Headsup: Disney's Hulu - mafia tool?! First warning already sent to the Knox series production team about the hoaxes and mafia connections. The Daily Beast's badly duped Grace Harrington calls it "the true story of Knox’s wrongful conviction of the murder of her roommate". Harrington should google "rocco sollecito" for why Italians hesitate to talk freely.

Category: Various hypotheses

Wednesday, September 25, 2013

Why Numerous Psychologists Now Observe Knox Skeptically

Posted by SeekingUnderstanding

Links to both ITV interviews kindly provided by Clander of PMF:  Daybreak Seattle interview and Daybreak London interview.

Please see the key past posts here and here and also here for some context.

Amanda Knox appeared in an English TV interview on the early morning of Monday September 23rd.

She spoke from Seattle to a detached ITV reporter in Seattle and a tough Daybreak anchor in London - tough. though she badly lacked second questions in follow-up. The interview was, by all accounts, fair, and also duly respectful towards Meredith’s family, who are in England.

But the girl or woman who is Amanda Knox we observed was neither calm nor happy.

There was not one authentic smile, and not a moment when the light came into her eyes. Her hair and make-up looked good - her presentation had been considered. But her skin was not well. As most women know, the skin, especially on the face, reveals your inner health, your inner peace.

As a psychologist, one is trained to distinguish ‘signs’, if you like, or indicators that illustrate the most crucial factors about the state of mind. One is taught to look beyond presentation and image, and too, beyond the actual words delivered, to hear what is actually being said - from the inner self or true self. Some people might prefer to use the term ‘the soul’.

What I heard in this interview is a person struggling and deeply disturbed and unhappy. I saw someone genuinely very afraid with strong feelings of hopelessness. Anger, defiance, and combativeness also showed.

But, newly, there were also signs of weariness with the self-elected fight. I believe Amanda is intelligent enough to realize that the weight and strength of the factual, combined evidence is stacked against her. Knowing this, as I believe she does, can only put her in an anguished state.

At times, one could plainly observe that a pre-rehearsed ‘PR’ line was being delivered. Amanda was being ‘a good girl’, and doing what she had been told.  Examples seem to be especially where she says such things as, “I am innocent”, “my innocence has been proven”, ‘...this case is not complicated..”

Since, by applying a little elemental logic, most of these statements can be shown to be untrue, they unfortunately sounded somewhat like mantras being delivered. Rather more that these were the things AK would LIKE to believe are true. As if perhaps, if she closes her eyes often enough and wishes hard enough, they might become true…and her nightmare would now be over.

But, alas, childish unreality cannot last. We live in a world where we are required to become adults, and to act responsibly as adults.

At junctions in the interview, where some of the more penetrating questions were asked involving human relations, an ‘inner adult’ Amanda could be seen trying to emerge. One point was where she was asked about what she would do if found finally guilty.

A burgeoning sense of realism could be detected in her reply. She knows herself in this respect: she would find it unbearable to try and live as a fugitive in the free world, labeled as a murderer and a slanderer. She actually said so, with strength of feeling. It is people’s hatred of her that she can’t bear, and it is that she is protesting about so much. And indeed it must be hard to bear.

The interviewer, Lorraine, spoke at length about the Kercher family, asking AK what she would like to say to them. When Amanda replied, also at length, she said,

“... I would like them to give me a chance…”

This sounded authentic to me, I felt she meant it. However, she added to this, sounding almost like an addendum, that she wanted them to believe she could be innocent. This latter phrase, added in a different voice and intonation, didn’t ring true to my ears.

I believe that what is truly in her heart is that she longs, beyond all measure, for the Kercher family not to totally hate her. (She gives the impression that she believes they do or could hate her). She seems to truly not to be able to bear the thought of being hated, and even more unbearable, the thought that by her behaviour (as a ‘kid’) perhaps, just maybe, she might deserve that hate.

This would seem to be the source of her anguish, and also behind many other of her statements in this interview.

There would be a way through for her - a third way. This would be to start telling the truth, the whole truth, now. It is never too late to speak the truth, and it is never too early, either. The truth endures. This is a fact of history.

It would indeed take enormous courage for Amanda to take this step. It would be immensely difficult for her because of the PR campaign. But if she could begin to answer the outstanding unresolved questions, factually and honestly (unembroidered and not exaggerated),  - she would, I believe, begin to heal her life, if this is genuinely what she wants.

She might be surprised at how much forgiveness there might be if she were to find the courage within herself to take this huge step. She quoted her priest/mentor from the Italian jail, when he advised her about how, at challenging times, we can find unknown resources and strength within ourselves that maybe we didn’t know we had.

She has a choice, and she could choose to do it. Making wise choices is what adults do.

Sunday, September 22, 2013

Questions For Knox: Ten Hard Questions That Knox Should Be Asked Monday On ITV’s Daybreak

Posted by The Machine

Amanda Knox will be interviewed for the first time in Britain on ITV’s Daybreak programme tomorrow.

No interviewer should unquestioningly accept everything Knox says as the gospel truth. Remember Knox served three years in prison and is labeled a convicted felon for life for malicious lying.

So let’s hope tomorrow’s interview is not yet another whiny mis-statement of the core facts, and not yet more sliming of Italian officials, of which we have just seen so many.

There are many questions on this site which Knox has never ever answered. Some arise from the evidence and some from her dishonest book.

See especially the tough questions here and here and here and here.  With luck the Daybreak hosts will ask Knox all of these tough questions below.

1. Multiple false alibis

You and Raffaele Sollecito gave completely different accounts of where you were, who you were with and what you were doing on the night of the murder. Neither of you have credible alibis despite three attempts each. Sollecito told Kate Mansey from The Sunday Mirror that you and him were at a party.

He told the police that you and him were at his apartment. He then told them that he was home alone and that you weren’t at his apartment from around 9.00pm to about 1.00am. You first told the police that you were at Sollecito’s apartment. After you were informed that he was no longer providing you with an alibi, you repeatedly claimed that you went to the cottage with Diya Lumumba.

You changed your story yet again and claimed that you were at Sollecito’s apartment, but he might have gone out. All the other people who were questioned had one credible alibi that could be verified.

Extract of Sollecito’s witness statement.

“I went home, smoked a joint, and had dinner, but I don’t remember what I ate. At around eleven my father phoned me on the house phone. I remember Amanda wasn’t back yet. I surfed on the Internet for a couple of hours after my father’s phone call and I stopped only when Amanda came back, about one in the morning I think.

Question 1. Why did you and Raffaele Sollecito repeatedly tell the police and others a pack of lies?

2. False accusation

You falsely claimed that Diya Lumumba killed Meredith in two witness statements and you repeated the false accusation in your handwritten note to the police on 6 November 2007. You served three years in prison for this felony and your appeal to the Supreme Court was denied.

Question 2. Why did you repeatedly accuse Diya Lumumba of murder when you knew full well that he was completely innocent and why didn’t you or your mother retract your accusation when he was in prison?

3. The Double DNA Knife

According to a number of independent forensic experts - Dr. Patrizia Stefanoni, Dr. Renato Biondo, Professor, Giuesppe Novelli, Professor Francesca Torricelli, Luciano Garofano, Elizabeth Johnson and Greg Hampikian - Meredith’s Kercher’s DNA was found on the blade of a knife from Raffaele Sollecito’s kitchen.

He falsely claimed in his prison diary that he had accidentally pricked Meredith’s hand whilst cooking. Dr Stefanoni analysed the traces on the knife six days after last handling Meredith’s DNA. This means that contamination couldn’t have occurred in the laboratory.

Meredith had never been to Sollecito’s apartment, so contamination away from the laboratory was impossible.

Question 3. How do you think Meredith’s DNA got onto the blade of the kitchen knife?

4. The bra clasp

An abundant amount of Raffaele Sollecito’s DNA was found on Meredith’s on the exact part of Meredith bra clasp that was bent out of shape during the attack on her.  His DNA was identified by two separate DNA tests. Of the 17 loci tested in the sample, Sollecito’s profile matched 17 out of 17. Professor Torricelli testified that it was unlikely the clasp was contaminated because there was a significant amount of Sollecito’s DNA on it.

Professor Novelli analysed the series of samples from all 255 items processed and found not a single instance of contamination, and ruled out as implausible that a contaminating agent could have been present just on one single result. David Balding, a Professor of Statistical Genetics at University College London, recently analysed the DNA evidence against Sollecito and concluded it was strong.

Question 4. How do you think Raffaele Sollecito’s DNA ended up on Meredith’s bra clasp?

5. The bloody footprint on the bathmat

According to two imprint experts - Rinaldi and Boemi - the bloody footprint on the blue bathmat in the bathroom matched the characteristics of Sollecito’s foot, but couldn’t possibly belong to Guede. Rudy Guede’s bloody footprints led straight out of Meredith’s room and out of the house which indicates that he didn’t go into the bathroom after Meredith had been stabbed.

See our past posts on this here and here.

Question 5. Who do you think left the bloody footprint on the bathmat?

6. Mixed samples of Amanda Knox’s DNA or blood and Meredith Kercher’s blood

According to the prosecution’s experts, there were five instances of your DNA or blood mixed with Meredith’s blood in three different locations in the cottage. Even your lawyers conceded that your blood had mingled with Meredith’s blood. In other words, Meredith and Amanda Knox were both bleeding at the same time.

Question 6. Why were you bleeding on the night of the murder and is it a coincidence that only your DNA was found mixed with Meredith’s blood?

7. The Luminol Enhanced Footprints

Bare bloody footprints were revealed by Luminol at the cottage. Three of them are compatible with your foot size and one of them is compatible with Raffaele Sollecito’s foot size.

Question 7. What do you think the Luminol was reacting to - Meredith’s blood or some other substance?

8. The staged break-in

There is absolutely no evidence that anyone stood outside Filomena’s window and climbed up the vertical wall on the night of the murder. There were no marks from soil, grass or rubber soles on the wall. The earth of the evening of 1 November 2007 was very wet, so if anybody had climbed the wall, they would have left some marks on it.

The glass on the window sill and on the floor show no signs of being touched after the window was broken, which would have been the case if the intruder had gained entry through the window.

There was not a single biological trace on any of the shards of glass. It would have been very likely that an intruder balancing on the window sill would have suffered some kind of injury or cut because of the shards of glass.

If the window had been broken from the outside, there would have been shards of glass outside, but there wasn’t even one.

Judge Massei and the panel of judges at the Italian Supreme Court specifically mentioned the shards of glass on top of Filomena’s clothes which had been tossed onto the floor in her room and regarded it as proof that the break-in was staged.

Question 8. Who do you think staged the break-in at the cottage?

9. Knowledge of the crime

Umbria Procurator General Galati’s pointed out in his appeal that you knew specific details of the crime that you could have only known if you had been present when Meredith was killed.

According to multiple witnesses at the police station, you said you were the one who had found Meredith’s body, that she was in the wardrobe, that she was covered by the quilt, that a foot was sticking out, that they had cut her throat and that there was blood everywhere. But you weren’t in a position to have seen anything at all when the door was kicked in.

In your witness statement you described Meredith’s scream. Other witnesses have corroborated your claim that there was a loud scream.

Question 9. How did you know so many precise details of the crime?

10. Shower and the “bathmat shuffle”

The Scientific Police found 13 traces of blood in the bathroom that Meredith and you shared. Prosecutor Mignini and Filomena have both expressed their surprise that you showered in a blood-spattered bathroom.

Filomena told Mignini during cross-examination:  “I thought it was odd that she’d had a shower when there was blood all over the place.”

You told Mignini that you used the bathmat to shuffle to your room.

Question 10. Why did you shower in a bathroom that was splattered with blood, and did you notice the visible bloody footprint on the bathmat when you used it to shuffle to your room? And why so soon after did the police notice that you were stinking?

Lorraine Kelly and Aled Jones the ITV Daybreak hosts who should confront Amanda Knox

Wednesday, July 24, 2013

How The Clean-Up And The Locked Door Contribute To The Very Strong Case For Guilt

Posted by James Raper

On the 30th September the appeals of Amanda Knox and Raffele Sollecito against the convictions they received at the first instance trial will resume, this time in Florence.

This follows the annulment by the Supreme Court of the acquittal verdicts rendered by the Appeal Court presided over by Judge Pratillo Hellmann. There is one conviction not under appeal. This is Knox’s conviction for calunnia, which is now definite.

They are therefore both currently convicted of murder and sexual assault, and a number of lesser charges, amongst which there is the simulation of a burglary “to ensure impunity for themselves from the felonies of murder and sexual assault, attempting to attribute the responsibility for them to persons unknown who penetrated the apartment to this end”.

There is one activity, for which there is evidence, with which they were not charged (perhaps either because it was redundant or not a criminal offence) though this was likewise to ensure impunity for themselves.

This is the partial clean up at the cottage and it is this with which I intend to deal. I want to highlight salient observations which have been under discussion here and elsewhere and some of which may be well known to readers, but perhaps some not, or have been forgotten about. Once again, in many cases, I am merely a conduit for the observations of others, not least the first instance trial judge Giancarlo Massei.

So let”˜s consider the observations and in doing so we can also throw some more light on the lone wolf theory.

1. Take a look at the bloody footprint

This is, of course, the bloody footprint on the bathmat in the small bathroom right next to Meredith’s room. 

The heel of the right foot, if it had blood on it, is missing from where it should be on the tiled floor. It is difficult to imagine, given that the imprint of the foot on the mat is contiguous with the edge of the mat, that there was not at least some blood on the remainder of the foot such that there must have been at least some blood deposited on the floor.

Just as difficult to imagine that casual shuffling about on the bathmat would have removed the blood so as to render it “invisible” to the use of luminol.

Of equal relevance is that there were no connecting bloody footprints.  Why not?

The defences have an improbable theory -  that Guede, despite his homicidal rage, was smart enough to hop about on his left foot with a clean shoe on, and the other bare but covered in blood, and that having by this means entered the bathroom and washed his bloody right foot, disastrously leaving his (supposed) imprint there in the process, he then returned to Meredith’s bedroom inadvertently standing in blood with his left shoe and leaving with a trail of bloody left shoe prints -  in which case the exercise of washing his foot was entirely in vain, on two counts, after all that careful hopping around.

Neither is it entirely clear why his right shoe came off in the first place.

It is far more probable that the inevitable bloody prints were deliberately and carefully removed. The reason for doing this was not just to conceal who would have made them (the print on the bathmat was, after all, left in situ) but, from a visual perspective, to conceal any blood that might be noticeable and alarming to anyone approaching Meredith’s room. Guede’s bloody shoeprints in the corridor were visible but only on close inspection.

2. Take a look at the bathroom door

Specifically the internal (hinge) side of the bathroom door. Take a look at this photograph.

We see a long streak of dried blood.  Clearly the blood has flowed some distance under the influence of gravity and we can see that it looks slightly diluted, with red corpuscles gathering towards the tip of the streak. A drip of that size does not appear from nowhere.

Indeed it is difficult to imagine how the blood got there unless it was part of a larger area of blood which most likely was on the face of the door and which was swiped to the right and over the edge of the face of the door. The cloth or towel used to do this was wet accounting for the slight dilution and length of the streak.

3. Take a look at Meredith’s door

It is interesting, is it not, that there is blood on the inside but not on the outside? The outside:

And the inside:

It is difficult to see how and why Guede touched the inside handle with a bloody hand (was it shut and if so, why?) and then closed the door to lock it without leaving a trace on the outside face of the door. Possibly he might have changed hands. The answer might also be that he visited the bathroom to wash his hand as well as his foot, save that none of his DNA was recovered from the spots and streaks of diluted blood in the washbasin, whereas Knox’s DNA was. All the more surprising given that Guede shed his DNA in Meredith’s room.

We see some blood on the edge of the door which again might be the remnant of a trace on the outside face.

4.  Take a look at Amanda Knox’s lamp.

This was found inside Meredith’s room behind the door. Meredith also had a similar lamp which was resting on it’s base on the floor by her bedside table.

The presence and location of Knox’s lamp is obviously suspicious. Had Meredith borrowed Amanda’s lamp because her own was not working, then it would not have been in the position it was found but on or more likely knocked over and lying beside the bedside table since the violence appears to have been concentrated in that area of the room. 

Had Meredith’s lamp been on the bedside table then likewise it too would most likely have been knocked over in her life and death struggle with her sole assailant (there are blood streaks on the wall just above) and it would not have ended up sitting upright on it’s base.

Both lamps were probably used to check the floor of Meredith’s room after the event and Knox’s lamp was probably sitting upright until it was knocked over by the door being forced open.

This is Meredith’s lamp by the bedside table.

And this is Knox’s lamp by the foot of the bed.

5. Take a look at what luminol revealed

We can state with confidence that luminol (extremely sensitive to and typically used to identify blood that has been wiped or washed away) discovered :-

(a) three bare footprint attributable to Knox, one in her bedroom and two in the corridor, and

(b) two instances of the mixed DNA of Meredith and Knox, one in Filomena’s bedroom and one in the corridor.

(c) a footprint attributed to Sollecito in the corridor.

I have covered a number of elements strongly suggesting that there was at least a partial clean up, not of “invisible DNA” as the Groupies like to mock, but of what would have probably in some cases have been noticeable deposits of blood that would have attracted the eye of anyone entering the cottage and which would certainly have alarmed the observer as being difficult to explain.

Spots of and footprints in blood, not just in the bathroom but outside it, a locked bedroom door with blood on it, and a bathroom door with blood on it’s face.

We can include Knox as one such observer given her e-mail account of having allegedly stopped by the cottage to have a shower and collect some clothing before the discovery of the body. Such physical evidence - had it not been removed - would not have sat easy with that account, however dizzy and naïve Knox presents herself. One can envisage Knox thinking “sorted” - that her story would now work perfectly.

Even so, there were elements that were overlooked, such as Knox’s blood on the washbasin faucet and blood generally in the small bathroom, but a door can be closed and at least these were elements amenable to some form of explanation from her perspective, whether or not convincing, as occurred in the e-mail.

Incidentally in addition to the mixed traces in the small bathroom, Meredith’s blood was found on the light switch and a cotton bud box.  I have a hard time imagining what Guede would have wanted with the cotton bud box, less so Amanda given her blood on the faucet, ear piercings and a scratch on her throat. Knox, when asked during her trial, could not recall having switched on the light during her alleged visit to the cottage.

6. Take a look at the items on Knox’s bed

Massei concluded that it was likely that it was Knox who carried out the clean up, which if correct might explain why it was not central to her thinking to dispose of the bathmat with Sollecito’s bloody footprint on it!

Knox was seen by Quintavalle at his store at 7.45 am on the 2nd November, thereby destroying her alibi. He described her as pale faced, exhausted looking, with pale blue eyes. He also added, and he would not have known this from photographs in the newspapers, that she was wearing blue jeans, a grey coat and a scarf, with a hat or cap of some sort.

We can see from the crime scene picture of Knox’s bedroom below, that such items (minus hat or cap) appear to be lying on her bed.

Sollecito did not accompany Knox to the store but this would be because he was known to Quintavalle whereas he was unfamiliar with her. He may however have accompanied Knox to the cottage and/or have acted as look out for her when she was there.

7. Some conclusions

I have included “The locked room” in the title because of a poster’s observation regarding Guede’s bloody left shoeprints exiting Meredith’s room. There is the simple observation that these footprints are going one way only and not towards the small bathroom.  But they do not even turn to face Meredith’s door, and again hard to imagine that this could be so if it was Guede who locked her door!

We can rule out Guede as having been involved in any aspect of the clean up precisely because of that trail of footprints and other evidence of his presence left behind.

Now that the travesty of the Hellmann acquittals has been truly exposed Knox and Sollecito face an impossible uphill task.

The clean up and the locked door are just two of many elements in this case which combine together and corroborate each other in a manner that enables us to see the truth beyond a reasonable doubt.

Friday, May 31, 2013

Knox Book - What The Newly Published Writings Reveal To Professional Eyes (2)

Posted by SeekingUnderstanding

The New Writings

It is good to have an opportunity to see the letters from Amanda to her social worker, Maurizio. The writing style is very different from her book which seems more abrasive, more ‘jazzed up’, pointed, in comparison - presumably the influence of the ghost writer.

What is immediately and conspicuously obvious is that the letters make no mention of ill-treatment - a contrario in many ways. The recipient of the letters is someone whose support she needs, as is Don Saulo.

She goes out of her way to speak to them with endearment, even flirtation, to show gratitude, to build trust, or to appear to build trust. This is a person whose need to be liked and supported is paramount. One has the feeling, therefore, that she is presenting herself in the best possible light.

This includes being ‘good’ and saying things as they are. And they are: ‘OK’, ‘fine’, ‘bene’, ‘well enough’, ‘happy to remain’ (in Perugia) etc.

There has been much speculation about the psychology of Amanda Knox. I am glad to say that this site has deferred, by and large, from assigning labels to her. It is not for nothing that the official court psychological profiles of 2008 have not been disclosed. To begin with, a full analysis is not possible without personal encounter. And then there is the question about the value of such labels at all, especially with new research advancing all the time.

However, one can talk about observable patterns of behaviour, for example narcissistic behaviour. There are a number of established, well-researched traits in narcissistic behaviour which are worth discussing here.

Observable Behaviors

I believe the following characteristics have been observable and continue to manifest in the letters just published.  These are :

1) Immaturity, of a degree which indicates some arrested emotional development. And connected to this, an emotional neediness and dependence. This usually manifests as insecurity where it becomes important that everyone has to like, admire, and feel affection for them - most especially those who they need to ‘look out for them’, be their support system etc. A secure personality has a healthy ego which can quietly use reasonable judgement, and only needs to be assertive where occasion demands. An insecure person has a weak and fragile ego, contrary to the appearance they try and give, which can be loud, over-confident and assertive, or proud etc.

2) An inability to deal with shame, or admit guilt. This also connects with (in Jungian terminology) an inability to ‘own the shadow’, and admit one can and does sometimes make mistakes. The cultivation of a false sense of self or identity follows; an image projected of the ‘angelic’,‘innocent’ - always sunny and light, and, ‘special’  (cf : ‘here comes the sun’ as a mantra). Of course, a PR campaign can proliferate this advertising of the false image, and this is precisely how ‘celebrities’ make use of this process.

3) Self-esteem which in reality is rather low - together with compensatory behaviour which includes constantly needing attention, praise and to be recognised as perhaps clever, cultured, athletic, attractive…in short, ‘superior.’

4) Manipulation. This is connected to the lack of true empowerment, and therefore the attempt (which can seem desperate) to ‘get’ power through having power and control over others. Flirtation, seduction (and obsession with erotica) can show this manipulative tendency. Control, in this case self-control, is a prerequisite for manipulating a situation. A person’s unnatural focusing around staying in control will often belie an agenda of manipulation. A secure mind and ego can afford to allow spontaneity - an insecure one cannot.

5) Anger management can be an issue; also a ‘show of rage’ - melodramatic - can be used as a manipulative tool. (Tantrum…as in two year old). One could write a paper just on this anger aspect alone.

6) Feeling too different, and needing badly to be accepted by others. Rejection is unbearable. And, of course, people do reject them, even if it is just in the sense of being put off by their loudness etc, as above. Thus the problems escalate inside.

7) Lying. In severe narcissism lying is pathological. If a child is not taught why telling the truth matters - if their childish lies are humoured and not challenged by the parent, this sets up enormous trouble in the adaptation to the adult world. Again, one could write a great deal about pathological lying, - it is a topic in itself…suffice to say, here, that AK stands as a convicted felon for lying.

There is some interesting new research (Professor Raine) that has established a 22% difference in a specific brain layer, in people who are able to glibly lie. These people also have enhanced verbal faculties. Some people lie just because that’s what they do, (when they don’t actually ‘need’ to). It’s a modus operandi, - usually used as a tool to get what they want.

All of these characteristics above, added together, will give a person who is first, foremost and last, concerned with their own image, their persona - how the world sees them. Hence ‘Narcissus’, gazing at his own reflection, and mistaking it for reality.  So much mental energy is orientated towards weaving together their ideal image of themselves in everything they do: ‘What people think of me’.

Then, too, the illusion of this constructed image has to be maintained. Therefore anything that contradicts it has to be denied.  *Amanda the Innocent* - this is the image that, in this case, has been projected and maintained.

Notice that it is the perpetuating of the Image that matters - the actual point of whether she is - in fact and evidence,- innocent or guilty takes low precedence compared to the task of getting people to believe in the image of her being innocent. AK actually says so herself (in the way she often reveals herself) : “people thought I was.. ( a murderer) whether I am or not.” She couldn’t bear people to believe such an image of herself - whether she was or not, she didn’t want people to think it

It is what people think or believe about them that matters most to the image-creating narcissist. They cannot bear to be found faulty - they must be admired.

The Six Published Letters

Here are some points of interest that stood out in the published letters in the post below. (I expect others can be observed, and found also in the recent interviews, etc.) :


Letter dated April 3rd 2008.

This is the only letter of this group that contains a grumbling complaint. Firstly, she mentions the police thinking badly about her. It is striking yet again that what bothers her is how people think of her. She also repeats, as often, ‘I do understand that I have to be in control’. See point 4) above.

Then a passage that contains a couple of enigmatic statements :

“...Above all when they don’t know the truth?

It really is a torture and now I understand the motivation. I understand the motivation, but I do not agree. “Sweet” or not it is a “TORTURE”. I am being tortured and it is not right…...

Sorry. As I said I do suffer a lot in prison. Generally I am scared, alone, with no hope, sad, and tired, even if I am innocent.”

This rewards some analysis. ..“Above all when they don’t know the truth?”

No one can know the full truth, precisely because AK herself (and Sollecito) have declined, from the start, to give a full and comprehensive - let alone consistent - account of the tragic evening. So it is very illogical to then complain that the authorities are acting thus because they don’t know the truth…

“It really is a torture and now I understand the motivation”. These two clauses seem to be non sequiturs to me. I do not see what they mean. It is dark innuendo that she ‘doesn’t agree with.’ That is all we are told. Then :

“TORTURE”

If I was being gravely mistreated, with due cause for complaint, I would detail the wrong-doing as simply and clearly as possible, so it could be addressed. This does not. How is one to know whether the ‘torture’ (her inverted commas) is really frustration and annoyance at the way things have turned out? It also is expressed in a self-dramatising way.

...“even if I am innocent”. I really did read this as an ‘add-on’ - for safe measure, in case anyone significant were to read it. The word ‘even’ is out of context. It is another example of ‘distancing’, too.


Letter dated April 28th 2008 :

Don Saulo is ‘a true friend and a very good man’. At this point in time AK needs Don Saulo very much. He also, probably, offers her a role model of a positive animus (Jung again), in contrast to the other menfolk in her life, he is a man with forgiveness and without anger. Obviously, later on, she no longer needs him.

In a rare moment of veracity, AK says, “I am ignorant, unfortunately”. She also wants someone to give her explanations (for the meaning of the literature) - this indicates a passive intellect, possibly without the desire to grasp an understanding for oneself. She would rather be given the meaning, as a soundbite, almost. Then one can impress, with the knowing. Somewhat as tourists ‘get the knowledge’. I suggest, having lived in Rome, that some Americans are perhaps prone to this.


Letter November 26 2009 :

This is notable as, first, a copious expression of gratitude for being liked, and given support, and in continuation, as a definite plea for this support (and, she hopes, affection) to be ongoing.


Letter dated August 10th 2010 :

AK is first flirtatious over Maurizio’s marriage. Is she being risqué ? It seems typical of her to introduce a sexual nuance where in reality it is not appropriate.

Next, we have one of her cultural detours. She gives a (for her) fairly detailed reaction to a book by Umberto Eco, a writer of some standing. She mentions not just once, but twice that the writing is ‘meticulously built’. This obviously is something that makes the most impression upon her. Of all the stylistic and imaginative innovation, and colour, that there is in Umberto Eco’s writing, I find it most curious that this is what impresses her.


Letter April 20th 2010 :

AK is very happy to be credited as a translator : this will help her be seen in a favourable light, something high on her agenda. To be fair, credit where credit is due, (although one knows nothing of the details of the translation).

Next we have another passage of gratitude.

Then a description of how she is happy ‘playing…out in the sun’. This is immediately followed with ‘I have made a new friend’ - all important to her, and makes all the difference, - if she is liked, accepted, and preferably admired too.


Letter undated :

Here, AK says ‘I feel fine’, followed again, immediately, by a description of her new cell mate who likes her, helps her, and shares as a friend, both manicure and music. This being liked and accepted obviously gives her security, and she doesn’t want to move : ’ I am happy to remain in Perugia…’

Conclusion

These Knox letters describe a real prison situation that is at odds with the seemingly fictional Knox book. She may have been at some inner peace there. Outside, it is hard work.

Tuesday, May 28, 2013

Demonizations By Knox: Knox Lacks Hard Proof; Sparks Widespread Anger & Contempt

Posted by Miriam

[Header of the Giallo article; the rest off it is at bottom; click for a larger image]

1. The Fake Knox In Her Demonizing Book

Amanda Knox may have felt she was “waiting to be heard” in America but here in Italy we have heard her many times, and we feel we know her pretty well.

Her book and interviews don’t sound like her at all. They sound like nasty legal stunts and nasty PR at work. It is easy to disprove her disparagement of officials and her friends here, and an investigation by the Chief Prosecutor in Bergamo is already under way.

So the big question for us here is not angrily “Who are these appalling police, prosecutor and prison officials, and why did they do these terrible thing?” but sadly “Why was she compelled to invent all this stuff?” and “Why is she so scared to come back?”

2. The Amanda Knox That We In Italy Know

I have translated six of her letters from prison just published in the crime magazine Giallo plus the introduction and the graphologist’s analysis. This is more like the Amanda Knox we know, not the invented one in the book.

1. The Giallo magazine’s Introductory framing of Knox’s letter below

Amanda: “Here In Prison Things Are Okay”

So writes Knox to a friend while she was a prisoner in Perugia. [The true crime magazine] Giallo publishes her letters, and then has them commented on by a graphologist and a psychologist

The letters you see published on these pages are from Amanda Knox, the young American accused, along with her ex boyfriend Raffaele Sollecito, of the murder of the British student Meredith Kercher, that took place in Perugia the 1st of Nov. 2007.

Knox, 26 years old, was acquitted in appeal, but now Cassazione has decided that the appeal must be redone. While waiting for this complicated judicial process to restart, Amanda lives in Seattle, and is traveling around America to launch her new book Waiting to be Heard for which she was paid several million euro by her publisher.

To the American television interviewers, the young American woman has said she is scared of coming back to Italy, because our prisons are terrible places, where she was threatened, molested sexually, and humiliated.

Well, in the letters that Giallo publishes in an exclusive, Amanda writes to a social worker, Maurizio, who helped her, and she seems neither desperate or scared, she has friends and cellmates with which to share many interests, From reading to music, up to manicures. There is a priest, Don Saulo, with which she talks, and confesses, and helps her in her moments of discouragement.

Sure, she suffers from the distance from her family, her loneliness and her imprisonment, but she can see her parents and speak with them frequently, and this notably relieves her suffering.

2. Six letters from Knox to the social worker Maurizio 2008-2010

April 3 2008

Dear Maurizio,

Thank you very much for that letter that for me is very interesting. I was thinking: “Why am I here?”, “why can’t I be with my mother?”, ” Yes the police can think badly about me, and meanwhile I do understand that I have to be in control, not run away from the situation, but why prison? I am 20 years old, never committed a crime, it is senseless. How can they say that I have to stay in prison like the people that can be a danger to others? Above all when they don’t know the truth?

It really is a torture and now I understand the motivation. I understand the motivation, but I do not agree. “Sweet” or not it is a “TORTURE”. I am being tortured and it is not right…...

Sorry. As I said I do suffer a lot in prison. Generally I am scared, alone, with no hope, sad, and tired, even if I am innocent.

Thank you for the article. It is interesting to know how people that do not undergo this torture as I and hundreds others think. To tell you the truth, I can’t understand how some judges can sleep at night, when they very well know that it can be a grave mistake. ah… mamma mia….

Come on! It is O.K. here. I am studying a lot and have started reading Italian Poetry.

Another thing that I like a lot is the song “A te” by Jovanotti. “perché tu sei…semplicemente sei….sostanza dei giorni miei…sostanza dei giorni miei…. (lyric of the song n.d.r.). Have you heard it? According to me it is a live song. It is true. Simple and strong. I like it a lot.

How are you? Do you like the change of weather? I spend more time outside reading a book and singing (I am still alone when I go outside). I am sun tanning but I’m still white white!

Hope you are OK. Love, Amanda

P.S. Let it be! Here comes the sun!  I know that I am not alone, even when I am alone

April 28 2008

Dear Maurizo,

Thanks again for your thoughts and your gifts.

I really like the T-shirts and the book of art. Beautiful! Mamma mia the talent of the artists always surprises me! Thanks. But you know, you do not have to buy me anything. I am happy just to hear from you.

Really, [Priest] Don Saulo speaks to me so much about God’s gifts, especially about the strength to overcome the difficult moments, of which there are so many. He bought me a book on philosophy entitled “Umanesimo Integrale” and we speak often of my thoughts and my questions. He is a true friend and a very good man.

It’s true, I must start to read a bit of classic Italian texts. Maybe there are some books in the library for me….......Who can explain to me about “Divina Commedia”? I know it exists and that it is famous, but more than that I am ignorant, unfortunately.

Now my father is here with me, but he has to return to the United States, next week. In his place the husband of my mother, will come. I am happy, because from him I receive a lot of strength. He is like that.

Today I go to the gym course (in a bit) and I have a home telephone call. My first telephone call was last week and I was so excited. The voices of the people I love are really a gift. I trembled a bit after those so little ten minutes.

Now, I must go to the course to sweat a bit. 😊 I hope you are very well. Thanks again for your words.You are very kind.

A hug, Amanda 😊

P.S. Let it be! Here comes the sun! I know I am not alone, even when I’m alone.

November 26 2009

Caro Maurizio,

Ciao, my friend. How are you? It’s from forever that I write you. I imagine that you must have basketball in your head, since it is the season’s sport. I send best wishes to your nephews, who play it. I am terrible at basket. I have very small hands, therefore I can’t control the ball.

I would like to thank you for meeting with my family. Chris told me nice things about your encounter, he was impressed by your generosity. I know that it is always nice and unique, every time that somebody comes toward you and they like you, just like that. Therefore, thank you, for having welcomed him, me and my dear ones.

Nearly, nearly there. O mamma mia, one has to remain strong in these days. I am always hoping so much, even if, in my stomach I feel sick, anxious. More than anything, the closer it gets, the more I have to reinforce my patience against the fatigue and frustration.  But I will make it.

A lot of my family will come tomorrow to be in court. There will be my father, my mother, my stepmother and my aunt. My three sisters will be here on Dec. 2. I hope so much to be able to go home with them, finally, this time. I see it in “my third eye” the vision of being on the plane between my mother and my sister. Maybe, I am thinking to much about it.

Anyway, I hope you are well. I must go to sleep early tonight, to be ready for tomorrow.

Thank you for your continued support.

Your friend, Amanda 😊

Here comes the sun! Let it be! I know that I am not alone even when I am alone,

Happy Thanksgiving!

April 20 2010

MAURIZIO

Hi! How are you? I’m happy that I made you happy with the full translation. For me it was a satisfying job, so I thank you too for the chance that you gave me. I don’t think it will be a bad thing put up my name as a translator. OK it is fine for me and yes if you like it, you can even put my second name Marie,

Thank you very much for the towels, to be truthful I really needed them. They are beautiful. I gave one of my pillow cases to the other inmate so we have twin pillows. She thanks you too and sends her best wishes.

Seems like that the weather is finally changing. With great pleasure I was able to wear a skirt in these days. Now people are out and we play volleyball together under the sun. I made friends with a new 19 years old girl: she is an athlete too. Every day we walk or play with the ball together,

Next Friday my mother, father and stepfather will be here for a visit. Mi mother and father are here for a short time to be interviewed on TV at “Quarto Grado” and then will come here. Can’t wait to see them, I miss them with all my heart.

Well, hope that you are fine. Thank you again for everything and salute you with all my affection

Hi your friend, Amanda

I know that I am not alone even when I am alone

August, 30 2010

Dearest Maurizio

Hi dear, how are you? Do you know that yesterday I was taking with D…. about you, only because you are a very special person in this world, for all that you do for others. She told me that you got married. Congratulations! Now I have to tell to my grandmother and break her heart! 😊 Just joking!

I am well enough here. I thank you again for the shorts and shirt that you send me. They were perfect as always. Thanks and I hope that you didn’t lighten your wallet too much. I am kind of disappointed that you spend your money on me, you are too generous. I am always the same here.

Just finished reading a book by Umberto Eco book that I liked a lot. In Italian should be ” L’isola del giorno prima”, I read it in English “The island of the day before”; maybe the “island of yesterday”? Anyway, I was favorably moved by Eco’s organization in this novel in order to communicate so many ideas on science, philosophy, ethic, imagination, literature. It was a book very rich on thoughts, and colpi di scena during it’s path.

I like Umberto Eco because he meticulously builds the story that he wants to tell. Of all he writes, nothing is taken for granted and this is remarkable, he has a fantastic mind to dig deep while following a long track. I saw a Sean Connery movie based on a book of his “Il nome della Rosa?” It was fantastic. Always meticulously built, deep and fascinating.

Seems like that the newspapers know before us when the appeal proceeding will take place. We still have not been officially notified, but my lawyers told me that it should start Nov. 24th; that in the USA is Thanksgiving Day. Hope that it is a good omen even if there is a lot in my life for which I should be grateful: to be alive, having the family that I have etc…

[Undated letter]

Dearest Maurizio,

I am happy to hear from you again. I use now the paper you sent me to answer you.  Sorry to make you wait.  My mother has returned to the United States nearly a week ago, and my father returns to Italy tomorrow, to see me Tuesday.

I am happy to remain in Perugia. I do not want to restart everything in another place.  Also I? (blurred) have heard that the prisons in Rome are harsher than here. Who knows?

I only know that at least I know some of the prison officers fairly well, after all this time. I would be sorry to leave Don Saulo. I feel fine in my new cell. I changed it so I could be with a girl my own age. We joke, cook, we do manicures. Further, she does a manicure for me, because I do not know how to do one. We listen to music a lot because she has a radio.

Thank you for all you do for me. The paper, your words of confidence, your prayers. To Don Saulo I will send your greetings. Do you write often to him too?  I hope all is very well with you. I send you a big hug. Ciao! Thank you!

Amanda Knox 😊

Let it be, Let it be! Here comes the sun! (drawing of a sun)

3. Comments by educational psychologist and graphologist Evi Crotti

Looking at the Amanda Knox letters it is evident right away how organized and precise she is: she has a perfect handwriting, elegant and without smudges. We try to interpret it with the help of the graphologist and educational psychologist Evi Crotti.

She explains: Her perfect, organized handwriting, without margins and few spaces indicates that we have before us a girl that is decisive, strong, who wants to dominate, and knows she can succeed in life. She puts herself In the center and leaves no place for others. Amanda displays a way of writing that is typically northamerican, in small print, called script.

The handwriting, elegant, big and curved, reveals an extroverted personality, and with a notable sense of taste. Her language is fluid and polished, and the accuracy with which she writes, tells us that this young girl has a need to maximize and nurse her image, to the point of becoming narcissistic: after her signature she draws herself with a smiling face.

Amanda leaves no space between the lines: this signifies an element of interior loneliness, which she attempts to compensate at any cost with approaches of verbal intrusiveness. This tells us that that her strong narcissistic behavior can escape control and lead her to present unstable behaviors. The fact instead that her handwriting is always in horizontal lines, without blurs, gives testimony to her practical intelligence and her strong tenaciousness,  that allow her to reach her goals.

Also, the handwriting is rigid and this signifies that she knows how to use words with care and determination. Evi Crotti underlines that the handwriting is static: It is a sign of a behavior that is very seductive. Attention, the need to be attractive at all costs can make her lose sight of the objectivity of judgment , taking her to a subjective vision of circumstance reality.

Conclusion:  Amanda seems to be in a continuous search of approval and acceptance from those who live around her. Her egocentricity, maybe pushed unto the point of a bogus personality, demonstrates that this girl possess a highly emotional immaturity that doesn’t allows her to love in an unselfish way. The handwriting slightly slanted to the left indicates a contradiction between the need to be liked and the reactive refusal toward a feminine figure: for her, probably every woman represents a rival.

Saturday, May 04, 2013

Knox Book - What The Newly Published Writings Reveal To Professional Eyes (1)

Posted by SeekingUnderstanding

Amateurism run amoke is what the unprecedented and unwise Knox extravaganza is starting to look like. 

Several TJMK posts below this one have already suggested that the book was rushed into print with very little fact-checking, with no restraint on damaging false accusations,  and with no strategic legal considerations.

The same thing seems to have happened with the TV appearances.

Knox had a year and a quarter under wraps to prepare herself and yet her many exaggerated and over-emotional TV claims contradict many things SHE HERSELF has said previously.

She seems to have been rehearsed by handlers with little or no grasp of the extensive fact record.

And where has all this amateurism left her? Open to slow erosion of her credibility by an increasing number of commentators while considerably upping her peril in Italy.

Because many of her claims falsely accuse officers of the court, she could be further indicted for contempt of court, and she could see the five years which was lopped off her sentence by Judge Massei for “mitigating circumstances” reinstated.

Those of us with psychology credentials may not have all been expecting the same thing from Knox when she finally surfaced. But none of us expected to be confronted so forcefully with a classic case of a personality in turmoil.

My first impression after getting through to the end of the book was that it shows such serious disturbance psychologically, so much being revealed in her own words.

It wouldn’t be possible to classify AK as clinically insane, the niceties of this being so precise - but an abnormal mind is clearly illustrated. So clear that it is actually sad - that she has been allowed and encouraged to do this.

The ghost writing, or/and her own expression is also painful to read in terms of quality of writing. These are the main points that have emerged for me, from a psychological perspective, after reading:

AK’s grip on reality (even without drugs) is tragically lacking. It seems that she doesn’t know what a ‘fact’ is. Every fact and event is seen through a lens of her own feeling or emotion - logical connection being absent - together with how she believes it is best to make it appear.

‘Her “best truth” is this over and over again. She doesn’t even understand that this is considered by normal minds to be lying. She doesn’t seem to have a concept of lying.

• “their version of reality was taking over”... Does reality only come in versions?


• “something didn’t feel right. it seemed made up”.  Does she not know?

AK continually refers to herself as “different”. She is, but not for the curious or trivial things she believes. She is also obsessively concerned to be seen and classified as a “good person”. This comes up over and over.

“I didnt want them to think I was a bad person”. Note, not: “I didn’t want to BE a bad person” but always “how will people think of me”. This is a continual theme. “I couldn’t believe anyone could think that of me”.

It does show a dissociative and non-integrated personality, with both deep roots and serious implications.  There are also indications that she is unable to ‘read’ people’s faces /expressions with any accuracy. (Emotion recognition).

A more sinister and disturbing facet to her personality connected to the above, which comes through in every chapter, is the automatic disparagement of anyone who displeases her (which of course happens frequently - whenever, in fact, someone has a different version to ‘her best truth’).

Someone is then ‘useless’, ‘betraying me’, ‘stupid’, etc etc. These words are all said matter-of-factly…. as if they really are facts.  Here are some more of these words, peppered within the text:

• ‘Repellant, self-serving’, ‘hostile’, ‘insincere’, ‘abandoned (me)’, ‘uninterested’, ‘aggressive’, ‘spiteful’, ‘curt’, ‘disdainful’


• ‘Old perv…lecherous’, ‘glared cruelly’, ‘idiotic’, ‘insidious’, ‘controlling’, ‘condescending’, ‘mean’, ‘hateful’, ‘ruthless’....

Note that it is not that AK finds these people to be these things, in her opinion- it is that they ARE these things.

The sub-text is: I am a good person, and they, having displeased or disagreed with me, are ‘bad’. Thus the mechanism for strong, unrestrained projection is at work.

Example: “The police couldn’t bear to admit they were wrong.”  Could she, though?

Her projections are so blatant, that I quake for her lack of self-awareness. I used to read literature as a window into self-awareness, insight, philosophical depths, and questions of morality.

Sadly this book is about as far from offering these as one could go. A PR machine missile is not a ‘book’ in the sense I used to know.

AK reveals a very strong inner anger, the control of which is difficult, and which it would seem she is frightened of, and frightened of revealing.

She would also seem to be based in a passive aggressive stance, which gives rise to a side seen as nice and even gentle. These two sides seem badly split.

This would be in keeping with the Envy hypothesis (I refer to Melanie Klein’s ‘Envy and Gratitude’). There are a few definite examples of the consuming anger which Amanda herself describes graphically.

She continually justifies it, also. Sometimes, of course, anger may be justified (‘just anger’) but as described here it is nearer to a rage or a tantrum when things aren’t going according to how she wants them to.

This speaks of manipulation, which would be part of the same profile, and is essentially destructive and spoiling, as well as something that wells up with a will of its own.

She often exposes her state of mind in certain phrases, without realising the implications of what she is saying. This is why I think the whole thing is so sad, as she has been used (seemingly mainly for money) in this foolish venture.

For example: “In that instant I snapped.” when the detective said “you know who killed Meredith.” It wasn’t the pressure/abuse from the police that made her snap, it was being confronted with the truth.

NOT her ‘best truth,’ but one that was simply unbearable to hear.  There are many other examples, littered throughout the book, of some of her inner chaos:

• “This is my own fault. I caused the confusion”


• “I wanted to disappear.  I didn’t want to be me anymore”.


• “I didn’t know if I was allowed to keep my thoughts private…”


• “Like a roller coaster ride….can’t get off. This is all my own fault”
.

• ” I was furious for putting myself in this situation”.


• Rafaelle - “He didn’t look at me. I wondered if he hated me”.  (Why should he?)


• “We want justice. But against who? We all want to know, but we all don’t.”

There are many others.  Amanda Knox said she loved Italy and I believe her. With adjustment she could have been a lot happier there than she perhaps ever was in Seattle. Now she is in the position of demonizing Italy and its good people there, and in the worst possible way.

Italy was in fact very kind to Amanda Knox, and her treatment there was on the right lines to give her hope of enduring stability. What a pity that dirty PR and legal tricks and money grubbing may have pushed that out of sight forever.

Wednesday, May 01, 2013

A Welcome To New Arrivals: A Second Experienced Lawyer Recommends How To Zero In On The Truth

Posted by James Raper With Kermit

Some Questions

My legal colleague Some Alibi hammers home in the post below that the trial jury were not fools. They decided for guilt unanimously, based on many compelling evidence points.

(1) Do you know how many hard evidence points there are? Literally hundreds. This is a very evidence-heavy case. And at trial in 2009 the prosecution did an excellent job. Between February and June, in about a dozen one-day sessions, they presented an overwhelming case and tied together all the points.

(2) Do you know how many conclusive evidence points are required for a finding of guilt? Just ONE. If it is definitive enough, a single piece of evidence can decide any case. Some Alibi posted a damning footprint example the other day which BY ITSELF could have seen Sollecito convicted in any UK or US court. There are examples too for Knox.

(3) Do you know how many evidence points were discredited during the trial and the anulled appeal? In fact it was NONE. A spooked defence kept well away from the alibi evidence, the cellphone evidence, the computer evidence, the mixed-blood evidence, the obvious crime-scene re-arrangement, and most eye-witness evidence. <

Please click here for more

A Welcome To New Arrivals #1: An Experienced Trial Lawyer Recommends How To Zero In On the Truth DRAFT

Posted by Some Alibi

[Merediths window is seen on the top floor of the house in the lower foreground]

Welcome To Common Sense

This briefing was first posted with slightly different opening paras at the start of the annulled Hellmann appeal. New arrivals often tell us this helped them the most.

If you’ve come to this website because of the Amanda Knox book and interview, then welcome.  Like all of us who come to this case, you have one key question: did they do it?  The Knox book and interview seriously cherrypick the case, and perhaps haven’t helped you at all.

On the Internet, you will find people who are passionate in their defence of Amanda Knox and Raffaele Sollecito; and you will find people who are passionate in their support of an exceptionally talented girl who died, of a fine justice system previously untainted by PR, and of the prosecution’s very strong case.

Please click here for more

Monday, April 08, 2013

Experienced Trial Lawyer: There’s Far More Evidence Than UK/US Courts Need For Guilt

Posted by SomeAlibi

The false claim “there is no evidence”

Some amateur supporters of Knox and Sollecito have committed thousands of hours online to try and blur and obfuscate the facts of the case in front of the general public.

Their goal is simple: to create an overwhelming meme that there is “no evidence” against the accused, and thereby try to create a groundswell of support. Curt Knox and Edda Mellas and Ted Simon have all made this “no evidence” claim many times.

At least some some of the media have eagerly swallowed it.

The amateur PR flunkies make up myriad alternate versions of what created single points of evidence, often xenophobic scare stories designed to trigger emotional reactions, which they hope will be repeated often enough to become accepted as “the truth”.

And where things get really tricky, another time honored tactic is to go on at great length about irrelevant details, essentially to filibuster, in the hope that general observers will lose patience with trying to work it all out.

But time and again we have shown there is actually a great deal of evidence.

Evidence is the raw stuff of criminal cases. Let me speak here as a lawyer. Do you know how many evidence points are required to prove Guilt? One evidence point if it is definitive.

A definitive evidence point

If you’re new to this case or undecided, what is an easy example of ONE definitive evidence item that might stand alone? Might quickly, simply, and overwhelmingly convince you to invest more time into understanding the real evidence, not that distorted by the PR campaign?

In fact we have quite a choice. See the footprint which was second on that list.

Now see the table above. I recommend the use of this table of measurement to avoid the lengthy back and forward of narrative argument which so lends itself to obscuring the truth. I would like to present you with this single table of measurements to give you pause to question whether this line that there is “no evidence” is really true or whether it might be a crafted deception.

I present here a summarized view of critical evidence which suggests with devastating clarity that Raffaele Sollecito was present the night of the murder of Meredith Kercher. No lengthy text, no alternate versions, just measurements.

This FIRMLY places Sollecito in the very room where Meredith was attacked and killed.

In the small bathroom right next to Meredith’s bedroom was a bathmat. On it was found a bloody naked right footprint of someone walking straight towards the shower in the bathroom. The blood is that of Meredith.

The footprint is not Amanda Knox’s - it is too big - but we can compare it to the prints taken of Rudy Guede and Raffaele Sollecito.

In Judge Massei’s report the multiple measurements were detailed in the narrative over many sentences and, in that form, their immediate cumulative impact is less obvious. It is only by tabulating them, that we are forcefully hit by not one but two clear impressions:

The measurements are extremely highly correlated to the right foot of Raffaele Sollecito in twelve separate individual measurements. In themselves they would be enough for a verdict of guilt in all but a few court cases.

But they also show a manifest LACK of correlation to the right foot of Rudy Guede, the only other male in that cottage on the night. Have a look for yourself.

If you were the prosecution, or indeed the jury, and you saw these measurements of Raffaele’s foot versus the print, what would you think? Answer the question for yourself based on the evidence admitted to court.

Then, if you compare further, exactly how plausible do you find it that the measurements of the bloody imprint are Rudy Guede’s instead?

Not only are some of the individual measurements of Rudy’s imprint as much as 30% too small, but the relative proportions of length and breadth measurements are entirely wrong as well, both undershooting and overshooting by a large margin (70% to 150%).

Conclusions that must follow

Presented with those numbers, would you consider those measurements of Rudy Guede’s right foot to show any credible correlation to those of the footprint on the mat?

Supporters of the two have tried frantically to create smoke screen around this - the wrong technique was used they say (ruled not so by the court) / they are the wrong measurements (all 32 of them? that Raffaele’s are matching exactly or within a millimetre but Rudy’s are out by as much as -30% to +50%...?).

The severity of the impact on the defence is such that there was even a distorted photoshopped version circulated by online supporters of Raffaele and Amanda until they were caught out early on in coverage. But it is hopeless, because these are pure measurement taken against a scale that was presented in court and the data sits before you.

Have a look at the measurements and understand this was evidence presented in court. Whose foot do you think was in that bathroom that night? Rudy Guede? Or was it Raffaele Sollecito on twelve counts of measurement?

And if you find for the latter, you must consider very seriously what that tells you both about the idea there is “no evidence” in this case and who was in the cottage that night…

Monday, February 18, 2013

Raffaele Sollecito Now Under Formal Investigation For New Crimes Apparently Unprecedented

Posted by Our Main Posters

Breaking news. The Chief Prosecutor for Tuscany Dr Quattrocchi (above and below) has taken this investigation of Sollecito behind the scenes. Dr Quattrocchi is actually under no compulsion to make any of the Perugia and Rome complaints public before his investigation is complete. He has ordered all documents removed from the public domain. This is specifically to give the defense and their PR no advantage, and to make sure those others in Perugia who are going to complain about being defamed do so without harm.

Overview

This is a contempt of court case as court officials have been impugned. This is Wikipedia’s definition of “contempt of court” under US and UK common law.

Contempt of court is a court order which in the context of a court trial or hearing, declares a person or organization to have disobeyed or been disrespectful of the court’s authority.

Often referred to simply as “contempt,” such as a person “held in contempt,” it is the judge’s strongest power to impose sanctions for acts which disrupt the court’s normal process.

A finding of contempt of court may result from a failure to obey a lawful order of a court, showing disrespect for the judge, disruption of the proceedings through poor behaviour, or publication of material deemed likely to jeopardize a fair trial.

A judge may impose sanctions such as a fine or jail for someone found guilty of contempt of court.

We may now find out much more about the equivalent under Italian law.

When Raffaele Sollecito and Amanda Knox were released at the end of 2011, the prosecution filed a Supreme Court appeal within the allotted period. This automatically meant that Sollecito and Knox still stood accused of crimes until the Supreme Court finally signs off.

Typically Italian defendants in such a legal status get good legal advice, on the lines of “Shut up and keep your heads down. We need to be the only ones doing the talking here.” 

Here such advice may or may not have been forthcoming, but the public record strongly suggests it was not. In fact Sollecios entire legal team is credited by both himelf and his shadow writer Andrew Gumbel with helping. This is what Gumbel wrote in his Acknowledgments:

Donatella Donati in Luca Maori’s office gave up many hours to make the official documentation available and to present it all in a cogent order. She’s a largely unsung hero in this story and deserves recognition for her extraordinary efforts on Raffaele’s behalf. Giulia Bongiorno, Luca Maori, and Tiziano Tedeschi answered questions and made comments on parts of the manuscript.

In the same Acknowledgments Sollecito credits the following.

I was lucky to have a crack legal team who showed their devotion to the truth and, in some cases, did not even request payment. The team of lawyers and consultants included Adriano Tagliabracci, Francesco Vinci, Bruno Pellero, Francesco Introna, Giulia Bongiorno, Maurizio Parisi, Daniela Rocchi, Luca Maori, Donatella Donati, Marco Brusco, Aldo Poggioni, Delfo Berretti, Tiziano Tedeschi, and Antonio D’Ambrosio.

Interestingly, Luca Maori has already left Sollecio’s legal team, and all eyes are now on Giulia Bongiorno. Buy plenty of popcorn. Lawsuits could fly between lawyers and family. 

Since the end of 2011 Curt Knox’s forces seem to have have gone full steam ahead with their own vilifications of the Italian prosecutors, police, judges, and witnesses - in fact almost anyone who had any role in 2009 in finding them guilty, or came to believe that was a fair finding. Ourselves included.

In late 2012 Curt Knox apparently invited all the most fervent of these attackers to Seattle, including Frank Sforza and Bruce Fischer, as some sort of reward for their legally very ill-advised campaign. Buy plenty more popcorn. Lawsuits could fly here as well. 

Raffele Sollecito’s forces in Italy had been a lot more restrained.

But at a stroke, the shrillness of Raffaele Sollecito leapfrogged that of Amanda Knox’s forces, with the publication of his book Honor Bound by Simon and Schuster in English in the UK and US last September,

INSTANTLY the book became notorious in Italy, because excerpts were read out by an Italian reporter in New York on the national television show Porta a Porta. Raffele Sollecito’s father Francesco was on that show, and he was increasingly forced to admit a key claim in the book was invented. It simply never happened. His son made it up.

The false claim by his son that Francesco was made to repudiate - it reappears over many pages - concerned a claimed deal engineered by his family and offered by the prosecution to Sollecito.

The deal he claimed was to roll over on Amanda Knox, and if Sollecito did so, he would be home free.

Following the Porta a Porta show, the book (obtainable on UK Amazon, where many false claims are repeated in the reviews) began to make its rounds in Italy. It took some time before many official parties accused of crimes by Sollecito obtained copies and started to explore their own legal possibilities. They are apparently still far from finished.

At the end of last week, the Chief Prosecutor for Tuscany Giuseppe Quattrocchi received the first official request from Perugia, which is to investigate 12 very serious claims in the book against the prosecution and the legal institutions of Italy. The complaint nominates a number of witnesses.

The Prosecution office of Florence now has a maximum of six months to investigate whether there is a case against Sollecito and other named parties. If so, they will steer it through the hoops of the Italian process.

The potential ripple effects of this appear to us to stretch on and on. They could come to engulf both legal teams (credited in the book with helping) and all of the PR for both defendants. Sollecito’s publisher and shadow writer are specifically named in the complaint

If Amanda Knox is not let off the hook by the Italian Supreme Court late in March (the outcome we consider most likely, given the great strength of the appeal) the smart way for Knox to go in light of this could be to junk all her websites, her book, and her interviews, and throw her supporters under the bus. Plus maybe get smarter lawyers - the aggressive and inexperienced Dalla Vedova does her no favors.

Keeping Amanda Knox’s head out of this deadly new line of fire may be very late - but maybe better late than never.