Headsup: Disney's Hulu - mafia tool?! First warning already sent to the Knox series production team about the hoaxes and mafia connections. The Daily Beast's badly duped Grace Harrington calls it "the true story of Knox’s wrongful conviction of the murder of her roommate". Harrington should google "rocco sollecito" for why Italians hesitate to talk freely.

Category: Amanda Knox #2

Wednesday, July 02, 2014

Amanda Knox Left Sollecito’s House By Herself? Both Claimed It But Neither Of Their Books Back It Up

Posted by Our Main Posters

1. Current Contexts Of Sollecito’s And Knox’s Books

Neither book is exactly riddled with truths.

The claims throughout Sollecito’s book are soon to be the subject of a trial in Florence and the claims throughout Knox’s book are soon to be the subject of a trial in Bergamo. So both will need to endorse or reject what they wrote.

Plus Knox will need to endorse or reject this, from the first unforced statement she insisted on making without a lawyer on 6 November 2007. This is what Sollecito is gleefully using against her now.

Last Thursday, November 1, a day on which I normally work, while I was at the house of my boyfriend Raffaele, at around 8:30 pm, I received a message on my cellular phone from Patrik, who told me that the premises would remain closed that evening, because there were no customers, and thus I would not need to go to work.

I responded to the message by telling him that we would see each other at once; I then left the house, telling my boyfriend that I had to go to work. In view of the fact that during the afternoon I had smoked a joint, I felt confused, since I do not frequently make use of mind-altering substances, nor of heavier substances.

I met Patrik immediately afterward, at the basketball court on Piazza Grimana, and together we went [to my] home.

2. From Sollecito’s Honor Bound (Simon & Schuster 2012)

Amanda and I smoked a joint before leaving the house on Via della Pergola, wandered into town for some shopping before remembering we had enough for dinner already, and headed back to my place. Shortly before six, a Serbian friend of mine named Jovana Popovic rang the doorbell and asked if I’d mind driving her to the bus station at midnight to pick up a suitcase her mother was sending. I said that would be fine. When she left, Amanda and I sat down at the computer to watch a favorite movie, Amélie.

We had to stop the film a few times as the evening wore on. First, Amanda got a text from Patrick telling her it was a slow night because of the holiday and he didn’t need her to come in after all. It was like getting an unexpected snow day””we were thrilled. Amanda texted back: Certo ci vediamo più tardi buona serata! Sure. See you later. Have a good evening.

Then my father called. He and Mara had just seen the Will Smith movie The Pursuit of Happyness, and he told me how beautifully it portrayed the relationship between a father and his son. My father was always making phone calls like this. It was sweet that he wanted to share his experiences, but he also made everything he said sound vaguely like an order, as if laying out the parameters of how I should react to things before I’d had a chance to form my own opinion. But he never stayed on the line for long””he is too nervy and impatient””so I listened calmly and the call was over in less than four minutes.

In the meantime, Jovana dropped by again and told Amanda that I didn’t need to drive her to the bus station after all. Now we didn’t have to leave the apartment. The evening was ours, and we couldn’t have been happier. We switched off our cell phones, finished watching Amélie, and discussed what to make for dinner…

When Amélie ended, I went into the kitchen to take care of some dishes left over from breakfast before we started making dinner. I soon realized that water was leaking out of the pipe under the sink, and I cursed under my breath. I’d had a plumber come and fix the sink just a week earlier, and he had made me buy all sorts of replacement parts that clearly were not put together properly. I suspected he had left them loose on purpose to force me to pay for another visit. As Amanda and I threw kitchen towels onto the puddle on the tile floor, I decided I was going to let my landlady deal with it from now on.

“Don’t you have a mop?” Amanda asked. I did not. She offered to pick one up from Via della Pergola the next morning and bring it round.

We cooked a fish dinner, did our best to wash the dishes again, and tumbled gratefully into bed in each other’s arms. Only later, when I lay in the dark, unable to sleep, did it dawn on me that Papà  had broken his usual habit of calling to wish me good night.

It turned out he did so out of consideration. He had been about to pick up the phone when my stepmother talked him out of it. “Stop bothering him,” Mara said, as they got ready for bed around eleven o’clock. “He’s with Amanda, and they want to be alone. Why don’t you send a text instead?”

My father took her advice, but because my cell phone was turned off, I didn’t receive the message until six the next morning.

It was a desperately unlucky combination of circumstances. If my father had tried my cell and then called me on the home line””which he would have done, because he’s persistent that way””I would have had incontrovertible proof from the phone records that I was home that night. And the nightmare that was about to engulf me might never have begun.

My father called my landline a little before nine thirty the next morning to make sure we would be ready for our day trip to Gubbio. I was too groggy to talk. I’d been up several times in the night””listening to music, answering e-mail, making love””and wanted only to go back to sleep. Amanda got out of bed and said she was going home to shower and change her clothes, so I walked her to the front door, gave her a kiss, and crawled back under the covers.

3. From Knox’s Waiting To Be Heard (HarperCollins 2013)

Raffaele and I were good at being low-key together. We chilled out in the common room and smoked a joint while I played Beatles songs on the guitar for an hour or so. Sometime between 4 P.M. and 5 P.M., we left to go to his place. We wanted a quiet, cozy night in. As we walked along, I was telling Raffaele that Amélie was my all-time favorite movie.

“Really?” he asked. “I’ve never seen it.”

“Oh my God,” I said, unbelieving. “You have to see it right this second! You’ll love it!”

Not long after we got back to Raffaele’s, his doorbell rang. It was a friend of his whom I’d never met””a pretty, put-together medical student named Jovanna Popovic, who spoke Italian so quickly I couldn’t understand her. She’d come to ask Raffaele for a favor. Her mother was putting a suitcase on a bus for her and she wondered if he could drive her to the station at midnight to pick it up.

“Sure,” Raffaele said.

As soon as she left, we downloaded the movie on his computer and sat on his bed to watch it. Around 8:30 P.M. I suddenly remembered that it was Thursday, one of my regular workdays. Quickly checking my phone, I saw that Patrick had sent me a text telling me I didn’t have to come in. Since it was a holiday, he thought it would be a slow night.

“Okay,” I texted back. “Ci vediamo più tardi buona serata!”””“See you later. Have a good evening!” Then I turned off my phone, just in case he changed his mind and wanted me to come in after all. I was so excited to have the night off that I jumped on top of Raffaele, cheering, “Woo-hoo! Woo-hoo!”

Our good mood was only elevated when the doorbell rang again at 8:45 P.M: Jovanna had come back, this time to say that the suitcase hadn’t made the bus and that she didn’t need a ride after all. With no more obligations, we had the whole rest of the night just to be with each other and chill out.

After the movie ended, around 9:15 P.M., we sautéed a piece of fish and made a simple salad. We were washing the dishes when we realized that the kitchen sink was leaking. Raffaele, who’d already had a plumber come once, was frustrated and frantically tried to mop up a lot of water with a little rag. He ended up leaving a puddle.

“I’ll bring the mop over from our house tomorrow. No big deal,” I said.

Raffaele sat down at his desk and rolled a joint, and I climbed into his lap to read aloud to him from another Harry Potter book, this one in German. I translated the parts he didn’t understand, as best I could, into Italian or English while we smoked and giggled.

Later, when we were in bed, our conversation wound its way to his mother. His dad had divorced her years before, but she’d never gotten over the break. In 2005 she had died suddenly. “Some ¬people suspect she killed herself, but I’m positive she didn’t,” Raffaele said. “She would never do that. She had a bad heart, and it just gave out. It was horrible for me””¬we were really close””¬and I miss her all the time.”

I felt terrible for him, but it was hard for me to relate. The only person I knew who had died was my grandfather, when I was sixteen. I felt sad when my mom told me, but my grandfather had been old and sick, and we had expected his death for a few weeks.

I’m sure Mom and Oma must have cried, but my strongest memory is sitting around the dining room table telling funny stories about Opa. My grandmother’s message””that grieving was something you did in private; that you didn’t make public displays and you kept on moving forward””had remained with me.

Hearing the pain in Raffaele’s voice, I hurt for him. Nestling my head on his chest, I tried to be comforting.

As we started kissing, Raffaele gave me a hickey on my neck. We undressed the rest of the way, had sex, and fell asleep.

We’d known each other for exactly one week and had settled so quickly into an easy routine that one night seemed to melt happily and indistinguishably into the one that came after.

We planned to break our routine the next day, All Souls’ Day, by taking a long drive into the countryside, to the neighboring town of Gubbio. The November 2 holiday wasn’t usually observed with as much fanfare as All Saints’ Day, but since it fell on a Friday in 2007, a lot of people, including us, were turning it into a four-day weekend. I thought, Italians having a good time again. And I couldn’t wait.

 

Tuesday, July 01, 2014

Twice Today Amanda Knox’s Long-Running Interrogation Hoax Turns On Her To Bite Her In The Tail

Posted by Peter Quennell

1. Today’s Sollecito Claims

Take a look at this Knox statement and this Knox statement and this Knox statement.

If you think Knox was in a planned police interrogation, and her framing of Patrick was forced, over some hours, by tag-teams of cops, with no food, no drinks, no interpreter, and no lawyer, then the cops look bad and Knox is maybe home free.

But in fact voluminous testimony at trial by a whole host of those present in Perugia’s central police station on the night of 5-6 November 2007 confirm that absolutely none of that is true.

In fact Knox rolled over on Patrick in a heartbeat, and it happened during a quiet session of name-listing of possible perps, a task in which Knox was pretty eager - perhaps so eager because none of them were herself and one of them was Rudy Guede. 

Knox had turned up late at the police station, unwanted and grumpy, was advised to go and sleep, refused, agreed to build that list of possible perps (she listed seven), spontaneously broke into a wailing conniption over a message she sent to Patrick, was semi-calmed-down and repeatedly provided refreshments, and insisted on writing three statements without a lawyer all of which said she went out on the night of the attack, all framing Patrick, one even pointing at Sollecito.

Knox’s erratic claims of pressure were of course disbelieved by the Massei trial court, she was convicted of calunnia, her appeals failed both at the Hellmann appeal court and the Supreme Court, and she served three years in Capanne Prison. Knox still owes Patrick a major payment and she herself continues to propagate the interrogation hoax repeatedly - in her book, on TV, in her email to Judge Nencini, and in her appeal to the European Court of Human Rights.

Sollico is now taking advantage of those three statements, and a claim that Knox’s text message to Patrick was sent from outside Sollecito’s apartment, to hint that Knox told the truth there, and he was not with her at the time when Meredith was killed.

2. Why This Might Resonate In Italy

This might lead to some review of “new evidence” though it cannot happen before Cassation confirms conviction. 

Not so much because of the hard facts, which belie him, but because of the growing recognition of the enormous damage done to Italy’s reputation by Curt Knox, Chris Mellas, and the paid thugs of their campaign.

And the threats to fight extradition, and the appallingly large sums of blood-money.

3. The Curt & Edda Defamation Trial

In a double whammy, a judge ruled in Perugia that Curt Knox and Edda Mellas must go on trial in the hard-line Florence court for their role in propagating that same interrogation hoax.

That is the same court that is already staging felony trials against Frank Sforza and Luciano Aviello and will soon stage defamation trials for the ironically titled Honor Bound against Raffaele Sollecito and Andrew Gumbel.

This is from Andrea Vogt’s latest website report (Update June 30, 2014) which as usual leaves in the dust all other non-Italian reporting except Barbie Nadeau’s and John Follain’s (though that is sadly behind the UK Times pay-wall). 

Amanda Knox’s biological parents, Curt Knox and Edda Mellas, faced a trial hearing in Perugia Monday on charges of defaming the local police with allegations in the international media (and reported in Italy) that their daughter was abused during questioning during the 2007 investigation into the murder of Meredith Kercher.

The case Monday came before Perugia Judge Noviello, who opted not to hear witness testimony, but instead moved the case to Florence. This because the judge reportedly noted that the Perugia prosecutor was also defamed, even though he did not make any official complaints, therefore it is a case that should be handled outside the sphere of Umbrian influence.

Amanda Knox was convicted on appeal in January in Florence, but still faces another trial there ““ that of allegedly slandering the police (calumny) with false accusations on the stand, which in Italy is a more serious charge than just defamation\libel. Knox and her parents now both face decisions by Florentine courts about the outstanding charges

The claims being targeted for trial were made in 2010 so the Florence court has another three-plus years before the statute of limitations cuts in. 

And this (tick tick) is from a TJMK post by Jools in January 2012.

The name of Amanda Knox was included in the list of trial witnesses that the defence for Kurt Knox and Edda Mellas, lawyers Dalla Vedova and Luciano Ghirga intend to call to testify in court.

So Amanda Knox could want to testify under oath on the interrogation hoax - either that or see her parents go down.  (Knox will probably also face trial in Bergamo for extensive defamation in her book. Amanda Knox could again want to testify under oath on the interrogation hoax - either that or see herself go down.)

We understand it was Knox lawyer Dalla Vedova who first asked for the Knox-Mellas trial to be moved to Florence. That was when Dr Mignini was the subject of a phony prosecution in Florence and Dalla Vedova seemed intent on embarrassing him.

Now Dr Mignini is riding high nationally, and is maybe having a few grins at Dalla Vedova’s predicament.

Thursday, May 22, 2014

The Cuomo Interview: Why This May Be The Last Time Knox Tries To Argue Innocence On TV

Posted by Vivianna

Concepts of innocence

I want to make the distinction here, as in some of my previous posts, between factual and legal innocence to show how on factual evidence Knox is giving up.

• Factual innocence is what we may consider “true” innocence, i.e. the complete lack of involvement in a crime.


• Legal innocence, on the other hand, is innocence established in a court of law on the basis of a reconstruction of events.

Ideally, the two coincide. But there are certainly cases in which someone who is factually guilty of a crime may be found innocent in a legal sense due to a lack of evidence.

This distinction is important here since the type of innocence Knox appears to want to establish throughout her most recent interview is, surprisingly, legal innocence ““ not factual innocence.

There are signs that Knox knows she’s failed to sell factual innocence, and is losing traction with all crime professionals everywhere - the psychologists are already long gone.

And signs that American big-media fascination has run its course. A few days after the release of the Nencini motivation report, Knox was interviewed by Chris Cuomo on CNN. This was the one big Knox-camp response to the report - and the main airing of the interview was just after 6:00 am.  A video of some highlights can be viewed on the CNN website after the brief ad.

I would like to refer you at the start to this excellent post by Eyes for Lies, who has been praised on TJMK before. The transcribed quotes below are taken from the Eyes for Lies blog and they are accurate; their accuracy can be confirmed by listening to the interview linked above.

“This judge’s motivations…”

The first thing you may notice when you watch the interview is Knox’s difficulty to form articulate sentences.  This is not a comment on her intelligence or her ability to speak in public, but it appears odd considering her coaching and the number of interviews she has given before.

She pauses often and constantly reforms her sentences, perhaps realizing that what she wants to say may not play out in her favor.  As a result, she uses vague and sometimes unusual language, and her sentence fragments reveal aspects which she is otherwise attempting to conceal.

This inability to effortlessly stick to her script in a somewhat tense scenario betrays the fact that there is a discrepancy between her beliefs and her public statements.  It also begs the question of why someone who is supposedly telling the truth needs to construct her answers so carefully if she has nothing to hide.

Cuomo begins the interview by asking Knox why she thought that this judge [Nencini] went further than any other.  Here is Knox’ answer, preceded by a rather odd smile:

I”¦believe”¦I mean, I can’t speculate what this judge’s motivations”¦personal motivations or otherwise”¦What I can say is that”¦as”¦this”¦case”¦has progressed”¦”¦.the evidence”¦that the prosecution has claimed exist against me”¦.has been”¦has been proven less and less and less.

The quote of Knox above is a good example from the legal v factual innocence point of view. First, let’s look at the opening few words.

She begins by saying “I believe”¦” and then stops.  Evidently, only Knox knows what exactly she intended to say, but it’s rather obvious from her next sentence that what she wanted to say about the judge was not particularly flattering or diplomatic.  Given her current situation and the pending defamation suits, she probably thought it was not a good idea to be direct.

Hence, she rephrases on the fly and goes on say that she couldn’t comment on his motivations, while doing this nevertheless towards the end of her sentence.  This is known as “paralipsis” which is stating something (which sometimes may be considered an ad hominen) while pretending not to do so.

The fact that she mentions Judge Nencini’s “personal motivations or otherwise” implies that his decision may have not been objective, but based on a personal bias against the defendants (an idea that Ms. Bongiorno has been unsuccessfully trying to flog after the verdict). 

“Diminishing evidence…”

Moving on, she makes the first appeal to the legal innocence I mentioned above.  Instead of clearly stating that she was innocent or that she did not kill Meredith, Knox prefers to focus on the fact that the evidence against her has been allegedly diminishing.

For one, this is false, as no piece of evidence at all has been dismissed; on the contrary, the new DNA test results from the Carabinieri lab could be considered as additional evidence.  So Knox is blatantly lying about something which can be factually disproved, which immediately raises the question of what else she could be lying about.

Secondly, what makes this statement odd is the fact that she does not assert her factual innocence.  As someone who was supposedly wrongly accused and against whom there is evidence, whether or not she chooses to acknowledge it, the one thing she has control over is the inner knowledge of her own factual innocence.

That kind of knowledge, in someone who was not subjected to torture or brainwashing, should be untouchable ““ absolute.  No matter what anyone said she did, if she knew for a fact that she hadn’t done it, she would be stating it at every opportunity.

The fact that she chooses not to do this indicates that Knox herself may have trouble keeping up this pretense of innocence, especially if she is privately plagued by fear and perhaps guilt or remorse (although she hasn’t shown any signs of the latter).  It has been suggested that she may be at a point where she has convinced herself of an alternate truth, but based on what she says, I am uncertain that she genuinely believes what she says.

“I did not kill…”

Only in her next sentence does she finally offer a denial ““ unfortunately couched in vague language which undermines her point.

I did not kill my friend. I did not wield a knife. I had no reason to.

Simple, straight sentences like these are the kind we would expect from an innocent person.  The problem lies in the fact that, throughout this interview, Knox never clearly states, “I did not kill Meredith.”  I don’t think Knox is lying when she says “I did not kill my friend,” since, strictly speaking, she did not kill any of her friends.

The problem is that Meredith was not her friend, even if both she and Meredith may have acted friendly towards each other at the beginning.  Based on statements given by Meredith’s English friends and by her family, Meredith was irritated by Amanda’s behavior and frequently complained about the latter’s habits (untidiness, dirtiness, attention-seeking, bringing strange men to the apartment, etc).

Meredith probably maintained a civil front in order to avoid tension, but she had already started to distance herself.  The fact that she did not return Amanda’s texts on Halloween demonstrates that she wanted to spend time with her actual friends, rather than have to deal with Knox’ histrionic episodes.  Given the social nature of Halloween in a college town, this situation would not have occurred if the two had really been close prior to the murder.

“I did not wield a knife” is a blatant lie, since Knox’ DNA was found on both the handle and blade of the kitchen knife.  Eyes for Lies found it strange that Knox even mentioned the knife in light of her innocence claim, but I think it makes sense because the knife figured prominently in the appeal proceedings.

Or rather, it makes sense for someone who is focused on the legal innocence aspect mentioned above.  Knox equates being found innocent with being innocent, as we’ll see below, so it’s important for her to address the evidence (without realizing that, by doing so, she is acting in ways which are not consistent with factual innocence).

“My friend…”

Returning to “my friend,” we see the beginning of a trend which continues throughout the interview.  Knox has a tendency to refer to Meredith obliquely ““ rarely by name.

This manifests itself in several ways: by exerting ownership (“MY friend”) or by referring to her as an inanimate object (which we’ll see happening in the following paragraphs).  Considering that murder is a total, irreversible way of taking away someone’s personhood, this constant appropriation and objectification are disturbing and belie Knox’s supposed fondness for Meredith.

Next, Knox says, “I”¦.I was”¦in the month we were living together, we were becoming friends.”

Here I agree with Eyes for Lies’ argument that perhaps what Knox started saying was “I was trying to be friends with her.”  Note that she says “we were becoming friends,” not “we were friends.”  This calls into question her truthfulness when she calls Meredith “my friend.”

By Knox’ own admission, they were not quite friends yet at that point - or rather, not anymore, since the disagreements had already started; once again, Knox distorts the truth by making it seem that they were getting closer rather than as in reality growing apart.

A week before the murder occurred, we went out to a classical music concert together. Like”¦we had never fought. There is no trace of us.

The part about the concert is true (this is where Knox met Sollecito).  We don’t know why Meredith left before the concert ended: perhaps she was tired, she had to study, or didn’t particularly enjoy the music; it’s also possible that she may have felt irritated with whatever Knox was doing to attract Sollecito’s attention.

Given his inexperience and lack of confidence at the time, Sollecito would have most likely not approached Knox without an invitation, but that’s a matter for another post.

“Like “¦ we had never fought” can be interpreted in two ways.  One: we can read it as “we went out [”¦] together like we had never fought”; this implies that they did fight, which would be true, but that they were working on settling their differences.  Two: “like” could be a simple filler word, and we should read it as “we had never fought,” which would be false.  I’m not sure which way she meant it, so I’ll leave it at that.

“There is no trace…”

It seems like Knox jumps to saying “there is no trace of us,” but the video posted online was edited, and not very smoothly.  You can see the transition, so she must have said this after additional remarks or in response to a different question.  Hence, the fact that it seems random isn’t probably her fault.

It’s interesting in itself though because it’s another instance of her lying about verifiable facts (see judges’ reports and the numerous posts regarding forensic evidence).  Also, it’s an important statement in conjunction with the infamous quote about Meredith’s “broken body” because it once again equates lack of evidence with innocence, rather than directly stating innocence.

“If Guede committed…”

This is perhaps the most controversial part of the interview and also the part which ties things together (the idea of legal innocence and the objectification of Meredith).

If Rudy Guede”¦committed this crime”¦which he did”¦we know that because his DNA is there”¦on the”¦on Meredith’s body, around Meredith’s body.  His hand prints and foot prints in her blood. None of that exists for me and if I were there, I would have had traces of”¦Meredith’s broken body on me”¦and I would have left traces of myself”¦.around”¦around Meredith’s corpse”¦.and I”¦I am not there”¦and that proves my innocence.

She starts her response with something which is both incredibly revealing and absolutely shocking for someone who claims innocence - “If Rudy Guede committed this crime.”

I don’t think anyone has questioned Guede’s involvement in this murder, even if the precise extent of it remains unclear, and the two have partially built their defense around the lone wolf scenario.  Also, since Guede’s verdict was issued and confirmed years ago, Knox does not need to pussyfoot around his status for fear of slander charges. 

Knox is not talking about Guede’s involvement in general terms, however.  She’s explicitly referring to him actually committing the crime (i.e. inflicting the lethal wounds).  Her hesitation betrays the fact that she doesn’t believe he did.

Of course, she catches herself: “which he did “¦ we know that because his DNA is there.”  It’s interesting she has to point out how she knows this ““ from reading the evidence, certainly, not from being there and therefore knowing for a fact that he participated in the assault, but not in the actual murder.

“On the… Meredith’s body”

Next, we have another instance of objectification:  “”¦on the”¦on Meredith’s body, around Meredith’s body.” Perhaps she wanted to say “on the corpse” and thought it might be a bit inconsiderate, so she switches to the more neutral “body,” only to use the implied word a few sentences later.  However, what’s striking about it is that she thinks of Meredith as a body, not as a person. 

I want you to think about the time you lost a friend or a family member, regardless of circumstances.  Did you ever think of them as a body, or did you continue to think of them as they were in life, even if you had to identify them or take care of funeral arrangements? I’m not asking this rhetorically, by the way.

When my father died (rather suddenly, but due to illness), it never ever crossed my mind to think of him as a body, but perhaps circumstances alter perceptions.  I’ve also read numerous things written by Meredith’s friends and family, and they always refer to her as “Meredith” or “Mez.” To them, she never stopped being a person because they loved her, and diminishing her would have been inconceivable.

I think it’s far more likely that the word “body” will appear in a military, medical, or anthropological context, in which there is no personal connection between the observer and the dead.  We may use this word ourselves when talking about the crime scene, but it’s rather telling that we use her name far more often than someone who actually knew her in life.

I can’t know what Knox felt about Meredith, but there is no indication it was positive.  The clinical and graphic manner in which she refers to “Meredith’s body,” “broken body,” and “corpse” betrays an obstinate refusal to acknowledge her as a person.  Why, if Meredith was indeed her friend as she insists?

For one, it suggests that Knox actually saw Meredith being transformed into a “body” and that this image stuck with her.  Let’s not forget that Knox never saw Meredith after the latter was discovered; based on the statements of the other people present in the cottage, she was not near the door when it was broken open, and she was also not asked to identify Meredith.

The only way an innocent Knox could have seen Meredith after her death would have been in photographs presented in court.  There is no doubt that such photographs can be disturbing and upsetting, but I don’t think they can supplant memories of actual experiences. 

Secondly, it’s a form of denying someone’s personhood and of expressing power and domination.  A murderer can literally deprive someone of personhood ““ an act which they may feel triumphant about, especially if the person was a source of distress in life.  I can’t help feeling that Knox is gloating when she mentions Meredith’s body.

Thirdly, refusing to name the victim and to refer to her as a person is a way of preventing her from taking center stage.  While Knox has repeatedly complained about the media attention she has received, both she and her campaign have fought really hard to marginalize and displace Meredith in an attempt to replace the tragedy of the latter’s death with the supposed tragedy of Knox’ unwarranted imprisonment.

It must be disappointing when someone you’ve risked everything to eliminate continues stealing your thunder, so Knox isn’t letting us forget the actual state of things: she is there, in a TV studio, enjoying the luxury of being an “I,” while Meredith has been reduced to an “it” ““ a broken body.

The words she uses to refer to Meredith, whether graphic or macabre, suggest disgust with the physicality of death.  Perhaps Knox just wanted Meredith to go away forever and found it difficult to deal with the aftermath of a violent murder.

“None of that exists…”

Returning to the issue of legal innocence, Knox claims that Guede’s hand and foot prints were identified, while “none of that exists for me”; also, “I would have left traces of myself”¦.around”¦around Meredith’s corpse.”

These are further lies, since a size 36-38 foot print was identified, and Knox was the only one it could have belonged to.  There were also five mixed DNA spots (comingled blood from both women), which, just because they were not right next to Meredith’s body, cannot be dismissed.

The crime scene covers the entire house as far as the police and the court are concerned.  How anyone else defines the crime scene is of no consequence at all. 

“[”¦] if I were there, I would have had traces of”¦Meredith’s broken body on me,” she says next.  This is, of course, an impossible scenario since Meredith was discovered long hours after her death and it was days before police looked at her.

In the meantime, a clean up had unquestionably taken place, and Knox herself admits to having showered (perhaps not in the morning as she wrote in her email, but earlier that night).  Also, Knox was initially considered a witness, not a suspect, and her person and clothes were not immediately swabbed by the scientific police.

She’s trying to make it sound like no traces were discovered on her, but in fact no one tested for this and no one can prove it either way.

“I am not there…”

She continues: “I”¦I am not there”¦and that proves my innocence.”  By “I am not there,” she means that incriminating traces were not found at the scene, not that she wasn’t there on that night. Note the difference between “I am innocent,” which she does not say, and “[the lack of evidence] proves my innocence.”

In other words, she’s insisting on legal innocence, but doesn’t actually confirm her factual innocence.  The problem with that is since she’s lying about the factual evidence, it’s difficult to take her legal innocence claim seriously.

“Possible to win…”

At the end of the interview, she says, “I truly believe it is possible to win this and to bring”¦to bring an end to all of the speculation and the nonsensical theories and really bring peace to everyone who has suffered from this experience.”

The use of the word “win” here is peculiar, to say the least.  It’s consistent with her competitive attitude towards Meredith, for one ““ killing her and getting away with it, regardless of the sacrifices made on the way, would constitute a sort of victory, I suppose.

It also has the implication of “winning the case,” which we may expect from a lawyer or someone for whom this is a professional, rather than personal undertaking.  A wrongfully accused and imprisoned person has nothing to win in the end, considering the traumas they suffered; the most they can hope for is recognition and vindication.

She is correct, however, that it’s possible to end the speculation and theories.  However, that would require her, Sollecito, or Guede to tell the truth about what happened on that night.  In this, she has full agency ““ this is not something that can be done for her, but something which she needs to do herself.

Other than that, the “speculation and nonsensical theories” refers to the judges’ reports, in addition to lay commentary; her problem is that saying something is “nonsensical” doesn’t automatically render it so in the absence of arguments and proof (none of which she or her defense have been able to provide).

“Peace to everyone…”

“[”¦] really bring peace to everyone who has suffered from this experience” ““ this has to be one of the blindest and most self-centered things Knox has ever said about the case.

For one, it’s doubtful that a favorable verdict would even bring peace to her and Sollecito, since they will always know what they’ve done, even if they don’t have to fear imprisonment anymore.  It might or might not bring peace to their families, who have already spent a fortune on their defense and whose trust has probably been shattered forever. 

However, to imply that it would bring peace to Meredith’s family and friends is both presumptuous and contemptible.

Knox and her arrogant followers have, on numerous occasions, taken it upon themselves to speak for the Kerchers ““ how they should feel, what they should accept, etc. First pioneered by the contemptible Candace Dempsey, it is incredibly disrespectful to people who have suffered a great, irreplaceable, undeserved loss and who have done nothing wrong by pursuing justice for their loved one.

The fact that Knox and Sollecito have refused to confess for the past seven years has done nothing but prolong the suffering of Meredith’s family by denying them closure and the necessary space to mourn and heal.

Conclusions

what we have here is a number of outright lies, some distortions, and some false starts which help pinpoint what Knox believes, rather than what she says.  What we don’t have is a plea for factual innocence, but an attempt to prove legal innocence by glossing over the evidence or dismissing it altogether, and by calling into question the judges’ professionalism.  We also see no evidence of respect or compassion for Meredith, but rather an attempt to objectify and incorporate her in Knox’ own story. 

My impression is that Knox does not believe the things she says herself and is struggling to maintain a front; that despite her coaching and experience with interviews, she is getting ahead of herself instead of simply reciting her lines, which denotes anxiety and conflict.  I don’t believe she’s at peace with the murder at least, which hopefully means that at some point she might be inclined to confess.

Monday, March 03, 2014

As Knox & Sollecito Try To Separate Themselves, Each Is Digging The Other In Deeper

Posted by willsavive

1. Sollecito Blabs Yet Again

One of an increasingly long list of “gotchas” for the prosecution, flowing from their tendencies to talk way, way too much. 

In a recent exclusive interview on an Italian TV news broadcast, Sollecito said he has several “unanswered questions” for his former girlfriend, Amanda Knox.

“You all know that the focus was only through Amanda to her behavior, to her peculiar behaviour, but whatever it is, I’m not guilty for it. “Why do they convict me? Why do put me on the corner and say that I’m guilty just because in their minds I have to be guilty because I was her boyfriend. It doesn’t make any sense to me.”

This adds yet another waiver to the many different explanations Sollecito provided over the years about the same details.

In their “official” story, in the part that remained consistent, Knox and Sollecito both claimed that Knox left his flat the morning after Kercher’s murder and returned home, where she noticed the door left wide open and witnessed blood spots in the bathroom.

Knox claimed that she found it odd and just assumed that one of her roommates was menstruating and left blood behind. She proceeded to take a shower and returned to Sollecito’s flat and ate breakfast.

2. Telling Narrative Change

“Certainly I asked her questions,” Sollecito explained in his latest interview. “Why did she take a shower? Why did she spend so much time there?” When asked what responses he had for these question Sollecito replied, “I don’t have answers.”

In the interview, Sollecito said Knox left his apartment to take a shower, then returned hours later looking “very agitated.”

Yet, in an interview with Kate Mansey on 4 November 2007 just two days after the murder, and two days prior to arrest, Sollecito said:

But when she went into the bathroom she saw spots of blood all over the bath and sink. That’s when she started getting really afraid and ran back to my place because she didn’t want to go into the house alone.

3. RS Differs Sharply From Knox

This is a far cry from what Knox said in her email also dated 4 November 2007 to friends and family, Knox wrote:

I returned to raffael’s place. after we had used the mop to clean up the kitchen i told raffael about what i had seen in the house over breakfast. the strange blood in the bathroom, the door wide open, the shit left in the toilet. he suggested i call one of my roommates, so I called filomena.” (6th paragraph).

The discrepancies between Knox’s version and Sollecito’s version is strikingly different.

• Raffele claims Knox was visibly distraught when she returned and that this was the focus of discussion (i.e. being the first thing they discussed).


• Knox claims that she did not even bring up the bizarre circumstances back at her apartment until “after” they finished mopping the kitchen floor.

4. My Analysis Of The Above

In his latest statement, Sollecito is clearly trying to distance himself from Knox, believing that there is far more evidence against her than against him. But:

• Sollecito forgets to mention the bloody barefoot prints at Knox’s apartment, found to be in Kercher’s blood attributed to him.


• Also the knife found in his apartment that scientists say was the murder weapon.


• Also his DNA found on Meredith Kercher’s bra that was found in her room, even though Sollecito claims that he was never ever in that room.


• Also his own strange behavior, which includes providing a false alibi (saying he and Knox were at a party with a friend on the night of the murder).

Also several conflicting other versions.

But what’s there to question if you [Raffaele] were with Knox the whole day and night of Meredith Kercher’s murder?

It appears as though Sollecito is alluding to the notion that he knows something far more than he is saying; yet, he is being very careful with his words””only providing us with a hint of this.

His latest statement is a clear attempt to distance himself from Knox.

5. Sollecito Freaks Out On Twitter

Sollecito appeared on Twitter recently, for what he claimed was to answer questions and clear his name.

He was very outspoken of his innocence and had no problem in his witty, sarcastic responses to those who questioned his innocence.

However, when I asked him about the Mansey interview he denied claiming that he was with Knox at a friend’s party on the night of the murder [huh?!].

Sollecito disappeared for a couple of days, came back to Twitter writing only in Italian, and ceased responding to any more questions.

Is it possible that Sollecito will turn on Knox altogether at some point when the pressure mounts over the next year? Guess we’ll have to wait and see”¦

Cross-posted from Savive’s Corner

Wednesday, February 26, 2014

How Claims By Perpetrators & Their PR That THEY Are Victims Get Equal Pushback

Posted by Peter Quennell

[Florence prosecutor Giambartolomei will soon confront many false claims ]


To the considerable pain of victims and their loved ones, Italy’s has become one of the most pro-defendant justice and penal systems in the world.

That doesn’t mean that it has become a complete pussycat. Push it, and it usually pushes back harder in its search for the truth. And the quality Italian media goes along. 

Time and again the ill-conceived short-term PR and legal tactics for Knox and Sollecito based on a hurricane of lies have left them in terms of the ultimate end-game worse off than they were before.

Judge Matteini and Judge Micheli (the judges in 2008) both took firm lines with the copious evidence and the psychological tests of AK and RS in front of them.

Both judges took a line as firm as the prosecution (as firm as the “evil Mignini”) in concluding that there was a drug-fueled hazing escalating to murder with sexual aspects (however short the timescale of the intent).

[Ed note: See comment by Yummi below which explains the above a little differently. PQ.]

Though his panel of judges voted unanimously for guilt, Judge Massei in 2009 did take a somewhat less firm line in the sentences, after observing one daffy defendant and one very nervous defendant sitting in front of him for nearly a year. Judge Massei for no especially convincing reason

(1) pinned the initiating of the attack on Rudy Guede (really?!) and

(2) handed Knox and Sollecito (and thus Guede) quite a break with his supposed “mitigating circumstances” (the duvet over Meredith’s body) resulting in 20 years lopped off their combined sentences.

Both the defenses and the PR were weak and largely futile in that year. But come 2010 the dirty tricks moved into overdrive.

Cassation reverted to the firmer line in January 2011 when it ruled on Guede’s final appeal: Guede was a party to the murder, but copious evidence proved he did not act alone. 

The Hellmann appeal court and DNA consultancy and verdict of 2011 were corrupted (counter-measures are still quietly playing out) which fully explains its startling soft line.

Thereafter the Italian courts observed the illegal blood-money binge with the essentially fictional books of Sollecito and Knox, and two years of them each claiming to ill-prepared interviewers “we’re the real victims” on TV.

Cassation observed all of this, annulled the corrupted Hellmann court verdict, and issued instructions in June 2013 to the Florence appeal court to ensure that the firm line should be maintained. Unsurprisingly, we have seen a firm line from the chief prosecutor (Crini) and a seeming firm line from the lead judge (Nencini) in recent weeks.

In the rest of this year Italy will see at minimum these events where the court’s firm line will go on and the babbling and unhelpful legal and PR tactics may finally dry up.

1) RS and AK continuing to babble for a while on TV as they each dig the other one deeper. Sollecito has just said that his saliva or sneezing may explain why his DNA was on the clasp of the bra.

2) The sentencing report of Judge Nencini is due at the latest on 30 April and he seems likely to give space to rebuttals of any bizarre new claims made by Knox and Sollecito before 30 April like the one just above. 

3)  The obstruction of justice trials of witness Luciano Aviello and incessant meddlers Mario Spezi and Frank Sforza will continue, probably though into 2015. Each of those trials could result in others (like Spezi ally Doug Preston and Sforza allies Bruce Fischer and Steve Moore) being declared at minimum persons of interest if not actually charged.

4) Florence prosecutor Giambartolomei Firenze (image above) may soon be announcing which passages in Sollecito’s book Honor Bound criminally defame Italian officials or deliberately miscontrue hard facts in evidence in an illegal attempt to to poison public opinion against the court.

5) Similarly soon after on Amanda Knox’s book with the surreal title Waiting To Be Heard (and on Knox articles and interviews in Oggi) by the chief prosecutor in Bergamo. 

6) Cassation’s First Chambers should be the one to handle Knox’s and Sollecito’s final appeal. They handle murder cases and they issued the guidance to Florence in 2010.

7) If so, they should take note of such revelations by way of Judge Nencini’s and Prosecutor Crini’s reports; and this next autumn or winter may finally declare a firm “confirmed guilty” final-appeal outcome and invite Knox to come back.

And when prosecutor Giambartolomei Firenze announces which claims are radiocative, hopefully a major hush will come over Heavey, Fischer, Bremner and Moore.

Wednesday, February 19, 2014

Our Reviews Of The Painstaking BBC-3 Report First Aired In The UK On 17 February 2014

Posted by Our Main Posters

Review by SomeAlibi

Watching “Is Amanda Knox Guilty” was a funny thing. I suspect for people following the case closely, on either side, it was a sobering experience. Not because it changed perspectives, but simply to see how quickly one hour passed and the necessary trade offs that had to be made to fit within that schedule. The opportunity cost was a level of detail to which in-depth followers have become accustomed.

Just one example: Sollecito and Knox’s partial alibi that they were checking their emails on the night of November 1st was explained as being challenged by two broken computers. Perhaps, (although unlikely to be the material issue) but where was the much more salient fact that their ISP records showed that was conclusively untrue? Where was the challenge: if you say you’re checking emails to establish part of your alibi against a murder and it is shown to be absolutely untrue, what does that suggest…?

There were many other “clinchers” that had to be let go in the name of brevity. But it wasn’t that sort of documentary - it was neither a case for the prosecution or a case for the defence: it put the main suggestions at the level of detail that was possible and it allowed both sides to speak to the points at that level of detail.

I find it interesting that there has been such a howl of bias from those supporting Knox and Sollecito. Objectively there’s no good ground for it: the documentary allowed both sides forward in equal measure and no pro-justice watcher would celebrate it as a pro-conviction piece.

The arguments were balanced, the video, audio and picture quality eye-opening. For those on the other side, their markedly different reaction appears to be that the documentary has broken the taboo that The Evidence Shall Not be Told. The idea that there is an easy-to-consume piece that puts forth the case and defence equally is seen as a disaster.

The campaign for Knox continues to be obsessed, beyond all things, with trying but now failing to make sure the public doesn’t know the basis of the case. For a long time they hoped to drown out the multitude of terribly inconvenient truths within it by screaming “no evidence”. ‘Is Amanda Knox Guilty’ put the lie to that conclusively, but fairly, and now many hundreds of thousands, perhaps soon to be millions will ask themselves why those supporting Knox and Sollecito have had to adopt this tactic at all.

If they really are innocent, why has the case against them been so comprehensively white-washed in the US?

The conclusion, is rather simple and I saw it encapsulated on a large television screen last night with the repeated clips of Amanda Knox and Raffaele Sollecito outside the cottage kissing and “comforting” each other: there for a fraction of a second, shown several times, is Amanda Knox, unable to stop herself glancing at the camera filming her and stealing her gaze away again very quickly pretending she hasn’t.

It’s a look that says everything: furtive, pretending it didn’t happen, immediately covering up in a way that poses a stark proposition: why on earth would you do that if you had nothing to hide?  And like so much of the multiple collapsing alibis and non-working answers and the desperately dishonest fingers-in-the-ear “no-evidence” pretence of those supporting her, is a proposition that can withstand no scrutiny.

Review by SeekingUnderstanding

What a relief to watch a very clear and unbiased narrative. The quality of the visual information was top rate - seeing so much original footage, and presented as it was in a logical time sequence.

Even though I was already familiar with the evidence, including the photographic material, I found it very helpful to see it all presented in this way. I appreciated, too, hearing and seeing the excerpts in original Italian (along with English translations). It added even more authenticity.

I hope that, at long last, this will have helped some - or hopefully many- people to see that the two ‘camps’ in this case do not divide into AK supporters and AK ‘haters’. There are the FoA and their followers ...and there are the others who seek the objective truth and justice.

If hate has been generated in some quarters, then the Knox (and Sollecito) camps need to look to themselves and their own behaviour. This programme was important in the tone it set.

I actually found it to be quite lenient towards the defence on a number of counts.

There were several instances where the defence point of view could have been strongly countered by known and established facts, but, bending over in fairness, these were left unanswered.

Here are just four instances :

1) In the discussion around the blood and DNA left in the bathroom - Dr. Gino’s assertion that ‘the blood/DNA ‘could have come from anywhere’ might have been countered with AK’s own declaration that the bathroom was previously clean. Dr. Gino also suggested a very improbable scenario of ‘it could be saliva’ (on the bidet?). Cassation emphatically said that it must be shown HOW any suggested contamination could have occurred.

2) There was a missed opportunity in discussing the knife presumed to be the murder weapon to mention Sollecito’s lame, unreal excuse of ‘Meredith pricked her hand’ etc.

3) Anne Bremner stated ‘Amanda could not have turned overnight…into a murderer’. Attention could have been drawn to many things, both physical events (her predilection for cruel pranks, including a staged burglary in the US, and wild parties, etc), and also many psychological indicators that would have clearly shown how her behaviour has, in fact, demonstrated consistency.

4) In the discussion re the bra clasp, the delay partially being caused by the defence themselves was not mentioned. Also, detailed discussion re the one bare footprint on the bathmat was omitted.

Since there is, in fact, so much evidence, it must have been difficult to chose and balance what did go into the hour long programme. All in all, I feel Andrea Vogt and her team worked hard, and did very well to let the facts speak for themselves.

I hope it will lay a few fictions and myths to rest.

Review by Earthling

What is the “Amanda Knox trial” (really the Meredith Kercher murder trial) really about? Is it about an innocent 20-year-old pretty white girl being railroaded by the medieval Italian justice system?

Or is this actually a murder trial, about the fact that a beautiful, intelligent, ambitious young woman, innocently trying to improve her life by study abroad, was brutally murdered?

I believe it’s the latter, and the BBC3 production gives us one of the first truly balanced reports on this trial.

The filmmaker starts from the beginning, and takes us through the murder, investigation, and various trials and appeals up to the present day. Instead of the breathless “Perils of Penelope” tone (toward Amanda Knox) that most such previous “documentaries” have taken, this one takes a sober look at the actual evidence.

Did you realize that there are luminol-revealed bare footprints in Knox’s size in the apartment? Luminol reveals blood and a few other substances; but those substances can be ruled out because the test was done six weeks after the murder, by which time those substances would have dissipated.

Blood doesn’t dissipate. This documentary shows you those bloody footprints in all their creepy glory, something never shown on American TV before.

“Is Amanda Knox Guilty” also speaks of the actual DNA evidence in the cottage linking Knox to the murder, including five mixed-DNA spots (Knox and Kercher) that tested positive for blood. Both prosecution- and defense-oriented experts are allowed to comment on this evidence, and the viewer is allowed to make up his or her own mind.

My one criticism is that a lot of the evidence against Knox (witness statements, cell phone data, fake break-in) is skimmed over or not even mentioned. Also, because the documentary quotes Rudy Guede’s position at length without any contradictory narrative, it is confusing as to whether the filmmaker might have believed him.

In the end, the filmmaker says, he was convicted of participating in the group murder. However, a stronger statement against his “I’m entirely innocent” defense would have been good.

Other than these quibbles, this is the best documentary on the Meredith Kercher murder case that I have ever seen.

Review by ZiaK

I watched the BBC programme on the Meredith Kercher case hoping for a more balanced view of the case than has been presented in the English-speaking media to date.

The documentary does present some of the evidence against Knox and Sollecito - including the bloody footprints, the mixed blood/DNA traces in the bathroom and corridor, the bra clasp, the knife DNA evidence, the strange timings of phone calls to police, the unlikelihood of the “break-in” being anything other than staged - but omits to point out that none of the other flatmates’ DNA was found in the blood traces, so saying that “it’s because Meredith and Amanda shared a flat” is misleading.

Nor does it point out that, although the murder knife was found in Sollecito’s flat, none of HIS DNA was found on it: it had only Amanda’s and Meredith’s DNA.

The programme didn’t cover the cell-phone evidence, showing that neither Knox nor Sollecito were where they said they were, at the times that they claimed. The programme also repeated the “Friends of Amanda” PR soundbites, such as “there was no evidence of Amanda in the murder room” - whereas the fact that her footsteps tracked blood OUT of the room are actually evidence of her having been present IN the room before it was locked (i.e. at the time of the murder).

Furthermore, in my opinion, the narrator’s voice seemed to evince sympathy towards Amanda, rather than describing events with a passive or objective tone of voice.

As one of the translators who has participated in translating case documents (such as the judges’ reports describing why they came to their decisions), I am only too aware of the extent of evidence against Knox and Sollecito, and I would like to see knowledge of this evidence become more widespread throughout the English-speaking world.

The BBC programme is a step towards this, but in my mind, only a very small step. I hope the pace will pick up soon, and more objective and extensive knowledge of the true facts of this case will be made available to everyone so they can form a rational opinion of the case based on true understanding.

Review by Cynthia

I’ve just watched this, and it’s very good - with a huge amount of footage hitherto unseen (directed by Andrea Vogt).

For what it’s worth, I note the following points:

1) There’s no mention of Meredith’s friends who heard Amanda say ‘she fucking bled to death’ before the fact was known to anyone else. Perhaps they didn’t testify, being too distressed? If so, it’s a great pity, because it seems a veritable clincher that hasn’t been used at all.

2) The bra DNA arguments are quite extraordinary. If we can determine that we all have Neanderthal DNA (tho’ I know a lot of American fundamentalists don’t believe that mankind goes back more than 6,000 years!) I can’t for the life of me see why DNA would be unusable after a poxy delay of 12 days ...

3) The argument that the Luminol traces may indicate not barefoot treading in blood but in bleach seems absolutely unbelievable to anyone who does housework (like me!) Bleach is horrible stuff, and you really, really don’t want to be getting it on your bare skin. Even Amanda, with her vestigial domestic skills, would have noticed if she’d trodden in it.

4) Bremner says Amanda was an honor student. She wasn’t; she had funded herself (not that that’s discreditable). (Also, are honor students unable to write cursive script? The shots of her handwriting show that she can’t do joined-up writing. [Or thinking.] I don’t know whether the phrase exists in American English, but not doing joined-up writing is a term of great intellectual contempt in English.)

5) We saw Amanda’s ‘mask’ speech. This is really interesting - who would even think that masks were being put on them if they weren’t using them themselves?

6) The programme mentions the little-reported fact that another, smaller knife found at Sollecito’s also had Meredith’s DNA on it.

7) The film omits to mention Hellman’s lack of any experience in criminal trials.

8) Every shot of Amanda in the film has her talking about ‘me’ and ‘I’. She never, ever mentions Meredith - it’s all about HER suffering. She never even says ‘the murderer is out there - I wish you’d stop persecuting me and get them’.

Presumably this is because Guede is supposed to be the sole murderer - and nobody seems in the slightest bit worried that there’s no murder weapon with HIS DNA on it! (Yes, there are his turds - but that wasn’t what killed Meredith.)

9) FOA has used the fact that the recent jury took 12 hours to deliberate over the verdict as an indication that they couldn’t agree. But why not just that they were being extremely careful and re-examining everything?

10) Finally, just an observation: Maresca speaks the most beautiful Italian - you can hear every word calmly flowing past.

Review by Miriam

Much appreciated. Outside of the Porta a Porta transmissions on the case, the best I’ve seen.

I understand they had to give both sides, but I felt that the defense came out on the losing side. I thought it funny that it was implied that since they only tested for blood it could of been saliva.

I don’t believe even her supporters would argue that Knox was so quirky as to brush her teeth in the bidet! Or maybe she spit in the bidet, in which case Meredith would have had every reason to complain about her bathroom habits!

Now if only this or something like this would air in the U.S.

Review by Sara

This is actually one of the most objective and well-researched reports I have seen on the case and I am very happy that BBC has managed to be so unbiased.

It presents both sides of the story equally well and does an excellent job of countering the extremely silly “no evidence” argument that the FOAkers like to repeat at equal intervals.

Regardless of what one believes, I think the documentary will at least succeed in convincing most people that there is indeed sufficient evidence against the two of them, and Italy’s judicial system is not crazy to convict people without any evidence.

My favourite part was when the defense DNA expert (can’t recall her name) tried to explain away the mixed blood evidence by saying that one of them could have had a nose bleed, and the other could have cut her hand in the same place leading to mixed blood.

Come on already, what are we? Kindergartens making excuses for not handing in homework? What is the possibility that both of them would bleed in exactly the same places not once or twice but multiple times? I think anyone with a bit of sense can see that they are clutching at straws.

However, I was a bit disappointed that few things were missed out. For instance, the fact that Guede’s footprints led straight out of the house, the fact that Amanda’s lamp was found without any obvious reason in Meredith’s room, Amanda’s extremely odd midnight call to her mom that she conveniently “forgot”, her million showers despite her concern towards “water conservation” etc.

Sollecito’s multiple changing stories were not really elaborated upon (the story in which he went to a party, the one in which he checked emails, the one in which he pricked Meredith etc etc).

Also, inconsistencies between their accounts of various events could have been pointed out (Was Filomena’s door open or close? Did AK call Filomena from the cottage or from Sollecito’s house? etc).

Witness accounts were not given any screen space either. I think touching upon these would have made the documentary even more impressive.

That said, I understand that the team has done the best they would within the limited time they had, and everything just cannot be accommodated within one hour.

So, all in all, kudos to the team and BBC for a job well done.

Review by Odysseus

I though it was a very competent overview of the case. After so much pro-defendant spin in the MSM (no doubt engineered by the American defendant’s PR outfit), it was refreshing to have a sane, measured and rational presentation. The victim deserves no less.

Congratulations to BBC3 and to the programme makers. It’s good to know that the BBC of blessed memory hasn’t been entirely dumbed-down nor intimidated by “partial outside interests”, the latter being director Andrea Vogt’s own description of the forces intent on muddying the waters in this case.

Tuesday, February 18, 2014

Congratulations To The BBC For A Report Emphasizing The Sheer Extensiveness Of The Evidence

Posted by Our Main Posters

[From the BBC report: Meredith the night before the cruel, deadly attack with her Halloween friends]


This is the painstaking and obviously expensive report by Andrea Vogt and Paul Russell with interviews in London, Seattle and Perugia.

It was aired by the BBC on 17 February. Considerable time is allocated to defense lawyers and experts and the Knox family and Ann Bremner of the FOA taking their best shots at explaining how Knox could maybe have not been involved.

Still, the sheer mass of the evidence remains as the 80,000 pound elephant in the room, lacking any hint of a realistic alternative explanation. Three people committed the horrific attack, including Rudy Guede and two others.

Only Knox and Sollecito remain pointed to by dozens of evidence points as those two others. Not one single evidence point indicates anyone else was involved. The Masssei trial court got it right as the Nencini appeal court just confirmed.

We will enquire if we can embed the hour-long video. But as it may be picked up by US and other foreign media outlets, we will start by simply summarizing it soon.  Assessents by those who have already seen it are welcomed.

Wednesday, February 12, 2014

In Italy The Faux Self Pity Of Knox And Sollecito Is Increasingly Becoming A National Joke

Posted by Peter Quennell

Meet Amanda Knox the Perugian Chipmunk version.

Knox’s Facebook page is also being satirised and ridiculed (one message there reads “Perugia Hates You”.) Some may actually believe the rumor that Knox is shopping herself around for salacious movies.

Sollecito being nabbed at the Austrian border because of a quick tip to the police also inspired sarcastic humor in Italy, and several journalists have come up with questions to challenge Sollecito when he gets on the stand, as he so desperately wants or says he does.

We expect some more Italian satire (and maybe not only Italian) and will report on that as well, as this long-needed and much-deserved hit-back against dishonest pandering to media audiences could prove an important trend.

If satire proves the way to stop RS and AK babbling lies daily about the case and Italian justice via every craven media outlet, then well done Italy!! Nothing else seems to work to shut the two up, although their false claims and smears could constitute obstruction of justice.

If Knox and Sollecito want to avoid being spoofed, they have two very easy ways to do so: (1) shut up and avoid the media, or (2) stick to telling the truth.

Admired Feminist Victoria Brownworth On Knox As Ice-Cold And Media’s Hit & Miss Performance

Posted by Peter Quennell

This is a key part (please read it all) from the great Victoria Brownworth’s Trial by Media - The Case of Amanda Knox

Is Knox guilty? Two long, complicated trials have said yes. Knox’s massive PR machine”“much like Simpson’s”“says no. That PR machine also ignores the fact that Knox falsely accused a black man of the murder and that he spent time in prison solely because of her accusation that she saw him take Kercher into the bedroom and heard her scream””while she, Knox, did nothing.

Angelina Antoinetti, Knox’s personal prison guard, told reporters after the conviction on Jan. 31 that Knox has reinvented herself for the media.

“Now she’s become this TV star, who cares passionately about what happened to her “˜friend’ Meredith Kercher, and wants the truth to come out. She’s painting herself as a warm, loving human being, but the Amanda I knew was so composed, I never saw her suffering and other prisoners and staff called her the Ice Maiden.”

Antoinetti said Knox “never, ever talked of Meredith or expressed emotion about her death. Whenever Meredith’s face came on TV she didn’t want to know and didn’t respond. She was impenetrable. Underneath the veneers she remains the same controlled woman I knew well in Capanne prison. She was so composed, I never saw her suffering.”

Antoinetti said that Knox “became attached to me. I opened her cell each morning and shut her in at night. She liked English music like the Beatles and always sang. She had guitar lessons, too.”

Knox was “unlike any other prisoner,” Antoinetti said. “I’ve never seen another girl like her, especially so young. She’s magnetic and manipulative. She had no emotions for people, only books. She never talked to other prisoners, she was only concerned about her world. Even when they freed her after the appeal, she didn’t speak to a single person she had just spent four years with, just walked out.

That’s not human, is it?”

And that is the question for many: Who is the real Amanda Knox?

As with the Simpson trial, the media has played a huge role in the Knox case. The U.K. papers labeled Knox “Foxy Knoxy” while the Italian papers played up Knox’s sexual history and the more lurid sexual elements of the case”“the assertion that the murder was a drug-fueled sex game gone wrong.

In the U.S. ABC News has been a virtual PR firm for Knox, devoting hours of time on both 20/20 and Good Morning America as well as the actual ABC Nightly News promoting Knox’s innocence. Diane Sawyer did a heavily promoted hour-long interview with Knox when she was released from prison in 2011. And when the Jan. 31 conviction came in, on her ABC Nightly News broadcast, Sawyer led with “the American girl” Amanda Knox”“even though Knox is 26. A full six minutes of broadcast time was devoted to Knox”“including video of her singing and playing guitar. When has a national news network treated a twice-convicted murderer in such a manner?

The two media portraits of Knox”“the sex-obsessed sexual manipulator she’s been portrayed as being by the European media and the pristine girl-next-door innocent-abroad the U.S. media has presented conflict, obviously. But what has been lost in the emphasis on Knox as the victim of the story is the actual murder victim, Meredith Kercher.

Tuesday, February 11, 2014

The Much-Demonized Rudy Guede Is Back In The News And Increasingly Threatening

Posted by Peter Quennell

Rudy Guede has long DELIBERATELY been demonized so that the attack on Meredith can be assigned to him alone.

This description of Guede’s early days in the Ivory Coast and Perugia in the excellent Darkness Descending by Paul Russell and Graham Johnson remains the ONLY one that fully checks out. Certainly not that by the dishonest PR shill Nina Burleigh.

Guede wasn’t especially an angel, and some in Perugia were iffy about him. But he had real friends, and up north he held a real job with a real career future, until that prospect imploded and sent him haplessly back to Perugia.

Late in October 2008 Judge Micheli discounted all that Guede ever said about his role in the attack on Meredith in various conversations and statements, and sentenced Guede to 30 years.

But Judge Micheli also concluded that there was no firm evidence either that Guede acted alone or that Guede was a drifter, drug dealer, knife wielder or burglar (Micheli was very sharp with one witness who claimed Guede may - may - have broken into his house).

In 2009 through his lawyers Guede enquired of the prosecution whether he might testify at the Knox-Sollecito trial.

But the prosecutions’ hands were already tied by the indictments and they (rightly) believed they had a really strong case regardless of anything Guede could add.

At the 2009 trial the defenses pussyfooted around and never settled for a firm position on Guede. They floundered in their subdued attempts to prove that Guede or somebody else unknown was the so-called Lone Wolf.

The Lone Wolf theory is really a zombie theory with so many stakes through its heart that no court will ever take it seriously.

Guede’s steadfast fallback position before and since was that he was only in the house on the night of the attack because Meredith invited him to come in and they began love-making.

At his late-2009 first appeal and also at Sollecito’s and Knox’s 2011 appeal before Judge Hellmann, he increasingly firmly pointed the finger at Knox and Sollecito as the murderers.

Guede had been initially inclined to let sleeping dogs lie after he was mysteriously beaten up in the sex offenders wing of Viterbo prison, where prisoners are meant to be kept very safe.

But Judge Massei’s scenario of the attack on Meredith in his March 2010 Sentencing Report, with Rudy Guede as the lead instigator, really bothered him.

And in mid 2010 he became even more bothered when claims were made by a fellow prisoner the baby killer Mario Alessi that Guede confided that he really had committed the murder, along with two others. Not with Knox and Sollecito.

A very angry Rudy Guede in turn wrote a letter denying this which very rapidly went public.

In 2011 there was a tense confrontation in the Hellmann court (which several times descended into chaos) when this letter, in which by now Guede firmly accuses Knox and Sollecito, was read out for him.

Guede stuck to this position on the stand, and he was not required to face full cross-examination by the shrill, frustrated defenses because he was already convicted and no longer the one on trial. 

Seemingly fed up with all the dirty tricks against him and the now-incessant Knox and Sollecito mantras in the media that Guede had acted alone, he has come out with another letter.

Italy’s AGI News Service has posted this letter to an unidentified recipient, along with this report.

(AGI) Perugia, February 11 “Against me are being repeated false imaginated reconstructions of the crime for the sole purpose of wanting to denigrate my figure and person, systematically and in a negative way, in the public eye and not just in Italy.”

He apparently also posted what he wrote in his own hand on the Facebook page “Legal processes and their surroundings”...

The letter is on a sheet of notebook paper handwritten and signed by Guede.

“To my regret I am again forced to take a pen and paper and write for the sake of the truth.. to all those thousands of people who still believe in justice.”

“They can not access all the pleadings and components of this sad and extremely complex legal case which was dramatically painful for those who lived it . My sentence and judicial reasoning have been for too long subject to a continuous and willful manipulation and alteration of the data of the proceedings.”

“Against me are made continuous false and imaginary reconstructions for the sole purpose of wanting to denigrate my figure and person, systematically and in a negative way in the public eye and not just the Italian.”

“In the final judgment, as far as I’m concerned about these false and imaginative reconstructions, is that I was acquitted of theft and simulation of crime, a fact that I never hear mentioned in the various journalistic reconstructions.”

“I also want to point out I do not accept in any way to be passed off and continually held up as a drifter, a thief, a homeless man, seeing my person and my dignity offended continually, denigrated and stereotyped by facts and things that do not realte to me… when I had a beautiful family and precious squeaky clean and friendly relations in Perugia.”

Fast-forward to today, where reports say that Guede is getting close to day-release for study purposes and may only be months away from making more evidence against Sollecito and Knox public.

Our posting lawyer TomM has looked at the issue of Guede being allowed out to study, and finds it regular and humane in this assessment.

I respect the Italian system of criminal justice. Just as I recognize that the Italian courts have much better information than anyone posting on the internet relating to the culpability of the defendants in this case, I also think that the people who oversee Guede’s stay in prison are better informed as to his fitness to be reintegrated into society. That he would be allowed out during work days to become better educated, returning to his prison cell at the end of the day seems to me a more enlightened approach than what we do here.

We used to have training programs in prisons. I don’t know that they were “cushy”, but they did work, so that when these convicts were released they were equipped with a marketable skill and rarely re-offended. But, the public thinks these were too cushy, so more Draconian circumstances and longer sentences are now the norm. It used to be people were sent to prison as punishment, now they are sent for punishment.

Sometimes when a prisoner who has spent his or her entire adult life in prison completes the sentence imposed, they have to be physically dragged from their cells, so ill-prepared are they for anything other than doing time. With no skills, social or job-related, they re-offend—surprise, surprise. Sometimes re-offense is for the purpose of being returned a world that, for all its dangers is, to them, relative safety.

While it is certainly true that prison doesn’t have much impact on sociopaths, the one thing they are attached to is money. Taking away their money does impact their behavior, so there is an alternative to killing them.