and others.

(L) AK criticizes Italian Authorities for being dishonest, but admits to fabricating parts of this “memoir”

(M) And on, and on, and on ....

3. Contradictions Just In Author’s Note At Back

Admission #1: Knox Admits she Didn’t Write WTBH

[Author’s Note] ” .... I wouldn’t have been able to write this memoir without Linda Kulman. Somehow, with her Post-it notes and questions, with her generosity, dedication, and empathy, she turned my rambling into writing, and taught me so much in the meantime.”

Commentary:

So why isn’t Linda Kuhlman listed as the author instead of Knox?

Admission #2: Knox Admits She Doesn’t Know What her Source Material is

[Author’s Note] ” .... The writing of this memoir came to a close after I had been out of prison for over a year. I had to relive everything, in soul-wrenching detail. I read court documents and the transcripts of hearings, translated them, and quoted them throughout.”

So, what is the main source of the book?  AK claims that court documents and transcripts are translated and quoted throughout, yet those quotes are oddly absent from the book.  What exactly is AK “re-living”?  She claims not to speak Italian, yet quotes Italian conversations verbatim.  Knox also claims to have been traumatized, but she “remembers” the details and conversations almost perfectly.  And wasn’t a huge part of the 2009 defense that she and RS couldn’t remember anything?

The only documents that seem to be “quoted” are: (1) Matteini verdict where Knox did a snowjob on Judge Matteini by framing Lumumba; (2) 3rd Statement of November 5/6, 2007; (3) AK’s statement to Hellmann Appeal Court.

Admission #3: Knox Admits Parts of the Book are fabricated

[Author’s Note] ” .... The names of certain people, including friends, prisoners, and guards, have been changed to respect their privacy.”

Commentary:

Knox “did” create the persona of Cristiano, the man she met on the train.  His real name is Federico Martini, a drug dealer whose number Knox gave to authorities.  This information is publicly available.  Some “tell-all” book. Makes one wonder if AK “changed” the name of her attacker to Rita Ficarra, or “changed” the name of her interrogator to Guiliano Mignini.  Unfortunately, AK never specifies “which” names she changed.  Also makes one wonder if AK should also have added the disclaimer that certain events had been changed as well.

Admission #4: Knox Admits she Spoke Italian (even in 2007)

[Author’s Note] ” .... Aided by my own diaries and letters, all the conversations were rendered according to my memory.”

Commentary:

How did Knox “remember” long Italian conversations is 2007?  She claimed to know only basic Italian, so either that claim is false, or the conversations are largely made up.  Or both.

Admission #5: Knox Implies Book is Largely Fictional

[Author’s Note] ” .... So much has been said of the case and of me, in so many languages, in so many books, articles, talk shows, news reports, documentaries, and even a TV movie. Most of the information came from people who don’t know me, or who have no knowledge of the facts.”

Commentary:

While this comment seems to imply that “other” media is based on people with no knowledge of the case, taken literally, it could mean that WTBH was also written by someone who didn’t know Knox, and had no knowledge of the case. Ms. Kuhlman?  I’m looking at you.

Admission #6: Knox Never Bothered to Change Anything From the 2013 Version of WTBH

[Author’s Note] ” .... Until now I have personally never contributed to any public discussion of the case or of what happened to me.”

Commentary:

While that “may” have been true when the book was released in 2013, Knox did at least 30 interviews since then

4. Contradictions In Body Of Book Itself

Admission #7: Knox Admits There was no Contamination of Evidence

(a) While Claiming Evidence Against AK/RS is “contaminated”  ....

[Chapter 23, Page 276] “ ... Starting right after we were indicted, Raffaele’s and my lawyers had requested the raw data for all Stefanoni’s forensic tests. How were the samples collected? How many cotton pads had her team used to swab the bathroom sink and the bidet? How often had they changed gloves? What tests had they done - and when? Which machines had they used, at what times, and on which days? What were the original unedited results of the DNA tests?”

[Chapter 25, Page 304] “˜’ ... When the defense questioned her, Napoleoni’s manner switched from professional “”albeit dishonest””to exasperated, incredulous, and condescending. For instance, when Raffaele’s lawyer Giulia Bongiorno asked if the gloves police used at the crime scene were sterilized or one-use gloves, Napoleoni took a snarky tone, saying, “It’s the same thing.”

[Chapter 27, Page 338]  “˜’ ....Gino said. Stefanoni had met none of the internationally accepted methods for identifying DNA. When the test results are too low to be read clearly, the protocol is to run a second test. This was impossible to do, because all the genetic material had been used up in the first test. Moreover, there was an extremely high likelihood of contamination in the lab, where billions of Meredith’s DNA strands were present.

[Chapter 32, Page 414]  Before the first trial, the defense began requesting forensic data from the prosecution in the fall of 2008, but DNA analyst Patrizia Stefanoni dodged court orders from two different judges. She gave the defense some of, but never all, the information. Now it was Conti and Vecchiotti’s turn to try to get the raw data that Stefanoni had interpreted to draw conclusions about the genetic profiles on the knife and the bra clasp. Stefanoni continued to argue that the information was unnecessary. Not until May 11, under additional orders from Judge Hellmann, did she finally comply.

(b).... Knox Admits Evidence Against Guede is Solid and “Properly” Collected

[Chapter 10, Page 105] “˜’ .... There was a bloody handprint smeared on the wall and a bloody shoeprint on the floor. A blood-soaked handkerchief was lying in the street nearby.’”˜

[Chapter 21, Page 254] “˜’ ... “Amanda, the investigators are in a conundrum,” Carlo said. “They found so much of Guede’s DNA in Meredith’s room and on and inside her body. But the only forensic evidence they have of you is outside her bedroom. Raffaele’s DNA evidence is only on the bra hook. If you and Raffaele participated in the murder, as the prosecution believes, your DNA should be as easy to find as Guede’s.” “But Carlo, no evidence doesn’t mean we cleaned up. It means we weren’t there!” “I know,” Carlo said, sighing. “But they’ve already decided that you and Raffaele faked a break-in to nail Guede. I know it doesn’t make sense. They’re just adding another link to the story. It’s the only way the prosecution can involve you and Raffaele when the evidence points to a break-in and murder by Guede.”

[Chapter 23, Page 274] “˜’ ... The evidence gathered during the investigation pointed toward his guilt. His DNA was all over Meredith’s room and her body, on her intimate clothing and her purse. He had left his handprint in her blood on her pillowcase. He had fled the country. The prosecution called Guede’s story of how he “happened” to be at the villa and yet had not participated in the murder “absurd”””though they readily believed his claims against Raffaele and me. One of the big hopes for us was that with so much evidence against Guede, the prosecution would have to realize Raffaele and I hadn’t been involved”¦.

[Chapter 27, Page 339] “  Copious amounts of Rudy Guede’s genetic material had been found in Meredith’s bedroom, on her body, in her purse, and in the toilet.”

[Afterword, Page 464] “ .... None of my DNA was found in my friend Meredith Kercher’s bedroom, where she was killed. The only DNA found, other than Meredith’s, belonged to the man convicted of her murder, Rudy Guede. And his DNA was everywhere in the bedroom. It is, of course, impossible to selectively clean DNA, which is invisible to the naked eye. We simply DNA and left Guede’s and Meredith’s behind. Nor was any other trace of me found at the murder scene, not a single fingerprint, footprint, piece of hair, or drop of blood or saliva. My innocence and Raffaele’s was irrefutable. Like my legal team, I believed that the Corte di Cassazione would affirm the innocence finding.

Commentary:

AK goes on at length about how unprofessional the Italian CSI are, and how substandard their methods are.  However, AK repeatedly rants about how strong the evidence is against Guede.  “Copious” amounts of evidence seems to be Knox’s favourite expression.  So, are the Italian authorities complete crime-scene-destroying screw-ups, or did they do a good job?  It can’t simultaneously be both.  Perhaps the “A-Team” was sent in first get the evidence against Guede, while the “Inspector Gadget Team” went bumbling in afterwards.

Admission #8: Knox Admits that Conti and Vecchiotti Were “Selective” in Which DNA They Tested

[Chapter 32, Page 415] ” .... Now it was Conti and Vecchiotti’s turn to try to get the raw data that Stefanoni had interpreted to draw conclusions about the genetic profiles on the knife and the bra clasp. Stefanoni continued to argue that the information was unnecessary. Not until May 11, under additional orders from Judge Hellmann, did she finally comply.”

Commentary:

AK talks many times about how these experts were “independent, court appointed”.  In the Common Law Countries, such experts are referred to as “friends of the Court”, meaning their allegience is to the Court, not to either the Prosecution or Defense.  If that was the case, would they not want to test as many samples as possible to see just how far (if at all), that contamination really happened?  If police methods were as shoddy as AK describes, why in the world analyze just 2 samples???  Why go through the time, effort and expense to hire these experts if you are only going to contest 2 pieces of DNA???  Heck, just look all the above section, with all those “copius” amounts of evidence that supposedly implicated Guede. 

Conti and Vecchiotti later ran into legal trouble over their methods, but just from reading this book, it seems they were partial and selective about their work.

Admission #9: Knox Admits that Claims of her Being “Sex-Obsessed” Really Are True

[Chapter 2, Page 16] This was my first bona fide one-night stand.
I’d told my friends back home that I couldn’t see myself sleeping with some random guy who didn’t matter to me. Cristiano was a game changer.
We didn’t have a condom, so we didn’t actually have intercourse. But we were making out,  fooling around like crazy, when, an hour later, I realized, I don’t even know this guy. I jumped up, kissed him once more, and said good-bye. I went upstairs to the tiny room Deanna and I were sharing.
She was wide awake, standing by the window. “Where have you been?” she asked. “I didn’t know where you were or if you were okay.”

[Chapter 3, Page 32] “Do you want to eat at my place?” Mirko asked. “We can watch a movie.”
“Sure,” I said, and instantly felt an inner jolt. It came from the sudden certainty that we would have sex, that that’s where our flirtation had been heading all along.
We carried our pizza boxes through Piazza Grimana, by the University for Foreigners, and down an unfamiliar street, past a park. Mirko’s house was at the end of a gravel drive. “I live here with my sister,” he told me.
During dinner at his kitchen table my thoughts battled. Was I ready to speed ahead with sex like this? I still regretted Cristiano. But I’d also been thinking about what Brett and my friends at UW had said. I could picture them rolling their eyes and saying, “Hell000, Amanda. Sex is normal.”  Casual sex was, for my generation, simply what you did.

[Chapter 4, Page 39] The next morning I got up before he did, got dressed, and went to make myself breakfast. Bobby came into the kitchen a few minutes later. We were eating cookies when Laura came out of her bedroom. I’d never entertained a lover at the villa for breakfast, and it was awkward, despite Laura’s proclaimed sense of easy sexuality. All three of us tried to ignore the feeling away.
After breakfast Bobby left to return to Rome. 1 walked him to the door. He smiled, waved, and walked away.
I didn’t feel the same regret I’d had after sex with Mirko, but I still felt the same emptiness. I had no way of knowing what a big price I would end up paying for these liaisons.

[Chapter 5, Page 57] Being with Raffaele also taught me a big lesson about my personality that I’d tried so hard””and harmfully, in Cristiano’s case””to squelch. I was beginning to own up to the fact that casual hookups like I’d had with Mirko and Bobby weren’t for me.
I like being able to express myself not just as a lover but in a loving relationship. Even from the minuscule perspective of a few days with Raffaele, I understood that, for me, detaching emotion from sex left me feeling more alone than not having sex at all””bereft, really.

Commentary:

This isn’t so much an “admission”, but showing the obvious.  4 of the first 5 chapters go on and on about her casual flings, and the book is littered with references to her bunny vibrator.  Later chapters make serious accusations (never reported) of sexual assault, and sexual harassment.

Admission #10: Knox Admits She Likes Writing Stories (True or False) About Women Being Sexually Abused

[Chapter 6, Page 73] ” .... itself””how sadistic her killer had been. When the police lifted up the corner of Meredith’s beige duvet they found her lying on the floor, stripped naked from the waist down. Her arms and neck were bruised. She had struggled to remain alive. Her bra had been sliced off and left next to her body. Her cotton T-shirt, yanked up to expose her breasts, was saturated with blood. The worst report was that Meredith, stabbed multiple times in the neck, had choked to death on her own blood and was found lying in a pool of it, her head turned toward the window, eyes open.”

[Chapter 8, Page 92] ” .... While we stood there, the detectives started asking me pointed questions about Giacomo and Meredith. How long had they been together? Did she like anal sex? Did she use Vaseline?”

[Chapter 10, Page 104] “.... There was evidence that Meredith had been penetrated, but none that proved there had been an actual rape.”

[Chapter 10, Page 119] ” .... I do not remember if Meredith was there or came shortly afterward. I have a hard time remembering those moments but Patrick had sex with Meredith, with whom he was infatuated, but I cannot remember clearly whether he threatened Meredith first. I remember confusedly that he killed her.”

[Chapter 11, Page 137] “˜’ ... Still, what came next shocked me. After my arrest, I was taken downstairs to a room where, in front of a male doctor, female nurse, and a few female police officers, I was told to strip naked and spread my legs. I was embarrassed because of my nudity, my period””I felt frustrated and helpless. The doctor inspected the outer lips of my vagina and then separated them with his fingers to examine the inner. He measured and photographed my intimate parts. I couldn’t understand why they were doing this. I thought, Why is this happening? What’s the purpose of this? ....’”˜

[Chapter 12, Page 145] ” .... “Your panties and bra, please,” Lupa said. She was polite, even gentle, but it was still an order.  I stood naked in front of strangers for the second time that day. Completely disgraced, I hunched over, shielding my breasts with one arm. I had no dignity left. My eyes filled with tears. Cinema ran her fingers around the elastic of the period-stained red underwear I’d bought with Rafael at Bubble,”

[Chapter 12, Page 152] ” .... Later, while I was sitting on the toilet, the redheaded guard came by and watched me through the peephole. So there was no privacy at all, then.”

[Chapter 16, Page 192] ” .... The first time he asked me if I was good at sex, I was sure I’d misheard him.
I looked at him incredulously and said, “What?!”
He just smiled and said, “Come on, just answer the question. You know, don’t you?”
Every conversation came around to sex. He’d say, “I hear you like to have sex. How do you like to have sex? What positions do you like most? Would you have sex with me? No? I’m too old for you?”

[Chapter 17, Page 197] ” ....November 15-16,2007.Vice-Comandante Argiro broke the news. Instead of his usual greeting””a lecherous smile and a kiss on both cheeks””he stayed seated behind his desk.”

[Chapter 18, Page 207] ” .... They were convinced that Meredith had been raped””they’d found her lying on the floor half undressed, a pillow beneath her hips””and that the sexual violence had escalated to homicidal violence.”

[Chapter 24, Page 286] ” .... They said she kissed me once and that I feared further sexual harassment. They knew she was a cleaning fanatic and that she wouldn’t let me make coffee because it would leave water spots on the sink.”

[Chapter 27, Page 335] ” .... I couldn’t stand thinking about Meredith in the starkly clinical terms the scientists were using to describe her. Did her bruises indicate sexual violence or restraint? What did the wounds to her hands and neck suggest about the dynamics of the aggression? What did the blood splatter and smears on the floor and armoire prove about her position in relation to her attacker or attackers?”

[Chapter 30, page 377] ” .... When we first met, we’d entertained each other making light of prison’s darkest aspects””being subjected to daily strip searches by agenti”

Commentary:

AK was made (more) infamous from her “Baby Brother” story, published online in 2007

Short Story Shows Amanda Knox Had Rape “In Her Mind”

[Chapter 18, Page 207] ” ....They published parts of a short story I’d written for a UW creative writing class, about an older brother angrily confronting his younger brother for raping a woman.”

Commentary:

Also see this (supplied by Hopeful), where Knox gets to “proxy-rape” someone else.  The 3rd paragraph is disturbing.

How Amanda Knox Is Encouraging West Seattle To Adulate Seriously Sick Individuals

Amanda’s View: The Stanford rape case: redirecting focus

Commentary:

Again, not so much an admission, but showing the obvious.  Just a thought, but maybe Meredith’s murder really wasn’t about anger or jealousy.  Perhaps Knox is just a sexual predator, who decided to “silence” her victim afterwards.

Admission #11: Knox Admits There is a Strong Case

[Chapter 6, Page 65] Reference to the bloody footprint on the bathmat, (dismissed as “dripping”)

[Chapter 10, Page 113] Knox admits Sollecito pulled her alibi.

[Chapter 17, Page 197] References the murder weapon being found.

[Chapter 17, Page 199] Reference to a striped sweater that went missing.

[Chapter 18, Page 212] Reference to AK’s blood on the faucet (and implausible story about taking earrings out).

[Chapter 20, Page 234] Reference to story of RS killing Meredith, then planting AK’s fingerprints.

[Chapter 21, Page 245] Reference to RS DNA on bra clasp.

[Chapter 21, Page 246] Reference to the bloody footprints in the hall.

[Chapter 21, Page 250] Reference to blood soaked bathroom.

[Chapter 22, Page 269] Reference to the bloody knife imprint on Meredith’s bedsheet.

[Chapter 23, Page 280] References to attempts to stage crime scene.

[Chapter 25, Page 291] References to statements of November 5/6.

[Chapter 25, page 297] Reference to the cut on AK’s neck (which she calls a hickey)

[Chapter 25, Page 307] Reference to AK/RS phones being switched off.

[Chapter 26, Page 313] Reference to Kokomani seeing Knox/Sollecito/Guede together.

[Chapter 26, Page 314] Reference to Marco Quintavalle seeing Knox in his store the morning after.

[Chapter 26, Page 315] Reference to neighbor Nara Capezzali hearing Meredith scream.

[Chapter 26, Page 318] Reference to Antonio Curatolo seeing Knox.

[Chapter 26, Page 325/326] Knox testimony restricted to calunnia charge.

[Various] See the section below.  Knox makes numerous incriminating admissions.  Details she knew about the murder.

Admission #12: Knox Admits She Knows What Happened to Meredith

(a) Knox knew that Guede had used the toilet at her flat.  There is no other explanation.  Consider that Meredith’s murder happened sometime between 10pm and midnight, and Knox came back around 11am the next morning.  This means it had been unflushed for 11-13 hours.

(b) Knox knew Meredith had her throat cut—before the police did.

(c) Knox knew that Meredith had been moved—before the police did.

(d) Knox knew Meredith had been sexually assaulted—before the police did.

(e) Knox knew that Meredith had suffered.

(f) Knox knew that Meredith had screamed—a detail confirmed by neighbours.

(g) Knox knew more about Guede’s criminal past than the police did assuming this isn’t just another smear

(Why Knox’s Damning Last Live TV Interview Was Attacked And Labeled “Controversial”)

(h) Know knew which knife was the murder weapon

(Why Knox’s Damning Last Live TV Interview Was Attacked And Labeled “Controversial”)

(I) Knox knew that Meredith’s money had been taken.

(j) Knox knew—as did Sollecito—that nothing had been taken during the break in.

(k) Knox knew a black man was involved.  She just falsely accused the wrong one.

(l) Knox’s “alibi” for her footprints—Sollecito’s—in Meredith’s blood was that it was just bleach.

Commentary:

Although the details have been “dripping” out, this in particular reads like a pretty damning murder confession.)

Admission #13: Knox Admits her “50 hour interrogation” is false

[Chapter 6, Page 77] ” .... Now I see that I was a mouse in a cat’s game. While I was trying to dredge up any small thing that could help them find Meredith’s killer and trying to get my head around the shock of her death, the police were deciding to bug Raffaele’s and my cell phones.

[Chapter 7, Page 83] ” .... The police weren’t stopping to sleep and didn’t seem to be allowing us to, either. Rafael and I were part of the last group to leave the questura, along with Laura, Filomena, Giacomo, and the other guys from downstairs, at 5:30 A.M. The police gave Rafael and me explicit instructions to be back at the questura a few hours later, at 11 A.M. “Sharp,” they said.

[Chapter 10, Page 105] ” .... But trying to be adult in an unmanageable situation, I borrowed Raffaele’s sweatpants and walked nervously to my 9 A.M. grammar class. It was the first time since Meredith’s body was found that I’d been out alone.
Class wasn’t as normal as I would have liked. Just before we began the day’s lesson, a classmate raised her hand and asked, “Can we talk about the murder that happened over the weekend?”

[Chapter 10, Page 108] ” .... Did the police know Id show up, or were they purposefully separating Rafael and me? When we got there they said I couldn’t come inside, that I’d have to wait for Rafael in the car. I begged them to change their minds. I said, “I’m afraid to be by myself in the dark.”
They gave me a chair outside the waiting room, by the elevator. I’d been doing drills in my grammar workbook for a few minutes when a silver-haired police officer””I never learned his name””came and sat next to me. He said, “As long as you’re here, do you mind if I ask you some questions?”
I was still clueless, still thinking I was helping the police, still unable or unwilling to recognize that I was a suspect.”

[Chapter 10, Page 114] ” .... “Where did you go? Who did you text?” Ficarra asked, sneering at me.
“I don’t remember texting anyone.”
They grabbed my cell phone up off the desk and scrolled quickly through its history.
“You need to stop lying. You texted Patrick. Who’s Patrick?”
“My boss at Le Chic.”
“What about his text message? What time did you receive that?”
“I don’t know. You have my phone,” I said defiantly, trying to combat hostility with hostility. I didn’t remember that I’d deleted Patrick’s message.”

[Chapter 10, Page 117] ” .... People were shouting at me. “Maybe you just don’t remember what happened. Try to think. Try to think. Who did you meet? Who did you meet? You need to help us. Tell us!”
A cop boomed, “You’re going to go to prison for thirty years if you don’t help us.”

Commentary:

A number of points to address in the “Knox Interrogation Hoax”

(a) Knox complains that her phone and RS’ were tapped, but it seems that no effort was ever made either to pull their phone records, confirm their locations, confirm if the phones were on, or to read any text messages.  Seems very half assed.  Knox further claims that while she and RS were the targets, police went out of their way to get them to implicate—someone else! Patrick Lumumba.

(b) Knox admits that “all” the residents of the house were detained, not just her.  And hanging around the central police station is not the same as being questioned.

(c) Knox admits she went to class on Monday

(d) Knox admits she showed up at the Questura uninvited

(e) Knox admits she had to ask to be let in and to stay on

(f) Knox admits she gave PL’s name to the police

Admission #14: Knox Admits that Mysogeny was not an Issue

All of these women were involved in the case and none claimed THEY were made targets:

(a) Monica Napoleoni—Chief Inspector

(b) Rita Ficarra—Inspector

(c) Manuela Comodi—Prosecutor

(d) Claudia Matteini—Judge

(e) Patrizia Stefanoni—DNA expert

(f) Sarah Gino—Defense DNA expert

(g) Maria del Grosso—Knox lawyer

(h) Guilia Bongiorno—Sollecito lawyer

(i) Carla Vecchiotti—“Independent” expert appointed by Judge Hellmann

Commentary:

So at least 9 women were described in positions of power and influence in WTBH, and none of them claimed bias or discrimination.

Admission #15: Knox Admits Her Lawyers Didn’t “Sign Off” on her Book

[Chapter 16, Page 194] ” .... Luciano looked revolted, and Carlo urged me, “Anytime At-giro calls you alone into an office, tell him you don’t want to speak with him. He could be talking about sex because Meredith was supposedly the victim of a sexual crime and he wants to see what you’ll say. It could be a trap.”

[Chapter 20, Page 230] “˜’ ... “It’s risky,” Carlo said. “Mignini will try to pin things on you.” “He already has,” I told them. The first time I met Mignini at the questura, I hadn’t understood who he was, what was going on, what was wrong, why people were yelling at me, why I couldn’t remember anything. I thought he was someone who could help me (the mayor), not the person who would sign my arrest warrant and put me behind bars”¦’”˜

[Chapter 21, Page 254] “˜’ ... “Amanda, the investigators are in a conundrum,” Carlo said. “They found so much of Guede’s DNA in Meredith’s room and on and inside her body. But the only forensic evidence they have of you is outside her bedroom. Raffaele’s DNA evidence is only on the bra hook. If you and Raffaele participated in the murder, as the prosecution believes, your DNA should be as easy to find as Guede’s.” “But Carlo, no evidence doesn’t mean we cleaned up. It means we weren’t there!” “I know,” Carlo said, sighing. “But they’ve already decided that you and Raffaele faked a break-in to nail Guede. I know it doesn’t make sense. They’re just adding another link to the story. It’s the only way the prosecution can involve you and Raffaele when the evidence points to a break-in and murder by Guede.”

[Chapter 22, Page 270] “˜’ ... Carlo, the pessimist, said, “Don’t get your hopes up, Amanda. I’m not sure we’ll win. There’s been too much attention on your case, too much pressure on the Italian legal system to think that you won’t be sent to trial.”

[Chapter 27, page 330] ” .... Carlo, who’d never sugarcoated my situation, said, “These are small-town detectives. They chase after local drug dealers and foreigners without visas. They don’t know how to conduct a murder investigation correctly. Plus, they’re bullies. To admit fault is to admit that they’re not good at their jobs. They suspected you because you behaved differently than the others. They stuck with it because they couldn’t afford to be wrong.”

Commentary:

While Carlo Dalla Vedova and Luciano Ghirga don’t seem overly bright (or ethical), it is very doubtful that either would commit career suicide by endorsing such claims, in essence that they failed to act to protect their client.  These claims from the book were never reported.

Admission #16: Knox Admits that Guede got no “Deal” to Testify

[Chapter 22, Page 273] ” .... The first day of the pretrial was mostly procedural. Almost immediately Guede’s lawyers requested an abbreviated trial. I had no idea the Italian justice system offered this option. Carlo later told me that it saves the government money. With an abbreviated trial, the judge’s decision is based solely on evidence; no witnesses are called. The defendant benefits from this fast-track process because, if found guilty, he has his sentence cut by a third.”

[Chapter 30, Page 384] ” .... friend. That feeling was compounded when, about three weeks after Raffaele and I were convicted, the appeals court cut Rudy Guede’s sentence nearly in half, from thirty years to sixteen. Meredith’s murderer was now serving less time than I was””by ten years! How can they do this?!”

In summary:

WTBH is mostly dishonest crap, but the truthful parts (about 5-10%) contradict the other parts.  Research, anyone?

5. Will the documentary makers please actually read AK’s book?

Painful yes, but red flags are everywhere. I ASSUME they want the truth…

6. Knox Illegally In Toronto

This post is one in our ongoing series.

Netflix’s “Amanda Knox” was first shown at the September 2016 Toronto International Film Festival. Knox herself attended to promote the movie.

That got it off to a fast start but under the law, with her criminal record, she should not even have been there.  Knowing her criminal record, it is unclear “why” she was allowed into Canada.  Section 140 of the Canadian Criminal Code (public mischief), makes it a crime, punishable by up to 5 years in prison to falsely accuse someone of a crime, or to divert suspicion from him/herself.

This is the Canadian equivalent of “calunnia”, which Judge Massei gave her 1 year for, which Judge Hellmann raised to 3 years.  Even though Canada has a different name for calunnia, the act itself is still very much illegal.

Since the financial restitution to PL was never paid for the hell she put him through, AK still has outstanding legal obligations, another reason she is inadmissible.

Knox claims she was not paid or compensated in any way for this documentary, though that is very unlikely.  Further, the Province of Ontario has rules which prohibit criminals from cashing in on the notoriety of their crimes, still another reason Knox should not have been allowed into Canada.  This is similar to American “Son-of-Sam” laws.

Even though the rape and murder charges were ultimately thrown out, Canada Border Services and Canadian Immigration are required to not allow entry to persons who pose a danger to the public.  “Present at the murder scene, washing blood off her hands” isn’t exactly being “innocent” of the crime.  This is the strongest reason Knox should have been denied entry.

In future, countries she visits should be put in the know on all of this.


Below: Stephen Robert Morse, Rod Blackhurst, and Brian McGinn: NO CLUE what is in book?


Correcting Netflix 13: Omitted - How The DNA Processes And Evidence Points Were Deliberately Misrepresented

Posted by KrissyG



Above, modern Scientific Police labs in Rome; bottom, hellhole consultants labs (now closed)

1. Introduction

“Amanda Knox” by Netflix is massively misleading on the DNA. It completely ignores that Conti’s and Vechiotti’s 2011 report was unceremoniously ridiculed in 2013 by the First Chambers of the Supreme Court and the fraudulent pair branded as “˜intellectually dishonest’. 

Netflix presents Conti and Vechiotti as trustworthy and competent when Vechiotti’s appalling lab had already been forcibly shut down. They ignore that the pair illegally colluded with US and British DNA academics Hampikian, Budowle and Gill beholden to the defense who interfered to pervert the outcome of the appeal.

They present Knox and Sollecito as “˜exonerated’ and “˜innocent’ based in part on Vecchiotti & Conti’s misleading narrative when they were nothing of the kind.

They ignore that, in large part because of their incompetences and dishonesties, the 2011 appeal was annulled.  They ignore that the case was remitted back down to a different Appeal Court, in a different area (Florence) under a different judge (Nencini) while the 2011 judge (Hellman) was edged into retirement.

And they ignore that Italy’s best DNA experts, from the Carabinieri labs in Rome, were assigned the role of DNA analysis for the repeat appeal, as they should have been in 2011, and important confirmations were presented and barely challenged.

Here is TJMK’s series of DNA analyses and the Wiki’s giant DNA spreadsheet with a lengthy explanation of how it works. And here in Italian is the full rebuttal of all defense challenges by Dr Stefanoni, lead prosecution expert at trial and annulled appeal. 

Finally, a tip on the images below. These are movie snippets, with English subtitles included. They expand to full screen in Acrobat Reader (please download it if you dont have it) if you click on each image.

Part 2 below explains what is in the film that misleads, and Part 3 describes all that was left out.

2. What Is In The Film

In the film, Vecchiotti and Conti appear quite deeply into the film, at minute 64 of 92 minutes.  The appearance of the “˜DNA experts’ towards the end enables the film makers to reinforce the image of a great miscarriage of justice, leading up to the grand finale denouement. 


Enter Conti. Referring to the evidence of Sollecito’s DNA found on the bra, Conti introduces the audience to a key principle of DNA.  It is “˜dust spread everywhere,’ he avers.  To set the scene, we are informed that the Forensic Police (”˜Scientific Police’ in Italy) acted chaotically and that the crime scene was an absolute shambles.  We hear an audio voiceover of a supposed scientific policeman saying to another “˜this is absurd, there is unbelievable chaos everywhere’.

So there we have it.  “˜A crime scene must be completely sterile’.  We are roundly informed that this crime scene was not, based on Conti’s word for it.




Next, enter his co-partner, the other “˜independent’ expert hired by the Hellmann appeal court to evaluate the evidence concerning he DNA identified on the presumed murder weapon knife, and the bra clasp sample: Carla Vecchiotti.


Carla Vecchiotti claims that the issue of contamination of the DNA “˜was raised by the court’.  Shot moves to the scientific police as she continues, “˜ it could have been by other people’.

She then throws in a red herring.  “˜There was the DNA of two unknown males on the clasp’, which we can dispense with straight away.  In reality they were fragments of DNA, no more than 6 ““ 8 alleles, and precisely of the type of dust contamination Conti is talking about.  This effectively subverts the issue away from the strong DNA profile of Sollecito found on the clasp.




Vecchiotti then continues the theme of the film that the prosecutor Mignini was acting entirely intuitively.  “˜You can’t just make it what you want it to be’.

She claims there are “˜problems with contamination in the laboratory’, yet in court she insisted the alleged contamination was at the collection stage, and not at the laboratory.  A picture of the knife comes up.




Vecchiotti comments, “˜The Knox DNA profile is a very good one.’

Of the Kercher DNA on the blade she states, “˜It’s so small.  So scarce, the likelihood of contamination is very high.’

From this, she concludes the Kercher DNA is “˜inconclusive’.

The film makers show us the picture at least three times with “˜INCONCLUSIVE’ in bold red letters.  “˜I asked Dr Stefanoni (the forensic police chief in charge of this case) how she concluded this is the murder weapon without any other evidence?’

However, the courts upheld, and Conti and Vecchiotti themselves concurred under oath, that far from being inconclusive, it was a strong profile of Meredith, at 15 alleles.




Again, Vecchiotti repeats the lie that the laboratory was contaminated, when no such finding was upheld by any court, including Hellmann’s, by referring to Stefanoni stating she had examined fifty of Meredith’s samples at the same time, see above.  She insinuates Stefanoni overrode standards so that they would not have to close the lab up between samples.




The film then cuts to clips of US media outrage at Vecchiotti’s findings of “˜contamination’, even dragging in Donald Trump, no doubt sucking on a tic tac, with just a small cameo of Mignini for “˜balance’, stating that “˜all evidence’ needs to be looked at, implying that Mignini accepted the alleged contamination and was now trying to deflect from it onto other evidence.  The reader should bear in mind, that in fact, there was no such finding of contamination in Stefanoni’s labs.

Nor does she or her co-partner ever once in the film, and nor do the film makers mention that their report was discredited by the Chieffi Supreme court and Hellmann expunged.




Having established ““ falsely ““ that Vecchiotti and Conti had proven contamination to an unwary audience, the film then cuts to Amanda Knox claiming, “˜There is no trace of me in the murder room’.

We are shown a diagram of eight black spots of Rudy Guede’s traces and one white one for Sollecito, some distance away from the body, underneath which it was actually found.  A police mug shot of Guede appears on screen, whom Knox describes as “˜ a guy who regularly committed burglaries’.

From this we are led to believe Guede is a seasoned criminal career burglar, when as of the time, he had no convictions at all.  The film makers inform the audience it is, “˜a burglary gone wrong’, not a finding by any court, apart from the vacated Hellmann court.  The balance (at roughly six to one against, in terms of time coverage) once again is provided by Mignini who points out its unfairness, given the evidence found at the trial.




The film then cuts to Conti, who makes an astonishing confession ““ for a scientific professional expert witness and professor ““  stating, “˜What happened inside that room between Guede and Meredith, was not a job assigned to me.’

So now it is out in the open, Vecchiotti and Conti, far from protecting their professional integrity by following their ethical code, which states that they are expected to act with objectivity in their professional role and should safeguard this by recusing themselves should they feel that they have become advocates for a party, in the film do not even hide their partisanship.

Conti feels confident in this “˜documentary’, now as a global film star, to declare his advocacy for Knox and Sollecito with the above statement.




The Vecchiotti and Conti sequence of the film ends with a drawn out episode of a supercilious Conti leaning back in an attitude of condescension, no doubt aimed at Mignini, when he concludes,

“˜Cicero once said’ ““ pause ““ “˜ Any man can err, but only a fool perseveres.’

Next, the film completely ignores that his and Vechiotti’s 2011 report was unceremoniously ridiculed in 2013 by the next level court ““ Chieffi, Supreme Court ““ and the pair branded as “˜intellectually dishonest’.  It ignores that the case was remitted back to a completely different Appeal Court, in a completely different area, from Umbria to Tuscany, and under a completely different judge.

In the Netflix film, a diagram showing Knox’ DNA on the knife handle is admired as a strong profile.  Meredith’s DNA on the blade is highlighted as a question mark.  About three times, the viewer is shown the same diagram with the word “˜INCONCLUSIVE’ above the Meredith DNA in red letters.

The truth is, ALL of the defence experts ““ including Vecchiotti and Conti ““ accepted it was a strong DNA profile of Meredith (15-allele) so we see a blatant misrepresentation here, that rather than the confidently strong profile it is, Vecchiotti declares that it is “˜inconclusive’, and leads the viewer to believe this was because of proven contamination.

This deception is underlined by the film makers immediately galloping to the 2011 Hellman Court after the Vecchiotti & Conti interview, with wild scenes of Hellmann freeing the pair and declaring them innocent.

The connection is made: the knife DNA ““ and the bra clasp ““ is “˜contaminated’ and that is why the pair were freed.  “˜This was the only flimsy evidence,’ is the message conveyed. Thanks to the lurid and putrid imaginings of Mignini and Pisa, those kids suffered, the viewer is told.

Cue mass media bombardment by the outraged Netflix viewers, on Twitter and Facebook excoriating Pisa, mostly, and also Mignini as having botched up the whole case and ruined the lives of these two kids.

3. What Was Left Out

Part 3 is perhaps twice as long as Part 2 because Netflix lied by omission to its audience on such a grand scale. These are the areas to be covered.

  • I will look at Vecchiotti and Conti’s true track record, which is appalling. The husband of a murder victim was denied justice for a staggering NINETEEN years, as DNA investigator Vecchiotti, et al, negligently refused to investigate the DNA of the perpetrator of the murder.

  • How did Vecchiotti and Conti get appointed by Hellmann court at all? I reveal how the US contingent of pro-Amanda Knox scientists helped “˜fix’ it.

  • I will highlight the legerdemain ploys adopted by the pair in preparing their report, which predicated Hellmann freeing the pair from prison. It was a moot point henceforth as to whether they would ever return.

  • I will set out Chieffi’s and Nencini’s damning criticisms of Vecchiotti and Conti in the case.  Crini points out, in the Nencini report, that Vecchiotti’s own laboratory fridge did not have a thermometer!

  • I will show how the elaborate “˜heist’ of the judicial system in springing “˜the kids’ from jail happened. A US scientist, using Boise University resources Greg Hampikian was bragging to courts in the US under oath, even as Hellmann had been expunged and Nencini had just recommenced the appeal, that, “˜I am still working on the Amanda Knox case’.

  • My analysis exposes the interconnections between US advocates Hampikian, Bruce Budowle and British forensic expert, Dr Peter Gill, with Vecchiotti and Conti, which casts grave doubt on the pair being “˜independent’ expert witnesses at all.



Vecchiotti lab

The Conti and Vecchiotti Track Record

On 21 April 2016, Carla Vechiotti, together with Pascali, Vicenza and Arberello, was found guilty in a civil suit of gross negligence in the examination of the murder of Contessa Ogliata, dating from 1991, and ordered to pay €150,000 in damages.  Vecchiotti appears to have a reputation for cutting more corners than Stirling Moss, with other cases often quoted, with which she is associated.

Recently, Conti and Vecchiotti’s laboratory in Rome was closed down due to public health issues. Contamination almost certainly occurred in their laboratory.  Rotting cadavers unclaimed by relatives, were said to have piled up in the corridors.  Stefanoni’s laboratory, which followed all the conventional standards of the day was never proven to have been contaminated.
Carla Vecchiotti’s reputation is in tatters. She has made a number of shocking errors in a couple of murder cases, she repeatedly misled the appeal court - Judge Nencini described her and Conti’s work as “misleading” and “reprehensible”.



Vecchiotti lab

The Hellmann Court (Appeal Court)

On 18 Dec 2010 at the Hellmann appeal the defences made three unusual requests, (a) to get an independent review of the DNA and (b) to bring in Alessi to challenge Guede’s testimony and (c) Aviello, a mobster.  Hellmann agreed to appoint Conti & Vecchiotti from La Sapienza University in Rome.  In the interim 16 Dec 2010, Rudy Guede was definitively convicted.

Request (a) was challenged by Comodi, saying there were many experts for both sides already.  Hellmann argued a judge did not have sufficient expertise to evaluate the experts’ opinions.  Having achieved the appointment of Conti & Vecchiotti , Conti & Vecchiotti [”˜the experts’] delivered the coup de grâce: claiming international standards were not met, contamination could not be ruled out, and that the DNA profile of Meredith could not be reliable.

The pair made the claim the DNA could have “˜come from dust’, strongly rebutted by Stefanoni, who said in that case, there should have been contamination elsewhere, not just on the bra clasp.

Contamination from the laboratory was completely ruled out, contrary to the claims made in the Netflix film, after which, “˜the experts’ moved to a stance that the contamination happened before it even got to the laboratories.  At the hearing, Conti was constantly asked what the criteria were for alleging contamination, to which he replied, “˜Anything is possible’.  As a scientist, a proper evaluation of probability was expected of him.

In their report they claimed, “˜The electrophoretic profiles exhibited reveal that the sample indicated by the letter B (blade of knife) was a Low Copy Number (LCN) sample, and, as such, all of the precautions indicated by the international scientific community should have been applied.’

It transpired “˜the experts’ had decided to use the US standards of Bruce Budowle and supported by Gill, et al., that the threshold for Low Copy Number (LCN) DNA should be raised to 200 picograms, from the hitherto conventional 100 picograms.

In addition, “˜the experts’ argued, the US standard of 50 RFU’s should be used in place of the then Italian standard of 30 RFU’s.  Analysis of DNA below these levels introduces a higher risk of “˜background noise’; contamination from alien sources, i.e., everyday dust, which may contain DNA fragments.

Hellmann, “˜the experts’ and the US scientists getting involved, by virtue of “˜the experts’ quoting extensively from their papers, erred in presupposing that Dr Stefanoni knew nothing about these issues.  Professor Novelli, for the state, challenged the claim that there was any contamination.  Indeed “˜the experts’ were unable to demonstrate this other than by quoting lengthy academic papers which had little to do with mundane case law and more to do with ivory towers.

Vecchiotti, born 1951 with a long CV from medical student days would have known what Italian standards were, yet tried to subvert them in retrospect.

A complaint was lodged by the prosecution about the pair being seen to openly fraternise with Sollecito’s defence team during the hearing, a strict Bar Standard “˜no, no’ for an independent expert witness.

“˜The experts’ refused to analyse a further sample of DNA found on the knife, giving the reason it was LCN, and they “˜didn’t want to make the same mistake as Stefanoni.’

Hellmann accepted “˜the experts’ findings and acquitted Knox and Sollecito declaring them innocent, aside from the calunnia for Knox, together with finding that Guede acted alone, as a “˜burglar disturbed.’

For the film makers, this defines the end of the film.

The Chieffi Court (Supreme Court)

In 2013 the next level of appeal court overturned completely Hellman’s findings.  It rebutted that the DNA sample of Meredith’s was ipso facto low quality just because it was LCN.

“˜The experts’ had claimed, relying on their US sources that LCN sampling should only be done on special projects, such as missing persons or cadaver identification, and that there was not the technology as it was “˜too innovative’.

Chieffi did not buy this, pointing to embryology studies.  He scoffed at the idea of “˜the experts’ being more expert than Professor Novelli or Dr Torricelli.  He censured Hellmann for failing to consider their equivalent expert knowledge.  Chieffi was particularly critical of “˜the experts’ refusing to test the remaining knife sample, calling their reasoning, “˜intellectually dishonest’.

On 25 March 2013, Chieffi ordered the case back to the Appeal court to consider the DNA evidence again, amongst other issues, and that the knife sample be tested.  One suspects “˜the experts’ were loath to test the sample in case it turned out be further DNA of Meredith, and this may be why Chieffi smelt a rat.

The Nencini Court (Appeal Court)

In 2014 Judge Nencini made it clear in a newspaper interview it was not within his remit to criticise “˜the experts’, but rather, to assess the legal rectitude of the Massei court decision, which Hellmann patently failed to do.  However, criticise he does. 

He directs Dr Barni, witness for the Carabinieri Lab, that “˜no US standards’ are to be quoted which C&V had done profusely. In upholding the findings of the Massei court he makes the following point in his reasoning about the DNA of the knife and bra clasp:

“”¦ The consultant holds furthermore that the most appropriate technical approach to interpret the genetic profile arising from trace 165B and to avoid subjective interpretations is to “call upon”, meaning to consider as valid, all of the alleles with RFU > 50, independently of their position or whether or not they might be stutter.

Once the complete profile is determined, given that there may also be more than two contributors to the trace, we feel that the only statistical approach that can be used adequately here is the RMNE (Random Man Not Excluded) method.

This statistical approach makes it possible to estimate the possible error due to a chance compatibility, meaning that of a person chosen randomly from the population and who by pure chance is fully compatible with the genetic characteristics of the individual represented in the trace.

The higher and nearer to 1 that probability is, the more likely it is that the profile could be the result of a random choice and thus the higher the probability of an error in the attribution of the genetic profile to a given individual. In this case, as seen in Table 5, the profile of Raffaele Sollecito is compatible at all the loci analyzed in the mixture of DNA found on Exhibit 165B.

The probability that a random individual from the population would also be compatible (the inclusion probability) [245] was calculated, and came out to be equal to 3.05592 x 10^-6, which is about 1 in 327 thousand. This computation is considered to be extremely conservative, since all of the allelic components are taken into consideration together with their frequency in the reference population.” (Pages 15-17 of the technical report submitted at the 6 September 2011 hearing before the Court of Assizes of Appeal of Perugia.)

The same investigative method was also suggested by the consultant of the Prosecutor in relation to the interpretation of the genetic profile of the markers located on the Y chromosome of trace 165B. Here again, all alleles with RFU>50 were considered, giving the following table:



[246] On the basis of the data in the above table, applying the method of statistical calculation indicated above, Prof. Novelli estimated the probability of a chance inclusion of a random person from the population in the mixed profile, together with the chance compatibility of this random individual with the major contributor to the Y chromosome, as about 1 in 3 billion.”

He upholds that the Forensic Police, aside from some human error, acted correctly and dismissed defence claims that Stefanoni had withheld raw data, and as claimed by “˜the experts’, citing documentary proof the information had been deposited.  Nencini reinstated the convictions, 31 January 2014, and dismissed the claim of contamination.

The sample on the knife “˜the experts’ had claimed was “˜starch’ and “˜too low LCN’ was successfully tested and found to be that of Amanda Knox.  None of this is mentioned by Vecchiotti & Conti in the film and nor do the film makers point it out, leaving their audience to believe “˜the experts’ claim of “˜contamination is proven’.

A key finding was that Professors Novelli and Torricelli had already been the target of the criticisms raised specifically by Prof. Adriano Tagliabracci, technical consultant for the Sollecito defense, at the first instance trial court, and thus was a matter settled (res judicata).

This is important to note, for Marasca later describes Tagliabracci in glowing terms as “˜world renowned’ when he reinstates the Hellmann findings in this matter, at the next level.  Nencini observes, “˜Finally, it is observed that Prof. Tagliabracci’s criticism is founded on an unproven and unprovable suspicion, namely that the biologist doing the work being already in possession of reference samples supposedly used the “suspect-centric” method.’

Nencini also found that the second instance [Hellman] court undervalued the fact that the tests carried out took place during the preliminary investigation [of which the Defence was notified and had the right to attend], that at the time of those tests, there were no objections concerning the sampling and laboratory activity, nor was a pre”trial hearing requested regarding the testing, all of which proves agreement with the [laboratory] procedures.



Nencini

Was There Contamination?

There were NO full male DNA profiles on the bra, apart from Sollecito and Guede’s.

Vecchiotti and Conti, significantly, in the film, try to detract from this highly incriminating scientific fact, by making reference to everyday dust fragments, as if that could possibly account for it.

The assertion by Conti in the film that “˜a crime scene must be kept sterile,’ is meaningless for there are many environmental pollutants at every crime scene.

The expert witness testimony of Professor David Balding, to the court is as follows, and who, until October 2009 was Professor in Statistical Genetics at Imperial College, London, where he still retains an affiliation as Visiting Professor. He is an editor of the Handbook of Statistical Genetics.

“Sollecito’s alleles are all represented and these generate the highest peaks, but there are some low peaks not attributable to him; so at least one of the additional contributors of low-level DNA to the sample was male.”

“They correctly criticised the scientific police for ignoring these: many do appear to be stutter peaks which are usually ignored, but 4 are not and definitely indicate DNA from another individual.  The extra peaks are all low, so the extra individuals contributed very little DNA.

That kind of extraneous DNA is routine in low-template work: our environment is covered with DNA from breath and touch, including a lot of fragmentary DNA from degraded cells that can show up in low-template analyses.  There is virtually no crime sample that doesn’t have some environmental DNA on it, from individuals not directly involved in the crime.

This does create additional uncertainty in the analysis because of the extra ambiguity about the true profile of the contributor of interest, but as long as it is correctly allowed for in the analysis there is no problem - it is completely routine.” (David Balding).

“in some cases we have peaks that correspond to a fourth person.”

“The fourth person is not Guede, it seems. This mystery fourth person hasn’t been mentioned much. (Luciano Garofano, Darkness Descending).

“But because Sollecito is fully represented in the stain at 16 loci (we still only use 10 in the UK, as the legal threshold, so 16 is a lot), the evidence against him is strong.”

“In this case all the peaks associated with Sollecito seem clear and distinct so I think there can be no concern about the quality of the result as far as it concerns him or Kercher.”

The Italian Scientific Police follow the guidelines of the ENFSI - the European Network Forensic Science Institutes. Dr Stefanoni observed that they followed these specific guidelines whereas Conti and Vecchiotti basically picked and mixed a random selection of international opinions:

“We followed the guidelines of the ENFSI, theirs is just a collage of different international opinions”.

In other words, Conti and Vecchiotti were not referring to the specific guidelines and recommendation of one particular international forensic organisations despite giving that impression at the appeal in Perugia.

They cited a number of obscure American publications such as the the Missouri State Highway Patrol Handbook and Wisconsin Crime Laboratory Physical Evidence Handbook. The Italian Scientific Police are under no obligation to follow the DNA protocols of the Missouri State Highway Patrol and Wisconsin Crime Laboratory.

Professor Novelli also pointed out that contamination has to be proved:

“The contaminant must be demonstrated, where it originated from and where it is. The hook contaminated by dust? It’s more likely for a meteorite to fall and bring this court down to the ground.”

Professor Torricelli testified that it was unlikely the clasp was contaminated because there was a significant amount of Sollecito’s DNA on it. Professor Novelli analysed the series of samples from all 255 items processed and found not a single instance of contamination, and ruled out as implausible that a contaminating agent could have been present just on one single result.

Back in 2008 pre-trial there was an independent review of the forensic evidence.

Dr Renato Biondo, the head of the DNA Unit of the Scientific Police, reviewed Dr Stefanoni’s investigation and the forensic findings. He testified at Rudy Guede’s fast-track trial in October 2008 and confirmed that all the forensic findings were accurate and reliable. He also praised the work of Dr. Stefanoni and her team.

“We are confirming the reliability of the information collected from the scene of the crime and at the same time, the professionalism and excellence of our work.”

So thus we have a pointer as to why Conti introduced his presentation by claiming “˜DNA is spread like dust.’

To the bottom line, then, WAS there any possibility of contamination, as Vecchiotti and Conti are now claiming in the film?

    1. Conti and Vecchiotti didn’t prove there had been any contamination. Judge Chieffi pointed this out.

    2. Conti and Vecchiotti lied to the appeal court - Judge Nencini pointed this out - and they didn’t test the DNA sample despite the fact they were specifically instructed to do so.

    3. Numerous DNA experts believe the bra clasp is strong evidence - Professor Balding, Professor Novelli, Luciano Garofano, Professor Torricelli and Dr Biondo.

    4. It’s impossible that the knife was contaminated.

    5. There is no universally accepted DNA standards for collecting and testing DNA evidence. DNA protocols vary from country to country.

    6. Conti and Vecchiotti cited obscure sources, They didn’t refer to the specific guidelines of an international forensic organisation.

    7. Conti and Vecchiotti excluded contamination in the laboratory.

    8. The defence experts had no objections when the DNA evidence was tested.

    9. Vecchiotti made calamitous errors in other cases and her lab was closed down.

    10. Does anyone really believe Sollecito’s DNA floated on a speck of dust under Meredith’s door and landed on the exact part of her bra clasp that had been bent out of shape during the attack on her?

The Marasca-Bruno Supreme Court (Final)

In the final Marasca-Bruno Supreme Court appeal, the short-form provisional 48- page reasoning from March 2015, the guilty verdicts as upheld by Massei and Nencini are overturned, and Vecchiotti & Conti”˜s report reinstalled.

“The second reason [the first reason being: The first reason challenged the violation and inobservance of the criminal law], highlights a problem of great relevance in the circumstance of the present judgment, that is the right interpretation of the scientific examination results from a perspective of respect of the evaluation standards according to article 192 of the criminal procedural code and the relevance of the genetic evaluation in the absence of repeatable amplification, as a consequence of the minimal amount of the sample and, more generally, the reliability coefficient of investigations carried out without following the regulations dictated by the international protocols, both during the collecting phase and the analysis.

Particularly, anomalies were challenged in the retrieval of the knife (item 36) and the victim’s brassiere hook, which do not exclude the possibility of contamination, as correctly outlined in the Conti-Vecchiotti report, ordered by the Perugian Court of assizes, which also notified the unreliability of the scientific data, precisely because it was not subject to a further examination.

It was also denied that the retrieved knife would have been the crime weapon.”

Thus, we see the First (Chieffi) Supreme Court Chambers directly challenged by the Fifth Chambers and the criticisms of Vecchiotti and Conti swept aside, as though they had never happened.

Judges Marasca & Bruno write:

“˜In fact, no trace of Sollecito was found in the room of the murder. The only element of proof against him was represented by the DNA trace retrieved on the brassiere hook of the victim; trace of which relation with the indicted was actually denied by the Vecchiotti-Conti report, which, in this regard, had accepted the observations of the defense advisor Professor Tagliabracci, world-renowned geneticist.’

It further states:

“˜12) Also erroneous was the interpretation of the results of the genetic evidence on item 36) “¦[”¦]

14) Obvious also was the flawed reasoning on the results of the genetic investigations on the bra hook, “¦[”¦]”¦

With regard to the possible contamination of the item, the appeal judges overlooked the photographic material placed before the court, which clearly demonstrated the possible contamination, regarding the way the hook was treated, with a “hand to hand” passage carried out by persons who wore dirty latex gloves.

Furthermore, a second amplification was not carried out on the hook “¦[”¦]”¦ With regard to this, the objections by the defense and the contrary conclusions of the defense adviser professor Tagliabracci, were not considered.’

In other words, the DNA evidence for the knife and the bra clasp is completely dismissed.  We see no proper rationale by Judge Marasca, just a few handfuls of abstractions along the lines of Conti’s famous, “˜Anything is possible.’

It takes on board Gill’s theories of “˜secondary’ and “˜tertiary’ transfer of DNA, when Gill himself appears to have overlooked that he himself wrote, that “˜this is highly improbable after 24 hours have passed’.

If Marasca’s rulings are considered bizarre, then light is shed when one realises that Bongiorno, for Sollecito, was given NINE times longer to present her appeal than any of the other parties, so it is fair comment to assume its reasoning is based on Bongiorno’s appeal points.

Nobody from either the Perugia or Florence prosecution teams was even present.

In addition, her 306 page appeal was appended with Gill’s advocacy report. Gill was never cross-examined.

The resuscitation of the hitherto presumed decaying corpse of Vecchiotti & Conti is remarkable, given the cadaver of their report to Hellmann was picked raw, first by the First Chambers Supreme Court (Chieffi) and then Judge Nencini.

Vecchiotti and Conti have risen like Lazarus from a car crash, shrouded in the malodorous cloth of something fishy.



Illegal intruder Hampikian

How the “˜Heist’ was pulled off.

Andrea Vogt wrote of the Marasca reasoning:  “˜In my opinion, their report is superficial at best and intellectually dishonest at worst, when even the most minimal amount of Quellenkritik is applied’.

Andrea Vogt writes an incisive analysis of the US influence on the C&V reports, which I cannot better here, so do read it for yourself.

However, I will repeat her prophecy, ironic in hindsight:

“If Knox is acquitted at the end of this month, the quiet American hand in her forensic defense will be heralded as the turnkey that made the ultimate difference in her case. But if she is convicted, there are legitimate questions to be asked about exactly what public resources were spent on this international defense.”

Vogt uncovered what appears to be a whole secret network that she was unable to penetrate through the fog of Freedom of Information law, which enabled Hampikian to claim “˜trade secrets’ as a project of Boise University, where his laboratory is based, to evade the question of, “˜Who was funding his Amanda Knox advocacy work?’

If then it is clear beyond any reasonable doubt that both Meredith’s and Sollecito’s DNA is strong and background contamination ruled out by the trial courts, why then does the film revisit the discredited testimony of “˜court experts’ Vecchiotti & Conti?

We can link this back to the film makers own self-professed strong pro-Knox beliefs in her innocence.  Thus we have come full circle.

The defence managed to convince the now expunged Hellmann court to appoint “˜independent experts’; the Chieffi Supreme Court ruled that, whilst this was within Hellmann’s remit, he did not provide adequate reasoning for doing so. 

Vecchiotti & Conti, remarkably, in their report, relied heavily on US standards, thus making the straw man claim that Italy hadn’t followed them, notwithstanding their strong academic and legal background in Italy.  This therefore cannot have been due to ignorance, so we have to point to their own volition to be influenced strongly by Knox-advocates.

For example, Hampikian, funded by Boise University grants and protected by a blanket of secrecy, citing “˜trade secrets’ when journalist Andrea Vogt requested information under the Freedom of Information statutes.

In addition, Bruce Budowle, a more conservative ex-FBI forensic expert, was heavily relied upon, together with peers Gill, et al.  It was at this stage Gill may have got roped in.  His later book draws on Vecchiotti &Conti’s Hellmann’s Report.

Thus, we see a band of pro-Amanda Knox advocates determined to influence the so-called “˜independent’ experts, even when both Hampikian’s and Budowle’s reports were rejected as depositions by the courts.  Even when “˜the experts’ were spiked by the Chieffi Supreme court, Hampikian was still averring, “˜I am involved in the Amanda Knox case’.

Friends of Amanda Knox even today lovingly quote Hellmann despite his de facto ex-communication from the judiciary.  Little surprise we see the film makers eager to include Vecchiotti and Conti, who made it all possible for the birds to fly.

On the subject of Dr Peter Gill, who is widely regarded as having influenced the Fifth Chambers, via Bongiorno’s Appeal, to which his theories were attached, is now drawing on Vecchiotti and Conti as his main source, so we have a case of the experts’ racing car, as it were, driven by the man referred to devoutly by the defence as “˜the father of forensic science’.

Dr Naseer Ahmed of PMF.net was moved to comment:

““ A look at his sources show that the chapter on Meredith Kercher was directly influenced by the Conti-Vecchiotti report.

““ He argues contamination, but doesn’t prove a path of transmission.

““ He cites papers on secondary transfer of DNA, but misses the point his suggested routes, RS>door handle>investigator’s latex glove>bra clasp is tertiary transfer.

““ He argues the low cell count of Meredith’s Kercher’s DNA on the knife suggests contamination without considering that rigorous washing with household bleach might degrade it. (Yet miraculously those cells did provide a full match with Meredith’s DNA)

““ The shoe box belonging to Meredith story has been shot down.

““ He clearly has not read Inspector Gubbiotti or Finci’s testimonies, which removes all possible paths of “˜innocent transfer’.

““ Reading the actual research papers he cites, there is no way that such significant amounts of DNA could actually transfer to the bra clasp.

““ He did not review Patrizia Stefanoni’s Scientific Report or any of her notes, instead relying on the IIP translated C&V report and Hellmann decision.

““ He refers to the Meredith Kercher wiki, but never even looked at the DNA segments which would have alerted him to problems with the C&V report.

““ He may have had indirect input from Sollecito’s first DNA expert, Vincenzo Pascali, and Carla Vecchiotti, but does not seem to know of Vecchiotti’s colorful record of falsifying evidence.

Last, and worst of all, he did not refer to the Supreme Court decision annulling Hellmann even though the translation was widely available almost ten months before his book was published.

There is no way he could not have known this, since we had been in contact with him since earlier this year. It is unconscionable that he chose this route to promote his theories. Elsevier under its new ownership and editorial policies seem to have allowed any number of self-published books to be written.

If Professor Gill had written a scholarly text book it would have to be reviewed by an editorial board and sent for peer review, which might have led to professional experts critiquing and hopefully pointing out his errors.

Instead, he wrote a slim, unreviewed “˜popular’ book to promote his own theories, which, embarrassing perhaps for him, is being critiqued and torn apart by lay persons, ahem.

Misleading DNA Evidence ““ Reasons for Miscarriages of Justice, Peter Gill, Academic Press.  Quote:

Recommendation 1: The expert should provide the court with an unbiased list of all possible modes of transfer of DNA evidence (pg 20).”

The irony is not lost.



Illegal intruder Gill

My Main Sources:

Thanks to Naseer Ahmed and The Machine, for the section on “˜Contamination?’

The Machine’s analysis of 50 of the most common myths still promoted.

The Meredith Case Wiki

The Perugia Murder File Forum (Net Version)

The Nencini Sentencing Report.

The Chieffi Sentencing Report.

The Massei Report.

The Marasca-Bruno Report:

My thanks to the wonderful translators and everybody who helped me with material.


Correcting Netflix 14: Omitted - Any Mention Of Big Red Flag In Forced Closing Of Vecchiotti’s Laboratory

Posted by Our Main Posters


Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.



This post is one in our ongoing series.

Amazingly EIGHTEEN MONTHS AGO Dr Carla Vecchiotti became quite possibly the most discredited DNA expert in the world, when news about her appalling lab conditions exploded in Italy. 

In their narrow-minded fanaticism to make Dr Mignini the most reviled prosecutor in the world - and Nick Pisa the most reviled reporter - the producers somehow left that awkward fact out of their report entirely. She and Dr Conti are given major time in the film to misrepresent key evidence. 

Netflix’s own due diligence (if any; we think not) missed all of this entirely. Now thanks to Netflix the misrepresented evidence and Vecchiotti’s discredited opinions of the Scientific Police labs are being given credence as hard fact worldwide.

KrissyG in her own excellent review of the movie summarised the conditions that led to the lab being closed down. It happened directly because the Carabinieri DNA experts Dr Barni and Dr Berti appointed for the 2013-14 Nencini appeal (which Netflix also omitted any mention of) visited the place to inspect it, and to pick up some key evidence, a DNA sample from the knife.   

They made mention of what they encountered in their report and in court testimony. That was nearly three years ago (January 2014) long before the final cut of the movie and long before the sale to Netflix was a done deal.

In our view this HAD to be yet another deliberate dishonesty. 

2. Catnip’s Translations Of Main Italian Reports Of Lab Closing

Catnip kindly provided us with these translations of some of the Italian news reports 18 months ago.

The March 2015 report from News 24

The Medico-Legal Institute of Sapienza University in Rome was closed down this morning.

For some time it has been known that unhygienic conditions were the norm in the Institute and the Rector of the University has decided today, in anticipation of NAS findings, to shut down the entire mortuary.

Sapienza’s Institute did not have adequate space to accommodate the large number pf bodies and quite often they had to be spread out along the corridors.

The hygiene rules were onerous and the building inadequate. It was for this reason that the Public Prosecutor’s Office had ordered a detailed report by NAS which would have presented their findings within a few weeks.

The Rector of the University, Eugenio Gaudio, has pre-empted the PPO’s expected closure of the Institute. The closure, explains Guadio, had been necessary to prevent the raising of legal questions as regards the autopsies being carried out, which would have risked the results being no longer reliable in future.

During the NAS inspections, even cadaver remains from 1990 had been found, a serious anomaly due to, as the mortuary attendants explained, the fact that no one had ever reclaimed the bodies. Another serious problem at the Sapienza Institute is the huge disorder that reigns inside the building, where, in point of fact, cadavers are to be found out in the corridors.

The March 2015 report from Corriere.

Rome: bodies in the mortuary corridors, Medico-Legal Institute of Sapienza closed

The Rector’s decision anticipates the MOSSA by the Prosecutor’s Office which has been investigating conditions at the Medico-Legal Institute of Rome’s flagship university

by Giulio De Santis

ROME ““ The University of Sapienza’s Legal Medicine Institute has been closed for health reasons. The decision has been made by the university’s Rector, Eugenio Gaudio, who made the order before the Prosecutor’s Office could make a move. At Clodio Place the investigators, in fact, are expecting the filing of a report by NAS, where serious hygienic shortcomings by the management of the Institute are highlighted.

Unreliable autopsies?

The closure has been necessary to head off the raising of questions relating to future autopsy results that would have risked being unreliable. The problems discovered by the Carabinieri of the Health and Food Adulteration Unit ““ and noted to the university administration ““ relate to, in fact, the equipment, starting with the tables, intended for carrying out autopsies, which have deteriorated during the course of time. The oldest have been in the building since the early 1980s while those acquired more recently go back to ten years ago. Even the instruments used to examine the cadavers have deteriorated and should be replaced.

Cadavers in the corridors

During the inspections, remains of cadavers preserved since 1990 were found. An anomaly due to the fact that no one had ever reclaimed the bodies. The other problem raised by the doctors at the Institute and revealed by NAS is the disorder that reigns in the Institute, where it is possible to see cadavers in corridors due to the lack of space in which to store them. Sapienza has now promised to proceed with restoration works. There is lack of certainty though on the end point by which the Institute will become operative again. There is no compulsory time limit but the university has guaranteed a return to normality by the beginning of May.

Transferring the bodies

Contributing to the uncertainty are Sapienza’s empty coffers and the collection of funds is expected to be complicated. In the meantime, to try and minimise the impact of the closure, autopsies will be carried out at the Tor Vergata Institute directed by Professor Giovanni Arcudi. The bodies have already started to arrive in the last few days in the mortuary of that university and in some cases the work has been given to specialists from the Gemelli Polyclinic. A case file has been opened by the Prosecutor’s Office and assigned to Antonella Nespola who in October had already ordered the sequestration of the mortuary. The decision to close the Institute has been communicated to the Prosecutor’s Office, who is caught out by the choice.

The March 2015 report from RAI News.

Rome, Medico-Legal Institute closed. The Public Prosecutor’s Office is investigating health conditions. The decision of the Sapienza University Rector Ettore Gaudio. Cadavers from 1990 found.

Cadavers in the corridors because of lack of space for storing them, serious health issues in the management of the Institute. For this reason, Sapienza’s Medico-Legal Institute has been shut down for health reasons. The decision was made by the university’s Rector, Eugenio Gaudio, who made the order before the Prosecutor’s Office could make a move. At Clodio Place the investigators, in fact, are expecting the filing of a report by NAS, where serious hygienic shortcomings by the management of the Institute are highlighted.

The closure had been necessary to pre-empt questions being raised about the risk of future autopsy results being unreliable. During the inspections, cadaver remains preserved from 1990 were found. An anomaly due to the fact that no one had ever claimed the bodies. The other problem raised by the doctors at the Institute and noted by NAS is the disorder that reigns in the Institute, where it is possible to see cadavers in the corridors because of the lack of storage space.

The March 2015 report from Cronaca

Cadavers in corridors, Medico-Legal Institute in Rome closed
Rector Eugenio Gaudio’s decision: «Autopsy results at risk».
01 March 2015

There were cadavers in the corridors due to lack of space, as well as serious health issues in the management of the building. For this reason the Medico-Legal Institute at Sapienza University in Rome has been closed for health reasons.

RECTOR’S DECISION. The decision had been taken by the unicersity’s Rector, Eugenio Gaudio, who made the order before the Public Prosecutor’s Office could act. At Clodio Place, the investigators, in fact, are expecting the filing of a NAS report, where serious hygiene problems in the management of the Institute are highlighted. The closure was necessary to forestall questions being raised concerning future autopsy results which would have been at risk of being unreliable.

REMAINS OF CADAVERS FROM 1990. Inspections revealed remains of cadavers preserved from 1990. An anomaly due to the fact that no one had ever reclaimed the bodies. The other problem raised by the doctors at the Institute and noted by NAS is the disorder that reigns in the Institute, where it is possible to see cadavers in the corridors because of lack of space to store them.

The March 2015 report from Dagospia.

Sad corridors dimly lit. A room with refrigeration units from the 1980s, dozens of units occupied by the bodies of persons deceased by violent means and never recognised, never asked for, and, if foreigners, never repatriated. It’s here that, as many say, along the basement corridor it is even sadder: there’s no space inside and the cadavers are just left there, on trolleys, at times not even in mortuary bags. The smell, they say, is pungent and nauseating. To say nothing of the dissection tables and the equipment, or even the safety of the workers. Non-existent.

And so the Public Prosecutor’s Office launched an investigation by NAS, the Carabinieri of the Health and Food Adulteration Unit [nucleo antisofisticazione e sanità ]. Eugenio Gaudio, Rector of Sapienza University “” of which the Medico-Legal Institute is a part “” and Domenico Alessio, Director-General of the Polyclinic at Umberto I University, have pre-empted likely legal orders deciding to shut down the building.

SAPIENZA MORTUARY

It received the latest body last Wednesday a little before midnight. The others “” like that of the young man squashed on Friday night by a bus in Piazza Venezia and dying in San Giovanni Hospital “” will all be, from Thursday onwards, taken to the Gemelli Polyclinic.

A truly disconcerting situation for the largest mortuary in the Capital, the Sapienza Medico-Legal Institute. Already by October month end Public Prosecutor Antonella Nespola had sequestered six operating theatres at the Umberto I University Polyclinic, which is close to the mortuary, and also placed the Medico-Legal Institute in her sights.

And «for possible contamination, likely compromised results, the building physically falling apart, cadavers in the corridors and inadequate equipment», they explain in the mortuary. «NAS inspected the mortuary when I was not even Rector» explains Eugenio Gaudio. «We are all hopeful that the restoration works will conclude as soon as possible: within two months».

MORTUARY

Eight years a scandal led to the lose of the operating theatre at Umberto I: not only were the health and safety conditions extremely bad (blood traces everywhere, building falling apart, a back and forth of funeral agency operators who were following the relatives of the deceased), but corneas were being stolen from the bodies, which in turn ended up having to be transferred from one place to another under armed guard. But today «we’re re-opening the Polyclinic dissection room» explains Gaudio. «I’ve put in an order for autopsy tables and new and modern equipment».

And even if the Rector highlights that the decision to close «had been taken in accord with the Health Director and Director-General of the Polyclinic, with all due care and authority» in the Public Prosecutor’s Office the news of the closure, which seems to have arrived with only 24 hours’ notice, has raised a storm. Chief Prosecutor Giuseppe Pignatone plays it down. But he also explains that today or at the latest tomorrow «there will be a meeting at the PPO with the top layers of management from the Polyclinic and Rector Eugenio Gaudio». And in the meantime, «for now, Gemelli will be asked to handle the immediate exigencies».

The funeral undertakers who tell of the scene from hell are describing «flies and bluebottles attracted by the odour, doors that don’t seal properly and when you go downstairs at the least you almost fall ill», as a source who works in the mortuary recalls. «But even on the first floor, where the forensic pathologists work, everything has remained stuck at 40 years ago. To say nothing of the place where the evidence is kept: all heaped up on each other, contaminated according to me unusable».

EUGENIO GAUDIO

Captain Dario Praturlon, NAS Commander in Rome who last September on delegation from the Public Prosecutor’s Office carried out an inspection, explains that «we only had to check if there were health and safety irregularities: and we had found lots of them. The employers “” that is the Rector and the Polyclinic Health Director “” are obliged to fix up the building. To give the workers a safe place to work. We found none of all this». The first criminal charges are expected quite soon, although relating to previous management.


3. Lab Reopens Sans Vecchiotti

The lab has been closed for 18 months but now Corriere reports its reopening under the supervision of three prosecutors’ offices, making it all but impossible for either the lab or Vecchiotti to perpetrate further transgressions.

University’s Polyclinic takes over management of Rome’s mortuary instead of Sapienza University, while the forensic pathology department is now overseen by the three relevant Public Prosecutor’s Offices (Rome, Tivoli and Civitavecchia).


Correcting Netflix 15: Omitted - Amanda Knox’s Incriminating Lies To The Police, Prosecution And Courts

Posted by The Machine



In 2008 Knox lawyers publicly ask that she stop lying publicly; one resigned earlier over lies.

Netflix’s Amanda Knox is an extreme example of misleading bias by cherrypicking. This post is another in our ongoing series, the mothership for material for this media-friendly page online soon.


Overview Of This Post

The filmmakers Blackhurst, McGinn and Morse allow Amanda Knox to portray herself as a terrified ingenue.

One who lied about Diya Lumumba killing Meredith and placed herself at the cottage only because she was subjected to a coercive police interrogation and was physically assaulted.

They don’t question ANY of the witnesses who were present when she was questioned at the police station to contradict her account of events - witnesses who testified as to exactly what did happen over many days at the trial in 2009.

They allow her account of her questioning to go unchallenged though NOT ONE JUDGE at pre-trial hearings, the trial, first appeal, Supreme Court, second appeal, and Supreme Court appeal considered any of her varying accounts to be the truth.

The filmmakers also don’t address the fact that Amanda Knox lied repeatedly to the police and others both before and after her questioning on 5 November 2007, let alone provide viewers with a plausible innocent explanation for these lies.

In this article, I will detail the lies Amanda Knox told the police and others using the official court reports and court testimonies as well as Amanda Knox’s book Waiting to Be Heard.

Instances Of Knox Lies Refuted

Amanda Knox lied to Filomena about where she was on 2 November 2007.

But the Nencini report, 2014, page 174, said:

“In the first telephone call the defendant made to Filomena Romanelli, she clearly said that she would go back to Raffaele’s place to tell him about the strange things discovered in the apartment, and then return with him to check the situation. This circumstance is clearly false, since when Amanda Knox made the first call to Romanelli at 12:08:44 pm on 2 November 2007 she was at already Raffaele Sollecito’s apartment and not at 7 Via Della Pergola.

This fact is certain because it is gleaned from the telephone records, as has been already been said, and specifically from the fact that the telephone call above connected to the cell that served precisely 130 Via Garibaldi, a cell that is not within reach of anyone who would have been at 7 Via Della Pergola.

Amanda Knox claimed that she and Sollecito called 112 before the arrival of the postal police officers at the cottage.

But the Nencini report, 2014, page 176, said:

“There was one specific circumstance about which, this time, both the defendants lied. This is about the succession of events at the moment when the postal police intervened on the spot.”

And the Nencini report, 2014, page 179, said:

“From the testimony of the witnesses referred to above it thus clearly emerges how both of the defendants (but to be precise it was Raffaele Sollecito to tell the police this) declared to Inspector Battistelli that they were sitting there awaiting the arrival of the Carabinieri whom they had called. However Inspector Battistelli indicated in his service notes that he arrived on the scene at 12:35 pm, and questioned in the court hearings by the Judges of First Instance Court, he explained that he looked at his watch at the moment when he arrived at the cottage.” (The Nencini report, page 179).

Amanda Knox told the postal police on 2 November that Meredith always locked her door.

But the Massei trial report, 2010, page 31, said:

“This last circumstance, downplayed by Amanda, who said that even when she went to the bathroom for a shower Meredith always locked the door to her room (see declarations of Marco Zaroli, page 180, hearing of February 6, 2009 and declarations of Luca Altieri, page 218, hearing of February 6, 2009), had alarmed Ms. Romanelli more. She said she was aware of only once, when she had returned to England and had been away for a few days, that Meredith had locked the door of her room. (This circumstance was confirmed by Laura Mezzetti, page 6, hearing of February 14, 2009).”.

Knox pretended she hadn’t called Meredith when she spoke to Filomena.

But the Massei trial report, 2010, page 387, said:

“Amanda called Romanelli, to whom she started to detail what she had noticed in the house (without, however, telling her a single word about the unanswered call made to Meredith, despite the question expressly put to her by Romanelli)”

Amanda Knox falsely claimed in her e-mail to friends on 4 November 2007 that she had called Filomena first

But she had actually called Meredith a minute earlier.  The Nencini appeal report, 2014, page 169, said:

“A first discrepancy is immediately noticeable between what the defendant states in the memorial and what is ascertained from the telephone records.”

“At the moment when Amanda Marie Knox rang Filomena Romanelli she had already made a call to the English telephone used by Meredith Kercher, not therefore the opposite.”

Amanda Knox claimed that when she called Meredith’s English phone after speaking to Filomena, it “just kept ringing, no answer”.

But the Nencini appeal report, 2014, page 170, said:

“From the telephone records it appears that the telephone call made at 12:11:02 pm to the Italian Vodafone service of the victim lasted 3 seconds”

Amanda Knox claimed she slept until around 10:00am the next morning.

But the Nencini appeal report, 2014, page 158, said:

“What the Court finds proved is that at 6:02:59 am on 2 November 2007 they were not in fact asleep, as the defendants claim, but rather the occupants were well awake. At 5:32 am on 2 November 2007 the computer connected to a site for listening to music, remaining connected for around half an hour. Therefore, at 5:32 am someone in the house occupied by Amanda Knox and Raffaele Sollecito sat in front of the computer and listened to music for around half an hour and then, at 6:02:59 am, switched on Raffaele Sollecito’s mobile phone”¦”

Amanda Knox claimed she was at Sollecito’s apartment when she received Diya Lumumba’s text message.

But the Nencini appeal report, 2014, pages 132-132, said: 

“At 8:18 pm and 12 seconds, Amanda Marie Knox received a text message sent to her by Patrick Lumumba, in which he informed her that it would not be necessary for her to go to the bar to carry out her usual work. At the time of receipt, Amanda Marie Knox’s handset connected via the sector 3 mast at Torre dell’Acquedotto, 5 dell’Aquila, as shown by phone records entered in evidence. This mast cannot be reached from the vicinity of 130 Corso Garibaldi, the home of Raffaele Sollecito. According to the findings of the judicial police entered in evidence, this mast could be reached by anyone in Via Rocchi, Piazza Cavallotti or Piazza 4 Novembre, all locations in Perugia which are intermediate between 130 Corso Garibaldi, the home of Raffaele Sollecito, and Via Alessi, where the “Le Chic” bar is located.

“From this set of facts established in the case, Amanda Marie Knox’s claim, according to which she received Patrick Lumumba’s text message while she was at 130 Corso Garibaldi, appears false. Given the mast connected to and the time, it is reasonable to assume that, when Amanda received the message, she had already left Raffaele Sollecito’s home and was on her way to the “˜Le Chic’ bar. Presumably, she then turned around and went back.”

Amanda Knox initially claimed she was at Sollecito’s apartment on the night of the murder.

But Sollecito categorically stated in his own signed witness statement that Amanda Knox wasn’t at his apartment on the night of the murder: Raffaele Sollecito’s witness statement, 5 November 2007, said:

“At 9pm I went home alone and Amanda said that she was going to Le Chic because she wanted to meet some friends. We said goodbye. I went home, I rolled myself a spliff and made some dinner, but I don’t remember what I ate. At around eleven my father phoned me on the house phone. I remember Amanda wasn’t back yet. I surfed on the Internet for a couple of hours after my father’s phone call, and I stopped only when Amanda came back, about one in the morning, I think.”

And Judge Bruno and Judge Marasca of the Fifth Chambers stated in their 2015 report that Amanda Knox was at the cottage when Meredith was killed.

The Bruno and Marasca report, 2015, said:

“”¦ now we note, regarding Amanda Knox, that her presence in the dwelling, that was the “theatre of the murder”, was proclaimed in the trial process in alignment with her own admissions, including those contained in her signed statement in the part where she states she was in the kitchen, after the young English girl [Meredith] and another person went off to Kercher’s room for sexual intercourse, she heard a harrowing scream from her friend, so piercing and unbearable that she fell down huddled on the floor, holding her hands tightly against her ears so as not to hear more.

We do indeed share the previous judge [Nencini’s] opinion that this part of the accused’s story is reliable, due to the plausible observation that it was she who first put forward a possible sexual motive for the murder and mentioned the victim’s harrowing scream, at a time when the investigators still didn’t have the results of the examination of the corpse or the autopsy, nor the witness information, which was subsequently gathered, about the victim’s scream and the time it was heard.

Amanda Knox told the police she hadn’t replied to Diya Lumumba’s text message.

But Judge Chieffi’s Supreme Court report, 2008, page 36, said:

“the police, who merely asked Ms Knox whether she had replied to the message that he had sent her, that her phone showed she had received, and to the young woman’s negative response it was put to her that [her telephone showed] that a reply was in fact given.”

Amanda Knox claimed the police hit her.

But the witnesses who were present when Knox was questioned, including her interpreter, testified under oath at the trial in 2009 that she wasn’t hit.

These repudiations are from the relevant court transcripts:

Giuliano Mignini: ... violence, of “¦

Monica Napoleoni: But absolutely not!

Mignini:  You remember it”¦ you’ve described it; however, I’ll ask it. Was she threatened? Did she suffer any beatings?

Anna Donnino: Absolutely not.

GM: She suffered maltreatments?

AD:  Absolutely not.

Carlo Pacelli:  In completing and consolidating in cross-examination the questions by the public prosecutor, I refer to the morning of the 6th of November, to the time when Miss Knox had made her summary information. In that circumstance, Miss Knox was struck on the head with punches and slaps?

Anna Donnino:  Absolutely not.

CP:  In particular, was she struck on the head by a police woman?

AD:  Absolutely not!

CP:  Miss Knox was, however, threatened?

AD:  No, I can exclude that categorically!

CP:  With thirty years of prison”¦ ?

AD:  No, no, absolutely not.

CP:  Was she, however, sworn at, in the sense that she was told she was a liar?

AD:  I was in the room the whole night, and I saw nothing of all this.

CP:  So the statements that had been made had been made spontaneously, voluntarily?

AD:  Yes.

Carlo Della Valla:  This”¦

Giancarlo Massei:  Pardon, but let’s ask questions”¦ if you please.

CP:  You were also present then during the summary informations made at 5:45?

AD:  Yes.

CP:  And were they done in the same way and methods as those of 1:45?

AD:  I would say yes. Absolutely yes.

CP:  To remove any shadow of doubt from this whole matter, as far as the summary information provided at 5:45 Miss Knox was struck on the head with punches and slaps?

AD:  No.

CP:  In particular, was she struck on the head by a policewoman?

AD:  No.

Knox told the police she hadn’t smoked marijuana.

But Amanda Knox herself in “Waiting to Be Heard” said:

“When we finished, a detective put me through a second round of questioning, this time in Italian. Did we ever smoke marijuana at No.7 Via della Pergola? ‘No, we don’t smoke,’ I lied. squirming inwardly as I did.”

Amanda Knox was forced to accuse Diya Lumumba of murder.

But Amanda Knox voluntarily told the police and her interpreter that Diya Lumumba had killed Meredith.

Anna Donnino: “It’s a thing that has remained very strongly with me because the first thing that she did is that she immediately puts her hands on her ears, making this gesture rolling her head, curving in her shoulders also and saying “˜It’s him! It’s him! It was him!’”

Rita Ficarra: “She suddenly put her hands to her head, burst out crying and said to us “˜It’s him, it’s him, it was him, he killed her’.

Amanda Knox then claimed Diya Lumumba killed Meredith in two witness statements she insisted on writing.

But the Nencini appeal report, 2014, page 114, said:

“Amanda Marie Knox accused Patrick Lumumba of the murder at 1:45 am on 6 November 2007.”

“Amanda Marie Knox repeated the allegations before the magistrate, allegations which she never retracted in all the following days.”

Also Amanda Knox reiterated her false allegation against Diya Lumumba on 6 November 2007 when under no pressure.

“[Amanda] herself, furthermore, in the statement of 6 November 2007 (admitted into evidence ex. articles 234 and 237 of the Criminal Procedure Code and which was mentioned above) wrote, among other things, the following:

“I stand by my [accusatory] statements that I made last night about events that could have taken place in my home with Patrick”¦in these flashbacks that I’m having, I see Patrick as the murderer”¦”

This statement was that specified in the notes of 6 November 2007, at 20:00, by Police Chief Inspector Rita Ficarra, and was drawn up following the notification of the detention measure, by Amanda Knox, who “requested blank papers in order to produce a written statement to hand over” to the same Ficarra. (Massei report, page 389.)

For several weeks Amanda Knox let the police believe Diya Lumumba killed Meredith.

But the Nencini report, pages 115-116, said:

She never retracted her false and malicious allegation the whole time he was in prison. This verdict from the 2013-14 Nencini Appeal Court was THE FINAL WORD from the courts; the Supreme Court did not reverse it: 

“Amanda Marie Knox maintained her false and malicious story for many days, consigning Patrick Lumumba to a prolonged detention. She did not do this casually or naively. In fact, if the young woman’s version of events is to be relied upon, that is to say, if the allegations were a hastily prepared way to remove herself from the psychological and physical pressure used against her that night by the police and the prosecuting magistrate, then over the course of the following days there would have been a change of heart. This would inevitably have led her to tell the truth, that Patrick Lumumba was completely unconnected to the murder. But this did not happen.

“And so it is reasonable to take the view that, once she had taken the decision to divert the attention of the investigators from herself and Raffaele Sollecito, Amanda Marie Knox became fully aware that she could not go back and admit calunnia. A show of remorse would have exposed her to further and more intense questioning from the prosecuting magistrate. Once again, she would bring upon herself the aura of suspicion that she was involved in the murder.

Indeed, if Amanda Marie Knox had admitted in the days following to having accused an innocent man, she would inevitably have exposed herself to more and more pressing questions from the investigators. She had no intention of answering these, because she had no intention of implicating Rudy Hermann Guede in the murder.

“By accusing Patrick Lumumba, who she knew was completely uninvolved, because he had not taken part in the events on the night Meredith was attacked and killed, she would not be exposed to any retaliatory action by him. He had nothing to report against her. In contrast, Rudy Hermann Guede was not to be implicated in the events of that night because he, unlike Patrick Lumumba, was in Via della Pergola, and had participated [100] in the murder. So, he would be likely to retaliate by reporting facts implicating the present defendant in the murder of Meredith Kercher.

“In essence, the Court considers that the only reasonable motive for calunnia against Patrick Lumumba was to deflect suspicion of murder away from herself and from Raffaele Sollecito by blaming someone who she knew was not involved, and was therefore unable to make any accusations in retaliation. Once the accusatory statements were made, there was no going back. Too many explanations would have had to be given to those investigating the calunnia; explanations that the young woman had no interest in giving.”

Knox claimed that Mignini questioned her and made suggestions on 5 November 2007.

But the transcript of Knox’s cross-examination at trial 2009 said:

Amanda Knox: The declarations were taken against my will. And so, everything that I said, was said in confusion and under pressure, and, because they were suggested by the public minister [Giuliano Mignini].

Carlo Pacelli: Excuse me, but at 1:45, the pubblico ministero was not there, there was only the judicial police.


Conclusion

The computer and telephone records as well as the corroborative testimony of multiple eyewitnesses provide irrefutable proof that Amanda Knox lied repeatedly to the police and others. Many of these lies were told before and after her questioning on 5 November 2007, so they can’t be attributed to police coercion.

There isn’t a plausible innocent explanation for these lies. Perhaps that’s the reason why the filmmakers don’t address them - they presumably don’t want to portray Amanda Knox in a negative light. It would be far harder to persuade their audience that Amanda Knox is an innocent victim, which is undeniably their ultimate objective. They were never interested in making an objective and balanced documentary that give viewers the full picture. 

Judge Bruno and Judge Marasca clearly couldn’t brush these numerous lies under the carpet and pretend they didn’t exist because Judge Massei, Judge Nencini and Judge Chieffi had detailed Amanda Knox’s lies in their reports. They acknowledge that Amanda Knox lied and claimed she had lied to cover for Rudy Guede.

The Netflix filmmakers completely hide all of this in their documentary.


Correcting Netflix 16: Omitted - Good Media Reporting From Italy, Depicted As Fake News

Posted by Peter Quennell



Nick Pisa was among those who filed court reports objectively and very fast

1. Overview Of This Series

This is the first of three posts describing how in the real world various arms of the media performed.

The Netflix report showed British reporter Nick Pisa relishing some early headlines, and a scene where the solving of the crime by the national and Perugia police is announced to the press.

From those seemingly damning episodes, the audience is encouraged to make the vast extrapolation that it was a voracious media and an overzealous police that drove the whole case.

Also that this was fundamentally unfair to a self-effacing, publicity-shy Knox, and that it caused the verdicts to go the “wrong” way - twice, first in the 2009 Massei trial, and second in the 2013-14 Nencini appeal.

2. The Real Police “Slant”

The police announcement - typical of such announcements in the US and UK when the local population is freaked out - was NOT made simply to win points for the police or to isolate and slam Knox (Sollecito and at that point Patrick were also described as suspects in the crime).

There had not been a single murder in Perugia for many years. This murder was reported (rightly) as singularly depraved and (rightly) as a pack attack with knives.

Many people could not sleep at night. The immediate effect upon Perugia and in particular its huge student population (over 20,000) of Meredith’s death was that many men and women, especially women as a sex crime was (rightly) described, did indeed become freaked out.

Literally thousands began to leave town.

Both the town managers and the university managers were quite desperately demanding an early break or major assurances to stem this tide. The police announcement did in fact do that.

Thereafter the investigators went on about their work for the better part of a year, and the documentation is huge - it was put at 10,000 pages early on but is now substantially larger than that.

Here is one example of just how much work was done after the police calmed things down.

At the infamous “interrogation” of Knox on 5-6 November 2007 she in fact worked on a list of seven names of people who might be able to help the police. The police took that list and they tracked down all seven, and the cross-checking of their accounts went on for months.

Complicated, of course, because Knox most heavily pointed at Patrick, and used the list to point away from herself. Her drug dealer, which police soon found out about, did not appear on the list though he had repeatedly been at her house.

3. The Real Media “Slant”

In the next post, we shall show how there really was a huge slant - but not what Netflix depicts.

All of the Netflix’s global demonization of the media flows from Nick Pisa’s few deprecating words. No extensive checking of his reports is seen.

No Italian media disposition was examined at all - the Italian media was by far the most likely to have an effect on a jury of Italian speakers who are encouraged by the system to do some research.

Netflix maybe omitted this for their own convenience - there was little or no slant to point to at all.

Italian media reported methodically before and during trial and long thereafter on what the US and UK media mostly did not - all the crucial process steps pre-trial were reported in Italy but largely ignored by the UK and US press.

You can read about the remorselessly building evidence in this eye-opening series here.

The Netflix team dont appear to have read even one official document on the case.

The key two documents here would be the report on the Massei guilty verdict in 2009 and the report on the Nencini guilty verdict in 2014. That was respectively two years and over seven years after the early “damning” media reports. 

Take a look.

In fact try to find even ONE instance where a UK reporter writing in English for an English audience in late 2007 got inside an entire panel of Italian judges’ heads late in 2009, and again in 2014, which is what Netflix would like you to believe.

4. Nick Pisa’s Real Reporting On The Case

Fortunately for the hard truth, what we often called the “Rome pool” of foreign correspondents included nearly a dozen exceptionally talented reporters (those posted in other countries usually are the cream of the crop).

Thanks to their very hard work and their incessant costly travel to Perugia, we were able to repost on the 2008 and 2009 developments with a scope far beyond what any one “man on the spot” could do (we did have several of those too).

Free-lancer Nick Pisa in fact reported from the court for a lot of media outlets in the UK, not simply one. He was the only non-Italian reporter to pretty consistently have a cameraman along, for his reports for Sky News, and some of his good video reports still show.

This kind of fast, comprehensive coverage badly rattled the Knoxes and Mellases and their camps and especially diminished their PR, and they openly displayed angry aggression at times.

We’ll describe in the next post their desperate attempts to demonize all of the few reporters they did not have on a chain as coming straight from hell. 

We have carried a total of 43 of Nick Pisa’s reports, in whole or in part. Check them all out below. Do you see ANY bias here?

5. Reports We Used As Trusted Valuable Source

Click here for post:  Trial: The Proceedings Commence: The UK’s Daily Mail Reports First

Click here for post:  Trial: Friday Morning Not A Good Start For The Knox Team

Click here for post:  Trial: Defendant Noticeably Bubblier Than Meredith’s Sad Friends

Click here for post:  Trial: Nick Pisa Of On-The-Ball Sky News Reports Early Testimony

Click here for post:  Trial: Nick Pisa Of On-The-Ball Sky News Reports On Saturday Morning

Click here for post:  Guede’s Grounds For Appeal Sound None Too Convincing

Click here for post:  Trial: Sky News Video Report On Friday’s Court Session

Click here for post:  Confirmed: Neither Knox’s Father Nor Stepfather Were So Solicitous In Seattle

Click here for post:  Trial: Prosecution Witnesses Present Many More Reports On Odd Behavior Of Knox

Click here for post:  Sollecito Gets A Birthday Card From His Co-Defendant

Click here for post:  Trial: Witness Emulates A Loud Scream She Heard On The Night

Click here for post:  Trial: Sky News’s Report On Today’s Eyewitnesses

Click here for post:  Trial: The Closed Court Sees Graphic Photos And Video Footage Of The Autopsy

Click here for post:  Trial: One Busy Day On The Court Agenda For The Judges And Jury

Click here for post:  Owner Says The House Will Be Available For Rent

Click here for post:  Trial: The Trial Agenda For Today And Tomorrow Is Physical And Forensic Evidence

Click here for post:  Trial: At Saturday Morning Session Bloody Footprints Said To Match The Defendants

Click here for post:  Trial: The Morning Report By Sky New’s Nick Pisa

Click here for post:  Trial: Court Hears Of Enormous Cruelty Of The Crime

Click here for post:  Trial: Meredith’s Family Recounts The Terrible Pain Of Her Loss

Click here for post:  Trial: Richard Owen Reports First Knox Testimony With Nick Pisa Video

Click here for post:  The Letters Between The Women’s And Men’s Wings In Capanne

Click here for post:  Trial: Dr Sollecito Testifies About The Human Qualities Of His Son

Click here for post:  Trial: Nick Pisa Reports Knox Sisters’ Macabre Posing Where Meredith Was Killed

Click here for post:  Trial: Early Report By Nick Pisa On What Was Expected To Be Heard Today

Click here for post:  Trial: Defense Witnesses Testify On Cannabis Effects And Meredith’s Mobile Phone

Click here for post:  Trial: Further Expert Examinations Denied - The Report From Nick Pisa

Click here for post:  The Summations: Nick Pisa In Daily Mail Has A Late-Morning Report

Click here for post:  The Summations: Defendant Leaves Court As Prosecutor Proposes What Meredith Was Subjected To

Click here for post:  The Summations: Patrick Lumumba’s Lawyer Describes Defamation By Knox As Ruthless

Click here for post:  Could The Italian Authorities Be Starting A Wave Of Libel + Slander Investigations?

Click here for post:  The Summations: Lawyer Luca Maori Sums Up All Day Today In Sollecito’s Defense

Click here for post:  The Summations: The Two Defendants Make Their Final Pleas To The Court

Click here for post:  US Overreaction: Amanda Knox’s Own Lawyer Groans “That’s All We Need, Hillary Clinton

Click here for post:  The Controversy Over The Lifetime Movie Seems To Be Stirring Some Needed Changes

Click here for post:  Kercher Family Lawyer Walks Out As Amanda Knox Engages In What Looks Like Yet Another Stunt

Click here for post:  UK’s Sky News Carries A Pre-Session Report from Nick Pisa In Perugia This Morning

Click here for post:  A Belated Attempt To Do A U-Turn On The Misconceived Loser Of A PR Campaign?

Click here for post:  The Fourth Appeal Hearing Today Saturday: The Main Items On The Court’s Agenda

Click here for post:  Fourteenth Appeal Session: Judge Hellmann Consults Jury And Concludes They Have Enough To Wrap Up

Click here for post:  Conspicuous By Their Absence Now: Legal Commentators For Sollecito And Knox

Click here for post:  Lord Justice Leveson: In Fact MANY Press Errors Were Made In The Reporting On Meredith’s Case

Click here for post:  A Smug Killer Who Thought Perhaps He’d Escaped Justice Was Brought Down In The UK Today


Correcting Netflix 17: Omitted - Too Many Pesky Truths, To Inflame False Notion Italian Justice Failed Here

Posted by Corpusvile



Inside Netflix’s Silicon Valley headquarters


Amanda Knox the Netflix documentary was directed and exec produced by two ardent Knox supporters, Rod Blackhurst and Stephen Robert Morse

They have been campaigning for Knox since 2011, which has included harassing real journalists who actually covered the case far more thoroughly than they did.

The movie opens with lingering almost gleeful close ups of the bloody crime scene and goes downhill from there. It begins by trying to shape a false narrative of handy villains who all seemingly came together like the stars aligning to make innocent Amanda look so screamingly, beyond a reasonable doubtingly guilty.

In the beginning, there were the cops. It was them who railroaded and coerced poor Amanda.

Then it was the nasty prosecutor, who the documentary falsely intimates took part in Knox’s trial and appeal, whereas he only took part in her trial and was one of several prosecutors. The documentary attempts to make out he’s some Sherlock Holmes fanboy nut job.

They also mistranslate him, by having him proclaim that only a female killer would cover a female victim, when he actually said that an “unknown” male killer - within the context of a supposed burglary gone wrong - would be unlikely to cover up a victim.

Then it was the ENFSI certified forensic specialist who Knox’s fan club labeled a “lab technician”. (Oddly, though, the same forensic specialist and prosecutor seemed to do a great job testifying against and prosecuting the black guy, and sogood work guys).

Then it was Meredith Kercher’s friends who conspired against The Railroaded One, then it was the innocent victim’s innocent family themselves who were “persecuting” sweet Amanda.

Now, courtesy of Netflix, the REAL villains were the tabloid media, specifically one tabloid hack, Cockney wideboy Nick Pisa, who comes across like I’d imagine Danny Dyer’s dad would come across as and is quite hilarious, albeit totally devoid of any scruples as any tabloid hack worth his/her salt would.

The media, the prosecutor, the witnesses, THEY were the ones who were responsible for poor Amanda’s woes (and not the 10,000 pages of behavioral, circumstantial and hard physical evidence against her which the documentary brushes over in a cursory manner.)

It makes out that Knox and Sollecito were in love after an alleged five day romance. I say “alleged” as Sollecito is rather inconsistent in this regard, variously claiming a fortnight, 10 days, to a week to now apparently five days. This is hammered home by shots of what I presume to be lovebirds, complete with feel-good treacle music.

Sollecito comes across as a smirking stoned weirdo, and Knox comes across as her usual creepy quasi psychopathic self, complete with crocodile tears and loud theatrical sighs.

Knox is also her usual inconsistent self and can’t seem to stop changing her story, whether it’s droning on that she and Meredith weren’t the best of friends (after droning on in other interviews that they were “dear friends”).

Or claiming that she only knew Guede to look at and had only seen him two or three times. This despite claiming that she only saw Guede for the first time ever in court (Dianne Sawyer interview) and claiming she never had contact with Guede, in her rambling eight page email to the Nencini appellate court before claiming - in a consecutive sentence no less - that she actually did have contact with him.

She proclaims it’s “impossible” for her DNA to be on the murder weapon, disregarding that it was a matter of established fact that her DNA is on the murder weapon with Meredith’s DNA on the blade.

The film makes out that Rudy Guede, the sole person convicted for Meredith Kercher’s murder, left his DNA all over the crime scene, with funky arrows pointing here, there, and everywhere. The problem is this simply isn’t true. Rudy Guede was convicted on less DNA evidence (five samples) than Amanda Knox (six samples).

The documentary also displays quasi racism, where trial and appellate courts can be rejected for innocent Amanda, but innuendo is sufficient for black guys, as Knox lies in the documentary that Guede is a known burglar.

The documentary happily facilitate this lie by obligingly showing a mugshot of Guede with the intimation that it’s a mugshot for burglary. The problem again is, this is simply untrue. Guede has no burglary convictions, and indeed was the only one out of the trio with no prior criminal record before Ms Kercher’s murder.

Knox and Sollecito both had minor run-ins with the law resulting in fines. Guede was never even charged with the burglary, and even the acquitting court decreed that the burglary was staged, as in staged in another flatmate’s room where Amanda Knox left her presumed blood DNA mixed with the murder victim’s and where no trace of Rudy Guede exists.

Knox also claims that no biological traces of her exist in one localized area of the crime scene, specifically Meredith’s bedroom, yet ignores that by such a rationale Guede couldn’t have committed the burglary.

Knox also claims that Guede acted alone, but no court decreed this, and she claims that he broke into her home when Meredith was present, neglecting to explain how Meredith never heard the 4 kilo rock hurling through Filomena Romanelli’s bedroom and why she obligingly did nothing while Guede shimmied 13 feet up a sheer wall TWICE.

The documentary, apparently not content with trying to match the record of most lies ever told in a single documentary before, then breezily attempts to surpass such a record, by introducing the film’s saviors, Stefano Conti and Carla Vechiotti, as “independent forensic DNA experts”.

Conti hypothesizes, like he did in court, that anything is possible. It’s like totally possible that contamination could have occurred, therefore it…  DID occur. Basically a hypothesis on the basis that “anything’s possible” supersedes actual submitted evidence.

Vechiotti not to be outdone promptly contradicts Conti by attacking Low Copy Number (LCN) DNA as a science. Basically he claims Meredith Kercher’s DNA profile on the murder weapon (found in Sollecito’s flat, causing him to lie in his diary as to how the DNA got there by claiming that Meredith had cut herself cooking while at his apartment; but Meredith had never visited Sollecito’s apartment) is so tiny that it should be discarded and ignored.

LCN DNA is however now accepted by courts of law worldwide, including in the State of New York USA. Vechiotti also admitted in court that it was Meredith’s profile, and that contamination couldn’t have occurred due to the six day delay between testing.

She does a u-turn on the documentary though, claiming that contamination was likely due to Meredith’s profile being LCN and so small, despite testifying the exact opposite where it mattered the most, in court.

Problem is, Conti makes the contamination hypothesis for the bra clasp, only Sollecito’s DNA found there isn’t LCN, it’s a 17 loci match, with a US court considering between 10-15 loci sufficient enough to be used as evidence.

The doc also fails to explain how his DNA ended up only on the tiny bra clasp in such abundance and nowhere else apart from a cigarette, but mixed with Knox’s. So, too small for the knife, and hey, anything’s possible for the bra clasp.

They also make a big thing about the bra clasp lying in a sealed crime scene for 46 days, yet don’t mention that two samples of DNA evidence used to convict Guede (Meredith’s sweatshirt and purse) also lay there for 46 days. I guess there’s different burdens of proof bars for black guys.

However again the problem is that all of this (yep, again) is simply untrue. Conti and Vechiotti are not experts in forensic DNA or ENFSI certified.

Carla Vechiotti is a pathologist. Her lab at Sapienza University was shut down due to atrocious hygiene practices including honest to God corpses being strewn about the halls, I kid you not.

Conti’s expertise is “computer medical science”...whatever that’s supposed to be. Nor are they independent. Conti and Vechiotti were found “Objectively biased” and “Objectively deceptive” in court by the Nencini appellate. Specifically because Vechiotti falsely claimed that the technology did not exist to re-test the murder weapon. It did indeed exist in 2011.

Vechiotti was also filmed by the BBC shaking hands with Sollecito’s father in court, no less, hardly appropriate behavior for so-called independents. Vechiotti has also been found guilty of criminal misconduct in a separate case, and was fined €150,000 for screwing up in yet another separate case, known as the Olgiatta murder.

You’ll notice in this review how I’ve rarely mentioned the victim Meredith Kercher. That’s because she barely gets a mention in this sad excuse for a documentary. Not even an RIP.

Meredith, the victim is relegated to a mere footnote and indeed a foot under a duvet.

The doc does use archive footage of her mother, Arline, and intimates that she herself is having doubts, whereas the Kerchers have made very clear on several occasions that they know who murdered their daughter.

Reprehensibly, the doc also displays close up autopsy photos of Meredith, yet the autopsy photos were never made public.

Considering only the Kerchers (who didn’t take part in Netflix’s PR makeover) and the defence - and by extension the two former defendants - had access to such material, this begs the very pertinent question: who provided two ardent Knox supporters with autopsy photos of the murder victim?

The filmmakers should be ashamed of themselves for this alone, utterly contemptible behavior which comes across as needlessly and despicably taunting the victim’s family, and at the very least exploiting their daughter and sister purely for lurid effect to make their documentary more “gritty”.

So what’s the verdict on Amanda Knox the documentary?

Well, it’s a terrible, false and ultimately immoral exercise in innocence fraud, and here are some more of the facts that Knox’s PR infomercial left out:

1 The Supreme Court’s acquitting report states that Amanda Knox was present during Meredith’s murder and may even have possibly washed the victim’s blood from her hands afterwards but it STILL can’t be proved that she did it, which begs more questions, namely why didn’t innocent Amanda call the cops for her friend and why wasn’t she charged as an accessory at least? (The same Supreme Court did not make the same allowance for the black guy though, had he washed the victim’s blood from his shoes for example.) The court also states that there’s “strong suspicion” that Sollecito was there.

2 The Supreme Court’s acquitting report states that the burglary was staged.

3 The Supreme Court’s acquitting report states that Meredith was murdered by three attackers and that Guede had two accomplices. (And you really don’t have to be Stephen Hawking to figure out who these two accomplices were, when you view the evidence in its totality)

4 The Supreme Court’s acquitting report states that Meredith’s murder was NOT due to a burglary gone wrong.

5 The Supreme Court’s acquitting nonetheless finalizes Knox’s calumny/criminal slander conviction, which she was handed for falsely accusing her innocent employer of rape and murder, leaving him in prison for two weeks, and never retracting her statement, despite false reports that she did, meaning that Knox’s status is still that of a convicted criminal felon.

6 In finalizing Amanda Knox’s calumny/criminal slander conviction, the Supreme Court’s acquitting report states that Knox blamed her boss to protect Rudy Guede as she was afraid that Guede could “retaliate by incriminating” her, which of course begs some more very interesting and pertinent questions, such as how could Guede incriminate innocent Amanda to begin with?

7 The Supreme Court’s acquitting report does NOT exonerate Knox, it acquits her due to “insufficient evidence”,like Casey Anthony, OJ Simpson and that nice man Robert Durst now back on trial.

The Truth is Out There, as a fictional 90s FBI agent who investigated strange stuff once mused. The truth in Meredith Kercher’s case is out there too, specifically in the Massei and Nencini court reports.

Never have I seen a case where such overwhelming evidence existed and where all the primary sources and court reports are fully available, only for such false reporting and fawning (and equally false accounts abound). It’s like the mainstream media have collectively turned into the robotic town of Stepford.

Yet the truth often has the strangest habit of coming to light, often when we least expect it to shine. I have hopes it’ll shine in Meredith’s case, in time. The supporter fanboy filmmakers are fooling nobody who is familiar with Meredith’s case, and neither are Amanda Knox or Raffaele Sollecito.

RIP Meredith Kercher, who along with her stoic dignified family (who have been subjected to absolutely abhorrent abuse and attacks by Knox’s supporters online) and Knox’s employer Patrick Lumumba are the only victims here.

May the truth shine in your case one day and the facts and truth come to light.


Correcting Netflix 18 Omitted The Vital Context Of 200,000 In The US Wrongly Locked Up #1

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1. Series Overview

The 18 past posts can be read here. In the light of the Netflix report’s nomination for a major award we resume. Full speed ahead.

2. Italian Justice: What Netflix Left Out

In the United States outrage is, well, all the rage… A clear Netflix intent was to horrify and outrage viewers about the Italian justice system itself.

Read the numerous reviews and thousands of comments that imply the system is dangerous and corrupt. Including the very common “I would never send my kid to college there” and “I will never risk traveling there” and “we should boycott Italian goods”. 

Show it as it really is - an extremely fair system from the perps’ point of view that allows ZERO wrongful convictions at the end of the day - and the whole Netflix thesis falls apart.

In Post 6 we described the almost unique carefulness of the Italian system.

How prosecutors can explain their case only in court. How the system allows perps two automatic appeals. How appeals often feature new juries - which never get to hear the full prosecution case.

How the same defense teams get to argue in court all the way up to the Supreme Court while the trial prosecution gets to present its full case just the once.

How the REAL justice system requires that many judgments should be written out at costly length. How prison time is almost never served for sentences under three years.

How most of the prisons are very nice and all perps receive mental treatment if prescribed, and taught a trade so they dont have to commit new crimes to pay their way when out.

The plea-bargain possibility does not exist in the uniquely open and transparent Italian system at all. No furtive shortcuts. No extreme pressure on suspected perps.

Judges, prosectors and especially police must go the extra mile, often over many years, to ever finally win a case.

3. American Justice: What Netflix Left Out

Netflix left out A LOT. See the numerous for-comparison posts here.

Sadly judges and lawyers in the American system can be among the eagerly gullible about both the Italian system and their own.

But there ARE American judges and lawyers who FULLY understand the Italian system and wish some of that could be applied in the US.

In the video at top Harvard law professor Alan Dershowitz is quoted as saying this.

“We treat poor people and minority people much worse in the United States by our criminal justice system than they do in Italy, so we really have no standing to tell other countries that their system is unfair.

And based on [the evidence against Knox], in America, if she were not an attractive young woman “” if she were an ordinary person “” charged on the basis of this evidence, she would be convicted and would be serving life imprisonment, or even worse, the death penalty in the United States.”

In the United States pervasive plea-bargaining is making juries obsolete.

Trial by jury has become so rare in modern American criminal jurisprudence that the chance of being convicted at trial is little more than one in one hundred.

That doesn’t mean that people are not getting convicted. They are””in record number. America’s prisons are literally filled to capacity.

In today’s criminal justice system, convictions come by agreement. The tradition of being tried by one’s peers, established centuries ago and affirmed by the Sixth Amendment to the U.S. Constitution has all but disappeared.

The plea bargain has made jury trials obsolete.

The GOOD aspect is that it can get convictions fast. That is the BAD aspect too.

Very few cases end in acquittal - vastly fewer than in Italy. Tough sentences and even the death penalty are often used as a threat.

“We now have an incredible concentration of power in the hands of prosecutors,” said Richard E. Myers II, a former assistant United States attorney who is now an associate professor of law at the University of North Carolina. He said that so much influence now resides with prosecutors that “in the wrong hands, the criminal justice system can be held hostage.

In effect judges and juries are being sidelined and defense lawyers are faced with strong odds.

A case in Pennsylvania has suddenly put such plea-bargaining in the national news - not because the accused perp didnt do it, but actually because the threat of death penalty was said to have been too lightly used.

In so swiftly wrapping up the case, which transfixed the Philadelphia region, the district attorney of Bucks County, Matthew D. Weintraub, faced questions about whether he had made the right call in taking the most severe punishment for horrible crimes off the table.

Experts in death penalty law said the agreement was especially notable for its speed. But the father of one of the young men found dead said on Monday that family members of all of the victims supported it.

There was no judicial review. Oh and he was mentally deranged.

The American prison population is proportionally six times the Italian prison population (why did Netflix omit that?). Mental illness among that population is rife, and few inmates have above average IQs.

Election-driven prosecutors plea-bargaining with threats may have wrongly put many of them there. Maybe 10 per cent.

That is over 200,000 Americans in the wrong place. Funny how Netflix forgot to tell us about that.

This three-part series continues here.

Posted by Our Main Posters on 07/22/17 at 04:00 AM • Permalink for this post • Archived in The judical timelineHoaxers: media groupsThe Netflix hoaxComments here (4)

Correcting Netflix 20 Omitted The Vital Context Of 200,000 In The US Wrongly Locked Up #3

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Netflix enabled Knox to sustain her myth of how awful Italian prison life was for her.

First, do notice that Netflix ignored that Knox was in prison for three of her four years quite validly for a felony conviction: her attempt (sustained over several weeks) to try to frame Patrick for Meredith’s murder.

Even now, she still owes Patrick damages of around $100,000 irrevocably confirmed by the Supreme Court. Netflix ignored that also.

Second, do notice that Netflix ignored that that Knox quite provably made up a lot about her prison stay in Capanne and how she was actually treated.

In this post challenging all those claims, we observed that Knox did not have a single witness confirming her accounts.

In fact both the US Embassy which monitored her and the Italian MP Rocco Girlanda who “monitored” her confirmed her treatment was kindly, and her lawyers confirmed that she never ever asked that a complaint be filed. 

And third, not only is no Italian prison the hellhole that Netflix watchers were led to believe. Though there has been temporary overcrowding due to immigrant crime, they are in general among the most humane prisons anywhere on the planet.

That post 18 months ago drew upon a New York Times report. Today the New York Times posts an editorial which shows the gap in humanity between Italian and American prisons is actually deliberately worsening. 

Another contrast in Italy’s favor, ignored of course by Netflix.

Criminal justice officials across the country are struggling to break the recidivism cycle in which prisoners are released only to land right back behind bars. These prisoners are among the most poorly educated people in the country, and that fact holds the key to a solution. Decades of research has shown that inmates who participate in prison education programs “” even if they fail to earn degrees “” are far more likely to stay out of prison once they are freed.

That prison education programs are highly cost effective is confirmed by a 2013 RAND Corporation study that covered 30 years of prison education research. Among other things, the study found that every dollar spent on prison education translated into savings of $4 to $5 on imprisonment costs down the line.

Other studies suggest that prisons with education programs have fewer violent incidents, making it easier for officials to keep order, and that the children of people who complete college are more likely to do so themselves, disrupting the typical pattern of poverty and incarceration.

Findings like these have persuaded corrections officials in both Democratic and Republican states to embrace education as a cost-effective way of cutting recidivism. But Republican legislators in New York “” which spends about $60,000 per inmate per year “” remain mired in know-nothingism and argue that spending public money on inmates insults taxpayers. They have steadfastly resisted Gov. Andrew Cuomo’s common-sense proposal for making a modest investment in prison education programs that have already proved highly successful on a small scale in New York’s prisons.

The Manhattan district attorney, Cyrus Vance Jr., stepped into the void left by the Legislature when he agreed l to pay for Governor Cuomo’s prison education plan with more than $7 million in criminal forfeiture money secured from banks. Lauding what he described as a public safety measure, Mr. Vance said, “It makes no sense to send someone to prison with no pathway for them to succeed.”

The goal of the program is to expand the number of inmates taking college courses to about 3,500 across much of the system from 1,000. The curriculum will be broad, covering science, math, philosophy, the social sciences and art. Among the schools that will participate are Cornell University, New York University, Mercy College and Bard College, which has run a highly regarded program since 2001. The recidivism rate is 4 percent for inmates who participate in the program and a mere 2 percent for those who earn degrees in prison, compared with about 40 percent for the New York State prison system as a whole.

Prison education programs were largely dismantled during the “tough on crime” 1990s, when Congress stripped inmates of the right to get the federal Pell grants that were used to pay tuition. The decision bankrupted many prison education programs across the country and left private donors and foundations to foot the bill for those that survived.

Despite limited and unreliable funding, these programs have more than proved their value. New York lawmakers who continue to block funding for them are putting ideology ahead of the public interest.

Posted by Our Main Posters on 08/16/17 at 05:58 PM • Permalink for this post • Archived in The judical timelineHoaxers: media groupsThe Netflix hoaxComments here (1)

Correcting Netflix 22 Omitted - This Very Telling Knox Questioning By Dr Mignini #1

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(Long post, Click here to go straight to Comments.)

1. The Very Dominant Netflix Takeway

Approximately four out of every five online Netflix reviews - about 160 out of about 200 - were somewhat, or strongly, or ISIS-level worked up about those Italians.

They were bothered or very ticked or totally outraged at the treatment of the supposedly saintly Amanda Knox, the complete lack of evidence, the cruel Italian and British media, and the even more cruel persecution of Knox (the inconvenient Sollecito is largely forgotten) by a moralistic loose-cannon prosecutor.

See these random examples by Netflix reviewers Adrienne Bischoff, and Rachel Brodsky, and Lorraine Courtney, and Natalie Finn, and Lou Lumenick, and Sara Stewart, and Genevieve Van Voorhis, all under-researched and all flaming Dr Mignini.

Not one of them mentions that around Perugia Knox was a notorious, frequently-high handful who directly caused the imprisonment of the drug dealer she was sleeping with, or that she was not actually an exchange student or in fact even enrolled at Perugia University.

Not one of them mentions that the body of evidence is actually enormous, or that the 2009 trial was very conclusive, or that she did actually have a team of lawyers, who publicly warned her to stop lying, or that the uniquely careful Italian system protected her via numerous reviews by judges, or that the claimed 54 hours of interrogation is a complete Knox fabrication.

Not one of them mentions that Knox let Patrick stew in prison for several weeks and cruelly destroyed his business despite his risk in hiring her without a work permit, or that she is a felon for life and still owes Patrick $100,000 in damages, or that Knox tried to criminally frame Dr Mignini and for that could still be prosecuted.

The Netflixhoax #20 post below featured Dr Mignini describing a comprehensive, routine and above-board investigation by a large team under judicial supervision. We have not yet seen any part of it questioned as irregular by any of the American lawyers and judges who read here. 

Now we post in three parts Dr Mignini’s one and only interrogation of Amanda Knox, on 17 December 2007. His brilliance is really on display here. The Netflix report made zero mention of this, at a guess because it clashes in multiple ways with Knox’s court testimony in June 2009 and her unchallenged lies on Netflix.

Dr Mignini agreed to this three-hour session at Knox’s own request, contrary to the advice of her lawyers, presumably made because she hoped to explain away all the small mountain of hard facts already compromising her.

It seemed clear to everybody after three hours, Knox herself included, that she had failed, and her lawyers halted the session at that point (see Part 3 coming).

Mignini now had a lengthy statement from Knox on the record reflecting a timid and erratic Knox utterly unable to explain why she fingered Patrick. This transcript played a major part in her calunnia conviction and 3-year sentence and her inability to persuade even the Hellman or Marasca/Bruno appeal courts that up was really down and so on.

Your task here and in the next two posts is perhaps to spot any hint of a “mad prosecutor” or fictitious sex-crimes or satanic rituals or moral judgments or 50-plus hour interrogations that 160 Netflix reviewers were so lathered-up about.

2. The 17 December Interrogation Knox Requested (Part 1 Of 3)

Note: This is the first hour of three hours. The excellent translation is by Yummi, Catnip and Kristeva. The original in Italian is in the Wiki Case File here; it has been accessed nearly 4,000 times.

Transcript of Interview 17 December 2007: Statement of interview Of Ms Amanda Knox

Criminal Proceeding n. 9066/07, r.g.n.r. Public Prosecutor’s Officer Perugia

On the day of 17.12.2007 At the Perugia Prison

Those Officials Present:

Public Prosecutor Dr Giuliano Mignini
Daniela Severi ““ Clerk of the Court
Agent Danilo Paciotti ““ Carabinieri Section Judicial Police
Giacinto Prefazio ““ Head of Flying Squad Perugia Police
Monica Napoleoni ““ Deputy Superintendent Perugia Police
Julia Clemesh ““ Interpreter

[Ed note: Amanda Knox was present with her legal team of Costa & Ghirga; Dr Costa resigned after this interview, apparently unable to see a way to defend her if this was her best shot.] 

Complete statement of the declarations made as a person being investigated on the facts by Ms Amanda Knox.

Public Prosecutor Mignini: It’s 10:45 am I’m assisted for the redaction of this current statement. The date is 17 December 2007, in the proceeding 9066/07 mod. 21 in Perugia, Capanne Prison, before the Public Prosecutor Dr Giuliano Mignini, assisted for the redaction of the statement by Clerk of the Court Daniela Severi and by Carabinieri Agent Danilo Paciotti from the Carabinieri Judicial Police Section qualified for recording, present for investigative exigency Dr Giacinto Profazio, head of the Perugia Flying Squad, and Deputy Superintendent of the Perugia Flying Squad Monica Napoleoni, also present, and the interpreter Dr Julia Clemesh, born at Frankfurt-on-Maine?

Interpreter: Yes.

PM Mignini: Federal Republic of Germany, 17 September 1974, resident in Perugia, Via [address edited]. Amanda Knox has appeared, since she in a state of detention audio recording is provided for and the other requirements under Article 141 bis of the Criminal Procedure Code and the other requirements of Law. A summary report is also provided for; she is invited to declare her particulars and whatever else is required to identify her with the admonition of the consequences which apply when one refuses to give them or gives them falsely, [2] in answer. Now then, you have to tell me your particulars. And you have to tell me, exactly. So, what’s your name? You have to say, I am and my name is”¦

Knox: My name is Amanda Knox.

PM Mignini: Born at? You see, you have to tell me”¦

Knox: Born in Seattle.

PM Mignini: Seattle, Washington State, isn’t that?

Knox: Yes in the United States on the 9th July 1987.

PM Mignini: What date sorry? The”¦

Knox: The 9th July ‘87.

PM Mignini: 9 July ‘87. Resident at?

Knox: Here?

PM Mignini: No, resident in the United States in Seattle”¦

Knox: 37th Avenue”¦ a pen”¦

PM Mignini: She needs to write it down”¦ a pen”¦ yes so yes notice is given that 9821. Now then, can you speak Italian? Do you understand it a bit?

Knox: Yes but I prefer to speak in English.

PM Mignini: Yes, but in any case do you understand Italian a little bit?

Knox: Yes, yes but I can help better”¦

PM Mignini: Do you have a pseudonym? A nickname?

Knox: In the soccer team they called me Foxi Noxi (naughty fox, ndr)

Interpreter: In the soccer team they called her Foxi Noxi.

PM Mignini: Can you dictate it for the”¦

Interpreter: How to spell it?

PM Mignini: They call me Foxi Noxi.

Knox: Only when I play soccer.

PM Mignini: Nationality from the United States, residence as above, domicile as above, place of employment? “¦ Where do you work, are you a student

Knox: I’m a student.

Interpreter: Yes, student.

PM Mignini: Marital status, single, is it? Conditions of your specific life, social relations, study title?

Knox: I’ve finished high school.

Interpreter: She hasn’t graduated yet.

PM Mignini: High school diploma.

Interpreter: Yes senior high yes.

PM Mignini: Occupation? “˜I am”¦’ You’re a university student?

Knox: Yes.

PM Mignini: “I’m a university student [male adjectival form], university student [female adjectival form].” ?

Knox: Yes.

PM Mignini: Listen, do you have real estate? Do you own houses, land?

Knox: No.

PM Mignini: Propertyless. Are you under other criminal trials, besides this one, involved in other processes or proceedings?

Knox: No.

[4] PM Mignini: Do you have any convictions under the State or in foreign countries? Careful, you need”¦ Whether you have proceedings in foreign countries. Do you understand? Proceedings in the investigation phase.

Knox: No.

Interpreter: The second question instead?

PM Mignini: Whether you have had convictions, in the Italian State or in foreign countries”¦ so therefore also in the United States”¦

Lawyer: I would like that you explained”¦

PM Mignini: But is that a crime?

Lawyer: No administrative.

PM Mignini: You shall say it, have you had fines, have you paid fines in the United States

Knox: Yes

PM Mignini: Yes? “¦ But was it about facts constituting an offence? You don’t know this”¦ or was it facts which constitute administrative breach

Knox: For having made noise

PM Mignini: I understand. Do you exercise or have you exercised public offices or services or of public necessity? No. Have you ever carried out public duties? Electoral for example”¦

Knox: No

PM Mignini: Public duties no. Now then you therefore have the right to nominate a defender, you have two defenders, you confirm the nominating of these defenders that are present, therefore you confirm the nominating of the advocates Luciano Ghirga of the Perugia Bar and Advocate Carlo Dalla Vedova of the Rome Bar, present at the taking down of this document. Also present as collaborator from the Dalla Vedova Law Firm, advocate Giancarlo Costa also of the Rome Bar. Now then. [5] The choice of domicile, where do you want the notices of this proceeding to go to?

Interpreter: In Italy right?

Knox: To the office of my lawyer

PM Mignini: I confirm the choice of domicile as at the firm of advocate Ghirga. The Public Prosecutor therefore notifies to you the charges that you have seen in the precautionary custody orders which are the offences contrary to Articles 110, 81 main paragraph, 575, 578, and 609 bis of the Criminal Code, committed in Perugia on the night of the 1st and the 2nd of November 2007 against Meredith Kercher in acts as registered. Statements of summary information, findings pursuant to Art 354 and 360 CPC searches and seizures, statemented search proceedings and all the elements mentioned by the Perugia Re-examination Court in the order dated 30 November, 5 December 2007. Therefore all the elements against you there are declarations by persons informed of the facts, there are the results of the tests carried out by the Scientific Police, therefore the traces, in particular the trace on the knife, the DNA trace on the knife, the DNA in the bidet, and all the other results mentioned by the Perugia Re-examination Court in the 30 November, 5 December 2007 order. Therefore you shall make known what you consider to be useful for your defence.

Lawyer: Excuse me, we’re given to understand that there have been indicated things, in the 30 pages of the re-examination some other things have been indicated, so you put them to her and invite her to say things useful for the trial, you’ve given four or five examples, if”¦ I don’t believe that it acquits your task to put them to her.

PM Mignini: Now then look. Well she was found to be”¦

Lawyer: You’re going through the evidence against her, can we describe it like that? Now then.

PM Mignini: Of course. So it resulted during the course of the investigations there was a series of items of evidence, items against her that are, that derive from the declarations of persons informed of the facts, in particular the declarations made by, from some declarations that have been made by you yourself during the phase, during, in the period in which you were a person informed of the facts, so prior to the 6th November 2007, there are also declarations by Raffaele Sollecito when he was still a person informed of the facts, and declarations by Raffaele Sollecito at the Validation Interview, because at the Validation hearing Sollecito had responded to the interrogatory and has therefore, his declarations are therefore fully utilizable and are”¦ now then from these declarations, then I’ll pass to the other items, from these declarations one can deduce a reconstruction that in the opinion of the Public Prosecutor’s Office is not credible, of what had occurred. Of what had occurred, things are different, I’ll explain to you then in particular it’s not credible in the opinion of the Public Prosecutor’s Office, what was and then what had been declared by Sollecito even during his interrogation, the whole reconstruction that had been made of both your whereabouts, yours and Sollecito’s, the night of the 1st and 2nd of November 2007. In particular what happened the morning of the 2nd November up until 13:00. Then there are the findings, the DNA trace, the DNA trace on Sollecito’s knife and on the blade of this knife there’s Meredith’s DNA. Then on the handle there’s your DNA, the blood traces therefore in the bidet, yours, also in the washbasin.

Lawyer: On the bidet there’s DNA and in the washbasin.

PM Mignini: On the bidet of her and of Meredith and in the washbasin there’s blood, her haematic traces. Then there are, in the ambit of fingerprint tests that were done, the prints despite she lives, despite she lived in that house and she was the person who remained, who had moved around the inside of the house as [7] the last one there, up until”¦ there was one trace only on a glass, only one print of hers. And this, this makes one think that there had been, that she had removed her other prints, because it isn’t, in the opinion of the Public Prosecutor’s Office, it’s not likely that she had, that there would be only one single print of hers from”¦ although she lived in the house. Now then. It’s these ones. Then there are the findings they are basically these ones. Now then. There are also further findings that derive from declarations made by persons informed of the facts. I’ll limit myself to mentioning this. So you have the possibility, I invite you to specify what you consider useful for your own defence with the advice that your declarations can be used against you, right? But in any case you have the right to not answer, you can refuse to answer any question but in any case the Proceedings will take their course. Even if you don’t answer. Then if you make declarations on the facts that concern the responsibility of others you’ll take on as regards these facts the role of witness with all the”¦ now then, so you intend to answer?

Knox: Yes

PM Mignini: First of all do you intend to answer? Then “˜I intend to answer’, “˜I claim I’m innocent’, right? What do you say? Do you admit the deed or not? Admit the facts that are being put to you or not? “¦ That is you have been accused of the murder-in-company of Meredith Kercher and sexual violence. You, do you admit this fact or else do you protest your innocence?

Knox: Innocent.

PM Mignini: I protest my innocence. So”¦ when did you arrive in Perugia?

Knox: The first time I had arrived with my sister for three days but the second
Interpreter: When?

Knox: It was August that I had come the first time in my life here

[8] Interpreter: This year?

Knox: Yes, for three days.

Interpreter: The first time was August of this year for three days with her sister.

PM Mignini: And your sister is called?

Knox: Diana.

Interpreter: Diana

PM Mignini: And then?

Knox: And I went to Germany for a bit and then I came for the second time to Perugia to stay on the 20th September”¦

Interpreter: In August for three days, then she went to Germany and came back to Perugia to stay, to remain for a while”¦

PM Mignini: In Germany where?

Knox: Grunenwald near to Hamburg where my aunt lives.

Interpreter: Where her aunt lives near Hamburg.

PP Mignini: And your aunt is called?

Knox: Dolly which is the diminutive of Dorothy.

Interpreter: Dorothy. She came back to Perugia on 20 September

PM Mignini: On the 20th September and you found, in the Via della Pergola house who did you find when you’d come back to Perugia on the 20th September?

Knox: In reality I found Laura the three days that I was here with my sister and they introduced me to Filomena and we had decided to live together. I had met Laura in front of the University for Foreigners, we had spoken of the fact that [9] she was looking for a flatmate and I had met Filomena and we had decided to live together”¦

Interpreter: In August during the three days she had met the housemate name of Laura

PM Mignini: Mezzetti?

Knox: I don’t know”¦ we were calling her Laura.

Interpreter: She doesn’t know.. she met Laura in those three days when she was looking for a housemate and then they had agreed that in September she would have gone”¦

PM Mignini: And it was only Laura there?

Interpreter: She had met her, when she had gone to see the house, she had also met Filomena

PM Mignini: Filomena Romanelli

Knox: Yes

Interpreter: Yes

PM Mignini: Meredith wasn’t there?

Knox: No

PM Mignini: Listen, do you use drugs?

Interpreter: Marijuana sometimes

Knox: I take marijuana

PP Mignini: Marijuana. Only marijuana?

Knox: In the form of hashish

Interpreter: Marijuana in the form of hashish

[10]  PM Mignini: No other substances?

Knox: No

Interpreter: No

PM Mignini: And up until when have you used it?

Knox: Do you want to know when I started? Ah no, you want to know up until when “¦

Interpreter: The last time the first of November? But you asked up until when right?

PM Mignini: Up until when, yes, yes the first of November. In the evening?

Knox: Yes

Interpreter: Yes

Knox: Yes

PM Mignini: With Sollecito?

Knox: Yes

Interpreter: Yes

Knox: With Raffaele yes

PM Mignini: And how much did you have that evening?

Knox: We shared a joint”¦

Interpreter: She had shared a joint, yes they had shared a joint.

PM Mignini: From whom had you obtained this substance?

Lawyer: From whom had you obtained it?

Knox: I didn’t obtain it myself”¦ it was Raffaele’s I simply used his smoke

Interpreter: It was a joint of Raffaele’s.

PM Mignini: And you don’t know who he got it from

[11] Knox: No

Interpreter: No

PM Mignini: And before, when you had come to Perugia had you used it? Before the first of November.

Interpreter: Ah, before the first of November?

PM Mignini: Yes

Knox: Yes

Interpreter: Yes

PM Mignini: And from whom were you getting it?

Knox: I was smoking it with friends I never bought any”¦ I wasn’t buying it since for example I would give ten euro to Laura and she used to buy it for me”¦

Interpreter: She never bought it directly herself only with friends they shared joints

PM Mignini: And who were these friends?

Knox: A flatmate”¦

Interpreter: A housemate, the two Italian housemates and the neighbours down below.

PM Mignini: Who of these? Giacomo?

Knox: We were all together and we were smoking all together”¦ There was a young man who was living on the floor below who was called Riccardo and we didn’t use to visit him, so we weren’t smoking with Riccardo and with the others yes.

Interpreter: Everybody. It was shared amongst everybody, except for a young man who is called Riccardo who had never been around, who happens to be downstairs who had never been in their company, apart from him with the others

[12]  PM Mignini: And Meredith was using it?

Knox: Sometimes but not as often as me”¦ not as much

Interpreter: Eh sometimes times but not much.

PM Mignini: But who was giving it to you? “¦ Do you know who gave it to you?

Knox: No, I don’t know who was giving it, we were smoking together but I don’t know who was giving it”¦

Interpreter: The same story, only in company.

PM Mignini: Listen and when did you start working for Patrick, for Lumumba?

Knox: Straight after when I had arrived I had looked for a job, I knew a friend of Laura’s called Jube (phonetic) and who was working for Patrick”¦ I don’t know the day, I can’t remember the day. It was October, I think”¦

Interpreter: Then when she had arrived she was looking for a part-time job through, there was a boy called Juve (phonetic) who was working with Patrick and he was a friend of the housemate Laura, through Laura and this boy Juve (phonetic) she ended up at Patrick’s in October it would have been.

PM Mignini: October?

Knox: I don’t remember precisely.

Interpreter: She doesn’t remember exactly.

PM Mignini: And the salary, what was it? That is how much was Patrick giving you?

Knox: Around 5 euro an hour”¦

Interpreter: Around 5 euro an hour

PM Mignini: How many hours were you working at Patrick’s?

Knox: It depended on how many people there were at the beginning I was working every day up until around”¦ between midnight and 2 am, starting at 10. But I was also [13] handing out flyers during the day, independent of how many hours I was working her was giving me 15, 20 euros at the end of the day”¦ and so it was”¦

Interpreter: Depending on the amount of work, how many people there were in the pub, she used to finish work between midnight and two in the morning and she used to start at ten. During the day she was distributing flyers, always for Patrick, and Patrick at the end of the evening used to give her 15 to 20 euro and doing the sums it came to 5 euro an hour on average.

PM Mignini: I want to know this, what were the work hours? If you can repeat it.

Knox: Depending on if there were things to do, I was finishing at midnight or at two.

Interpreter: She was starting at ten and depending on how much work there was she was finishing between midnight and two AM.

PM Mignini: Every day or else only some days only during the week?

Knox: At the beginning it was every day but when they had arrested me the last two weeks I had worked twice a week.

PM Mignini: What days?

Knox: Thursday and Tuesday”¦

Interpreter: Tuesday and Thursday

PM Mignini: Did it ever happen that you weren’t, beyond that, apart from the evening of the first of November right? Before, did it happen that you didn’t go to work one night on which you had work, right? That you hadn’t gone and for what reason”¦ anyone advised you?

Knox: If it had ever happened”¦ let’s see”¦ did it ever occur to me? It could have happened that one time I didn’t go because I was feeling sick”¦

[14] Interpreter: It’s possible that she didn’t go there one time because she was ill

PM Mignini: So only on one occasion. So the evening of the first?

Interpreter: She said maybe also one other time

PM Mignini: Ah so

Interpreter: But she wasn’t feeling well

PM Mignini: Ah because she wasn’t feeling well

Interpreter: Yes, yes, to be precise she doesn’t remember

PM Mignini: You weren’t feeling well and you’d informed Patrick about not being well and so you couldn’t go

Interpreter: This she didn’t say. She hasn’t said this.

PM Mignini: You say: “˜it could have happened that I hadn’t gone because I was sick once’

Interpreter: You’ve asked apart from the first of November, true?

PM Mignini: yes, yes

Interpreter: So we speaking of apart from the first of November, the question is whether she had informed Patrick”¦

PM Mignini: The question is if on other occasions she had not been able to go to work because she had been advised”¦ on other occasions”¦ ask her the question

Lawyer: Eh but this one is different to the one from before

PM Mignini: Now then the question that I asked before was this one: did it happen at other times she had not gone to work?

Interpreter: And the answer was yes, maybe when she was feeling ill

[15]  PM Mignini: She was feeling ill, did it happen on other occasions that you hadn’t gone to work because Patrick had called you telling you not to go to work?

Knox: No, it never happened

Interpreter: No

PM Mignini: It never happened. Listen, how were you maintaining yourself? That is how much were you earning? How much let’s say per week were you earning from Patrick?

Knox: I had saved that I had had from my parents”¦

Interpreter: The money from her parents and also her savings she had from before

PM Mignini: But how much from Lumumba were you earning in a week? You’ve said so right? “¦ I think
“¦
Interpreter: From 15, 20 euro a night

PM Mignini: A night, so 30 euro a week broad brush right? Because it was two days

Knox: Yes

Interpreter: Yes.

PM Mignini: And the parents, how much were your parents sending you, what amount were they sending you and how often?

Knox: They were sending me each month more or less what was needed to pay the rent”¦

Interpreter: They were sending her enough each month to pay the rent

PM Mignini: How much? So how much was the rent?

Knox: 300 euro a month”¦ but they were giving me a bit more”¦ they used to put in my bank account”¦

[16]  Interpreter: 300 euro a month. But they were giving her a little bit extra, they were putting in her account. Her parents were putting it into Amanda’s account

PM Mignini: So they were giving you a little bit more, so how much? How much, around 400”¦ 500 euro I don’t know”¦

Knox: Maybe around 400 euro”¦

Interpreter: Around 400 euro yes

PM Mignini: Oh, and then your savings, isn’t that? “¦ Yes

Knox: Yes

PM Mignini: Right then, can you tell us how much money you had, the first of November”¦ eh?

Knox: In my bank account?

Interpreter: Where did she have this money? “¦

PM Mignini: How much did you have and where did you have it? If you had accounts”¦

Knox: Okay, it was in my bank account

Interpreter: In her savings account

Knox: “¦I think around about 5 thousand dollars but I don’t know

Around [sic: read: Interpreter]: She thinks around 5 thousand dollars in her savings account

PM Mignini: Savings account at which bank?

Knox: Washington Mutual

Interpreter: Washington Mutual

PM Mignini: Did you have an ATM [=cash dispenser]? Or a credit card?

Knox: Yes

Interpreter: Yes

[17]  PM Mignini: Right then, this ATM [card] where is it? This card or credit card?

Knox: In my wallet

Interpreter: In the wallet that has been seized

PM Mignini: How much had you withdrawn the last time before the first of November?

Knox: I always take out 250 euro because that’s the maximum and I always take the maximum because there’s a cost to pay for each withdrawal so I always take the maximum”¦ and I put in the drawer of my desk”¦

Interpreter: She doesn’t recall exactly which day she would make withdrawals, she knows that she always used to withdraw the maximum because she has to pay a fee and the maximum is 250 euro and this money she used to put in the little drawer of the desk at home

PM Mignini: In your room?

Knox: Yes

Interpreter: Yes

PM Mignini: And so you had 250 euro on the first? How much did you have?

Lawyer: Translate the question for her

Knox: In my room?

PM Mignini: I’m asking you where you had it, where were you holding it?

Knox: I think I could have had around 300 euro”¦ about”¦ in my desk”¦

Interpreter: She thinks she might have had 300 euro in total in the little drawer

Knox: Usually I would take 20 euro and I would put it in my wallet when I needed to

Interpreter: and she would take 20 euro that she would put in her wallet

[18] PM Mignini: Listen, did you know Guede? Rudy?

Knox: Vaguely”¦

Interpreter: Vaguely

PM Mignini: How did you know him? Where did you meet him?

Knox: I’d encountered him a couple of times, I’d seen him at my place of work and also in the city centre and I’d encountered him with my neighbours in the city centre and I’d also seen him at the basketball court”¦ I was there with all the others in my neighbours’ house

Interpreter: At the basketball court?

Knox: No

Interpreter: At a party at the neighbours’ house?

Knox: Yes

Interpreter: She’d met him she thinks in Patrick’s pub, no, she had seen him she thinks in Patrick’s pub and then she’d seen him at the basketball court and at a party in the neighbours’ house below.

PM Mignini: Now, when had you known him?

Lawyer: How much time before

PP Mignini: How much time before, with when you’d arrived in September”¦

Knox: I believe that it was around mid-October but truly I don’t remember”¦

Interpreter: I think towards the middle of October

PM Mignini: Did you used to visit him? Guede

[19]  Interpreter: Meaning?

PM Mignini: If she visited him with a certain regularity in short, with a certain, whether they were going out together

Knox: No

Interpreter: No

PM Mignini: Did it happen that you had to give him some money?

Knox: No

Interpreter: No

PM Mignini: Listen, but were you, were you missing any money that night of the first and second?

Knox: I don’t know I didn’t look”¦ the 2nd I didn’t look”¦

Interpreter: She didn’t look in the room

Lawyer: But when?

Interpreter: The 2nd of November

Lawyer: Ah right

Interpreter: On the 2nd of November she didn’t look

PM Mignini: And where did Meredith used to keep her money?

Knox: I don’t know

Interpreter: She doesn’t know

PM Mignini: Listen, when was the last time you see Guede?

Knox: I think that the last one is that of which I have already spoken and that is a party at my neighbours’ house on the floor below

[20]  Interpreter: The last time she thinks that it was at the party at the neighbours’ house below

PM Mignini: Which had taken place when?

Lawyer: More or less

PM Mignini: More or less, if you don’t recall”¦

Knox: Towards the end of October”¦

Interpreter: Towards the end of October

PM Mignini: The end of October, so close to the 31st? Eh the end of October”¦ the end of October”¦ in any case you don’t remember. Listen, did Rudy know Patrick? Had he visited his pub?

Knox: Yes I’d seen him at the pub but I’d seen him only once”¦

Interpreter: She had seen him in the pub but she’d seen him only one time

PM Mignini: But do you know whether those two knew each other?

Knox: I don’t think so but actually I don’t know, I didn’t get the impression that they knew each other”¦

Interpreter: She doesn’t think that they knew each other, she doesn’t know

PM Mignini: You know or you don’t know?

Interpreter: She’s not sure about it but what it looked like to her is that they weren’t acquainted”¦

PP Mignini: What’s the basis of this conviction?

Knox: Because everybody that knows Patrick go straight to him to talk with him and Rudy didn’t do that”¦

Interpreter: Because everyone who knows Patrick goes straight to him to talk to him and Rudy didn’t do that

PM Mignini: But did they greet each other, did you see them”¦

[21]  Knox: Patrick greeted everybody who was coming in”¦

Interpreter: Patrick greeted everybody who was coming in

PM Mignini: Listen, were you getting on OK with Lumumba?

Interpreter: Yes

PM Mignini: There were no problems between you?

Lawyer: Of what nature?

PM Mignini: Problems of any sort I don’t know “¦

Lawyer: Money ones, personal ones, right”¦

PM Mignini: Problems I mean in general eh “¦

Knox: No we were getting on OK”¦

Interpreter: No, they were going OK

PM Mignini: Listen, Lumumba was irascible?

Interpreter: Was?

PM Mignini: Irascible [=bad-tempered], that is easily annoyed, was he irritable?

Knox: No he’s a relaxed young man, calm”¦

Interpreter: No he’s a calm young man.

PM Mignini: Listen and who had the keys to the house at Via della Pergola?

Knox: Me, Meredith, Filomena and Laura”¦

Interpreter: All four of the girls

PM Mignini: All four of the girls

Interpreter: Yes

PM Mignini: No one else had keys?

[22] Knox: No

Interpreter: No

PM Mignini: One other thing, your rooms”¦ inside the flat there were your rooms, did you use to lock your rooms or leave them open?

Knox: When we were going out? “¦ I never used to close my door, it was always open, Laura and Filomena used to close their doors but I don’t believe that they would lock them, even when they were going out they would close their doors but not lock them”¦ but I had never tried to open their doors. Meredith sometimes used to lock her door, for example if she was inside and was getting changed, and mine was always open”¦

Interpreter: Now then, only Meredith was locking her door when she was getting changed, she said in substance, otherwise no one used to lock their rooms

PM Mignini: But on the occasion of”¦ when the police arrived and they found themselves in front of Meredith’s door isn’t that? What did you say? Did you by chance say that Meredith never used to lock her door, or that instead she did?

Knox: I said that it was strange that it was locked and she wasn’t answering while usually if the door was locked it meant that she was inside and the fact that she wasn’t answering was strange”¦
Interpreter: It was strange that it was closed without Meredith responding, because normally when it was closed”¦

PM Mignini: To us it results that she didn’t use to lock her door. So then I’ll put this to you [contestare= (leg.) to formally point out a contradiction]. That is, that it was only during one absence of hers for a few days that she locked her room

Knox: She doesn’t do it that often, it isn’t a frequent thing I would say that there were times in which I had tried to open her door to say hello to her and it was locked [23] and she was inside”¦ and when instead she was out I had never tried to open her door. So I don’t know if it’s locked”¦

Interpreter: It happened that, when Meredith wasn’t home she had never tried to open the door, Amanda had never tried to open the door, only it happened that she wanted to say hello opening [it] and had said, “It’s locked”

PM Mignini: I haven’t understood this, that is “¦ that is she used to lock the door or not? According to what you’re saying”¦ she used to lock the room or not?

Interpreter: Only when she was”¦

PM Mignini: Only when she was getting changed you say

Interpreter: Yes, yes

Lawyer: No also when she went away

PM Mignini: And when she went away”¦

Interpreter: Also once when she had gone away for a few days

PM Mignini: Sure, sure”¦ oh, did you get on well with Meredith?

Knox: Yes

Interpreter: Yes

PM Mignini: There was never any ups and downs in your relationship?

Knox: No

Interpreter: No

PM Mignini: Oh, did Meredith ever go with you to Sollecito’s? To Sollecito’s house

Interpreter: Whether she had gone”¦

PM Mignini: No, whether Meredith had gone with you to Sollecito’s house?

Knox: No

[24] Interpreter: No

PM Mignini: She had never gone there?

Knox: No

Interpreter: No

PM Mignini: So she had never been for lunch at Sollecito’s house?

Interpreter: No

PM Mignini: You had noticed prior to 2 November eh? I mean, you had noticed”¦ I mean the 2nd, had you noticed traces of blood in the bathroom prior, in the days prior? “¦ on the mat, in the bathroom next to Meredith’s room

Knox: No

Interpreter: No

PM Mignini: Oh, so”¦ then let’s go back to this day later. Now I want to go back a step. Where did you spend the night of Halloween between the 31st of October and the 1st of November?

Knox: I had been at Le Chic for a bit, then I left and went out to the Merlin because I wanted to meet a friend and then around two in the morning I had met up with Raffaele outside the cathedral and we had decided to go to his place”¦

Interpreter: On the 31st of October she had been at the Le Chic pub

PM Mignini: Yes, up until what time? And with who?

Knox: I was there I knew more or less everybody but I was there on my own account”¦ I wasn’t there working

Interpreter: She wasn’t working but she was there

[25]  PM Mignini: You were there like that

Interpreter: Yes with her friends

PM Mignini: With her friends”¦ who were these friends?

Knox: I had arrived alone, I know Lumumba, I know other people, other classmates, I know that there were people who go there exactly to have fun at the pub

Interpreter: There’s this young man who works for Patrick, Patrick there were classmates, at the Chic

PM Mignini: Of yours?

Interpreter: Yes, yes

PP Mignini: And who were these girls?

Knox: They were girls from Kazakstan who used to always be together”¦

Interpreter: They were girls who stayed in a group, these girls from Kazakstan and who came to find her a few times

PM Mignini: And you don’t remember their names? Was Raffaele there?

Interpreter: No

Knox: No

PM Mignini: He wasn’t there and where was he, Raffaele?

Interpreter: She said that after”¦

PM Mignini: Now then up until what time”¦ up until what time were you at Le Chic?

Knox: I think around one”¦

Interpreter: Around one

PM Mignini: Till one and then?

[26]  Interpreter: Then she had gone to meet a friend in front of the Merlin pub

PM Mignini: Who is this friend? The friend who was waiting at the Merlin, in front of the Merlin?

Knox: He’s a boy who works at Coffee break it’s an internet café with coffee “¦ Spiros

PM Mignini: A Greek?

Knox: Yes

Interpreter: Yes

PM Mignini: And then where did you go?

Knox: Together with Spiros and some of his friends,

Interpreter: Now then she had said before that she had met the Greek (change of tape) she had gone to some other pub

PM Mignini: Where?

Interpreter: In the centre, she doesn’t remember

PM Mignini: In which area in the centre?

Knox: In the area of Le Chic and of the Merlin”¦

Interpreter: Around near the Merlin pub and the Le Chic pub”¦ in that zone there”¦ around there

PM Mignini: She doesn’t know how to point it out?

Knox: I have never been before to the other pubs

Interpreter: She hadn’t gone to visit other pubs before

PM Mignini: Listen, do you know where and with who she spent that night of Halloween, Meredith?

[27]  Interpreter: She’s said that after the fountain she had met Raffaele, after going around a bit with him she had gone to Raffaele’s house

PM Mignini: At what time did you meet Raffaele?

Interpreter: At two

PM Mignini: In the morning and then you returned home with Raffaele. And do you know and with who she had spent that night of the 31st October, Meredith?

Knox: She went out with her English friends

Interpreter: She went out with her English friends

PM Mignini: Did you have, the English friends are you able to give me their names?

Knox: Sophie, Amy I don’t remember all their names but I know that Sophie and Amy were there

Interpreter: Amy, Sophie”¦

PM Mignini: And where did they go?

Knox: I think they went to the Merlin it’s what she had said

Interpreter: She said that they had gone to the Merlin pub

PM Mignini: Merlin”¦

Lawyer: Why does she know? Let’s ask her that, excuse me, eh?

Interpreter: Because Meredith had told her so

PM Mignini: That is Meredith had told you that they had gone there because you had asked Meredith to go out with you that night?

Knox: In the afternoon I asked her if she had plans and she had told me that she would have been with her friends at the Merlin pub and I had said to her “maybe we’ll see each other there””¦ but we hadn’t set a time”¦

[28] Interpreter: In the afternoon she had”¦ Amanda had asked Meredith if she had some plans for the evening and Meredith had answered that she was going with her friends to the Merlin pub

PM Mignini: Listen, do you have”¦ do you know any Spanish boys or Spanish girls?

Knox: Spanish?

Interpreter: Spanish eh [male gender]?

PM Mignini: Yes, girls as well

Knox: I might know some but usually I don’t ask where they come from

Interpreter: It’s possible but she doesn’t ask where they’re from specifically.

PM Mignini: Listen when you did you find out that Ms Romanelli and Ms Mezzetti would not have been there? Ms Romanelli, Laura and Filomena”¦

Knox: I discovered it when I had called Filomena on the morning of the second.

Interpreter: On the morning of the second when Amanda had called Filomena, she had found out that she had not been”¦

PM Mignini: And about Laura, did you know?

Knox: Filomena had told me that Laura was in Rome

Interpreter: Now then that morning of the 2nd of November Filomena had said to Amanda that Laura was in Rome.
(interruption of recording)

PM Mignini: Now then at this point the recording resumes at 11:50 am and I repeat the question, what did you do on the afternoon of the 1st of November and during that night between the 1st and the 2nd? Oh and the morning of the 2nd obviously.

[29]

Knox: When I had woken up in the morning I was at Raffaele’s house, the 1st of November, and I went to my house to have a shower to change myself, I had already spoken to Raffaele and he had said to me that he would have come over to my place, when he would have woken and everything”¦ So what I did was that I studied and then I put away my linens [whites]”¦

Interpreter: The morning of the 1st of November, so that night she had slept at Raffaele’s house

PM Mignini: The night between the 31st and the 1st?

Interpreter: Yes, in the morning she had woken up at Raffaele’s, after which she’d gone, gone back to her house to have a shower, change her clothes in expectation that Raffaele would meet up with her. In expectation that Raffaele would meet up with her she set herself to studying, to washing her clothes, and to put the clothes away

PM Mignini: And then?

Knox: While I was there in the kitchen studying and while I was in the kitchen Filomena came back home with her boyfriend, Marco, and they had wrapped a present and they got ready very quickly for a party to which they had to go and I had continued to study and I had helped them to wrap the present with Marco and when they’d left I’d continued to study.

Interpreter: She was studying, they’d only returned for a bit the housemate Filomena with her boyfriend who set themselves to wrapping a present that was going to be for a party. And she had helped them, she was studying in the kitchen and she helped get the present ready and then”¦

PM Mignini: Was Meredith there?

Knox: Meredith was sleeping

PM Mignini: In that moment”¦

Interpreter: She was sleeping

[30]

PM Mignini: Ah she was sleeping

Interpreter: Yes

PM Mignini: Ah”¦ then go on

Interpreter: Then after the couple, Filomena and her boyfriend, had gone out, and she continued to study.

Knox: While I was studying, Meredith had woken up and I think she went to the bathroom first and then she came to say hello and she sat down to have breakfast. And we had chatted while I was studying”¦

Interpreter: Then while she was still at studying in the kitchen Meredith woke up, she went to the bathroom first and then into the kitchen

PM Mignini: At what time? “¦ at what time?

Knox: I think around midday

Interpreter: I believe around midday and then Meredith had joined her in the kitchen to have breakfast and they had exchanged chitchat about the night before

PM Mignini: Was Sollecito there as well?

Knox: No, not yet

Interpreter: No, not yet

PM Mignini: There wasn’t”¦ and then? Go on if”¦

Knox: We had spoken about Halloween she’d given me some advice about young men and went to have a shower and while she was having a shower I had thought about what to prepare for lunch, because I was starting to feel hungry”¦ I pulled out some things for lunch and that is bread and cheese”¦ then Raffaele arrived and while all this was happening Meredith was under the shower or in her room getting dressed. After Raffaele arrived he got some pasta ready, I believe for lunch while we were eating together Meredith had entered and had either put in, or taken out clothes from, the washing machine, she said hello to him and had gone back into her room”¦

Interpreter: Now then, Meredith was in the kitchen having breakfast with Amanda they chatted a bit after which Meredith had gone to have a shower and get dressed. In the meantime Amanda who was starting to get hungry had thought about what to prepare for lunch had taken out bread and cheese and Raffaele had also arrived who had set himself to cooking some pasta, it seems to her, for lunch. In the meantime Meredith was still either in the shower or getting dressed. And while Meredith had returned, while they were eating lunch, she’d returned to take her clothes from the washing machine.

PM Mignini: She’d eaten with them?

Knox: No, she had just had breakfast

Interpreter: No, she had just had breakfast

PM Mignini: Please go on

Knox: After Raffaele had eaten, I felt like playing the guitar for a while and Raffaele sat himself down to listen to me”¦ and in all this time Meredith had returned, she had dressed and everything she had gone to the door and she had said “Buona giornata” [have a good day] to us. I remained at home with Raffaele playing the guitar and singing a bit and around five I hadn’t looked at the clock but I believe it might have been five we’d decided to return to his house.

Interpreter: Now then, after lunch Amanda and Raffaele set about playing the guitar and in the meantime Meredith had left the house with a greeting to them. It seems to her that they stayed home playing the guitar until around five in the afternoon when they’d gone instead to Raffaele’s house.

PM Mignini: Just a moment, before going on. When you both had saluted Meredith, did Meredith tell you where she was going? And at what time would she be back?

Knox: No

Interpreter: No

PM Mignini: Go on

Knox: At Raffaele’s house we made ourselves comfortable and I sat at the computer to find songs that I wanted to learn to play on the guitar and in the meantime I know that Raffaele had gone to the bathroom, I was at the computer transcribing songs from the Internet it’s difficult to say what happened first, but what happened was that while I was using the computer a friend of Raffaele’s arrived to ask if she could use his car. She was speaking Italian very quickly and so I don’t know what they said to each other. When Raffaele was in the bathroom the doorbell rang and I let this girl in, and Raffaele came out of the bathroom to meet her.

Interpreter: At Raffaele’s house Amanda searched for songs, music on the computer to play on the guitar in the meantime Raffaele had gone to the bathroom. While Raffaele was in the bathroom a friend of Raffaele’s rang the doorbell to whom Amanda had opened the door and afterwards this friend of Raffaele’s had spoken with Raffaele and it seems to her that this friend had asked him if she could borrow his car.

PM Mignini: Yes, before going further. At Raffaele Sollecito’s house in the bathroom, right? In Raffaele Sollecito’s bathroom is there a shower?

Knox: Yes

Interpreter: Yes

PM Mignini: Have you had showers at Sollecito’s house?

Knox: Yes

Interpreter: Yes

PM Mignini: Oh, go on yes

Knox: After having used the computer I grabbed, I read Harry Potter in German, I gave him the Harry Potter book while he was in the bathroom, but he didn’t understand it, so after we sat ourselves down and I was reading from it to him and I was translating for him and then let’s think about what else did we do”¦ We watched the film Amelie a message from Patrick arrived and in response to the message I said to him, I wished him a good evening and that I would see him again later when he would be”¦ Patrick told me that I didn’t need to go to work because”¦ he told me that in Italian but I believe the message was “there aren’t many people, there’s no need that you come to work””¦

Interpreter: Afterwards since Amanda is studying German and Raffaele also wants to learn Amanda has a Harry Potter book in German that they were reading together, trying to translate it together. Afterwards they had watched the film Amelie.

PM Mignini: At what time?

Knox: I don’t remember the time exactly”¦ sorry.

Interpreter: She doesn’t remember

PM Mignini: Doesn’t she remember, the film?

Interpreter: Amelie it’s called yes, so Patrick had sent a message in Italian but”¦

PM Mignini: And what did this message say?

Interpreter: That there weren’t many people that there was no need that she come to work

PM Mignini: That is he said exactly this. At what time did you receive it?

Knox: I hadn’t looked at the clock

Interpreter: She hadn’t looked at the clock

PM Mignini: After the film or before?

Knox: I don’t remember

Interpreter: I don’t know

PM Mignini: Did Sollecito see this”¦ did he know about it, or else”¦ did he become aware of this message?

Knox: He hadn’t seen it but when I read it I said, “Wow! I don’t have to go to work!”

Interpreter: He hadn’t seen it although she informed him that she didn’t need to go to work and that she was happy so”¦

PM Mignini: And then?

Interpreter: And then she had responded to Patrick saying “ci vediamo più tardi” [we’ll meet up later]

PM Mignini: Meaning? How did you answer in text precisely?

Knox: My message in English but I wrote it in Italian, what I was trying to say was “ci rivediamo e buona serata” [see you later and have a good evening]”¦ that is “ci rivediamo e buona serata””¦

Interpreter: Now then two things. One thing is that she wrote in Italian and another thing what she wanted to say in English. In English what she was thinking of wanting to say was “ci vediamo dopo buona serata intanto” [see you later have a good evening in the meantime] and instead she had written in Italian “ci vediamo buona serata” [let’s meet up have a good evening]

Lawyer: She had written the same thing that it also means in English. She had translated the same thing, I don’t know if she had said the same thing..

Knox: I’m saying to you in English what I wanted to say but I’ve told you I wrote it in Italian

PM Mignini: Make me understand then, excuse me a moment, he sends a message, an SMS, this message says “there’s only a few people don’t come. Don’t come tonight”

Interpreter: Don’t come to work.

PP Mignini: Don’t come to work. This had never happened before we’ve seen.

Knox: No

Interpreter: No the first time

PM Mignini: So that time, for the first time he calls and says “don’t come”

Knox: Yes it was the first time

Interpreter: Yes it was the first time

PM Mignini: How long after did you reply to him with an SMS? Do you remember?

Knox: I think I replied immediately after I received it

Interpreter: It seems to me I replied immediately, straight after having received it.

PM Mignini: But how did you reply? Try to remember the exact words.

Knox: Okay, I said “ci vediamo” or “ci vediamo più tardi buona serata”

PM Mignini: Più tardi buona serata

Interpreter: It seems to me I’d replied something in the affirmative to his message, saying “Okay, ci vediamo più tardi”

PM Mignini: Ci vediamo più tardi

Lawyer: In Italian, but in English what she said something that she”¦ let her say it clearly in Italian, if you would

Knox: Saying “See you later” is like saying ciao

Interpreter: What she wanted to say was only a salutation ciao

PM Mignini: But in Italian you wrote let’s meet up later. In Italian you wrote it like this, do you remember this?

Knox: In Italian I had written let’s meet up later have a good evening but it means in my language, see you later have a good evening

PM Mignini: Oh, does Lumumba know English?

Knox: No, he’s never spoken to me in it, we speak in Italian

Interpreter: She has never spoken in English to him only in Italian

PM Mignini: Go on

Knox: We had fish for dinner, I remember this, because it was very good and afterwards, we had eaten in the kitchen and then afterwards he started to wash the dishes, and while he was washing some water dripped on the floor. From under the sink, because the pipes had come unscrewed and the water had fallen on the floor.

Interpreter: They had dinner, they ate fish and after the meal Raffaele washed the plates and while he was washing the plates the water had gone onto the ground because the sink was broken, the sink pipes were broken, they had leaked.

PM Mignini: But did it break suddenly?

Knox: It wasn’t exactly broken, it was rather that the pipes had come unscrewed

Interpreter: Yes it was the first time that the pipes had become detached and afterwards Raffaele had readjusted them

PM Mignini: Therefore it happened unexpectedly, this breakage?

Interpreter: Yes

PM Mignini: They had become loose? What happened? What breakage was it? What type of breakage was it?

Knox: Yes it was the first time that it had happened

Interpreter: Yes it was the first time that it had happened

PM Mignini: But what happened? I mean was there a pipe breakage or else the screw let’s say, how do you call it, had come unfastened”¦ is it? “¦ we would need to see it”¦

Knox: I hadn’t examined them myself but what happened is that it had become detached”¦ it had come loose and I don’t believe that”¦

Interpreter: The pipe had become detached, it had come loose yes

PM Mignini: The pipe came loose right go on

Knox: So to remove the water we grabbed the rags [canovacci= rags or floor rags] “¦ there was too much water and I went into the storeroom to see if there was a mop [in English in the transcript], but there wasn’t then I came back to the kitchen and I said to him “Don’t worry I have a mop at our house” and so tomorrow morning we can go and get it and we can clean”¦

Interpreter: So to get rid of the water from the ground they used the towels from the kitchen they weren’t enough, they were looking for a rag [sic “˜straccio’ in Italian in the transcript, but obviously the interpreter means “˜mop’] in Raffaele’s house, in the bathroom there wasn’t any so had said “don’t worry tomorrow morning I’ll bring you one, I’ll bring you a rag from my house”

PM Mignini: But in the meantime he’d turned the tap off, no? “¦ So the water wasn’t running out any more

Interpreter: Yes

PM Mignini: Right go on, continue”¦

Knox: After this Raffaele was a bit upset that the pipes had got broken, he asked me what I wanted to do and we had thought about going, to go back in the bedroom I was laid out on his bed and he was at the desk preparing the joint.

Interpreter: Now then Raffaele was unhappy about this incident because he was saying that the pipes were new and then to cheer her up he thought about what they could do together and they were thinking about smoking a joint together. They went back to bed and Raffaele manufactured a joint.

PM Mignini: Before going on I wanted a clarification. So you had put down towels right?

Knox: They were tiny and so they had done nothing and in the end I’d thrown them into the sink”¦ yes we had put them on the ground, they had taken up a bit of the water but nothing to speak of”¦ so I had put them in the sink and we’d gone to his bedroom.

Interpreter: They were tiny kitchen towels that had no great effect and which afterwards she had thrown into the sink, these towels

PM Mignini: had Raffaele any newspapers at home?

Knox: I think so

Interpreter: Yes

PM Mignini: Dailies?

Knox: Yes

Interpreter: Yes

PM Mignini: Why didn’t you use the newspaper paper since it absorbs a lot? It’s a question that I put to you

Knox: I didn’t think about it”¦

Interpreter: They didn’t think about it

PM Mignini: Oh, OK, go on continue to recount this”¦ go on, yes

Knox: While we were smoking we started chatting about what we had done, and after we had chatted we had sex”¦ and after that I believe I had fallen asleep”¦

Interpreter: Now then after they had smoked the joint they had made love and afterwards she believes she fell asleep.

PM Mignini: So Sollecito what did he do? Had he fallen asleep with you, he hadn’t gone, he didn’t stay awake?

Knox: I fell asleep in his arms

Interpreter: Yes she had fallen asleep in his arms

PM Mignini: Then? Go on. He received”¦ one last thing, were there phone calls that night?

Knox: No, I switched off my mobile phone

Interpreter: No she had switched off her phone. Amanda had switched off her phone.

PM Mignini: You switched off yours and Raffaele also switched off his?

Knox: I don’t know because I don’t check him so”¦ I don’t know if he switched off his or not

Interpreter: Now then she doesn’t know if Raffaele had switched his off but she doesn’t seem to remember him receiving any phone calls

PM Mignini: But why did you switch off your phone?

Knox: To save the battery, usually I keep it on at night if the following morning I have things to do, but the morning after was the day that everyone was going to skip school and we were going to go to Gubbio the day after with Raffaele. So I switched off my phone because I didn’t want that maybe Patrick might call to tell me to go to work. That’s why I switched it off and saved the battery.

Interpreter: To not have the battery discharge

PM Mignini: But you could recharge it

Interpreter: Since she was out of the house she wanted to save the battery because the next day she would have gone to Gubbio with Raffaele and since the day”¦ she leaves it on during the night when the following day she has to go to school, but the following day there was no school and so she switched it off also to not run the risk that Patrick would change his mind and would call her to go to work

PM Mignini: Because there was the risk, that is you weren’t sure that”¦

Knox: He had told me that I didn’t need to go to work but it was still early and I didn’t know if he might have called back to tell me “Yes, now I need you””¦

Interpreter: No, when Patrick had called saying that she didn’t need to work it was still early enough and the situation could still change in the sense that more people could turn up and he couldn’t”¦

PM Mignini: One thing I wanted to know, the phone in the house rang? In Sollecito’s house?

Knox: I don’t remember I can’t be sure about it”¦

Interpreter: She doesn’t remember, she doesn’t know

PM Mignini: What’s the cell phone that you have? Which one was the cell phone that you switched off? What’s the brand?

Interpreter: the brand, or the [telephone] company”¦?

PM Mignini: No the brand, I meant the brand

Knox: It’s a Nokia phone

Interpreter: Nokia

PM Mignini: Nokia, but what’s the battery duration, I mean how long normally does the charge of your cell phone [last]..?

Knox: Let’s see”¦  I think a day but I don’t know”¦ because what I do is that I switch it off if I don’t use it during the night. But if I need it for example as an alarm clock, I let it stay on, then I go home and I charge it again, I put it on charge”¦

... I never use it to the point of battery exhaustion. Sometimes I put it on charge, sometimes I don’t.

Interpreter: It seems it lasts 24 hours, and she never lets it run out of battery to the limit

PM Mignini: So there was no risk that it would run out of battery while going to Gubbio?

Interpreter: It normally lasts 24 hours

PM Mignini: What?

Interpreter: The battery lasts 24 hours

PM Mignini: No, I’m asking, what the risk that it would run out of battery be like? I don’t understand

Knox: But why should I waste the battery leaving it on?

Interpreter: She only wanted to feel safe since she didn’t need to keep it on in order to”¦

PM Mignini: But she usually keeps it on at night

Interpreter: Only when she uses it as an alarm. In the morning

PM Mignini: Well but you’d use the alarm every morning, I use it every morning

Interpreter: But she was not going to school on the next day

PM Mignini: Ah”¦

Attorney: She said it previously, it was a holiday and I did not put the alarm on

PM Mignini: When you were going to school you said previously. Go on with the description.

Knox: You want to know more about that morning? “¦ When I woke up in the morning, I got up and Raffaele was still in bed, I dressed up and I went to my home, to take care about my things”¦ when I arrived at my home the door was wide open which was strange, so I went in my room, I undressed, I took a shower and when I got out of the shower, I noticed the blood in the bathroom”¦  There was not much of it but even that I found it strange”¦ but at the same time it’s not that I immediately thought “Oh my God, there was a murder!”

Interpreter: She fell asleep at night and the following day she woke up at Raffaele’s home, while Raffaele remained in bed she went back home

PM Mignini: Let’s stop here for a moment. I just wanted to know this: On November 2 was it holiday at the “¦ [University?]”¦ because the 2nd is not a holiday here

Knox: The teachers said it was not a problem if I stayed home, because it seems like everyone was going to skip that Friday

Interpreter: Yes there was the sequence. Also the teacher said”¦

PM Mignini: Go on, so she said”¦

Interpreter: She said students were not expected to go, they were not coming”¦

PM Mignini: [the teacher] told her so, on the previous day?

Knox: Yes, on Wednesday I think

Interpreter: Yes on Wednesday at school

PM Mignini: Who was the teacher who told you that?

Knox: I don’t know her name but she is the Professor of Culture, I don’t know the day when she said that to me”¦ but it was during that week”¦ while we were talking during the week, one day she said it was a tradition to make a holiday bridge on Friday if Thursday was a holiday, so they can do [holiday] the whole weekend

Interpreter: So the teacher said it’s a classic for the students to make a holiday bridge when there is a holiday Thursday and have a prolonged weekend

PM Mignini: What’s the name of this teacher?

Knox: I’m not good at remembering names..

Interpreter: She doesn’t remember the name

PM Mignini: A woman?

Knox: Yes a woman

Interpreter: A woman

PM Mignini: Ok, go forward. You wake up at what time, at Sollecito’s place?

Knox: More or less at ten

Interpreter: Around ten

PM Mignini: And then?

Knox: Then I went back home, the door was open

Interpreter: Then she went back to her home where she found”¦

PM Mignini: Why did you go back home?

Interpreter: To take a shower and change her clothes

PM Mignini: Why didn’t you take a shower at Sollecito’s?

Knox: Did you see his shower? “¦ It leaks [drops?] everywhere”¦  It’s a dreadful shower”¦  I hate to use it”¦ and moreover all what I need to have a shower like shampoo is at my home”¦

Interpreter: Because it’s an ugly place, small, there is little space

PM Mignini: But you took the shower other times, but also during the afternoon you had one”¦

Knox: I prefer to take a shower at my home

Interpreter: She prefers to take a shower at her home, she also has clothes at home”¦ 

Knox: And also all my clothes are at my home”¦

[Ed note: start of overlap with Post #2]

PM Mignini: So she needed to go home, to take a shower and, let me understand, take a shower and to what?

Interpreter: To change her clothes

PM Mignini: To change your clothes”¦ well and so what [did you]”¦ did you bring anything with you?

Knox: I think I brought some clothes”¦ dirty underwear”¦

Interpreter: Yes she thinks she brought dirty clothes from Raffaele’s home

PM Mignini: Dirty clothes that is”¦ dirty clothes from previous times? Or since which”¦ since what day were they lasting from?

Knox: I had spent two weeks living a bit at my home and a bit at his home

Interpreter: Because for two weeks she had been living half the time at her home and half the time at his home, and thus she had a bit of”¦

PM Mignini: What clothes were those ones?

Knox: Maybe underwear

Interpreter: Probably”¦

Knox: But I don’t remember, maybe it was a t-shirt

PM Mignini: You don’t remember

Interpreter: Dirty clothes…

PM Mignini: Well dirty clothes, I mean a skirt, a pullover”¦

Interpreter: No rather”¦

PM Mignini: Underwear garments

Interpreter: Underwear garments

PM Mignini: She doesn’t remember?

Interpreter: She thinks rather pants and vests /undershirts”¦ and t-shirts

PM Mignini: Well, how were you dressed when you went at your house?

Interpreter: From Raffaele’s house to her house?

Knox: I was wearing trousers I remember that and let’s see”¦  so much time has passed”¦ I know it was trousers

PM Mignini: Yes

Interpreter: She put on some trousers, she remembers it was trousers

PM Mignini: What colour?

Knox: A t-shirt and a sweater

Inte


Correcting Netflix 23 Omitted - This Very Telling Knox Questioning By Dr Mignini #2

Posted by Our Main Posters



That’s better…


(Long post, click here to go straight to Comments.)

1. Amanda Knox’s Problem Going In

The first post on the interrogation of 17 Dec 2007 by Dr Mignini that Knox herself invited can be read here

These are two fairly typical quotes from the 240 online reviewers (yes 240 is our latest count) who the dishonest Netflix report had inflamed - and most in their turn had inflamed their numerous readers, who posted angry comments underneath. So the extent of the inflaming was huge.

The documentary is good. But it leaves out a lot of things. For example, the prosecutor Mignini continually proclaimed that it was a ritual killing with all kinds of Satanic overtones. The documentary should have discussed those bizarre thoughts more to emphasize how ridiculous this man was and still is.

Mignini’s statements are so fanciful that it’s easy to wonder if nuance has gotten lost in translation; however, perhaps as its nod to objectivity, the documentary politely omits that Mignini has not only a history of abuse of power but also an obsession with the occult and a history of fantasizing imaginary crimes based on faulty assumptions.

All untrue - if the claims were true, this interview would never have taken place.

No supporting proof from those reviewers. No grounding in what the official documents described as really having happened, though those documents were already available by the hundreds in translation by then. No research into the real Dr Mignini. No checking of his various interviews. No warning flags thrown up by Amanda Knox’s lies in the Netflix report and before. No mention that for lying she served three years, and will remain a felon for life.

The standard Knox-Mellas-Marriott mantra. “Simply blaze away. After all, the guy is in Italy, so if we make things up and defame him, what can he possibly do? As incompetent and biased as we may be, we are home and dry. And safely harass the victim’s family from afar, too, as the Netflix producers had done.”

That would make the mafias proud….

Okay. Do you know why defense counsel so often insist that their clients simply shut up? It’s not simply the possibility of lies - it is the possibility of CONTRADICTIONS that could really hurt.

It is from contradictions that investigators and prosecutors and judges will know in a heartbeat that both claims cannot be true - that at least one is a lie. And innocent parties don’t often lie.

From the day of her arrest (6 November) investigators and her soon-appointed defense not only knew that Knox was already a mass of contradictions.

They had proof in writing: Knox’s three statements on the day of her arrest, and her long email home of several days before, which did not fit together at all well.

Knox’s new defense must have feared that investigators had in writing in their notes numerous other contradictions too - more proof of lies. Sure enough, written proof of a fatal contradiction which went toward imprisoning her for three years did in fact exist.

Sollecito’s written statement early on 6 November claimed that Knox had made him lie. Sollecito’s written statement for his judicial hearing on 8 November before Judge Matteini started “I wish to not see Amanda ever again.”

Is it therefore surprising that at both the Matteini hearing and that before the Ricciarelli panel of review judges later that month, Knox’s defense team are known to have told Knox “Don’t talk” ?

So. On with the Great Contradiction Hunt. And see if any Netflix reviewers’ claim about the prosecutor shows here.

2. The 17 December Interrogation Knox Requested (Part 2 Of 3)

Note: This is the second hour of three hours. The excellent translation is by Yummi, Catnip and Kristeva. The original in Italian is in the Wiki Case File here; it has been accessed nearly 4,000 times.

Transcript of Interview 17 December 2007: Statement of interview Of Ms Amanda Knox (cont)

[Ed note: start of overlap with Post #1]

PM Mignini: So she needed to go home, to take a shower and, let me understand, take a shower and to what?

Interpreter: To change her clothes

PM Mignini: To change your clothes”¦ well and so what [did you]”¦ did you bring anything with you?

Knox: I think I brought some clothes”¦ dirty underwear”¦

Interpreter: Yes she thinks she brought dirty clothes from Raffaele’s home

PM Mignini: Dirty clothes that is”¦ dirty clothes from previous times? Or since which”¦ since what day were they lasting from?

Knox: I had spent two weeks living a bit at my home and a bit at his home

Interpreter: Because for two weeks she had been living half the time at her home and half the time at his home, and thus she had a bit of”¦

PM Mignini: What clothes were those ones?

Knox: Maybe underwear

Interpreter: Probably”¦

Knox: But I don’t remember, maybe it was a t-shirt

PM Mignini: You don’t remember

Interpreter: Dirty clothes…

PM Mignini: Well dirty clothes, I mean a skirt, a pullover”¦

Interpreter: No rather”¦

PM Mignini: Underwear garments

Interpreter: Underwear garments

PM Mignini: She doesn’t remember?

Interpreter: She thinks rather pants and vests /undershirts”¦ and t-shirts

PM Mignini: Well, how were you dressed when you went at your house?

Interpreter: From Raffaele’s house to her house?

Knox: I was wearing trousers I remember that and let’s see”¦  so much time has passed”¦ I know it was trousers

PM Mignini: Yes

Interpreter: She put on some trousers, she remembers it was trousers

PM Mignini: What colour?

Knox: A t-shirt and a sweater

Interpreter: And a sweater

PM Mignini: A jumper?

[Ed note: end of overlap with Post #1]

Interpreter: No, sweater normally means felpa [cotton sweater]

PM Mignini: A sweater [felpa]? Ask her

Attorney: Was it made of cotton or wool?

Knox: I don’t know

Interpreter: She doesn’t know

PM Mignini: What colour?

Knox: I don’t remember”¦ a long time has passed, I remember what I put on but I don’t remember exactly”¦ I’m sorry”¦

Interpreter: She doesn’t remember

[46]

PM Mignini: You don’t remember

Interpreter: She remembers she put on but not what”¦

PM Mignini: And the trousers, what colour were they?

Knox: I don’t remember, I only remember I was wearing trousers”¦ I think they were jeans”¦

Interpreter: She does not remember even this one”¦ maybe they were jeans

PM Mignini: So around blue? Light blue?

Interpreter: Yes

PM Mignini: What route did you follow to walk”¦

Knox: The same route I do every day, I walk down Corso Garibaldi I follow the lane close to the basketball court, and next there’s my house

Interpreter: Down Corso Garibaldi then along aside of the basketball court to the house, the route she did every day

PM Mignini: You walked down the stairs?

Knox: No

Interpreter: No

PM Mignini: On the side of the basketball court”¦

Knox: This road here that”¦
 
PM Mignini: Oh, so you walked down the lane not the”¦  the basketball court was on your right?

Knox: Yes

PM Mignini: So, excuse me, did you carry a bag, a [plastic] bag with the dirty clothes, or an empty [plastic] bag?

[47]

Knox: The clothes in a plastic bag

Interpreter: Yes a plastic bag with the dirty clothes

PM Mignini: With the dirty clothes. Well, please go on with the description”¦ then”¦

Knox: When I arrived home the door was wide open and I thought it was strange, I thought that maybe somebody..  but nobody ever leaves the door open, however there was the possibility that someone went out without locking, maybe for a moment. I saw it I thought it was strange, I closed the door without locking it, because I didn’t know if someone was out,  I went into my room, I undressed and I went into the bathroom, I took a shower, first I took off my earrings, I took a shower and I used the bath mat on which there was some blood because I left my towels in my room. I saw the blood on the mat and I dragged it to my room to grab the towels. And then I took it back into the bathroom.

PM Mignini: Maybe you should stop

Interpreter: So when she arrived home she found the house door open, that was strange, she thought it was one of the girls who went out for a moment, she pulled it ajar [sic],  she did not lock it because she thought maybe someone left it open on purpose and she went in her room to remove her clothes to take a shower.  When she took a shower”¦

Knox: When I went to take a shower I forgot the towel in my room, I took off my earrings, I took a shower I had to use the bath mat and drag it to my room and then I dragged it back into the bathroom I put on my earrings

[48]

.. again, I saw the blood on the bath mat and in the bathroom but I did not think something terrible happened.

Interpreter: when she had gone [sic] into the bathroom to take a shower she forgot the towel and so there was this, how’s the word in Italian, bath mat which she used to go back and walk in her room to take the towel”¦ she had taken away her earrings in the bathroom and from there she noticed there was some blood on the mat and on the basin, but she noticed it was strange but she didn’t think about something”¦.

PM Mignini: I’m sorry I didn’t understand, but you took the bath mat to walk, to go in her bedroom?

Interpreter: Yes in order not to slip.. so to avoid walking barefoot

PM Mignini: When did you realize?

Knox: After the shower

Interpreter: After the shower

PM Mignini: When did you realize there was blood?

Interpreter: After the shower

Knox: I saw the blood when I entered the bathroom, I saw a little of blood just as I entered the bathroom, before taking the shower I took off my earrings, I took the shower and then I noticed blood on the bath mat

Interpreter: She noticed the blood while entering the bathroom, on the basin when she took off her earrings, then she had a shower and after the shower she was without the towel, so she used the mat to shuffle into her room

PM Mignini: Yes, so you saw blood before you took a shower?

[49]

Interpreter: Yes, in the basin

PM Mignini: In the basin

Interpreter: But on the bathmat, there she saw it when she was about to use the bathmat

PM Mignini: On the basin, where did you see it”¦ where was the blood?

Knox: It was inside the basin, that was after”¦ and it was also on the faucets

Interpreter: Inside the basin and on the taps

PM Mignini: So the blood was in the basin in the [inside] part”¦ and on the tap”¦ well, then”¦ this was before taking a shower”¦ then after taking the shower..

Interpreter: The towel was missing and she used

PM Mignini: She walked and realized that there was blood on the bathmat as well

Interpreter: Yes, yes

PM Mignini: And what did you do then?

Knox: I used the bathmat to walk to my room to get the towel and I went back into the bathroom, I think I washed my teeth, something I usually do, and when I dried myself I went back to my room and I put my clothes on.

Interpreter: So after she dried herself up in the bathroom and”¦

PM Mignini: Just a moment, before going on. The dirty clothes you had with you, where did you put them?

Knox: Between my bed and the wardrobe there is a heap of dirty clothes”¦ there is a little space between the two and I usually put the dirty clothes there, behind the guitar”¦ the guitar is not mine”¦ the guitar is Laura’s..

Interpreter: So she put the [plastic] bag between the bed and the wardrobe, there is a space where she placed the guitar her friend has lent her

[50] 

Knox: Not the bag, just the clothes

Interpreter: And she placed the clothes, without the [plastic] bag, behind the guitar

PM Mignini: Why didn’t you put them into the washing machine?

Knox: Because I put all the dirty clothes in the same place, and when I’m ready to do a washing I put all the clothes in the washing machine

Interpreter: Because she was waiting to have some more to do a whole washing

PM Mignini: The bathmat, where did you”¦ where did you take it after?

Knox: Once I finished using it to go and to come back from my room, I put it in the bathroom again

Interpreter: She put it back into the bathroom

PM Mignini: Were the bedroom doors open or closed?

Knox: No they were all closed”¦  Filomena’s door was closed, Meredith’s was closed and Laura’s I think it was slightly ajar

Interpreter: Only that one, the door of Laura was only a little bit open, so it seems to her, the other two were closed.

PM Mignini:  The other two were closed, you tried to open ... to knock?

Knox: No

Interpreter: No

PM Mignini: Why didn’t you try? With .... blood ... with the front door open .... I mean….

Knox: I didn’t see a reason to do it…

Interpreter: She did not see a reason for knocking.

[51]

PM Mignini: So, excuse me, you find the door open, the front door open and itself this is something”¦ then you find the blood in the bathroom and you have a shower despite this and this is something, allow me to say that, for”¦ a bit strange this one, I mean you could imagine that there could be some, there could be some ill-intentioned person in the house or around, you find the front door open and the blood in the bathroom and in spite of everything you took a shower. The rooms were closed. You didn’t attempt to knock. Did you enter the rooms? This is strange.

Knox: In my whole life nothing that was ever remotely similar to this has ever occurred to me”¦ I do not expect to come back home and find there is something wrong  

Interpreter: She did not expect to find something wring because she never experienced something”¦

PM Mignini: But there was blood, there was the front door open

Knox: There was not so much blood.. it could have been anything”¦ when I saw the open door I thought it was strange, it’s that the thing I found most strange, I did not think it was so strange to find blood in the bathroom”¦

PM Mignini: But did you enter the rooms? I asked if you entered the room

Knox: No

Interpreter: No

PM Mignini: You didn’t even knock?

Knox: No because when I came in I called to hear whether there was somebody at home

[52]

Interpreter: As she entered the house she called to know if there was somebody

Knox: But there was no answer

Interpreter: But there was no answer

PM Mignini: Listen, where did you dry up yourself?

Knox: In the bathroom

Interpreter: In the bathroom

PM Mignini: The bathroom, the small one, the one nearby”¦ yours?

Knox: Yes I took the towel from the room, I dragged myself into the bathroom [sic], I dried myself up a little more”¦

Interpreter: Yes she dried herself up in the bathroom more or less, then she finished drying herself up in her bedroom

PM Mignini: Listen, were there broken glasses?

Knox: When I came out of from the shower I used the bathmat to go to my room, I took the towel I obviously wrapped it around myself and then I went back to the bathroom and I dried myself up

Interpreter: Before, since after taking the shower she had no towel cause she had forgotten it she went back into her room with the bathmat, there she took the towel which she wrapped around herself and then she finished to dry up herself in the bathroom. She went back in her room when she had finished drying herself

PM Mignini: Still stepping on the bathmat? Still bringing the bathmat?

Knox: I dragged the bathmat, I made more or less a heap to enter my room, I jumped back on the bathmat again and meanwhile my feet had got dry”¦  and since my feet were dry I brought the bathmat back into the bathroom”¦ I did not drag it back with my feet

[53]

Interpreter: To go back she picked it with her hands because her feet were dry, she was dry

PM Mignini: Listen, but what did you do after?

Knox: I put my earrings on again

Interpreter: She put on her earrings again

PM Mignini: Oh just one thing, I wanted to know, did you see the pieces of broken glass?

Knox: No, I didn’t see them. I saw them the second time I entered the house

Interpreter: No she didn’t see the broken glasses

PM Mignini: Another thing I wanted to know: did you enter the other bathroom? The one with the washing machine?

Knox: Yes after I dressed up I went to dry my hair, and I used the hairdryer that Laura and Filomena use so I went into the other bathroom which is a large bathroom, there is a part, an area where they store all the make-ups”¦ and there is another part with the bathroom fixtures. I passed through the anteroom where they have the make ups, the hairdryer and”¦

Interpreter: Yes after she dressed up, then”¦

PM Mignini: Try to interrupt her, or it gets [difficult] 

Interpreter: She dressed up she went in the other bathroom of Laura and Filomena because they have the hairdryer to dry her hair, the bathroom has two areas, let’s say the toilet area and the hairdryer area.. she saw the toilet from a distance, she did not see well because she was not in front of it she was far, and she say some shit, yes

PM Mignini: The toilet paper was there too?

Knox: I did not look into the toilet. From a corner

Interpreter: She only looked from far distance, not at close distance

[54]

PM Mignini: Excuse me, excuse me, I wanted to know this: when you saw this thing, what did you think? I mean did you think that a foreign person entered the house or”¦ ?

Knox: It’s then when I thought something could have happened because the open door and that little amount of blood did not worry me

Interpreter: The fact that the front door was open and the blood seemed strange to her but not so much to feel alarmed”¦

PM Mignini: I was talking about the faeces

Knox: It’s there that I thought there was something strange, I felt scared”¦  It’s when I decided to go back to Raffaele’s house, because I got scared”¦

Interpreter: On that circumstance when she sat the [big] bathroom she started to become afraid

PM Mignini: Have you seen that other times? Did you see un-flushed faeces in the toilet other times? 

Knox: No that’s why it was strange, because nobody in our house would do that

Interpreter: No she never saw that before and exactly for this reason it seemed strange to her and she started to worry

PM Mignini: At this point there were many elements, the blood, the open front door”¦

Knox: Yes I was worried, after when I saw this, I saw the open front door and also the blood and I thought okay, maybe, I don’t know, but when I saw the blood”¦

[short break; recording begins again at 01.35 pm]

PM Mignini: At 13.35 the recording resumes, so where were we, so you, I asked you if you looked inside the toilet, or not?

Knox: I didn’t look closely inside the toilet

Interpreter: Only from a distance

[55]

PM Mignini: And you saw the faeces, but this time you got worried, what did you think, because, we said that already, didn’t we? Have you seen them [faeces] other times in the house?

Knox: It’s there when I thought something was wrong

Interpreter: At that point she started to be worried and to think there was something wrong

Knox: I couldn’t imagine what it could be because the house was in order

Interpreter: But she was unable to imagine what it could be because the house was in order

Knox: First of all I didn’t know the phone number of the Police

Interpreter: She didn’t know the police number here in Italy

Knox: Second I didn’t know if it was necessary

Interpreter: She didn’t know if it was necessary

Knox: So what I decided to do, I was thinking about it, I thought what these things would mean put altogether

PM Mignini: What is “if it was necessary”, I’m sorry, I don’t understand”¦

Interpreter: To call the police, she thinks”¦ it didn’t seem to her it was necessary to call the police

PM Mignini: But, excuse me, you found the house door open, blood in the house, closed bedroom doors, and you did not try to”¦ they didn’t answer, you called and then you didn’t try to look inside the rooms, you found faeces in the bathroom, sign of the presence of a foreign person, and you didn’t feel the need to call the police or the Carabinieri?

[56]

Knox: No, because if you come into the house and nothing is missing it usually means that no foreign person has come in

Interpreter: No, because nothing was missing, and so it appeared to her that”¦

PM Mignini: I understand, but there was blood”¦

Knox: It was not much”¦

PM Mignini: Did you check if anything was missing?

Knox: I didn’t really check; there was my computer in my room, and that was a big clue that everything was ok in the rest of the house.

Interpreter: She saw the computer was still in her room, so this”¦

PM Mignini: But you didn’t look inside the other rooms

Knox: They seemed okay.

Interpreter: And for the rest everything seemed ok to her”¦

PM Mignini: The drawer with the money, did you look [there] where the money was supposed to be?

Knox: No, I didn’t think that a foreign person or a thief could have been there, and I didn’t even think about it

Interpreter: No, She didn’t think about a theft and she didn’t imagine”¦

PM Mignini: Ok, let’s go forward, then I’ll make”¦ so you went to Sollecito, how were you dressed?

Knox: I was wearing the white skirt, the blue t-shirt and tights

Interpreter: White skirt, the light blue t-shirt and tights

PM Mignini: Well, what was the time, what route did you walk? Was it the usual rout to walk to Sollecito’s”¦? At what time did you arrive?

Knox: I think around midday

Interpreter: Around midday

[57]

PM Mignini: What did you say to Sollecito? Who was there”¦ was there someone with him or was he alone?

Knox: He was alone, and when he opened the door he was in his underpants

Interpreter: Yes he was alone, and when he answered he was in his underpants

Knox: When I went to the house, I took the bucket and mop with me

Interpreter: So she said (same as before our pause) before returning back to Raffaele’s house, she picked up the bucket and mop she promised to bring him on the previous evening”¦

PM Mignini: What bucket? How was that? What colour?

Knox: Red

Interpreter: Red

PM Mignini: Red. So where did you take it from?

Knox: In the corridor, which is between my room and Meredith’s room, there is a wardrobe, it was in there

Interpreter: She picked it up from a wardrobe that is in the corridor between her room and Meredith’s [room]

PM Mignini: There was a cleaning rag or a”¦ a towel”¦ a rag?

Knox: It was a red bucket and the mop

Interpreter: She took, it was a set, a bucket, and a rag with stick [mop]”¦

PM Mignini: The mop

Lawyer: The bucket was red, the rag was not, the bucket was red

Interpreter: Yes, sorry

PM Mignini: And you picked this in the”¦? Where was this mop?

Interpreter: This bucket was in the wardrobe that is in the corridor

[58]

PM Mignini: So you arrived at Sollecito’s, and you found him in his underpants, and what did you tell him?

Knox: At the beginning I didn’t tell him anything because I didn’t know what to say to him, still I didn’t know if there was anything strange”¦

Interpreter: She didn’t speak immediately with him because she was not sure whether there was something strange or not

PM Mignini: What, you were not”¦ Excuse me.. excuse me but you just told me everything was strange

Interpreter: Yes

PM Mignini: I can’t [understand]”¦ I mean you, what were you thinking, please explain yourself because this is a version that honestly”¦

Knox: I was trying to understand what the whole could mean

Interpreter: She was trying to understand how the things could fit together

Knox: Because I knew it was strange

PM Mignini: Thus, understand it by asking Sollecito about it, didnt you?

Knox: At the beginning I didn’t tell that to Raffaele because I didn’t know if there was something really serious”¦ I understood there was something strange, but I didn’t understand if it was serious”¦

PM Mignini:  Contradiction is noted [for the record] here [io le contesto = a legal formula by which a judge points out a contradiction] that you”¦. that you”¦

Interpreter: But the situation was not worrying…

PM Mignini: Because about this [point]”¦ in particular about this point you said contradictory things”¦ well because you said, at a certain point “blood, open front door, faeces, etcetera, I became worried”, now you are saying “I was not worried”

[59]

any more, I asked Raffaele if I should worry””¦ so honestly, explain yourself, because it’s not clear at all

Knox: It seemed strange to me but not worrying or alarming

Interpreter: It seemed strange to me but not so worrying, alarming

Knox: Because the house is exactly how it should have been, except for those small things

Interpreter: At her house, in Amanda’s house, everything was as it should have, except for those details

Knox: I had the idea that if someone entered the house and did something there should be visible chaos

Interpreter: Had some foreign person come in they would have made more mess

PM Mignini: Well so, did it happen other times that you saw blood in the house, open house door, faeces in the toilet?

Knox: No

PM Mignini: This one was the first time?

Knox: Yes

PM Mignini: And”¦ and Raffaele, when you asked him about it, what did he say to you?

Knox: I talked with him about it after we cleaned up the water”¦

Interpreter: She told him after they cleaned up”¦

PM Mignini: So before that you told him nothing

Knox: No

Interpreter: No

PM Mignini: You cleaned up”¦ but excuse me?... Let me understand, that was water”¦ was that the water that spilled on the previous evening? At what time did it spill? Around 21 hours?

[60]

Knox: I don’t know because I didn’t look at the watch”¦ it was after dinner”¦

Interpreter:  Ehm”¦ after dinner

PM Mignini: Ok, what time could that be? When did the leakage occur? 21: 30?... 20: 30? Have no clue?

Knox: I think it was about 10: 30

Interpreter: More like half past ten

PM Mignini: Half past ten”¦ and so almost, about twelve hours”¦ had passed, if I’m not mistaken, well, but didn’t the water dry up?

Knox: No, there was a lot of it

Interpreter: No it was a lot of water

PM Mignini: But hey it’s twelve hours that had passed, I didn’t make the count now but anyway it’s many hours that had passed, so…

Interpreter: But there was still the water

PM Mignini: As if those hours hadn’t passed. And then, what did Raffaele tell you? When did you talk about it with him? After finishing drying up [the floor]”¦

Knox: While he was dressing up I dried up the floor and when he got dressed I had finished drying up, we started to have breakfast, and then I told him”¦

Interpreter: Amanda was drying up the water while Raffaele was getting dressed and then when they”¦

PM Mignini: So when you finished everything taking your time, you said “this happened”

Interpreter: After he had dressed and they had breakfast she talked with him about it

PM Mignini: Oh so he dressed up, you had breakfast, so like about an hour has passed”¦ how long?

[61]

Knox: Yes, I don’t think quite a whole hour”¦

Interpreter: Almost an hour yes”¦ about an hour”¦

PM Mignini: At that point you told him what had happened”¦ what you had seen

Knox: Yes I told him the door was open, that there was some blood in the bathroom and there was the shit in the other bathroom”¦ the first thing I told him was “look, hear about these strange things that happened to me this morning”

PM Mignini: And what did he say?

Interpreter: Yes she told him about these three elements that were in the house

PM Mignini: And what did he say? What did he say?

Knox: Yes it’s strange, you need to call your housemates”¦

Interpreter: He said “yes it’s strange, call your housemates”

PM Mignini: But excuse me, he didn’t say call the Police or the Carabinieri? Not even on that occasion?

Knox: No, he said to call the housemates, I didn’t think that someone entered the house but that something could have happened to the girls”¦ thus he said “you should call the housemates”

Interpreter: She was thinking something happened to her housemates, not that someone, a foreign person had entered, so he suggested to her to call the housemates

PM Mignini: And did you [plural, referred to both] call them immediately?

Knox: I called Filomena

Interpreter: She called Filomena

PM Mignini: And what did Filomena say to you?

[62]

Knox: She was more worried than me”¦

Interpreter: Filomena was more worried than her”¦

Knox: She said she spent the night with her boyfriend and Laura”¦

PM Mignini: Excuse me”¦ excuse me”¦ excuse me”¦ when you called, where did you call Filomena, from where did you call Filomena and when?

Knox: From Raffaele’s house

Interpreter: From Raffaele’s house

PM Mignini: After you talked with him

Interpreter: Yes

PM Mignini: Is that after?

Interpreter: Yes

PM Mignini: So, now I note a contradiction [for the record] from you, that Ms. Romanelli said she received a phone call from you, she reported that “you were very frightened”¦ you told her you were very frightened, and you were going to call Raffaele Sollecito”. Thus on these findings, you called Filomena before you talked with Mr. Sollecito. And she, Filomena, urged you to call Police or Carabinieri

Knox: I’m sorry, I didn’t understand well

Interpreter: I’m sorry, I didn’t understand well

PM Mignini: So from statements given by Ms. Romanelli on Dec. 3., it comes out that you, Amanda, you called Filomena, you told her you had slept at Raffaele’s house, that you had gone back to the cottage in the morning and you found the front door open and some blood in the bathroom, you told her you took a shower anyway, that you were scared and that you intended to call Raffaele Sollecito. Then the thing seemed strange [to] Ms. Romanelli, and she urged you to call immediately Police and Carabinieri….

[63]

...This is what Ms. Romanelli says, according to what Ms. Romanelli says, you called her before talking to Raffaele Sollecito.

Knox: What I remember about that morning, the first time I remember I called Filomena it was when I was at Raffaele’s home”¦ An interesting thing I didn’t remember about that morning is that I called my mother three times, but I had completely forgotten about it. So what could have happened is that I forgot I called Filomena or we failed to communicate because she doesn’t speak English very well and I don’t speak Italian well. So I may have forgotten about calling her before, or I could have talked with her with some difficulty”¦ but”¦ I remember the first time I called her it was at Raffaele’s home. I might be mistaken but the other thing I didn’t remember was I called my mother three times and I don’t even remember about it”¦

Interpreter: As for what concerns her, as for what Amanda remembers, she remembers she called Filomena the first time from Raffaele’s home. It may not be she called her before. She doesn’t remember about it because she also talked that morning three times [sic] with her mother, something about which she doesn’t remember. Or it could be that they didn’t understand each other very well, since Filomena doesn’t speak English well and Amanda doesn’t speak Italian well, so they didn’t understand each other well.

PM Mignini: How many times did you speak with Filomena that morning, how many?

Knox: I recall she called at least three times when I was at Raffaele’s. I called her and she told me to call Meredith. So I tried to call Meredith and then she called me again to ask me if Meredith answered and I told her no, she didn’t answer. I said “we must go home and check then” and while we were getting ready she called again asking if we had arrived at home yet.

[64]

Interpreter: She believes she spoke with Filomena three times because Filomena told her to call Meredith, something she did but she didn’t answer. After that Ms. Filomena wanted to know the answer, and then Amanda said she would go to her house again to see the situation, and then she called Filomena again.

PM Mignini: You alerted Filomena, let’s go forward with the”¦ then we’ll see”¦  So you talked with Filomena, then you went with Mr. Sollecito, you went to the house, didn’t you? At what time did you arrive?

At this point, we put in the record that, at 13.55, clerk of the court Daniela Severi leaves and [Carabinieri] officier Paciotti takes her place.

Knox: I think I’ve left at around half past twelve

Interpreter: She thinks about half past twelve

Knox: I know it seems strange, I realize I should have arrived at the house before that time, before twelve. Because I washed (? unintelligible)

Interpreter:  She should have arrived at Raffaele’s house before twelve, earlier than she thought. Because she did”¦

PM Mignini: Did you look at the time? The time?

Knox: No

Interpreter: No

PM Mignini: Who was there when you arrived at the house?

(interruption of the recording)

PM Mignini: So we start again at 14.02

Lawyer: On a question by the lawyers, we ask if she was in possession of a watch

PM Mignini: Did you have a watch?

[65]

Interpreter: No

PM Mignini: Well, but the cell phone had a watch, you had the time

Knox: Yes but I didn’t think about looking at the time

Interpreter: Yes but she didn’t think about looking at the time

PM Mignini: Well, so there were”¦ what did you see inside the house when you came in?

Knox: It was there that we started to open the doors, I checked in Filomena’s room and there was some broken glass”¦

Interpreter: So she opened FIlomena’s room where she saw broken glass

Knox: Yes it was broken, on the floor and the window

Interpreter: On the floor and the window

PM Mignini: Did you enter the room?

Knox: No I just opened it [the door]

Interpreter: No she just opened the door

PM Mignini: Excuse me, just to understand better this point, the first time you saw the door closed you might even”¦ you didn’t open it? You only opened on your return visit?

Knox: The first time I didn’t open the door

Interpreter: The first time she didn’t open the door

PM Mignini: It was closed. Now why did you open the door this time?

Knox: Because Filomena was afraid there could have been a burglary, a theft, so I opened to check if everything was ok.

Interpreter: Amanda opened Filomena’s room door because Filomena feared there could have been a theft and so she wanted to verify

[66]

PM Mignini: So then why didn’t you check? Didn’t you check if anything was missing?

Knox: I don’t know exactly what Filomena has in her room, I saw the computer on the table so I was not so much worried. The computer was the most valuable thing

Interpreter: So she didnt know of all Filomena’s items, but she immediately saw that Filomena’s computer was on the table, and so she thought”¦

PM Mignini: Well, and the door? Meredith’s door?

Knox: I was unable to open it

Interpreter: She couldn’t open it, the door of Meredith’s room

PM Mignini: Did you try to open the door?

Knox: Yes, first I tried to open it but it was locked so I knocked to see if she was sleeping, since it was locked I imagined she could be inside so I knocked to see if she was asleep

Interpreter: Yes she did try”¦ yes she tried to open but the door was locked and so she knocked to see if she was inside, if she was sleeping”¦

PM Mignini: I go back for a moment”¦ did you entered Filomena’s room, or you didn’t?

Knox: No

Interpreter: No

PM Mignini: You should be precise about this

Knox: No

Interpreter: No

PM Mignini: You didn’t enter”¦ so, as you saw that”¦ you knocked at Meredith’s door you saw her door, her room”¦ her room door was locked, at that point, did you try to call her?

Interpreter: Do you mean calling by voice?

[67]

PM Mignini: No, I mean calling her cell phone

Knox: I had already tried to call her three times from Raffaele’s home. I thought it would be easier to wake her up by knocking at the door.

Interpreter: She had tried to call Meredith three times already, when she was at Raffaele’s home, so she wanted to wake her up by knocking at the door

PM Mignini: And then what happened? “¦ oh just a moment, [you mean] you went to look inside the bathroom on the right, from the entrance point of view, not in your bathroom, the other bathroom”¦

Knox: When I looked inside, after we tried to open her door and everything, we were in the kitchen, and he would call his sister [sic]. I went to check the bathroom, I didn’t do down to the bottom, I went into the anteroom and what I had previously seen it had slipped down. It was as if it [the toilet] had been cleaned.

Interpreter: Amanda came back into the larger bathroom while Raffaele was calling his sister, and from a distance she could see the faeces had slipped down, apparently it had been cleaned.

PM Mignini: But did you go to look?

Knox: I didn’t look inside, I checked from a distance

Interpreter: She didn’t get close to see, she saw that from a distance

PM Mignini: From a distance? It’s hardly understandable”¦ from a distance of how many meters?

Knox: From the anteroom where I had dried my hair, I looked very quickly and I didn’t see anything and I got scared, because the man or whoever left the faeces had been there.

Interpreter: From the area where she dried her hair she gave a quick glance and she saw it was no more like it was before, it was clean, the faeces had slipped down and…

[68]

... thus at this point she got worried because apparently someone”¦

PM Mignini: At the same distance you”¦ you saw that from the same distance?

Knox: Yes, I had gone a bit closer the first time

PM Mignini: It’s where you dried your hair?

Knox: In the bathroom anteroom in front of the mirror”¦

Interpreter: In front of the mirror, in the area in front of the mirror”¦

PM Mignini: At what distance is that from the toilet?

Knox: I don’t understand meters”¦

PM Mignini: You mean it was in the bathroom anteroom [apparently Mignini shows her a picture or a map, ed.]

Knox: From here”¦ maybe I was here”¦

PM Mignini: It’s a couple of meters

Knox: The second time I was not at the mirror [sic] I was in the door [sic], I entered this way here and”¦

PM Mignini: At the same distance, so…

Knox: No, not at the mirror, because when I entered the mirror is this way, but I entered”¦

Interpreter: The second time from a bit more far away

Knox: But only a little more far

PM Mignini: Excuse me, you couldn’t see anything from there”¦ there is the bathroom anteroom and the bathroom, where were you?

[69]

Knox: I was at the door, I mean I entered the anteroom yet I was very close to the door, that leads to the kitchen..

Interpreter: Between the bathroom anteroom and the bathroom. Yes she was in the anteroom

PM Mignini: From the anteroom, so I note a contradiction [for the record], that you can’t see anything from there, so you made a statement, you told Raffaele the faeces were not there anymore, despite that you didn’t see anything. Because you would not be able to”¦

Knox: Because the first time I also saw from a distance

PM Mignini: Ok, that’s ok”¦ I doubt that you could see from there anyway”¦ you didn’t go to check, you say “let’s see if the faeces are still there or not”?

Knox: No

Interpreter: No

PM Mignini: You remained outside [from the bathroom], you didn’t check, but you said to Raffaele “the faeces are not there anymore” in a worried fashion

Knox: I thought they were not there anymore

Interpreter: Because she thought they were not there

PM Mignini: Listen, so, then did you tell Romanelli about the break-in? about the broken glass? “¦ Filomena?

Knox: Yes I called her and she said she was coming

Interpreter: Yes she called her and she said she was coming too

PM Mignini: And what was Raffaele doing in that moment?

Knox: We decided to call his sister

Interpreter: They decided to call Raffaele’s sister

Knox: And she said, call the Carabinieri or the Police

Interpreter: And Raffaele’s sister told them to call the Carabinieri

[70]

PM Mignini: What time it was? “¦ excuse me I wanted, there’s another question I wanted to”¦ did you have any vaseline at home? Vaseline?

Interpreter: At their house?

PM Mignini: At their house, the apartment, Via della Pergola

Knox: No I don’t use it, the only thing I know about Vaseline is Meredith always looked for it and when we went in a store together she would always go to see if there was any Vaseline”¦ because she said it was very useful. I don’t think we had any, I don’t think, but I never use it

Interpreter: Amanda never used it, she only knows Meredith was always looking for it since she thought it was very useful, she [Knox] herself doesn’t know if there was any at home

PM Mignini: So you don’t know if Meredith had any?

Knox: I know she wanted it but I don’t know if she bought it

Interpreter: She knew she was going for it but she doesn’t know whether she bought it or found it

PM Mignini: Who arrived next?

Knox: After we called the police, I and Raffaele, we went outside because we felt very uncomfortable, two police men came”¦

Interpreter: After they called the police Amanda and Raffaele went outside and two police officers came

PM Mignini: So they called the police?

Interpreter: Yes

PM Mignini: At what time?

Knox: I don’t know because it was Raffaele who called them.. they came.

[71]

Interpreter: She doesn’t know if they called the Police or the Carabinieri because it was Raffaele who did it but two officers came, dressed in uniform…

PM Mignini: Yes, yes”¦ no, not in uniform

Interpreter: In plain clothes

PM Mignini: At what time did they arrive?

Knox: I didn’t look at the time

PM Mignini: I note the contradiction [for the record]  that the calls to the Carabinieri were done after the arrival of the Provincial Police [sic]”¦ the Postal Police”¦

Knox: I did not call

Interpreter: Amanda didn’t call

PM Mignini: Well, did you see Raffaele calling?

Knox: Yes

Interpreter: Yes

PM Mignini: How many times did he call?

Knox: Once

Interpreter: Once

PM Mignini: Once? He called twice”¦

Lawyer: she doesn’t know

PM Mignini: So two officers of the Police came, did they identify themselves as such? [Did they say] “Polizia Postale”?

Knox: Yes, they showed us the badges

Interpreter: Yes, they did.

[72]

[Ed note: start of overlap with Post #3]

PM Mignini: Well, but in the meanwhile, did two other young people arrive?

Knox: Yes after the police arrived, I led them into the house, because I thought they were those Raffaele had called, and I showed them that the door was locked and I showed them the window was broken and in the meanwhile Filomena and the boyfriend arrived”¦

Interpreter: Yes when the two police officers arrived, she thought they were those Raffaele had called and so she showed them”¦

Knox: And also two friends of hers [arrived]

Interpreter: “¦ Meredith’s locked room and Filomena’s room with the broken glass, with the broken window and then Filomena with her boyfriend arrived and also other two young people”¦

PM Mignini: Oh”¦ so you”¦ you entered, I ask you this once more, you didn’t enter Filomena’s room, did you enter the other rooms?

Knox: It’s not that I went to look around, but I opened Laura’s door, that was all ok, there the bed was done up. There was the computer, so it was all ok.

Interpreter: She opened Laura’s room and she saw it was all in order

PM Mignini: Did you enter the room?

Knox: Maybe one step but I didn’t go inside

Interpreter: Maybe she made a step but she didn’t go around much

PM Mignini: And in which other”¦ did you enter other rooms?

Knox: I entered my room, and I tried to open the door of Meredith’s room.

[Ed note: end of overlap with Post #3]


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