Headsup: Disney's Hulu - mafia tool?! First warning already sent to the Knox series production team about the hoaxes and mafia connections. The Daily Beast's badly duped Grace Harrington calls it "the true story of Knox’s wrongful conviction of the murder of her roommate". Harrington should google "rocco sollecito" for why Italians hesitate to talk freely.

Category: Various hypotheses

Monday, February 21, 2011

NY Post Review : Amanda Knox Movie “Offers Almost No Reason To Believe She Was Not Involved”

Posted by Peter Quennell

The Massei Report in English (link above) has been downloaded from PMF and TJMK over 20,000 times now - and finally its full force seems to be hitting home.

This factual and accurate review by New York Post critic Sean Daly is one of several we have already seen which doesn’t incline the preview critic toward Amanda Knox’s non-involvement or innocence. Some excerpts:

As portrayed by the seriously adorable Hayden Panettiere (“Heroes”), Knox, currently serving a 26-year sentence for killing her roommate, Meredith Kercher, is portrayed as a drug-abusing honors student who flaunted her sexuality and mysteriously showed little emotion after the brutal murder…

Details of the Massei Report were discussed openly among the cast and crew during the 23-day shoot near Rome last fall. “Basically we argued every day about whether she was innocent or guilty,” says Marcia Gay Harden, who plays Knox’s mother, Edda Mellas…

The film depicts the Seattle native as almost unaffected by the grizzly killing “” and more concerned with shopping for lingerie than mourning a lost friend. “I was physically ill when I saw [clips on TV],” Knox, 23, told her stepfather Chris Mellas in a phone call from Capanne prison. “I thought I was going to throw up.”

Perhaps she couldn’t stomach the graphic images of Kercher laying on a bedroom floor with her throat slit, coughing up blood.

Another scene shows “Foxy Knoxy” perched on boyfriend Raffaele Sollecito’s lap, kissing in an Italian police station while Kercher’s grief-stricken friends sob. Moments later, the couple, who were both convicted of the slaying, along with Rudy Guede, are shown smoking pot before a sexy romp in bed…

Despite [executive producer Trevor] Walton’s insistence that facts were presented “as impartially as possible,” the movie shows Knox in various reenactments of the crime, and offers almost no reason to believe she was not involved.

Thursday, February 17, 2011

The Daily Beast’s Barbie Nadeau Weighs The Pros And Cons Of The Lifetime Movie

Posted by Peter Quennell

[Above: Lifetime TV has an office suite in this giant hitech building which Google is presently purchasing]

We doubt if we are going to rate this film very highly. Already there are critical reviews.

And the Massei report shows overwhelming guilt, the grounds for appeal are slim indeed, and the Supreme Court of Cassation has ALREADY accepted that all three were part of the attack.

Barbie Nadeau’s report upon seeing a preview seems to confirm that the film will at least in part blow smoke and mislead the viewing audience by failing to convey those hard facts.

The movie does a commendable job slaloming between guilt and innocence as it stitches together known details of a very complicated case. It doesn’t shy away from controversial facts like how Knox accused Patrick Lumumba of the murder, or just how tough the Perugian police were on the 20-year-old American during her interrogations…. Lifetime lands squarely on the side of reasonable doubt when it comes to Knox’s conviction, but the network also does a fair job showing just why the jury in Perugia found her guilty.

Reasonable doubt? In fact that is a term that applies only to juries who were present in the courtroom the whole time, and in this case the guilty verdict was already unanimous. They had no reasonable doubt.

Sadly, John and Arline Kercher’s worst fears about the movie dwelling upon the graphic violence done to Meredith seem fully justified.

Indeed, the movie features globs of often-gratuitous violence around their daughter’s tragic death. Sure, it is a TV dramatization bent on ratings about a now-legendary murder, but the CSI-style black-and-white autopsy shots and a disturbing scene where Guede watches Meredith choking on her own blood are unsettling, even for those of us who have covered this case from day one. It’s one thing to see the crime scene video and hear testimony about how it might have happened, but it’s quite another to watch someone act it out in gruesome detail.

There seems to be little mention of the million-dollar public relations campaign that has so misled the public, and none at all of the inflammatory anti-prosecution anti-Italy bias of much of the UK and US media. 

Not all is bad. Mr Mignini and his team are shown as “smart, capable investigators caught up in a terribly complicated crime….”. The Knox family are portrayed as “even-tempered and wholly genuine in support of their daughter”. Hayden Pantierre does “an admirable job playing the quirky Seattle native.”

But Amanda Knox herself apparently comes across as vague and someone who “could have simply been in the wrong place doing the wrong things at the wrong time.” We have already remarked in a previous post “We will be curious to see if Lifetime somehow depicts what a sad drug-driven slide into dependency and desperation the seemingly not-quite-right Amanda Knox appeared to be embarked on.”

However Meredith is said to be infectiously played, by Cambridge University graduate Amanda Fernando Stevens (image below), who we believe really did give the classy depiction of Meredith all she could.

Fortunately, Lifetime also focuses a fair amount of attention on Meredith, painting a portrait of a bright and beautiful young woman who was far more serious than her American roommate, but who had an infectious sense of humor and enviable charm. That careful attention to her charisma makes her murder all the more tragic.

Friday, February 11, 2011

Perhaps Heeding Meredith Family Pleas And Our Open Letter Lifetime Claim Movie Now Less Shrill

Posted by Peter Quennell

If we are reading this somewhat cagey explanation by Lifetime executive producer Craig Piligian correctly, the scenes with Meredith have almost disappeared.

Lifetime is set to premiere the movie on February 21, but the channel has slightly altered their marketing in response to criticism from both Knox’s lawyers and the family of victim Meredith Kercher.

The channel recently removed the original teaser-trailer for the movie, which stars Hayden Panettiere as Knox, from its website and YouTube, and today replaced it with a new, slightly edited version.

The new promo no longer includes scenes depicting Kercher being assaulted, which caused a stir in the U.K., where she is from, and which her father called “absolutely horrific.”

If this is true then we have to thank you, Lifetime, for a kind gesture that matters a great deal to Meredith’s family and her many supporters worldwide.

Mr Piligian says the movie will air in the US starting 21 February and the UK and some other markets, but no longer in Italy.

Insiders also confirm that Amanda Knox will not air in Italy due to legal reasons, because Knox’s case is ongoing. Knox’s lawyers had sent a letter to Lifetime, asking the network to pull the clips down, arguing that the movie’s depictions might jeopardize her chance of a fair trial. A Lifetime spokesman confirmed that the network received the letter, but beyond that, they have not commented on the controversy.

We also presume that Lifetime had no wish to pin a calunnia target on their own backs,  as the Italian police and investigators and prosecutors may have quietly warned them. 

The producers and cast continue to make some rather loopy claims about how controversial the evidence actually is.

“This is a factual drama and we feel we did a very fair and balanced telling of the story, crafting a script from court records and other public documents,” executive producer Craig Piligian tells TV Guide Magazine.

“At the end of the movie people will be wondering whether she really did or didn’t do the things she’s accused of,” he says. “We weren’t leaning one way or another, but took a very even, fact-based approach, which ultimately allows the viewers to make their own decision.”

Amanda Knox is simply accused? Actually she already was unanimously convicted. The Supreme Court of Cassation has already accepted that all three were party to the attack.

Certainly the conviction is not final until Cassation confirms it (probably by late summer 2012) but that existing Cassation position really means it is all but game over. And Capanne Prison continues of course to be Amanda Knox’s home.

But the auspices behind the movie say they’ve made sure not to take sides in the debate over Knox’s guilt or innocence… Piligian said he screened the movie internally to his staff, and even in-house there’s no consensus on whether or not Knox was involved in the crimes. “Everyone’s divided, and the viewing public will likely be divided as well… That’s what makes this such a great story.”

No consensus? Try again. Read the voluminous evidence rather than simply watching a hedging semi-fictional film

We are finding that maybe 98 out of every 100 bright people who read the Massei report and the Micheli summaries do not have the slightest difficulty seeing that the case has been made and the first verdict a fair one.

We will watch the Lifetime movie for sure on 21 February.

We will be curious to see if Lifetime somehow depicts what a sad drug-driven slide into dependency and desperation the seemingly not-quite-right Amanda Knox appeared to be embarked on.

What a deservedly friendless, obsessive and bizarre person the heavy drug user Raffaele Sollecito seemed to be, despite all his deeply concerned father’s best efforts, in real life.

And what an exceptional fast-track student with an amazing future already mapped out the real victim, Meredith, really was.  We believe Lifetime may have picked up some strong vibes of that.

Wednesday, February 09, 2011

On The Effects On Amanda Knox Of Her Movie Alter Ego Hayden Panettiere

Posted by Hopeful

An ABC News headline: “Amanda Knox Felt Ill When She Saw Herself Portrayed in New Movie”

Nikki Battiste.states that Knox was tearful in her weekly phone call home after having seen the trailer of the movie on prison TV news. Chris Mellas quoted her, “I was physically ill when I saw the images. I thought I was going to throw up.”

This reaction seems to spring from the strange feeling Knox had when seeing “a girl who looked like her, dressed like her, playing her life.” Mellas explains her frustration at having no control over her life or how her life is portrayed.

Perhaps this seeing herself through objective eyes is shaking up her fragile sense of identity. She explored that theme in her appeal speech, all too fully for the occasion. She’s not “that girl” painted by the prosecution.

Maybe in this movie she is reminded of all the glories that were lost seeing the colors and happy scenes of bouncing carefree Hayden/herself flitting around Perugia at the university that she so loved; and the love scene with Raffaele, the picturesque architecture of Perugia with the film’s golden lighting, even her long hair as Hayden wears wig, treasured times of joy.

This film renews those days of wine and roses, however brief, and it must be horrifying to have traded all that freedom for the current reality.

Nikki Battiste reports, “Her family said she is not aware of the magnitude of the press surrounding her life, and that she avoids watching television and reading newspapers.”

That sounds inaccurate or blatantly false, because she faces a jungle of reporters and cameras each time she enters the courtroom and her family has been in constant contact with her for three years giving ample time to discuss how she is perceived, the press they are surrounded with.

She has probably been informed of every bit of the internet interest in her case, both pro and con. We know this because she refers to the media coverage of her reputation in her appeal speech. Her access to newspapers in prison is no doubt limited, but overall she must surely be apprised of the hubbub about her trial. So her being “not aware” is a total exaggeration, so too perhaps is her reported reaction.

If she sees the movie as veering from the truth of what happened the night of the murder, her reaction may be mixed: grateful that the real details are not known but fearful that even the false rendition makes a case for guilt, and wondering what effect this may have on her appeal, if any.

Case of sowing and reaping here?

She may be bearing the brunt of lies in this movie after having told so many herself. She may be a great deal more envious of Hayden Panettiere than she ever was of Meredith, and resent this lovely actress’s freedom to vicariously take over her life and her sufferings while getting famous and paid for it.

It’s like two actresses vying for a juicy role and one losing out to the other, the loser being Foxy, ironically she being the authentic character and born to play the role. She may hate to lose her claim to fame and the spotlight to Hayden.

She may envy Hayden’s looks and charisma, and feel she has been overshadowed once again, beaten at her own game. It’s hard to imagine how conflicted this movie must make Amanda feel. If she knows her family has received financial benefits from it with some trickle down benefits to herself, that may be some consolation.

Identity confusion from seeing oneself portrayed by another is a powerful mirror held up to the self even if one is innocent. If one is not very self-aware to begin with, seeing oneself caricatured or portrayed by another like a game of charades could make a person feel unbalanced and discombobulated.

Amanda is fortunate to have plenty of quiet time without media frenzy or court dates so she can process this dramatic development.

It’s equally possible that her tears and nausea are an act equal to Hayden’s, initiated by her shrewd instinct. They could be a falsehood concocted by her family to camouflage the fact that she’s secretly revelling in every minute of increased notoriety. She may be silently thanking Hayden for promoting her status on TV.

For that matter it might not be mutually exclusive, this love of the limelight once again, but anger that she has been cut out as scriptwriter. The issue she has with “no control over her life…how her life is portrayed” does sound rather like the bitter tears of a wounded egomaniac.

Friday, February 04, 2011

Open Letter To Everyone Remotely Involved In Lifetime’s Crass Enterprise “Murder on Trial in Italy”

Posted by Peggy Ganong

Video version and all co-signatories of the letter below

The parents of Meredith Kercher are not the only ones who are appalled and saddened by the making of the soon-to-be aired Lifetime movie “version” of their daughter’s brutal murder, which occurred in 2007 while she was an Erasmus scholar in Italy. Though we cannot begin to truly imagine the depth of their ongoing pain, we can certainly empathize with them. And we can share their outrage at the very idea of showing graphic footage that purports to depict “what happened” to their beloved daughter. That John Kercher, Meredith’s father, was led to believe otherwise just makes matters worse.

At the risk of creating yet more publicity ““ which could ultimately play into the hands of the producers and others associated with this telefilm, commissioned by and scheduled to air on the US cable channel Lifetime ““ we wish to condemn, in the strongest possible terms, everyone who has played a role in bringing this crass enterprise to fruition. The film is not just premature and untimely ““ though it is indeed both, since two of the three unanimously convicted in December 2009 for their role in Meredith’s death are currently awaiting the first of two appeals, which are automatic in Italy ““ it is also just plain wrong. And it will continue to be so in ten, twenty or thirty years’ time.

What possible justification could there ever be for inflicting this kind of pain on the real-life, grieving family of Meredith Kercher? Does it enhance our understanding of this heinous crime in any way? No, it does not. Does it serve to dissuade others from engaging in such acts? No, it does not. On the contrary, it breeds the kind of callous disregard for human life and lack of empathy that led to this gratuitous act of violence in the first place and that apparently characterizes those who have produced, directed and otherwise participated in the project.

In some respects, the damage is done as far as Meredith’s family are concerned. The footage is out there thanks to the efficiency of the World Wide Web. Now, there are two ways to bring partial reparation and maybe a little consolation to the Kercher family: one is to immediately remove all of the offensive footage from the internet, as John Kercher has politely requested. The other is to simply refrain from watching the film when it is broadcast on the Lifetime channel. Use the time to let the people at Lifetime know that you are unhappy with their lack of basic decency and fellow feeling, and that you plan to impose a personal ban in your house on the channel. There is a third way, but only the people at Lifetime can bring it about: that is to quietly but quickly pull the film from its line-up.

Just over three years ago, Meredith Kercher was a living, breathing, joyous young woman. She was also, and still is, someone’s daughter, someone’s sister, someone’s friend and someone’s neighbour. From what we have heard, she brought joy to all who knew her. None of these people deserve the gratuitous pain and suffering that this film and this footage will surely produce. Adding insult to injury, the film apparently focuses in particular on one of the three convicted killers, contributing indirectly to the well-financed and well-orchestrated PR effort intended to garner sympathy for and turn her into a “minor celebrity.” We wonder why, if Amanda Knox’s family and friends are opposed to this celebrity status and tabloidization, they did not do more from the outset to nip this project in the bud. The world knows by now that they have easy and apparently unlimited access to the media. Why have they not used just a few minutes of this access to let it be known that they think Lifetime should scrap the project? Why have they not threatened a lawsuit, claiming that until all appeals are exhausted this kind of film could turn the jury against Amanda Knox?

Like Arline Kercher, Meredith’s mum, we wonder why only the name “Amanda Knox” appears in the title of the film when the victim is named Meredith Kercher. And finally, we wonder why, if Amanda Knox’s family and friends are unassociated with this project, as they claim to be, they are being given an hour of airtime directly following its scheduled showing?

By Peggy Ganong, Seattle

Cosignatories with more to come

Neville Sprigg, England

Dr. Kathy Graham, B.C. Canada

Jane Blakelock Ohio

Claire Bennett, Bristol, UK.

Ann-Marie Thornton, Turkey

Rich Towle, California, USA

Neil Kazwell, St. Louis, MO

Cathy Armer, Boston MA

Nick Kitto, Barcelona, Spain

Mara Loughridge, Florida, USA

Dr. Craig Gerard, Boston, Massachusetts

David Llewellyn Smith, Scotland

Lola Kassim, Cheshire, England

John Crawford, Kent, England

Kevin Mackintosh, Va, USA

Barbara Taylor, Ohio, USA

Sylviane Pompei, France

Andrew James, Germany

Doug Clement, Portland

Samantha Andrews, Derbyshire UK

Patrick Critien, Sliema, Malta

Janet Chapman,Sheffield UK

Theo Stobbe, The Netherlands

Renate Lauditsch, Austria

Laura Watkins, Berkeley, California

Rachel Ross, California, USA

Dr Rosemarie Levine New York, NY

Miriam Bell Khounsary, Seattle

Robert Harrison Kingston-Upon-Hull UK

Amy Revell, United States

Julia Perez, southern Spain

Beth Zaring, Wellston, Ohio

Martha Shamp, Auburn Alabam

Stanley Champ.Garryhinch, Ireland

Heather Good, Whatcom County, WA, US

Katherine Phillips, Barry, Wales

Kris Arnason, Seattle US

Maria Fifield, Buxton, Derbyshire

Simon Gardner Oxford UK

Peter Quennell New York

 

Lifetime TV Appear To Have Lied And Invented False Facts For Their Horrific Knox TV Movie

Posted by Peter Quennell

These are all of our previous posts on this hapless film, which defense lawyers had said they might sue to be put on ice until after the appeals are all done.

There seems to be growing outrage in the media (read the many angry comments down below there) over what seems the sensational promotion and the offensive and misleading content of the film.

The film was made in Milan and Rome and it is due to air in the US on Monday 21 February, and thereafter in various other countries around the world. .This is the film that both Arline Kercher and John Kercher had spoken out very strongly against. It appears from the trailer and the still images to contain various manufactured scenes seemingly designed to enhance Knox.

1) This scene at the top certainly did NOT take place,  as Sollecito and Knox bizarrely chose to go for a pizza rather than join the grieving crowd at the memorial service for Meredith.

Among all who knew Meredith who were still in Perugia, they were the ONLY ones to refuse to attend. Neither Knox nor Sollecito have ever shown genuine sympathy for Meredith or for her family and friends.

2) This scene idepicts Meredith in an amorous position on top of Rudy Guede. This did NOT take place. Neither the Micheli court NOR Guede’s two appeal courts NOR the Massei court accepted that. Four courts rejected it as a lie and a defamation of the victim.

If Meredith were still alive, this would certainly be defamatory. Meredith had a headache that night and was tired after staying out most of the night before (Halloween), and she intended to finish a homework assignment and go to bed. She already had a boyfriend that she liked, and unlike Knox had zero history of sleeping around.

3) Lifetime told Meredith’s father John and many others in a public statement (they have never ever been in touch with the family quietly and directly) that the film would NOT depict the crime against Meredith, regardless of what angle Lifetime took toward Knox. The timeline would stop short of that.

And yet this scene show Meredith being savagely attacked by three people - exactly what Meredith’s family had feared most.

Right after the movie, Lifetime will apparently give the Knox-Mellases a full hour to sell their usual self-serving fabrications and half-truths. 

And meanwhile, still not one word from Lifetime for the family of the real victim. Lifetime is a smallish network with a mostly elderly female demographic, and it mostly focuses with varying sympathy on women who have been hurt or killed. The REAL victims.

So what happened here?

Friday, January 28, 2011

Why Don’t Perpetrators Say They’re Sorry? A Psychoanalytic Perspective

Posted by Carol Poole

[Image: In downtown Leeds, a city in which Meredith was extremely happy]

A disclaimer: I do not intend these remarks as commentary on any specific individual(s). I’m offering them as food for thought, for anyone who (like me) struggles to understand both the human capacities for destruction and for healing

Why don’t abusers apologize when they’re caught? Even when it would be in their own best interest to show remorse?

Of course, there are exceptions. Sometimes people own their crimes and take responsibility. The less shameful the crime, the more likely this is. As Johnny Cash sang, “I shot a man in Reno/Just to watch him die.” When he sang at Folsom Prison, no doubt his audience nodded along, sharing a general sense that shooting or getting shot in a bar is the kind of thing that any man might find himself doing on a bad day.

But no one sings about molesting a child. Or rape. Even the Green River Killer, Gary Ridgway, was offended when officers suggested he had raped the women he murdered—women, most of them young, all of them working the hardest of jobs and deserving much better.

So there are some crimes that no one brags about—or apologizes for, either, which is a shame, since the survivors and loved ones are left to try to understand what has happened. In my work as a psychotherapist for trauma and abuse survivors, I seek answers for this difficult question: how can people do such terrible things to others, and show no remorse?

This is especially hard when the perpetrator seems like a nice, “normal” person, a respected member of society. We can more easily understand when an act of violence is committed by someone in the grip of a psychotic delusion. It’s just a terrible accident then, a case of being in the wrong place at the wrong time. Likewise, we don’t lose sleep trying to understand a coldly sociopathic attack: we don’t have to wonder why a mugger steals a purse.

But it baffles and hurts us deeply when someone we should have been able to trust commits violence against one of us. Especially when the crime is covered up by denial, adding injury to injury by robbing the injured parties of something they need in order to heal: acknowledgment of the truth of what’s happened.

Dori Laub, a psychoanalyst who survived a childhood in concentration camps in the Holocaust, observed that when our faith in goodness is shattered, we feel abandoned by the world of goodness, and lost in a kind of desert of the soul, a deathly state that feels empty of all life except for the malign presence of the perpetrator.

And he pointed out something he must have learned by experience: there is something about trauma that messes with our ability to recognize it when it’s happening. Our minds sometimes cannot see it, refuse to put together the picture that is right in front of our eyes, perhaps because we fear that if we see the truth, it will destroy our hope that the world is the good place we need it to be.

This, I believe, is why good people sometimes collude with abuse by refusing to see it. The refusal is happening at such a deep instinctive level that it’s rarely an entirely conscious choice.

And in a sense, it’s also why perpetrators of the worst crimes so rarely own what they’ve done. Research has shown that abusers have a curious relationship with remorse: they may have formidable defenses against feeling guilt, which is feeling bad about what you’ve done. But they are highly prone to shame, which is feeling bad about who or what you are.

The kind of people who are most likely to abuse others are those who are absorbed by a damaged sense of self. They lash out in a crude effort to fend of feelings of being bad, in a kind of magical thinking: If I put the badness in you, it won’t be in me anymore. If I make you hurt, then I won’t have to hurt. To a very childish state of mind, to hurt is to be bad. We all make that equation when we’re very small, but most of us grow a mature sense of self that integrates our many different feelings into a whole picture.

Having a mature sense of self means being able to say, “I sometimes do things that aren’t good. I wish that wasn’t true, but it is. At least I can try to repair the harm I’ve done, and learn not to do it again.” The same sense of integration is what prevents us from acting out our worst impulses. We can safely want to strangle people from time to time, knowing we will never do it.

When someone’s sense of self is so badly damaged that they can be violently abusive, they aren’t able to hold together a whole story about themselves, or about what they’ve done. It’s only after years of therapy (or other means of growth) that such a person might become able to really put together the picture of their own violence, and take responsibility for their actions.

Which means that people who have been harmed by violence have to find ways to take care of themselves and heal, even though the perpetrator has an infuriating, baffling way of seeming not to have been there at all. It’s as though nothing happened.

It’s natural to wish that the perpetrator would be sorry. It would help so much to hear their apology. But there’s a trap, too, in waiting for help from that quarter. It’s no good trying to get such a person to hear you or understand that gravity of what they’ve done. It’s like trying to get a clear reflection out of the fragments of a shattered mirror.

Instead, what helps survivors and loved ones heal is to tend their souls, and work their way back toward everything that makes life full: love, trust, gratitude, hope. Which means finding a way to grieve the losses.

We don’t grieve in the cold shadows of the death zone; we grieve when we remember our love and our hope for the future.

It helps to have a sense of community acknowledging our loss. It helps if we can find a way to bring something good out of the devastation—if we can at least bring some meaning to the loss by letting the tragedy inspire us to do good.

It’s only at the end of the movie, when the mother and child embrace, that we can let down and weep for everything they had to go through to find each other again, and weep too for the ones we miss.

Wednesday, January 26, 2011

Letter From Italy: Explaining Why My Pro-Women-Victims Focus In My Forthcoming Movie Samhain

Posted by Stefano Torrese

[Above: Stefano Torrese (right) and his co-author and co-producer Diego Antolini discuss Samhain]

While reading Mr. Kercher’s open letters [here and here] we found so many resonances with our ideas and feelings about the sad drama that occurred to Meredith, feelings which had led us to initiate the film project “Samhain - A Halloween Tale”.

Our starting point was to write a story which could deliver a strong message on behalf of all women whose life had ended because of the violence and ignorance of others; to provide our contribution to making people think and re-think about the society we live in, where nobody is safe, children or students or workers.

Then, as we deepened the research into the subject, and more material came out about the judicial case and the trials, we witnessed, as John sadly remarked, a singular yet logical - for our society - phenomenon, that of the rising of a celebrity, who is in fact charged for murder and sentenced to many years in prison.

Last spring we started to see the first buzz in the US about our movie project and those of others. A few months later we heard the inevitable: an American TV production decided to shoot a documentary about AMANDA KNOX’S trial paths.

As fall approached, we trimmed and refined our story into a thriller with a moral, and a big, positive twist in the end, which developed furthermore a strong message. This message we made clear during our first press conference on last October 28, in the Palazzo della Regione of Perugia, the most important institutional house of local government.

We said that our movie is not - and will never be - a movie about Amanda Knox; as a matter of fact it is not even a movie about Meredith in the sense of the exploitation of her image for economic purposes.

“Samhain - A Halloween tale” is a tale with a moral in the classical form, inspired by a true fact (obviously Meredith’s murder) but then touching many other topics like the very ancient celtic name of Halloween “Samhain”, the possibility to mold the timeframe, and other esoteric elements.

The story turns around former FBI agent Bryan Nolan, who left the US following the personal drama of the disappearance of his little sister Susan.

Once in Perugia, he hears about the murder of a young student and after a series of signs and signals, he realizes the spirit of the young girl is trying to establish contact with him; the spirit seeks for peace and justice, and it is also the key to understand what really happened to Bryan’s sister.

As you can tell from this brief synopsis, our story doesn’t contain the Hollywood-like sparkling and kitsch elements prone to making the protagonist a star or a celebrity. Our movie is difficult, and will be difficult to make because it talks about life, death, and the afterlife.

During the last few months we have received pressure from local and international press about what we really want to make, and so we wanted to be clear: if our movie has ever to be linked to Meredith, it would be in her honor, dedicated to her memory, and it would not use her image.

We said this after noticing the hideous growth in terms of popularity of people who are in jail for murder, and yet became a money machine, and also the attitude of the general audience who are being misled and manipulated into the belief that these people in jail shouldn’t be there.

This shocked us and prompted our more immediate action: we can write and we can make movies, so we will make our contribution to the truth by the means of telling a story and deliver a message to the audience:

A GIRL WAS MURDERED, DIED, AND NOT ONLY HER BODY BUT HER MEMORY IS ABOUT TO BE BURIED AND NEVER COME OUT TO LIGHT AGAIN.

We cannot accept that, what happened to Meredith happened - and is happening - to many other girls in the world. We need to remember this. We need to remember Meredith and through her memory, keep this feeling of hope alive, that what happened to her will eventually cease to happen.

We need to disseminate the message as strongly as we can, and perhaps things could change so that Meredith’s drama would not have occurred in vain.

Our hope here is to respectfully share with Meredith’s family and friends an explanation of what’s behind our project, let them know what we are doing before they read it possibly wrongly put in the papers; and encourage their feelings if they wish to guide us.

A good project about a person without deep caring and respect for that person - be she alive or not - would be a failure to begin with. Meredith evokes our deep caring and respect.

[Below, Stefano Torrese and his co-producer Diego Antolini discuss the Italian film industry]

[Below, the interim trailer for Stefano Torrese’s movie Samhain: A Halloween Tale]

[Below, the poster for Stefano Torrese’s movie Samhain: A Halloween Tale]

Thursday, January 20, 2011

The New 80,000 Pound Gorilla In The Room Introduced By The Italian Supreme Court

Posted by Our Main Posters

[St Peter’s and the Vatican in background; Palace of Justice, large white building by river in left foreground]

What is the biggest headache for the defenses?

That their areas of appeal, already circumscribed by Judge Hellman, could all explode in their faces? The low-credibility witnesses Alessi and Aviello? The limited DNA retesting? The re-examination of the witness in the park who had no cause to make anything up?

Or that Rudy Guede gets totally ticked off by Alessi’s claims that Rudy Guede said he did it with one or two others, and so Guede tells the court all that REALLY happened?

No, it looks to us that the defenses’ biggest headache by far is that the court of final appeal in Rome (the Supreme Court of Cassation, which is superior to the Perugia appeals court and will hear the second and final appeal) has ALREADY accepted that Rudy Guede’s sentencing report of January 2009 holds up.

And that all three of them attacked Meredith.

The written report from Cassation on that December 2010 decision on Guede’s final appeal (due soon), plus Judge Micheli’s Sentencing Report for Rudy Guede of January 2009, plus all that associated evidence, now gets automatically ported by law straight into Knox’s and Sollecito’s appeal.

Judge Micheli took a hard line toward Rudy Guede, and he sentenced him to 30 years. He also remanded Knox and Sollecito to trial, and his report explains the basis for that remand.

Judge Micheli’s remorseless and tightly argued report (see summaries below) very comprehensively backed up his decisions. (Later reductions in sentence were automatic and they flowed from the terms of Guede’s short-form trial, and some controversial mitigating circumstances advanced by Massei for Knox and Sollecito.)

The prosecution’s appeal against the Knox and Sollecito sentences argues that the acceptance of mitigating circumstances by the Massei court should be thrown out, and that Knox and Sollecito should be subjected to a longer sentence. Remember that even in the case of Alessi’s wife, who was not even present when he beat the kidnapped baby to death, she received a sentence of 30 years.

So here is how it is stacking up:.

• For the prosecution, four courts including the Supreme Court of Cassation have ruled that three people participated in the crime against Meredith, plus all of the evidence from both the Guede and Knox Sollecito trials now comes in, plus the prosecution is appealing for tougher sentences, which seems well justified based on precedents.
• For the defenses, just those few areas the defenses want to challenge which have been allowed by Judge Hellman NONE of which are sure things.

Really not very much going for the defenses here. No wonder they already seem to be phoning it in.

Our meticulous summaries of the Micheli Report by main posters Brian S and Nicki were based on our own translation. A huge amount of work. They were posted nearly two years ago. Periodically we link to them in other posts or we point to them in an email.

Those who do read those posts fresh are often stunned at their sharpness, and for many or most it becomes case closed and the verdict of guilty is seen as a fair one.

We think those posts on Micheli are so key to a correct grasp of Knox’s and Sollecito’s appeal prospects that they should now be reposted in full.

[St Peter’s and the Vatican in foreground; Palace of Justice, large white building in left background]

Understanding Micheli #1: Why He Rejected All Rudy Guede’s Explanations As Fiction

By Brian S

Judge Micheli has had two very important roles. He presided over Rudy Guede’s trial and sentencing, and he presided over the final hearing that committed Raffaele Sollecito and Amanda Knox to trial.

A week ago, just within the three-month deadline, Judge Micheli made public the 106-page report that explains the thinking behind both actions. This is a public document, and in the enviable Italian legitimizing process, the public is encouraged to get and read the report and to understand the full rationales. Excellent analyses have already appeared in Italian in Italy, but no English-speaking sources on the facts of the case have either put the report into English or published more than the most superficial analysis.

These posts will examine several very key areas of the report so that we too may choose whether to buy into the rationales. The translations into English here were by native-Italian speakers and fellow posters Nicki and Catnip. The next post will explain why Micheli ruled out the Lone Wolf Theory, and why he concluded that Knox and Sollecito appeared to be implicated in Meredith’s murder and should therefore be sent to trial.

Judge Micheli maintained that from the moment Meredith’s body was discovered until his arrest in Germany on November 19th, Rudy Guede was in a position to compile a version of his involvement in events at the cottage which would minimise his reponsibilities and point the finger of guilt elsewhere.

He was able to follow the course of the investigation in newspapers and on the internet. He would know of the arrests of Amanda, Raffaele and Patrick. He would know that the investigators had found biological evidence which would sooner or later connect him to the murder, and he would know of other discoveries and evidence which had been publicised in the media.

His story as told in Germany was compiled with all the knowledge about the crime and investigation he would have sought out. On his return to Italy in December he was interviewed by the investigating authorities and gave version 2. He was interviewed again in March which resulted in version 3, and later still made a spontaneous statement to change one or two facts including the admission that the trainer footprint in Meredith’s room could be his. Judge Micheli said:

Analyzing the narratives of the accused…he is not credible, as I will explain, because his version is (1) unreliable, and (2) continuously varying, whether on basic points or in minor details and outline.

Micheli then examined the details of Rudy’s claimed meeting with Meredith which resulted in his invitation to the cottage on the evening of November 1st.

He noted there were substantial differences between his versions of December and March, particularly with regard to the location of his meeting with Meredith on the night of Halloween and his movements in the early evening of November 1st.

He considered it likely that Rudy had made these changes as he became aware of evidence which contradicted his December version. Notably, in December Rudy claimed to have had his meeting with Meredith which resulted in her invite at a Halloween party given by Spanish students.

By March it was well known that Meredith had spent her entire Halloween in the company of friends, first in the Merlin pub before they later moved on to Domus disco. In March Rudy changed the location of his meeting with her from the Spanish party to Domus, which by chance Rudy had also attended following the party. However, neither Meredith’s friends who were continuously in her company nor those who accompanied Rudy to the Domus witnessed any meeting between the two. Judge Micheli commented:

On 26 March 2008, instead, Rudy explained to the Prosecution, drawing a picture, that the group invited to the Spaniards’ house actually moved wholus-bolus to the “Domus” club, but it was right in that nightclub that he met Kercher, and not before; offering up a tour-guide description from the chair, saying, “there’s a bar for the drinks and then there’s a room, there’s an arch and a room. I walking [sic] around there, and that’s where I met Meredith”. On the facts of the meeting and the subject of the conversation, he elaborated: “I started talking to Meredith “¦talking anyway I gave her a kiss.. after which I told her how much I liked her and asked her if the next day, in all the confusion anyway, if we were going to meet the next day and she said yes (”¦), we met in the evening around half eight, like that. While not intending to explore the question, basically irrelevant, of whether the pair had agreed to a more or less specific time (his confirmation of the suggestion of 8.30 pm in both verbal statements however allows the inference that according to Guede they had an appointment), the patent contradiction between the two versions jumps out. One context, of a room between two bathrooms, in an apartment, is completely different to that of a drinks-bar and an arch, in a pub; one might concede, perhaps, the possibility of forgetting which place it was where they last bumped into a friend, but hardly the first time there was a kiss with a girl towards whom one was attracted.

With regard to his movements in the early evening of November 1st, Rudy’s friend Alex failed to corroborate Rudy’s December claim to have visited his flat. He said he didn’t see Rudy either before or after his meeting with Meredith at her cottage.

In March, Rudy changed his story and claimed to have risen at 6pm(following the all-nighter at Domus) before wandering around town for an hour or so. He then said he went to Meredith’s cottage but received no answer so he carried on to Piazza Grimana in the hope he might see people he knew. He thought he arrived in the Piazza at around 7:30pm. He claimed that some time later he left Piazza Grimana and called at the Kebab shop before returning to Meredith’s cottage and arriving some time between 8:30 and 9:00pm.

He said he then waited until her arrival some time just after 9:00pm. It was noted that in both his December and March versions Rudy said he had arranged to meet Meredith at 8:30pm. Micheli noted that this didn’t sit well with another arrangement Rudy had made to meet Carlos (from the Spanish party) between 9:00 and 10:00pm.

Micheli said that neither version of Rudy’s movements could be treated as true because he changed his story to fit facts as they became known and there was absolutely no corroborating witness evidence.

Rudy claimed two situations evolved following his entry with Meredith into the apparently empty cottage:

Whilst he was having a drink of fruit juice from the fridge, he claims Meredith found that 300 euros (her rent money) was missing from her bedside cabinet. Meredith was naturally upset by this discovery and straight away blamed “druggy Amanda”. Rudy said they both checked Amanda’s room to see if the money was there. However, it couldn’t be found and Rudy sought to console her.

He says that this consolation developed into an amorous encounter which proceeded to the stage where “Meredith asked him” if he had a condom. He told he didn’t and since she didn’t either they stopped their lovemaking.

Judge Micheli had a real problem with this story as told by Guede. He found it unlikely that Meredith would be interested in lovemaking so soon following the discovery that her money was missing. He found it unlikely that it was Meredith who was leading the way in this amorous encounter as Rudy was suggesting with his claim that it was “Meredith who asked him” if he had a condom.

Surely, Micheli reasoned, if Rudy was hoping to indulge in a sexual encounter with Meredith following the previous night’s flirting, he would, as any young man of his age, ensure that he arrived with a condom in anticipation of the hoped for liason. But even if he didn’t, and it was true that events had reached the stage where Meredith asked him, then surely given his negative response, Meredith would have again gone into Amanda’s room where, as she had told her friends, condoms were kept by her flat mate. Judge Micheli simply didn’t believe that if they had got to the stage of lovemaking described by Rudy, and following his negative response to her question, they just “STOPPED”. Meredith would have known she had a probable solution just metres away.

Rudy claimed he then told Meredith he had an upset stomach because of the kebab he had eaten earlier. She directed him to the bathroom through the kitchen.

Rudy put on his i-pod and headphones as he claimed was his habit when using the toilet. In his December version Rudy said the music was so loud he heard the doorbell ring but he made no reference to hearing any conversation. A perfect excuse, Judge Micheli says, for not hearing the disturbance or detail of Meredith’s murder. However, in his March version he claims he heard Amanda’s voice in conversation with Meredith. When Rudy did eventually emerge from the bathroom he says he saw a strange man with a knife and then a prone Meredith. Micheli commented:

...it is necessary to take as given that, in this case, Kercher did not find anything better to do than to suddenly cross from one moment of tenderness and passion with him to a violent argument with someone else who arrived at that place exactly at the moment in which Rudy was relieving himself in the bathroom. In any case, and above all, that which could have been a surprise to the killers, that is to say his presence in the house, was, on the other hand, certainly not put into dispute: Meredith, unlike the attackers, knew full well that in the toilet there was a person who she herself allowed in, so for this reason, in the face of someone who had started raising their voice, then holding her by the arms and ending with brandishing a knife and throwing her to the floor, why would she not have reprimanded/reproached/admonished him immediately saying that there was someone in the house who could help her? “¦Meredith didn’t shout out loudly for Rudy to come and help “¦There was a progression of violence “¦The victim sought to fight back If it is reasonable to think that a lady living 70 metres away could hear only the last and most desperate cry of the girl ““ it’s difficult to admit that Guede’s earphones, at 4-5 metres, would stop him hearing other cries, or the preceding sounds.

Micheli was also mystified as to why Amanda (named in Rudy’s March version) would ring the doorbell. Why wouldn’t she let herself in using her own key? He supposed it was possible Meredith had left her own key in the door which prevented Amanda from using hers, but the girls all knew the lock was broken and they were careful not to leave their own key in the door. Perhaps, Meredith wanted some extra security/privacy against someone returning and had left her key in the lock on purpose. Maybe Amanda was carrying something heavy and her hands weren’t free. Or, maybe, Rudy was just trapped by his December story of the doorbell when he didn’t name anybody and an anonymous ring on the doorbell was plausible.

The judge then took issue with Rudy’s description of events following the stabbing of Meredith. Rudy claimed that when he emerged from the bathroom he discovered a man with a knife standing over Meredith. In the resultant scuffle he suffered cut wounds to his hand. armed himself with chair to protect himself. before the attacker fled when he fell over because his trousers came down around his ankles. Micheli said that those who saw Rudy later that night didn’t notice any wounds to Rudy’s hands although some cuts were photographed by the police when he was later arrested in Germany.

Micheli found Rudy’s claim that the attacker ran from from the house shouting “black man found, black man guilty” unbelievable in the situation. In the panic of the moment it may be conceivable that the attacker could shout “Black man…, run” following the surprise discovery of his presence in the house, but in the situation Rudy describes, blame or expressions of who the culprit thought “the police would find guilty” made no sense. It would be the last thing on an unknown attackers mind as he sought to make good his escape.

Micheli considers the “black man found, black man guilty” statement an invention made up by Rudy to imply a possible discrimination by the authorities and complicate the investigation. Micheli also saw this as an excuse by Rudy to explain away his failure to phone for help (the implication being that a white man could have made the call). It was known by her friends and acquaintances that Meredith was never without her own phone switched on. She kept it so, because her mother was ill and she always wanted to be available for contact should her mother require help when she was on her own

Judge Micheli regarded Rudy’s claimed efforts to help Meredith impossible to believe, given the evidence of Nara Capezzali. Rudy claimed to have made trips back and forth to the bathroom to obtain towels in an attempt to staunch the flow of bood from Meredith’s neck. He claimed to have leaned over her as she attempted to speak and written the letters “AF” on the wall because he couldn’t understand her attempted words. His described activities all took time and Rudy’s flight from the house would have come minutes after the time he alleged the knife-man ran from the cottage.

Nara Capezzali maintained that after she heard Meredith’s scream it was only some seconds (well under a minute) before she heard multiple footsteps running away. Although she looked out of her window and continued to listen for some time because she was so disturbed by the scream, she neither heard nor saw any other person run from the house. That Rudy had run wasn’t in doubt because of his collision on the steps above with the boyfriend of Alessandra Formica. Micheli therefore considered it proven that “all” of Meredith’s attackers, including Rudy, fled at the same time.

Earlier in his report Micheli considered character evidence on Rudy given by witnesses for both prosecution and defense. Although he had been seen with a knife on two occasions, and was considered a bit of a liar who sometimes got drunk, the judge didn’t consider that Rudy had previously shown a propensity for violence, nor behaviour towards girls which differed markedly from that displayed by many other young men of his age.

However, because of the wealth of forensic evidence [on which more later] and his admitted presence in the cottage, combined with his total disbelief in Rudy’s statements, Micheli found Rudy guilty of participation in the murder of Meredth Kercher.

He sentenced him to 30 years in prison and ordered him to pay compensation of E2,000,000 each to Meredith’s parents John and Arline Kercher, E1,500,000 each to Meredith’s brothers John and Lyle Kercher plus E30,000 costs in legal fees/costs + VAT. Also E1,500,000 plus E18,000 in legal fees/costs + VAT to Meredith’s sister, Stephanie Kercher.

Understanding Micheli #2: Why Judge Micheli Rejected The Lone-Wolf Theory

By Brian S

And so decided that Raffaele Sollecito and Amanda Knox should face trial.

First, just to recap: Judge Micheli presided over both Rudy Guede’s trial and sentencing to 30 years and the final hearing that committed the two present defendants to trial.

Ten days ago, Judge Micheli made public the 106-page report that explains the thinking behind both actions. This is a public document, and in the enviable Italian legitimizing process, the public is encouraged to get and read the report and to understand the full rationales. Excellent analyses have already appeared in Italian in Italy, but no English-speaking sources on the facts of the case have either put the report into English or published more than the most superficial analysis.

These posts are examining several very key areas of the report so that we too may choose whether to buy into the rationales. The translations into English used here were by native-Italian speakers and fellow posters Nicki and Catnip.

Right at the outset of his Sentence Report on the conviction of Rudy Guede, Judge Micheli stated that it was neither the place nor his intention to make the case against either Raffaele Sollecito or Amanda Knox. He said he must necessarily involve them to the extent that they were present at the discovery of Meredith’s body. He said he must also examine evidence against them where he saw it as indicating that Rudy Guede was not a lone wolf killer and implicated them as his possible accomplices in Meredith’s murder.

Judge Micheli described the sequence of events laid out by the prosecution which lead to the discovery of Meredith’s body:

Early on the morning of November 2nd, Signora Lana Biscarini received a bomb threat call made to her home at 5A Via Sperandio. (This later transpired to be a hoax.)

Some time later Signora Biscarini found a mobile phone in her garden. She “had heard” that bombs could be concealed in mobile phones and so she took it to the police station arriving at 10:58am as recorded by ISP. Bartolozzi

The postal police examined the phone and following removal of the SIM card, discovered at 11:38am that it belonged to a Filomena Romanelli who lived at the cottage at 7 Via della Pergola. Following a call by Signora Biscarini to check with her daughter who was still at home, it is in the record at 11:50am that neither say they know the Filomena in question. At around noon Signora Biscarini’s daughter rings her mother at the police station to say she has found a second phone.

The second phone (Meredith’s) is collected from Via Sperandio and taken to the police station. Its receipt there is logged by ISP. Bartolozzi at 12:46pm. During its examination Meredith’s phone is also logged as connecting to the cell of Strada Borghetto di Prepo, which covers the police station, at 13:00pm. At 13:50pm both phones, which have never left the police station following their finding, are officially seized. This seizure is entered in the log at 14:00pm.

Separately, as part of the bomb hoax investigation, agents of the postal police are dispatched to make enquiries at Filomena’s address in Via della Pergola.

They are recorded in the log and filmed on the car park camera as arriving at 12:35pm. They were not in possession of Filomena’s phone, which remained at the police station, nor of Meredith’s which at this time was being taken from Via Sperandio to the police station for examination as part of the bomb hoax enquiry.

Judge Micheli said that some confusion was created by the evidence of Luca Altieri (Filomena’s boyfriend) who said he saw two mobile phones on the table at the cottage. But, Micheli said, these two phones either belonged to the others who arrived, the postal police themselves or Amanda and Raffaele. They were NOT the phones of Filomena or Meredith.

On their arrival at the cottage, the agents of the postal police found Raffaele Sollecito and Amanda Knox standing outside the front door.

The two seemed surprised to see them (the postal police had come to talk to Filomena about a bomb hoax which potentially involved her phone, plus they had recently been informed of the discovery of second phone in the same garden), but then they explained they had discovered suspicious circumstances inside the cottage.

Raffaele said he had already phoned the police and they were awaiting their arrival in connection with that. Elsewhere in his report Micheli points out that Raffaele did, in fact, make a call to his sister at 12:50pm, followed by two calls to “112” reporting a possible burglary at 12:51 and 12:54pm, 15 minutes after the arrival of the postal agents.

Judge Micheli said the postal police were shown into the cottage by Raffaele and Amanda. They pointed out the traces of blood around the apartment, the state of the toilet and the disturbance to Filomena’s room. They said they didn’t think anything had been taken. They pointed out that Meredith’s door appeared to be locked, Raffaele said he had tried to open it, but Amanda said Meredith used to lock the door even when she was going to the bathroom to shower.

Shortly afterwards Luca Altieri and Marco Zaroli arrived. Luca said he had just been contacted by his girlfriend Filomena, who in turn had just been contacted by Amanda Knox about the possible break in. A few minutes later, Filomena herself arrived with Paola Grande. Micheli noted that Filomena had immediately contradicted what Amanda had told the postal police and she said that Meredith never locked her door. She also told the postal police that the phone found with a SIM card in her name was in fact Meredith’s 2nd phone, that she had given Meredith the SIM as a present. The postal police said that they didn’t have the authority to damage property and so the decision was made that Luca would break down the door.

This he did. The scene when the door flew open was instantly obvious, blood everywhere and a body on the floor, hidden under a duvet except for a foot and the top of Meredith’s head. At that point ISP Battistelli instantly took charge. He closed the door and forbade anyone to enter the room before contacting HQ.

Following his description of the events which lead to the discovery of Meredith’s body, Micheli then dedicates quite a few pages of his report to detailing the exact locations, positions, descriptions and measurements of all the items, blood stains, pools and spots etc.etc. found in her room when the investigators arrived. He also goes into precise details on the injuries, marks, cuts and bruises etc. which were found by Lalli when he examined Meredith’s body in situ at the cottage before she was moved. Despite their extent, it is obvious these details are only a summary of the initial police report and also a report made by Lalli on the 2nd November.

It is these details which allowed the prosecution to lay out their scenario for the events which they say must have happened in the room. It is also these details which convince Micheli that it was impossible for this crime to be carried out by a single person. In his report, he dismisses completely the scenarios presented by the defences of Amanda and Raffaele for a “lone wolf killing”. Micheli says that he is convinced that Meredith was sexually assaulted and then murdered by multiple attackers.

Judge Micheli also explains in his report how the law will decide on sexual assault or rape where the medical report (as was Lalli’s) is somewhat inconclusive. Else there would be no point in a woman reporting rape unless she had serious internal injuries. His conclusion: Meredith was raped by Rudy Guede manually.

So why does Judge Micheli believe that Amanda Knox and Raffaele Sollicto were possible accomplices of Rudy Guede and should be tried for the murder of Meredith Kercher?

In his report, he doesn’t look at the evidence which involves just them, nor does he analyze their various stories in his report. He doesn’t look at events involving them which occurred between the 2nd and 5th November. He does note a few items here and there, but these aren’t given as the major reasons for his decision to indict them.

He notes Raffaele’s apparent lies about the time he made the 112 phone calls. He dismisses Raffaele’s defense claim that the disposal of Meredith’s phones didn’t allow time for Raffaele to get to the cottage after watching his film, kill Meredith, and then dispose of the phones in Via Sperandio before the aborted call to Meredith’s bank. He noted that the cell which picked up the brief 10:13 call to Meredith’s bank also picked up most of Meredith’s calls home.

He asked whether it was possible for anybody to believe that each time Meredith wanted to phone home, she walked down to Via Sperandio to make the call. He notes that the police found Amanda and Raffaele’s behaviour suspicious almost straight away. He notes that Filomena said that the relationship between Amanda and Meredith had deteriorated by October. He says he doesn’t believe at all that cannabis caused any loss of Amanda’s and Raffaele’s memories.

Judge Micheli says he bases his decision on the following points of evidence:

[Note: The following paragraph numbers form no part of Micheli’s report. They are used in the context of this summary to identify the points of evidence contained in his report which will be examined and summarised in greater detail in follow-up posts]

1) Judge Micheli, after hearing both prosecution and defense arguments about Meredith’s and Amanda’s DNA on the knife and Raffaele’s DNA on Meredith’s bra clasp, accepted the prosecution argument that that both were valid evidence. He did note, however, that he fully expected that the same argument would be heard again at the full trial. In his report, Micheli dedicates several pages to explaining the opposing arguments and how he made his decision to allow the evidence. It is a detailed technical argument, and it is not proposed to examine it any closer in this post.

2) Judge Micheli explains that blood evidence proves that Meredith was wearing her bra when she was killed. Nor is it just the blood on her bra which demonstrates this. It’s also where the blood isn’t on her body. He says that Meredith was wearing her bra normally when she laid in the position in which she died, and she was still wearing it for quite some time after she was dead. Her bra strap marks and the position of her shoulder are imprinted in the pool of blood in that position. Meredith’s shoulder also shows the signs that she lay in that position for quite some time.

He asks the question: Who came back, cut off Meredith’s bra and moved her body some time later? It wasn’t Rudy Guede. He went home, cleaned himself up and went out on the town with his friends. Judge Micheli reasons in his report that it could only have been done by someone who knew about Meredith’s death and had an interest in arranging the scene in Meredith’s room. Seemingly who else but Amanda Knox?

She was apparently the only person in Perugia that night who could gain entry to the cottage. And the clasp which was cut with a knife when Meredith’s bra was removed was found on November 2nd when Meredith’s body was moved by the investigators. It was right under the pillow which was placed under Meredith when she was moved by someone from the position in which she died. On that clasp and its inch of fabric is the DNA of Raffaele Sollecito and Amanda Knox. Micheli reasons in his report that Raffaele and Amanda seemed to have returned to the cottage some time after Meredith was dead, cut off her bra, moved her body, and staged the scene in Meredith’s room.

3) Judge Micheli explains his reasoning on the method of Rudy’s entry into the cottage. He says that Rudy’s entry through the window is a very unlikely scenario and the evidence also indicates otherwise. He says the height and position of the window would expose any climber to the full glare of traffic headlights from cars on Via della Pergola. He asks, why wouldn’t a thief choose to break in through a ground floor window of the empty house? He says the broken glass and marks on the shutter both demonstrate the window was broken from the inside, some of the glass even falling on top of Filomena’s clothes which had been thrown around the room to simulate a robbery.

But his major reasoning for believing Rudy’s entry was through the front door are the bloody bare footprints which show up with luminol and fit Knox’s and Sollecito’s feet. These suggest that they entered Filomena’s room and created the scene in there after Meredith was killed. Allessandra Formica witnessed Rudy run away shortly after Meredith was stabbed. Someone went back later, left those footprints and staged the scene.

This, when considered in combination with the knowledge that person demonstrated of Rudy’s biological involvement with Meredith when they also staged the sex assault scene in Meredith’s own room indicates that that person was present when Meredith was assaulted and killed. He said it also demonstrated an attempt by someone who had an interest in altering the evidence in the house to leave the blame at Rudy’s door. Micheli reasoned, the only person who could have witnessed Rudy’s earlier sex assault on Meredith, could gain entry via the door and had an interest in altering the crime scene in the house appeared to be Amanda Knox. In his report, Micheli states that this logic leads him to believe that Amanda Knox was the one who let Rudy Guede into the cottage through the front door.

4) Judge Micheli examines the evidence of Antonio Curatolo. He says that although Curatolo mixes up his dates in his statement, he does have a fix on the night he saw Amanda and Raffaele in Piazza Grimana sometime around 11:00 to 11:30pm. Curatolo is certain it was the night before the Piazza filled up with policemen asking if anyone had seen Meredith. In his evidence, he says they came into the square from the direction of Via Pinturicchio and kept looking towards the cottage at Via della Pergola from a position in the square where they could see the entrance gate.

Judge Micheli reasons in his report that their arrival from Via Pinturicchio ties in with the evidence from Nara Capazzali that she heard someone run up the stairs in the direction of that street. He also reasons that they were likely watching the cottage to see if Meredith’s scream had resulted in the arrival of the police or other activity.

5) Judge Micheli examines the evidence of Hekuran Kokomani and finds him far from discredited. His says the testimony is garbled, his dates and times makes no sense but…. that Hekuran Kokomani was in the vicinity of the cottage on both 31st Oct. and 1st Nov isn’t in doubt. Furthermore, Micheli says that when he gave his statement, the details which he gave of the breakdown of the car, the tow truck and the people involved weren’t known by anyone else. He must have witnessed the breakdown in Via della Pergola. The same breakdown was also seen by Allessandra Formica shortly after Rudy Guede collided with her boyfriend.

This places Hekuran Kokomani outside the cottage right around the time of Meredith’s murder and he in turn places Raffaele Sollecito, Amanda Knox and Rudy Guede together outside the cottage at the same time. His evidence also places all three outside the cottage at some time the previous night.

Judge Michelii found that all this evidence implicated Amanda Knox and Raffaele Sollecito as accomplices of Rudy Guede in the murder of Meredith Kercher.

Understanding Micheli #3: How Damning Is The DNA Evidence Coming Up?

By Nicki

Probable answer? Pretty damning.

Judge Micheli has had two very important roles. He presided over Rudy Guede’s trial and sentencing, and he presided over the final hearing that committed Raffaele Sollecito and Amanda Knox to trial.

Late January, Judge Micheli made public the 106-page report that explains the thinking behind both actions. These posts are examining several very key areas of the report so that we too may choose whether to buy into the rationales.

The trial to establish the truth about the murder of Meredith continues next Friday. As we’ve reported, various human witnesses have already been heard from: the Postal Police who discovered Meredith’s body, Meredith’s two Italian roommates, and her seven British friends.

Coming up soon is a more silent witness, one very important to both the prosecution and the two defenses: the DNA evidence.

Specifically the DNA belonging to Meredith, Knox, Sollecito, and Guede which was found at the scene of the crime, and on the suspected murder weapon found, apparently hidden, in Raffaele Sollecito’s house.

Traces of Meredith’s DNA have been found on a knife compatible with the wounds that caused her death. Amanda Knox “˜s genetic material was identified on the knife handle. DNA belonging to Sollecito has been found on the clasp of the victim’s bra. And more DNA showing Rudy Guede’s genetic profile was found on the victim’s body and elsewhere in the house.

In summary, the biological sources and locations where DNA belonging to the three defendants was found are these:

• Guede’s DNA (from epithelial cells) was found inside Meredith, on toilet paper, on the right side of Meredith’s bra, mixed with Meredith’s DNA on the her purse zip, and on the left cuff of Meredith’s light blue sweater
• Sollecito’s DNA (from epithelial cells) was found on Meredith’s bra clasp, mixed with Meredith’s DNA, and on one cigarette butt found in the kitchen
• Knox’s DNA (from epithelial cells) was found on the knife sheath, and close to the blade junction. It was not possible to ascertain both the haematic and epithelial source of Meredith’s DNA on the knife blade, due to the scarcity of the sample. But Judge Micheli noted that reasonable doubt persist that blood could have been present also.
• Other significant biological traces belonging to Meredith - for example, DNA originating from the blood-trace footprints revealed by luminol found in Filomena’s bedroom, as already reported at trial.

Claims of contamination and “poor matches” of the DNA samples were raised by the Sollecito and Knox defenses, although not by Guede’s. The DNA expert Dr. Stefanoni’s arguments in reply to the defenses’ claims are summarized in Judge Micheli”˜s report.
 
Dr Stefanoni reported that the locus ascribable to Meredith and identified on the knife blade shows readings of 41 and 28 RFU. Conventionally, RFU values lower than 50 can be defined as low. But she maintained that the profile matched Meredith’s by explaining that there is no immediate correlation between the height of the peaks obtained by electropherogram and expressed in RFU, and the reliability of the biological investigation.

In fact “even if statistically - in most cases - the RFU data is directly proportional to the possibility of a certain interpretation of the analysis result, on the other side many cases of high peaks of difficult interpretation exist (because of background noises), as well as low peaks that are objectively unquestionable, hence the need to proceed to the examination of data that is apparently scarce, but that mustn’t be considered unreliable per se.”

*The use of multiplex PCR and fluorescent dye technology in the automated detection and analysis of short tandem repeat loci provides not only qualitative information about the profile - i.e. which alleles are present - but can provide also quantitative information on the relative intensities of the bands, and is therefore a measure of the amount of amplified DNA.”

So if on one side Dr Stefanoni admits that the RFU readings are low, on the other her experience suggests that many cases of unquestionable matches exist showing readings lower than 50 RFU, and this appears to be the case with Meredith’s DNA sample on the knife.

Contamination in the laboratory is categorically excluded by Dr Stefanoni. The samples were processed with maximum care in order to avoid any contamination during lab procedures. Contamination during the collection phase is excluded by Judge Micheli, as the samples were collected by different officers at different times in different places (example Via della Pergola at 9:40am on Nov 6. 2007, and Sollecito’s apartment at 10:00am, on the same day, by a different ILE team).

As for Sollecito’s DNA found on the bra clasp, the match is unquestionable, according to the lab reports. Samples from crime scenes very often contain genetic material from more than one person (e.g. Rudy Guede’s DNA has been identified in a mixture with the victim’s DNA in a few places), and well-known recommendations and protocols exist in order to de-convolute mixed samples into single genetic profiles.

So if the lab reports indicate that unquestionable biological evidence of Sollecito’s DNA was found on the bra clasp, at the present time we have no reason to believe that these recommendations weren’t followed and that therefore the reports are not to be trusted.

As to cells “flying around” depositing themselves ““ and their DNA content - here and there around the murder scene, there have been some imaginative theories advanced, to say the least.

The reality though is that although epithelial cells do shed, they don’t sprout little wings to flock to one precise spot, nor grow feet to crawl and concentrate on a piece of evidence. There needs to be some kind of pressure on a surface in order to deposit the amount of biological material necessary to yield a reliable PCR analysis result. A simple brushing will not do. 

As a matter of fact, Dr Stefanoni agreed with Guede’s defense that Guede”˜s genetic material found on the left sleeve of Meredith’s blouse was minimal; and this was because the DNA found there belonged to the victim and was not a mixture. In the situation where there is a clear disproportion between quantitative data of two DNA’s coexisting in a biological trace, the PCR will amplify the most abundant DNA.

As agreed by Dr. Stefanoni and Guede’s defense, the conclusion here was that on the left sleeve there was plenty of Meredith’s DNA but very little of Guede’s. (This was used by his defense to deny that Guede had exerted violence on Meredith’s wrist).

After listening to the arguments of the prosecution and the defenses, Judge Micheli provided reasons why he rejected the contamination claims and ruled that all the biological traces identified as reflecting Sollecito’s and Knox’s DNA are admissible as evidence. He arrived at the conclusion that the DNA evidence is sound and, considered along with the non-biological proof, he decided there was more than enough evidence to order Knox and Sollecito to stand trial. 

Regarding the biological significance of the traces, we are now looking forward to hearing the Knox and Sollecito defenses’ counter-arguments.  But as we understand it now, the DNA evidence for the trio having all been involved in the murder seems pretty damning.

Understanding Micheli #4: The Staged Scene - Who Returned To Move Meredith?

By Brian S

Please be warned that this is sad and hard-going, although many other passages from the Micheli report we will never post on here are even more harrowing.

Just to recap. Judge Micheli presided over Rudy Guede’s trial and sentencing and the final hearing that committed Raffaele Sollecito and Amanda Knox to trial.

Late January he made public the 106-page report that explains the thinking behind both actions. These posts are examining key areas of the report so that we too may decide on the rationales.

This post is about the final position of the body. Why this matters so much is that if the evidence holds firm, all by itself it will prove that there was a major rearrangement of the crime scene, to try to throw investigators off the trail.

This is as near to an 80,000 pound gorilla in the room as we are likely to see in this trial. And it may even be on the trial agenda for this coming Friday and Saturday.

Reports by the crime-scene investigators and Dr Lalli are summarised in Judge Micheli’s report. They describe the detail of the scene discovered in Meredith’s room. The investigators measured and photographed the position and state of everything, including blood, as it was in the room before anything was moved.

Amongst the items noted was a white bra. Some parts were soaked in blood, particularly the right shoulder strap and the outside of the left cup. They also noted that a portion of the backstrap with its clasp fixings was missing. Meredith herself was lying on her back midway between the wardrobe and the bed, without her jeans, a pillow under her buttocks and her top rolled up to reveal her chest.

Following this survey, Meredith’s body was then turned and moved by the investigators. This revealed the other items on which her body had lain. A tennis shoe, a white sheet from the bed and a blue zipped top, all with blood stains. Also a green bath towel and an ivory bath towel, both soaked in blood, and underneath the pillow was the missing clasp section of the bra back-strap.

Judge Micheli notes that Amanda’s defence claimed that “the small round spots of blood” apparent on Meredith’s chest indicated that she was not wearing her bra when she was killed. He agreed that it was likely that these spots fell from Meredith’s gasps for breath as she lay on her back after she had been stabbed. However, he could not agree with their conclusion that her bra had been removed before this time, as similar small round spots were also found on Meredith’s bra.

Micheli reasoned that this indicated that Meredith was still wearing her bra as she gasped for breath, but that her top was rolled up and the bra moved also. Thus indicating the sexual nature of the original attack, but also allowing the small round spots to fall on both chest and bra. Furthermore, other blood evidence involving the bra indicated that it wasn’t removed until some time after Meredith had died.

He said that Meredith’s bra was found by investigators away from other possible blood contamination on the floor, near to her feet. Photographs of Meredith’s body show clear white areas where the bra prevented blood from falling onto Merediths body. These white areas corresponded to those areas where blood was found on her bra. This was particularly true in the area of the right shoulder strap which was soaked from the wound to Meredith’s neck.

Micheli said that evidence showed that Meredith had lain on one shoulder near the wardrobe. She lay in that position long enough for the imprint of her shoulder and bra strap to remain fixed in the pool of blood after she was moved to the position in which her body was finally found. Photographs of blood on her shoulder matched the imprint by the wardrobe and her shoulder itself also showed signs that she had remained in that position for some time.

Based on all this, Judge Micheli concluded that there could be no doubt that Meredith’s body was moved away from the wardrobe and her bra removed quite some time after her death.

Neighbor Nara Capezzali had testified that people fled from the cottage within a minute of Meredith’s final scream. There was no time for any alteration of the crime scene in those very few moments.

Judge Micheli asks in his report, who could have returned later and staged the scene which was found? Who later moved Meredith’s body and cut off her bra? He reasons it could only be someone who had an interest in changing what would become a crime scene found at the cottage. Who else but someone who lived there, and who wanted to mislead the coming investigation?

It couldn’t have been Laura, she was in Rome. It couldn’t have been Filomena, she was staying with her boyfriend. It was very unlikely that it was Rudy Guede, all proofs of his presence were left untouched.

The culprits ran from the cottage in different directions and there is no reason to believe they met up again before some or one of them returned. Judge Micheli stated that, in his opinion, this just left Knox who would seem to have an interest in arranging the scene the police would find.

Bloody footprints made visible with luminol in Filomena’s room contain Meredith’s DNA. This indicated to Judge Micheli that the scene in Filomena’s room was also staged after Meredith was killed.

In Micheli’s opinion the scene in Meredith’s room was probably staged to point the finger at Rudy Guede. All evidence related to him was left untouched, and the pillow with a partial palm print was found under Meredith’s repositioned body.

But whoever later arranged that scene in Meredith’s room also unwittingly indicated their own presence at the original sexual assault. Who else could have known that by staging an obvious rape scene, they would inevitably point the investigators towards Rudy’s DNA which they knew could be found in Meredith?

Micheli asks: Seemingly, who else could it have been but Amanda Knox? And this in part is why she was committed to trial, for her defense to contend this evidence.

Thursday, January 13, 2011

Claims Amanda Knox’s Confessions Resemble “False Confessions” Not Backed Up By Any Criminal Research

Posted by Fuji

[Above: Perugia’s central police station where Knox, Sollecito and Guede were all interviewed]

Meredith’s case is absolutely riddled with fabricated false myths. 

They are now found by the hundreds on some misleading websites, and they simply make experienced law enforcement and criminal lawyers laugh. 

For example “Police had no good reason to be immediately suspicious of Knox simply because the murder occurred at her residence”.  And “The double-DNA knife is a priori to be disregarded as evidence, because no murderer would retain possession of such a murder weapon.”

One of the most strident and widespread myths is that Amanda Knox’s statements to the Perugian investigators on 5 and 6 November 2007, placing her at the scene of Meredith’s murder, are to be viewed as the products of a genuinely confused mind imbued with a naïve trust of authority figures.

The apparent certainty with which many of Amanda Knox’s most vocal supporters proclaim that Knox’s statements are actual “false confessions” as opposed to deliberate lies is not supported by even a cursory reading of the pertinent academic literature regarding false confessions.

What actually are “false confessions”?

Richard N. Kocsis in his book “Applied Criminal Psychology: A Guide to Forensic Behavioral Sciences” (2009), on pages 193-4 delineates three different kinds of false confessions:

First, a voluntary false confession is one in which a person falsely confesses to a crime absent any pressure or coercion from police investigators….

Coerced-compliant false confessions occur when a person falsely confesses to a crime for some immediate gain and in spite of the conscious knowledge that he or she is actually innocent of the crime….

The final type, identified by Kassin and Wrightsman (1985), is referred to as a coerced-internalized false confession. This occurs when a person falsely confesses to a crime and truly begins to believe that he or she is responsible for the criminal act.

The first problem facing Knox supporters wishing to pursue the false confession angle as a point speaking to her purported innocence is epistemological.

Although much research has been done on this phenomenon in recent years, academics are still struggling to come to terms with a methodology to determine their incidence rate.

The current state of knowledge does not support those making sweeping claims about the likelihood of Knox’s statements being representative of a genuine internalized false confession.

As noted by Richard A. Leo in “False Confessions: Causes, Consequences, and Implications” (Journal of the American Academy of Psychiatry and the Law, 2009):

Although other researchers have also documented and analyzed numerous false confessions in recent years, we do not know how frequently they occur. A scientifically meaningful incidence rate cannot be determined for several reasons.

First, researchers cannot identify (and thus cannot randomly sample) the universe of false confessions, because no governmental or private organization keeps track of this information.

Second, even if one could identify a set of possibly false confessions, it is not usually possible as a practical matter to obtain the primary case materials (e.g., police reports, pretrial and trial transcripts, and electronic recordings of the interrogations) necessary to evaluate the unreliability of these confessions.

Finally, even in disputed confession cases in which researchers are able to obtain primary case materials, it may still be difficult to determine unequivocally the ground truth (i.e., what really happened) with sufficient certainty to prove the confession false.

In most alleged false-confession cases, it is therefore impossible to remove completely any possible doubts about the confessor’s innocence.

The next problem Knox supporters face is that, even allowing for an inability to establish a priori any likelihood of a given statement being a false confession, the kind of false confession which is usually attributed to Knox is in fact one of the LEAST likely of the three types (Voluntary, Compliant, and Persuaded, as Leo terms the three different categories) to be observed:

Persuaded false confessions appear to occur far less often than compliant false confessions.

Moreover, despite assertions to the contrary, Knox and her statements do not in fact satisfy many of the criteria researchers tend to observe in false confessions, particularly of the Persuaded variety:

“All other things being equal, those who are highly suggestible or compliant are more likely to confess falsely. Individuals who are highly suggestible tend to have poor memories, high levels of anxiety, low self-esteem, and low assertiveness, personality factors that also make them more vulnerable to the pressures of interrogation and thus more likely to confess falsely…

Highly suggestible or compliant individuals are not the only ones who are unusually vulnerable to the pressures of police interrogation. So are the developmentally disabled or cognitively impaired, juveniles, and the mentally ill….

They also tend to occur primarily in high-profile murder cases and to be the product of unusually lengthy and psychologically intense interrogations… ordinary police interrogation is not strong enough to produce a permanent change in the suspect’s beliefs.

Most significantly, there is one essential element of a true Persuaded False Confession which in Knox’s case is highly distinctive:

To convince the suspect that it is plausible, and likely, that he committed the crime, the interrogators must supply him with a reason that satisfactorily explains how he could have done it without remembering it.

This is the second step in the psychological process that leads to a persuaded false confession.

Typically, the interrogator suggests one version or another of a “repressed” memory theory.

He or she may suggest, for example, that the suspect experienced an alcohol- or drug-induced blackout, a “dry” blackout, a multiple personality disorder, a momentary lapse in consciousness, or posttraumatic stress disorder, or, perhaps most commonly, that the suspect simply repressed his memory of committing the crime because it was a traumatic experience for him.

The suspect can only be persuaded to accept responsibility for the crime if he regards one of the interrogators’ explanations for his alleged amnesia as plausible.

Knox did not in fact claim drug or alcohol use as the source of her amnesia - rather, she claimed to have accepted the interrogators’ attribution that this was due to being traumatized by the crime itself, and she offers no other explanation for her selective amnesia:

This is from Knox’s statement to the court in pretrial on 18 October 2008 with Judge Micheli presiding.

Then they started pushing on me the idea that I must have seen something, and forgotten about it. They said that I was traumatized.

Of course, Knox’s initial statement went far beyond being that of being merely a witness to some aspect of Ms. Kercher’s murder, as the interrogators at first seemed to believe was the case.

Rather, her statement placed her at scene of the murder during its actual commission while she did nothing to avert it, which naturally made her a suspect.

In other words, in the absence of any of her other testimony which indicated that she was only a witness to the murder, her own self-admitted rationale for providing a false confession was that she was traumatized by the commission of the murder itself.

Perugia judges will be familiar with all of the above and we can be sure that they brief the lay judges on the remote circumstances and incidences of false confessions.

If I were a Knox defense attorney, I would find it to be a far more fruitful line of argumentation to argue that she was simply lying, rather than claiming the supremely unlikely provision of an actual internalized false confession.