Headsup: Disney's Hulu - mafia tool?! First warning already sent to the Knox series production team about the hoaxes and mafia connections. The Daily Beast's badly duped Grace Harrington calls it "the true story of Knox’s wrongful conviction of the murder of her roommate". Harrington should google "rocco sollecito" for why Italians hesitate to talk freely.

Category: Hoaxers from 2007

Friday, May 09, 2014

Amanda Knox’s Awkward, Robotic TV Appearances: New Science Could Blow Away Such Fraud

Posted by Peter Quennell

In Italy the zillion or so Italians that Amanda Knox has framed are starting to push back on steroids in the Italian media and courts.

More on that coming up. Meanwhile Americans have been a tad less nimble to realize that they’ve swallowed a gigantic hoax.

Unsurprising, perhaps, given years of uniquely one-sided TV coverage of the case. But thanks to the good English-language reporters in Italy who have persevered. And thanks to CNN’s Nancy Grace for her biting segment this week, making it quite obvious where she stands on guilt.

Knox’s TV appearances and written statements are ringing more and more hollow as they lose all touch with reality. See our post immediately below. Such a brazen mangling of hard facts is absolutely absurd.

The professionals Vivianna and Friendofstfrank, main posters here, each have posts in the works for us on what they have been reading from Knox’s persona on the TV screen.

In the meantime, please check out these videos on the new science. Each is an hour long. They show just how hard it could get for any future Knoxes and Sollecitos to sustain a similar hoax in future.

Here’s an overview of the videos from the New York Times. 

The program looks at how developments in neuroscience are affecting court cases and might do so even more radically in the future. It sets up a fictional trial involving a shooting during a convenience store robbery, cutting between courtroom scenes and visits with researchers and legal scholars who are working on the front edge of this world.

By mapping brain activity, scientists know quite a bit about which regions are involved with processes like facial recognition, as well as the differences between mature adult brains and the brains of young people. (The fictional shooting suspect is 18.) The program has segments on how this research might be applied to issues like determining whether a witness is correctly identifying someone, whether a defendant is lying about not having been at a particular location, even whether potential jurors have racial biases.

Researchers, able to see the implications of their work, are also already studying whether knowledgeable test subjects can subvert the technology, rigging test results by how they think or where they focus their eyes.

Tuesday, April 29, 2014

The Nencini Report Complains About Multiple Instances Of Evidence Tampering And Criminal Slander

Posted by Our Main Posters

[Edda Mellas, Curt Knox and Chris Mellas might be among those knee-deep in the soup]


Already investigations were under way into a PR campaign that in Italian juidicial terms seems little difference from a criminal enterprise.

Now Judge Nencini has included strong complaints in his sentencing report about nefarious behavior. This might now set a number of people to wondering if they have painted felony targets on their own backs, though the seriously dopey ones may have to have it spelled out for them.

This summary of the complaints is from Andrea Vogt’s excellent report in The Week/First Post which also highlights the appeal findings.

1. Interference with the courts

...during the course of Knox’s long and drawn out judicial process, Judge Alessandro Nencini claims, serious attempts were made to tamper with evidence in a way that would favour her….

In the scathing report that spells out the evidence, logic and reasoning that led to his guilty verdict in Florence on 30 January, Judge Nencini also says Knox and her defence tried to tamper with evidence and pervert the truth by introducing prisoners as witnesses, whose testimony turned out to be false and induced by “other interests”.

“It is clear how this trial was subject to heavy evidence tampering, both internally (slander) and externally,” Nencini writes.

He calls the media interest in the case “fertile ground” that led a number of witnesses to give misleading testimony in exchange for their moment in the limelight.

He also slams the first appeal court’s independent experts for having been oddly superficial and illogical in their analysis of the DNA evidence, especially regarding the potential for contamination, noting that controls were in place to prevent it….

2. Vilification campaign post 2011

Knox and Sollecito were released from prison in 2011 after an appeals court sensationally acquitted them of nearly all charges (one charge against Knox stuck: the slander of Congolese pub owner Patrick Lumumba, who she initially blamed for the crime).

The acquittal ruling, however, was later annulled by Italy’s Supreme Court and a second appeal trial in a jurisdiction outside Perugia was ordered. By that time Knox was safe and sound back in Seattle and chose not to return to Italy for her Florence appeal, instead emailing a statement to the judge, proclaiming her innocence. Sollecito attended.

On 30 January, Judge Nencini and a lay panel of jurors issued a guilty verdict and handed down an even harsher sentence: 25 years for him and 28.5 years for her.

Knox went on national television back in the US the following day claiming, as she always has, that she continues to be the victim of a gross miscarriage of justice carried forward by inertia by dozens of Italian judges.

But in his report, Nencini suggests the gross miscarriage was by Knox and her defence lawyers: indeed, he gave her a longer jail sentence precisely because of the gravity of the slander against Patrick Lumumba aimed at getting investigators off her back.

A small group of fervent supporters continue to lobby on Knox’s behalf and earlier this month she attended an Innocence Project conference with other exonerees, even though Italy’s courts have upheld her convictions….

With this latest development… there appears little wriggle- room for either Knox or Sollecito. Italy’s Supreme Court is expected to give the final ruling on the case after September.

This post was about Amanda Knox’s seriously surreal appearance at that conference of the Innocence Project. 

We will soon post a helpful roadmap to all the other numerous suggestions of nefarious behavior on which we have posted. We dont mean to isolate out just Edda Mellas, Curt Knox and Chris Mellas.

Amanda Knox with her highly defamatory website and new charges pending for her book is one of the worst offenders.

Sunday, April 27, 2014

Knox & Sollecito Actions In The Week Prior To Arrest: An Incriminating Behavior Pattern For Sure

Posted by James Raper

[Video above: Sollecito slams Knox’s weird behavior, while not explaining numerous examples of his own ]

1. Today’s Context To This Post

A very strong case for guilt has been made at trial and endorsed at the first-level appeal.

This series hammers home the growing hundreds of incriminating stark differences between the official evidence record, Sollecito’s and Knox’s two books, and Sollecito’s and Knox’s multiple conflicting claims since.

The focus of this post as with the one immediately below is upon the described behaviours of Knox and Sollecito, from the very beginning to this very day. This pattern has more than contributed to the certainty of their involvement in the murder of Meredith Kercher.

2. How The Behavior Speaks To Guilt

The early pointer of the staged break-in aside this behaviour gave investigators an insight into the pair’s possible involvement back on Day One: Behavioral pointers have continued on a par with corroborated developments in the case.

It has even continued, incredibly, since their release from prison. For me it is the thread that runs through this case having as much to do with the overall picture of culpability as the other elements .

This behaviour - to include what they have to say for themselves - is a catalogue of the inappropriate, of the implausible, of inconsistencies and contradictions, of evasions and obfuscations, to be gleaned from the accounts of Knox and Sollecito themselves and highlighted in the accounts of other witnesses. It is also to be gleaned from phone and computer records.

Taken together it is a formidable body of evidence which goes to character and culpability. It cannot be attributed to a railroading job, the machinations of a corrupt and evil prosecutor or character assassination by the media. It is also implausible if not impossible to explain it as being due to naivety, confusion or some quirkiness of character.

It amounts to the pair of them concocting stories, telling lies and misleading investigators and the general public.

3. Physical Evidence Array Is Already Substantial

There are numerous items of evidence which are building blocks in the prosecution case and with which we are all familiar.

1. The staged break-in via Filomena’s window with pointers to this outside, on the windows and shutters, and throughout the bedroom.

2. The evident partial clean up proved by footprint trails with footprints missing and what was behind the locked door.

3. Amanda Knox’s lamp on the floor behind Meredith’s locked door which she only conceded was her own at trial, under pressure.

4. Knox’s dried and congealed blood on the tap in the small bathroom that Amanda Knox and Meredith shared.

5. The bloody footprint on the mat in that bathroom definitively attributed to Sollecito rather than Guede

6.  The mixed DNA of Knox and Meredith Kercher found in blood in the basin, the bidet and on the box of Q tips in that bathroom

7. Two luminol enhanced mixed traces containing DNA belonging to Knox and Meredith Kercher, one in the corridor and the other in Filomena’s room

8. Two luminol enhanced footprints of Knox in the corridor and one of Sollecito immediately outside Meredith’s room.

9. The knife taken from Sollecito’s apartment with Meredith Kercher’s DNA on the blade and Knox’s DNA on the handle and on the blade

10. Meredith Kercher’s bra clasp with Sollecito’s DNA on a hook and contamination possibilities definitively ruled out.

4. Behaviors In The First Week Of November 2007

I don’t want to make this an unduly long post. Accordingly I am going to concentrate on the period up to that famous police interrogation analysed just below. As to that critical period I will be selective but it should be enough.

The Lady With The Mop?

The story (in Knox’s e-mail) that she had visited the cottage to collect a mop, have a shower and get a change of clothing, earlier on the morning of the 2nd November, but did not notice that Filomena’s window had been broken and her room trashed is just that - a made up story. It is entirely implausible and the account unreliable for a number of reasons including-

(a) it is hard to believe that she did not notice the hard to miss fact that the shutters to Filomena’s window were (as they were found) open - this would have alerted her to the likelihood that Filomena was back home which she would, of course, have checked out of curiosity if nothing else given that she found no one home.

(b) her claim that Filomena’s door was shut is contradicted by Sollecito who wrote (prison diary) that when he later entered the cottage with Knox   Filomena’s door was wide open.

(c) it is hard to believe that she took a shower without noticing until after her shower (as she claimed) that there was blood on the bathroom mat, including a bloody footprint. In fact she didn’t even claim to notice that it was a footprint despite the fact that it was obviously so.

(d) it is hard to believe that having found the front door wide open and having found blood, and having opted for a shower and to blow dry her hair, she never got round to checking for any sign of Meredith’s presence. Any one else would have tried her door to check whether or not she was home.

(e) from her appearance at the cottage that morning it is hard to believe that she took a shower at all (let alone blow dried her hair) and the cops remarked that she reeked of body odour.

(f)  less problematic but nevertheless still somewhat surprising is that as she is drying her hair she makes a fuss over shit (left by Guede) in the toilet,  describes herself as being “uncomfortable” about it but does not flush it away before grabbing the mop and leaving.

The Two Stayed At Home?

The story that Knox and Sollecito had spent the previous night (the night of Meredith’s murder) indoors, critically from 9 pm onwards, that both had slept and that Knox had been the first to rise at about 10.30 am the next morning is implausible and uncorroborated, not only because this alibi is directly contradicted by the testimony of Curatolo and Quintavalle, and Sollecito’s statement to the police that Knox had gone out and not returned until about 1 am, but also in view of the following facts.

(a) Curatolo claimed to have first seen the Knox and Sollecito in Piazza Grimana shortly after 9.30 pm but Knox claimed in her trial testimony that she and Raffaele had cooked and eaten a meal between 9.30 and 10 pm.


GCM:  Can you say what time this was?

AK:  umm, around, umm, we ate around 9.30 or 10, and then after we had eaten, and he was washing the dishes, well, as I said, I don’t look at the clock much, but it was around 10. And”¦he”¦umm”¦well, he was washing the dishes and, umm, the water was coming out and he was very bummed,  displeased, he told me he had just had that thing repaired. He was annoyed that it had broken again. So”¦umm

LG:  Yes, so you talked a bit. Then what did you do?

AK:  Then we smoked a joint together”¦”¦we made love”¦..then we fell asleep.


Unfortunately Sollecito’s father himself torpedoed this dodge by telling the court that when he phoned his son at 8.42 pm Sollecito had told him that there had been a water leak while he was washing the dishes. Taking into account Knox’s testimony that they had eaten before the dish washing, this places the meal and dish washing before that call.

(b) Sollecito told the police that at about 11 pm he had received a call from his father on his land line. Not only is that not confirmed by his father but there is no log of such a call.

(c) There is no log of a call to his mobile at that time either though his father had sent a text message at that time but which Sollecito did not receive until 6. 03 am the following morning. We know that he had received it at that time because that is the time at which it is logged in the phone records.  Sollecito had just turned his phone on and clearly the phone had been off when the text message was sent.

(d) There is no record of any phone activity for either of them from after the 8.42 pm call to, in Sollecito’s case, receipt of that text message at 6.03 am,  and in Knox’s case her call to Meredith’s English phone at 12.07 pm the next day.

A further word about this Point (d) here as Knox has released her phone records on her web site. In her case it has to be said that this is not so unusual. Up until the 30th October there is no regular pattern of late or early morning phone activity.

It is interesting to note, however, that as of the 30th October there is a spate of texts and calls between her and a young Greek known to us as Spiros.  Communication between them had in fact been going on since the beginning of October but there are 5 texts in the afternoon of the 30th, two telephone calls in the afternoon and a call at 11.38 pm on Halloween.

In the early hours of the following morning there are a couple of calls between the two. In fact we know that the two met up together for Halloween as Knox was at a loose end.  Meredith had shrugged her off and Raffaele was attending a friend’s graduation dinner out of town.

Sollecito is different as his father was in the habit of calling at all hours just to find out what his son was doing and, as we know, he had called late only to find that his son’s phone was switched off.

In the case of Knox she admitted in any event that her phone had been switched off, “to save the battery”.

(e) There is no record of any activity on Sollecito’s computer after 9.15 pm and until 5.32 am the following morning when music was played for half an hour.  This contradicts the claim that Sollecito had smoked pot and interacted with his computer until midnight and that they had both slept until late the following morning.

(f) The fact that the next morning, outside the cottage, both Knox and Sollecito looked utterly exhausted. This belies the alibi that they had spent a quiet night indoors and had only risen late that morning.

The Fake Call To Knox’s Mum in Seattle?

Knox falsely claims in her book that having had her shower she called her mother on her way back to Sollecito’s apartment as she was beginning to have concerns as to what she had seen at the cottage. Her mother tells her to raise her concerns with Raffaele and the other flatmates and Knox says that she then immediately called Filomena. Filomena tells her to get hold of Meredith by phone which she tries to do by calling Meredith’s English phone first, then her Italian one.

(a) How does this correlate to the contents of her e-mail of the 11/04/07?

(b) How does this correlate to Knox’s phone records?

(c) There is no mention of a call to her mother at all in the e-mail. This from her e-mail -


“”¦.and I returned to Raffaele’s place. After we had used the mop to clean up the kitchen I told Raffaele about what I had seen in the house over breakfast.  The strange blood in the bathroom, the door wide open, the shit in the toilet.  He suggested I call one of my roommates, so I called Filomena”¦”¦”¦..
Filomena seemed really worried so I told her I’d call Meredith and then call her back. I called both of Meredith’s phones the English one first and last and the Italian one in between. The first time I called the English phone it rang and then sounded as if there was disturbance, but no one answered. I then called the Italian phone and it just kept ringing, no answer. I called the English phone again and this time an English voice told me the phone was out of service.”


(d) the phone records are as follows for 2 November 2007:



Ist call of the day @  12.07.12 (to Meredith’s English phone)  - 16 seconds

2nd call   @  12.08.44 (to Filomena)  -  68 seconds

3rd call   @ 12.11.02 (to Meredith’s Italian phone)  -  3 seconds

4th call @ 12.11.54 (to Meredith’s English phone)  - 4 seconds

8th call   @  12..47.23 (first call to her mother) - 88 seconds


(e) The discrepancies are numerous, see these examples:

1. The first call to her mother was not just after leaving the cottage but 40 minutes after the call to Filomena, and the call to Filomena had been placed after she had returned to Raffaele’s place and after they had used the mop and had breakfast. In fact, say about an hour after she left the cottage.

2.  The first call to Meredith’s English phone was placed before the call to Filomena, and not after as Knox would have it in her e-mail. A minute before,  but Knox did not mention this to Filomena, as confirmed by the e-mail and Filomena’s testimony.

3. The first call to Meredith’s English phone disappears entirely in Knox’s book.

4.  The call to the Italian phone did not just keep ringing. The connection was for 3 seconds and this was followed by a connection to the English phone for 4 seconds.

5.  The English phone was not switched off or out of service. Mrs Lana’s daughter had found it. She said that she would not have done so but for it ringing (the 12.07 call for 16 seconds?). She picked it up and took it into the house where it rang again (the 12.11 call - 4 seconds?). A name appeared on the screen as it rang : “Amanda”.

6.  The 3 and 4 second calls are highly suspicious. The Italian phone was undoubtedly in the possession of the postal police. According to Massei it’s answering service was activated, accounting for the log. Clearly Knox did not even bother to leave a message for Meredith as it would take longer than 3 seconds just to listen to the answering service. This is not the behaviour of someone genuinely concerned about another.


Observations:

1.  In her e-mail, and repeated in her trial testimony, Knox says that she woke up around 10.30 am, grabbed a few things and walked the 5 minutes back to the cottage. If the first call to her mother was about an hour after she left the cottage (see before), then she left the cottage at about 11.47 am, which means that she spent over an hour there. Either that or she spent more (a lot more)  than 20 minutes at Raffaele’s place before calling Filomena. The latter would be more likely as it is difficult to conceive that she spent over an hour at the cottage. She didn’t have the heating on when she was there. Either way there is a period of about an hour and a half between when she might have tried to contact Meredith or raise the alarm and actually doing so.

2.  That we are right to be incredulous about this is borne out by the false claim in Knox”˜s book. That false claim is significant and can only be because Knox is aware of the problem and feels she needs to add some support to her implausible story of the mop/shower visit and to conceal the real reasons for the inactivity and delay connected with it.

3. That it is incredible is even belatedly acknowledged by Sollecito’s feeble but revealing attempt to distance himself from Knox in a CNN interview on the 28 Feb this year. “Certainly I asked her questions” he said. “Why did you take a shower? Why did you spend so much time there?”

4.  That she makes that false claim and has constantly stonewalled and/or misplaced the 16 second call to Meredith’s English phone is indicative of her guilty knowledge. Her guilty knowledge with respect to the 16 second call was that it was made to ascertain whether or not the phones had been located before she called Filomena, and hence for her it was not (incredulous though this is without such explanation) a pertinent fact for her to bring up with Filomena.

The Real Call To Knox’s Mum In Seattle?

As to the 12.47 call to her mother itself (4.47 am Seattle time and prior to the discovery of Meredith”˜s body) Knox not only did not mention that in her e-mail but in her trial testimony she steadfastly declined to recall that it had occurred.

She clearly did not want, or could not be trusted, to discuss why the call had occurred and what had transpired in conversation with her mother before the discovery of Meredith’s body.

Not only was the timing of the 12.47 call inconvenient to her mother but I found it interesting to note from Knox’s phone records (covering 2nd Oct - 3rd November) that mother and daughter do not appear to have called or texted each other once up until that 12.47 call.

It would appear then that in so far as they remained in direct communication with each other for that period it must have been by e-mail. One can therefore imagine that her mother was very surprised to receive that call.

It is also very difficult to accept that Knox could not recall a phone call she was not in the habit of making. (On the other hand the same records show that it was not at all unusual for Knox and Meredith to communicate with other on Meredith’s English phone.)

Sollecito’s Call From His Dad?

At the cottage, and prior to the above call, Sollecito received a call from his father at 12.40 am. Do we know what they discussed? It would in any event have been after the discovery of Filomena’s broken window and (allegedly) Sollecito’s (rather feeble) attempt to beak down Meredith’s door.

Did the responsible adult advise his son to do the obvious and call the police? One would think so, but then why was there a 10 minute delay before he called his sister in the Carabinieri at 12.50 am? Indeed, why call his sister at all? Filomena had also urged Knox to call the police when she called at 12.35.The delay might be explained by the unexpected arrival of the postal police and if this was the case then it was before Sollecito called the 112 emergency services.

The Claims Of Finding Meredith’s Body?

Neither Knox nor Sollecito saw into Meredith’s room when the door was broken down and her body discovered on the floor under a quilt. Yet in the immediate aftermath it is as if they have wanted others to believe that it was they who discovered her body and in the bragging about this there have been disclosures, not only as to what they should not have been aware but also suggestive of disturbed personalities. This behaviour was remarkable for all the wrong reasons.

(a)  Luca Altieri”˜s testimony makes it clear that Knox and Sollecito had heard about Meredith”˜s cut throat directly from him during the car ride to the police station.

However her bizarre and grotesque allusion in the early moments of the investigation to the body being found stuffed into the closet (wardrobe) is not just factually incorrect (it was lying to the side of the closet) but bears correlation to the later forensic findings based on blood splatter in front of and on the closet door, that Meredith had been thrust up against the closet after having been stabbed in the throat.

(b)  The behaviour of Knox and Sollecito at the police station is documented in the testimony of Meredith’s English girlfriends and of the police. Whilst it is true that people react to grief in different ways it is difficult to ascribe grief to Knox’s behaviour. Emotionally she was cold towards Meredith’s friends and occasionally went out of her way to upset them with barbed and callous remarks.

The fact that Knox was not observed to cry and wanted to talk about what had happened is not of itself indicative of anything but remarks like “What the fuck do you think, she bled to death” and her kissing and canoodling with Raffaele (including them making smacking noises with their lips when they blew kisses to each other) in front of the others was not normal.

Rather chilling in retrospect was a scene between the pair of them when Knox found the word “minaccia” ( in english - threat) amusing and made a play of it with Sollecito in front of witnesses.

(c) Grief is in any event reserved for friends and relations, or people one much admires. The evidence is that the initial short friendship between the two had cooled to the extent that Meredith was studiously, if politely, avoiding being around Knox. For the narcissistic and attention seeking american girl this would have been difficult to ignore and may well have offended her.

(d)  The next day Sollecito was willingly collared by a reporter from the Sunday Mirror and told her about the horror of finding the body.


“Yes I knew her. I found her body.”

“It is something I never hope to see again,” he said. “There was blood everywhere and I couldn’t take it all in.”

“My girlfriend was her flatmate and she was crying and screaming, ‘How could anyone do this?’”


Sollecito went on to tell the reporter that “It was a normal night. Meredith had gone out with one of her English friends and Amanda and I went to party with one of my friends. The next day, around lunchtime, Amanda went back to their apartment to have a shower.”

About the only thing that is true here is that he knew Meredith.

Wednesday, April 16, 2014

The Incriminating Bathroom Evidence: Visual Analysis shows the Footprint IS Sollecito’s

Posted by Machiavelli

[Please click on each image for a larger and more high-resolution version]

The sheer depth and width of the hard evidence

The defenses really don’t want you to know this: in both width and depth, the full panoply of the evidence against Knox and Sollecito is absolutely overwhelming.

As we remarked in our post below there are far more and far stronger evidence points than UK and US courts normally require for conviction. But only the trial panel of judges observed anything like their full array.

The 2010 Massei Trial Report (which the Nencini Appeal court validated this past January) is a SUMMARY of what was presented to the judges in the courtroom.  Those presentations in court were in turn something of a SUMMARY of the hard evidence buried in all the evidence files and the minds of witnesses.

Italian media SUMMARISED for Italians what was to be seen in the courtroom and to be read in the Massei Report. They were barely able to do even summaries for the 1/4 of all the trial hearings that were not open to the media or the public. 

UK and US media for the most part didn’t even bother to provide comprehensive summaries (the very fine on-the-spot reportings of Andrea Vogt, Barbie Nadeau and Ann Wise were the main exceptions).

So in effect people in the UK and US attempting to follow the story didnt for the most part receive even a summary of a summary of a summary!

Not one US or UK newspaper or TV network translated the Micheli Report, or the vital Massei Report, or the Supreme Court appeal, or the Supreme Court outcome - only the (mostly professional) translators on PMF dot Org did all that translation.

This post is another example of how far down - beyond even Massei - it’s possible to drill into the evidence, and see it still hold up.

Some past posts on TJMK drilled down to similar depths, on the knives, on the DNA, on the mixed-blood traces, on the phone-events, on the motives and psychologies, and so on. All that evidence too all held up.

Visual analysis of the bathroom-mat footprint

This post mainly consists of high-resolution pictures and measurements. Presented like this, the pictures and measurements largely speak for themselves, and show the real strength of the bathroom-mat footprint evidence.

You will see that as SomeAlibi previously concluded using other methods, this footprint was quite undeniably Sollecito’s.  It bears no similarity at all to Rudy Guede’s.

Please click on all images for larger versions in scalable PDF format

1 .  [Below] the bathmat and the print, with measurement reference

2 . The bathmat print and the surrounding area

3 . The bathmat print (photo from Polizia Scientifica).

4 . The bathmat print, with vertical and horizontal sizes, from Rinaldi’s report

5. The bathmat print, photo with enhanced contrast.

The photo above was modified by highly enhancing contrast.

6 . Enhanced contrast helps to spot some features

Contrast may help to highlight especially some parts of the print outline.

For example the area on the left labeled as “important area” in the picture (which was “forgotten” in the notorious photo elaborations disseminated by the ‘Friends of Amanda’ group), shows the actual left outline of the “˜big toe’ of the bathmat print.

The toe includes the area indicated in this picture (here the picture is shown again in its original colours).

7. The bathmat, with enhanced contrast

The contrasted image is showing the presence of other stains

There are other stains on the carpet (about another 10, factually situated in one half of the mat area), and also there shows a second diluted footprint (apparently from a foot of smaller size).

8. The selection of a set of red colour shades, outlined by an automatic outline generator

Shows the shape and the possible “˜outline’ of the stain

Reference measurements indicate the width of the “˜big toe’ in millimetres.

 

9 . A hand drawing of the outline (detail).

The photography above was modified

The modifications are: +28% contrast, -8% luminosity, + 20% colour saturation, from the original.

An outline has been drawn manually on the photoshop image, trying to be as faithful as possible to the actual stain.

You can notice that, apart from some minor “˜disputable’ very faint areas (such as the area between the toe and the metatarsus) there are only minimal differences between an automatically generated outline and a manually drawn one.

The shapes of the “˜big toe’ are extremely similar in both contours (images 8 and 9), in fact all meaningful features are basically identical.

We consider this manually drawn outline as good for comparison.     

10 . The complete hand-drawn outline

11 . Minor detail: small dots separated from the main stain

Observe the small red ‘dots’ in the picture above

Although we can’t draw any conclusion about their possible significance, we note the existence of these very small “˜spots’ of a faint red colour shade, separated from the big stain.

They are detected by the computer generated outline above, and that we also see as distinguishable with the naked eye thus we considered them in drawing manually the outline.

We don’t draw any conclusion about them; but because of their sensitive position (they may suggest a “˜small toe’ mark) we take note of them.

The green arrows in the picture point out their position (green circles).

12 . An image in electronically modified colours

Distribution and intensity of the colouration

As a part of the preliminary study of the stain, we also produced this image above where the computer assigned an artificial colour to an array of shades of ‘red’, thus allowing to further isolate the stain from the background for further assessments about its shape.

This picture shows the distribution and intensity of the colouration. (note: the existence of some above mentioned tiny marks is recorded by this technique too)

13 . The bathmat has a spiral-shaped relief decoration

The footprint’s toe obviously balancing on top of the relief decoration. 

We think the outline of the “˜toe’ mark of the bloody footprint is affected by the shape of the decoration, in particular the missing part of the toe on the right side, which is remarkably coincident with the margin of the decoration. 

So that on that side there is a striking correspondence between the outline of the “˜negative area’ ““ the fabric surface around the spiral, which is lower ““ and the big toe’s outline

This indicates that the outline of that mark on that side was affected by the decoration margin, thus the print there has a “˜missing part’. So the “˜crooked’ bloody area in fact follows the margin of a larger toe.

Because of such coincidence, we can logically assume that the actual shape of the big toe mark appears to be part of a big toe, with larger surface which left its print only partly because part of its surface did not have contact with the fabric, in correspondence of the “˜negative area’. 

14. The “negative area”

15. Mat decoration in relief and the toe mark

Observe above one single, unitary stain

The remarkable coincidence between the outlines of the decoration in relief and of the toe mark is shown in the picture above.

The rough contour of the print obtained through a smooth curve highlights the shape of the big toe.

Part of the relief decoration outline coincides with the toe mark outline, which shows, highlights and explains how all parts of the red toe mark, that you can see left of the relief decoration, they all belong to one single, unitary stain. 

Thus we can deduce that the “missing” area on the right of the toe is determined by the decoration, and coincides with the negative area.

16. Picture (by Kermit) showing a rough shape of the stain

Observe shape, curvature and size

This drawing by Kermit above highlights the rough shape, curvature of left margin and overall size of the big toe.

17. Rudy Guede’s sample print

Take note of this image

A copy of this picture together with one of Sollecito’s print at the same scale will be used for comparisons. 

18 . Raffaele Sollecito’s sample print

Take note of this image

A copy of this picture together with one of Guede’s print at the same scale will be used for comparisons.

19. Part of Rudy Guede’s sample print with Rinaldi’s reference measurements

20. Part of Sollecito’s sample print, with Rinaldi’s reference measurements:

21. Bringing all photographs down to the same scale

An accurate exercise of scaling was done

This was based on Rinaldi’s referenced pictures. Each one of the Rinaldi’s sample pictures has multiple measurements on several points of reference which allow a high precision determination of their scale and sizes, and thus comparison at the same scale.

In order to further increase scaling precision, the scale was calculated previously and separately for each comparative measurement in the three photos; this was done multiple times for each measurement and the average was picked in order to reduce error as for statistical measurement method.

The resulting final error in the scale is extremely small, far below a threshold of significance that could affect comparison (which was set arbitrarily at 1%, but it’s probably significantly higher, while the actual error is much lower).

In other words, the scale error that may affect your screen pictures will be definitely smaller than any possible perceivable (either significant or tolerated) difference that would be noticed or that may affect the attribution of the stain, when this is compared to the sample.     

22. The hand drawn outline is shown again here

23 . The outline (matched scale) overlapped on Sollecito’s sample footprint

The array of compatibilities with Sollecito

The bathmat stain does not seem to have major incompatibilities with Sollecito’s print; it shows rather an array of compatibilities that can be perceived visually.

One interesting feature is the shape, size and position of a ‘big toe’, that appears as a remarkable coincidence; the toe also has a kind of cleft (see 28 below) on the curvature of its left margin. Another outstanding coincidence is the curvature of the plantar arch on the left.   

24 . The same outline overlapped on Guede’s footprint

Compare with Guede’s - matched scale.

If you look at the overlapping of the stain outline (see pic 22.) with the sample of Guede’s print (see pics 17. 19.), you may notice 7 major differences, showing a failure of compatibility. Those differences are indicated by numbers (1-7) in the picture .

Each one indicates an area of major difference between the outline of the bathmat stain and the outline of Guede’s sample print. Those measurement differences are remarkably larger than those that can be detected on the overlapping with Sollecito’s sample print.

On the other hand, the compatibility between Sollecito’s print and some very peculiar aspects of the bathmat print (such as a 30mm wide and short toe) were absolutely remarkable.   

The differences between the bathmat stain and Guede’s print are :

1) Toe mark of stain is significantly SHORTER than the big toe in Guede’s sample print (a difference of about 7 millimetres). Some people may want to attempt an objection, by suggesting that such a difference may be just a consequence of the position chosen for the overlapping, that maybe the bathmat print was just positioned too low in the picture, the problem may be solved by shifting it up about 7 millimeters so as to make the tip of the bathmat toe ‘coincide’ with the tip of Guede’s print toe.

However, such objection wouldn’t work; it’s a wrong argument. In fact the only possibly correct position for overlapping the bathmat stain outline is determined by the left curvature of the ball of feet and plantar arch (the area of the picture near number 6), which is by the way the most clearly outlined part of the bathmat stain. If you shift the bathmat stain upwards, the outline will miss the match with the curvature of the left margin of the ball of the feet. You will notice that the plantar arch in this area is already very incompatible with Guede’s plantar arch. It tends to become even more incompatible the more you shift the bathmat stain outline towards the toe.

The problem has no solution, since the more you shift the stain outline upwards (in the direction of the toe) in an attempt to make it look more ‘compatible’ with the length of Guede’s toe (or with an upper margin) the more it will become incompatible with the plantar arch. In order to limit the incompatibility of the plantar arch, and in order to keep an overlapping of at least the left margin of the ball of the feet, you need to place it as shown in the picture, this is the position of ‘maximum’ compatibility between the bathmat stain and Guede’s print. Conclusion: the bathmat toe is too short.     

2) Toe mark of stain is TOO WIDE (30 mm). It is much wider (30 mm) than Guede’s toe.  The number 2. indicates the protruding mark at the upper right, the mark which Giulia Bongiorno desperately insisted on calling a “second toe” mark. In fact, not only would the mark miss completely any hypothetical Guede’s ‘second toe’ in any possible position of the print; also you may notice (highlighted by pics 8. and 9.) how it is not a “mark” itself, but actually it just part of the same area which is entirely continuous in shape and coloration with the rest of the toe mark, and - the most remarkable feature - its right outline is coincident with the outline of the spiral-shaped relief decoration, so that you can reasonably conclude that it is determined by that (the missing area at the lower right of the ‘big toe’ is determined by the existence of the “negative area” of the bathmat decoration).

Conclusion: the bathmat stain has a wider toe mark, however one likes to call it (“big toe”, or “big toe + second toe”) that fails to match any possible part of Guede’s print. The bathmat print is clearly different and incompatible with Guede’s print. It simply cannot be overlapped to any part of Guede’s sample print. Such area is a very significant difference that points outright to incompatibility between the stain and Guede’s print.

3) The toe mark is larger also in the area located at the lower portion of the toe. The toe of the bathmat print in fact has a ‘right margin’ which actually has some additional small marks, small drops protruding towards the right, like droplets maybe produced by the wet cotton fibres of the part in relief which protrude towards the right. This tends to suggest the toe area of the stain may in fact be considered wider: the object that produced it was definitely wider than 22mm, in this area of the toe as well. So also a look at this area confirms that the bathmat stain is wider than 22-23 mm (more towards 30 mm) not just when measured at the upper corner (number 2.) but also at its “lower” parts; here, the small marks caused by the liquid suggest that a larger surface has squeezed liquid from some fabric threads leaving some trace also on the lower area.

4) Bigger incompatibility of Guede on the metatarsus front outline. This area is the front outline of metatarsus: the stain is almost 1cm shorter than Guede’s metatarsus. This happens when you chose the overlapping so as to make the left outline and plantar arch (6.) of metatarsus coincide, as in the picture. Sollecito’s sample print also shows some difference from the stain in this area (pic. 23.) but the difference between the stain and Sollecito’s print is significantly smaller than what you can see in Guede’s print.   

5) There are NO SMALL TOES in the bathmat stain. Small toes are completely absent from the bathmat stain (while the tiny blood marks around the stain don’t coincide with their expected position if it was Guede’s print). Such lack of small toes is a peculiarity of the bathmat print. This is a remarkable difference from Guede’s print, and at the same time, a considerable analogy with Sollecito’s print. In fact one outstanding feature of Guede’s print is the evidence that Guede places a big load of weight on his small toes while instead Sollecito has a posture with a weight distribution with the contrary tendency, and obviously he almost does not touch the ground with his small toes.

Thus, Guede’s small toes are all very well pressed on the ground and thus, we can reasonably infer they are somehow naturally likely to get wet if he steps on any wet surface, and anyway they should get wet for sure if the foot is immersed in water or washed (the foot that left the bathmat print must have been immersed in bloody water). The murderer supposedly washed his foot then stepped on the bathmat. In order to attribute the print to Guede we should assume that Guede “forgot” to touch the carpet with his small toes (while instead he puts a lot of weight on them) or that he managed to not rinse them.

6) The outline of the stain has a PLANTAR ARCH that COINCIDES, by curvature and angle, with the plantar arch in Sollecito’s print, while instead it is very different from the plantar arch of Guede’s print. 

7) The stain is larger than Guede’s print metatarsus as visible in the right area of the stain. The difference is rather significant, almost half a centimetre, that is bigger than the difference with Sollecito’s print which instead coincides for a trait. This difference cannot be “solved” in any way since, even if one wanted to claim that the scale is wrong and that the stain should be sized down, this would make the toe, already too short (as in 1.) become even shorter.

If instead the toe length is adjusted the metatarsus becomes even less compatible with Guede. We recall that Massei found that Guede’s feet had a print overall more slender than Sollecito’s. 

25 . Other features:

Curvatures of plantar arch are very different

The plantar arch curvature, highlighted in two different drawings (the second highlights also the upper outline “hunches”);  the plantar arches in the two sample prints of Sollecito and Guede are shown below. The curvatures of plantar arch are very different.

26. The outline curvature generates different angles

Sollecito’s and Guede’s plantar arch curvatures have very different angles. Also the left outline of metatarsus maintains a different curvature. Sollecito’s outline has an angle (see outline tangent) intersecting the toe (the metatarsus has a “bunion”); in Guede’s print there is basically no intersection, the outline and the toe form almost a straight line.

27 . Plantar arch curvature angle differs between Sollecito and Guede

If you consider the vertical axis of the sample footprint, and its orthogonal line, you may notice how the plantar arch curvatures of the two prints accomplish different angles: the two angles are VERY different, not just three or four degrees.

The (too) narrow angle of Sollecito’s plantar arch probably has a relation with the protruding outline and angle seen in pic 26., and seems related to a hallux valgus (which Guede does not have). 

28 . The “cleft” on the left side of the stain

The “cleft” on the left side

This has a correspondence with one sample print, not so with the other.

29 . Table of metric comparison (by SomeAlibi)

SomeAlibi’s post of a year ago

Comparison of measurements and analysis of correspondence degree of bathmat print, with both Guede’s and Sollecito’s sample prints.

Thursday, April 10, 2014

Sollecito Takes On A New Lawyer To Help Him Work His Way Past The Minefield That Is His Book

Posted by Peter Quennell

Raffaele Sollecito retained Alfredo Brizioli after he burned his trial lawyers in his book


Both Sollecito’s book and Knox’s book seem to have the primary purpose of poisoning public opinion against the courts.

The serious charges Sollecito and Knox will probably face for those books are of three kinds: (1) the contempt-of-court misrepresentation of the Italian justice system itself; (2) the obstruction-of-justice twisting of the evidence in the case; and (3) the claims of crimes committed by numerous career police and prosecution officials.

If false, in effect a gigantic frame-up that leaves Knox’s framing of Patrick in the dust.

At the eighth session of the Florence appeal court back in January, Giulia Bongiorno engaged in a day-long summation which was peculiar, to say the least.

Like Sollecito and Knox in their books, Giulia Bongiorno seemed to be attempting to put the justice system and investigation and prosecution in the dock.

If false, another gigantic frame-up that leaves Knox’s framing of Patrick in the dust.

Bongiorno’s rant didnt seem to help Sollecito in undermining any of the hard evidence in the case, and it left the judges visibly unmoved. But it was notable how closely it resembled the rants on the justice system and its officials by Sollecito himself in his book. See the examples in the post below.

There are some complex later passages in Sollecito’s book and some recurring themes that we will analyse which would seem impossible for Sollecito to write about in such detail without the extensive help of a lawyer who was in the court.

Who precisely was that?

Reports from Italy now state that Alfredo Brizioli, not Giulia Bongiorno, will be the lawyer the Sollecitos choose to respond to the investigating prosecutor’s report on the book. Perhaps Mr Brizioli (who right now is himself on trial for obstruction of justice in another case) can try to negotiate a way for his client to spread the blame before the charges are set in stone.

The Sollecitos seem weak. Alfredo Brizioli seems weak. Giulia Bongiorno seems weak. And Knox also seems weak - if Sollecito is ever going to back away from Knox (perhaps to try to claim the final murderous stab of Meredith was solely Knox’s crazed idea) there is just this one last chance.

We in no way favor Sollecito getting off lightly without recanting. We do want to point to the potential fireworks a smart prosecution has engineered that might help achieve this.

Although there was a sort of bidding war for both books, not every publisher, having seen what was to be in them, was eager to join in. Some did sit on the sidelines. 

Withdrawing the two books ASAP might be the smart move. The mood in the book industry in New York, where both publishers have their HQ’s, seems to be that that move could be the wisest.

Monday, April 07, 2014

Italy Pushes Back On False Claims In Sollecito Book: 20 Examples Of What He Must Defend In Court

Posted by Our Main Posters

[Florence prosecutor Gianbartolomei will announce RS charges later this month]

Many posters contributed to this analysis and to what is to come. Special thanks to James Raper and Sara, and also to Vivianna, Yummi and Kermit.

1. Sollecito’s blood-money book gets published

Sollecito’s hapless book Honor Bound was released in English on 18 September 2012.

Within ten days all of Italy knew that the book was a crock.

Bruno Vespa, the persistent host of Porta a Porta, Italy’s most popular crime show (for the equivalent of which American TV cries out) forced Sollecito’s father in national prime-time to admit that at the core of the book was a huge lie.

Other claims about the case and the officials were shown to be wrong too.

Smarter people than Sollecito’s help in the US (Andrew Gumbel and Sharlene Martin, later John Q Kelly, and Simon & Schuster) might have put the brakes on until they got the truth straight and a revised version out.

But no, a media blitz was all ready to roar. The blood-money couldn’t wait.

Huge numbers of professional book reviews and Amazon reader reviews swallowed Sollecito’s claims in the book whole. The nastiness toward Italy and its justice system and officials was ratcheted onto a whole new plane.

2. Needless to say, official Italy did take note

For the legal reasons explained in this key post an investigation by the Florence Chief Prosecutor’s Office was mandated to begin.

In that same post it was warned that for the period the investigation would require, it would be taken below the radar, so that the Sollecito defense team would have no way to respond through dishonest PR or legal dirty tricks.

A not-unsurprising result of that stealth move was that in the meantime, in the last year, very full of themselves and feeling no constraint, Sollecito and his team went hog-wild in adding more crazy claims.  And still more.

3. Now the investigation is complete

Now Prosecutor Gianbartolomei has issued his announcement of the conclusion of his investigation. The content of the notice is at present confidential except to the defenses.

As Yummi reports, from this point on, the defense has 20 days to say something, such as to request that Sollecito be interrogated or allowed to declare or explain something.

Then the prosecution will file charges against Sollecito and Gumbel, and possibly Sharlene Martin and Simon & Schuster, their careless publishers in New York.

Which precise false claims Prosecutor Gianbartolomei has made the target of his report we do not know. But this is a target-rich environment, that is for sure:

Consider for starters these 20 false claims which, believe it or not, all appear in the first seven pages of the book.

4. Twenty False Sollecito Claims

1. That Italian justice authorities took the easy way out

This is the story of two ordinary people who stumbled upon an extraordinary circumstance, the brutal murder of a British student in Italy. Neither Amanda Knox nor I had anything to do with the crime, but we came perilously close to spending the rest of our lives in prison because the authorities found it easier, and more convenient, to take advantage of our youth and inexperience than to mount a proper investigation.  It’s that simple. And that absurd.

No advantage was taken of them. The two stood out very sharply from all the others of similar age, and of similar inexperience (whatever that means). They did and said dozens of things in the early days that set them sharply apart.

They were interrogated quite fairly, the Italian media was not especially hard, Dr Mignini never ever leaked, and they had lawyers and family handy at every turn after they were arrested. They each gave the authorities less than zero help - they tried to lead them off on wild goose chases, for example the false claim AK made against Patrick and dozens of other false claims, and apparently tried to finger yet another north African, Hicham Khiri, in a conversation they clearly knew was being recorded.

A “proper” investigation was indeed done. Simply read through all the posts on the trial here in the first half of 2009, and the prosecutor’s excellent summations, and you will see what a smooth comprehensive job was done. And the Supreme Court concluded that THREE had to have been involved, from the recreation of the attack and all the wounds on Meredith’s body. AK and RS and their lawyers never came within light-years of throwing real suspicion on anyone else.

2. That the preventive custody was very harsh

On November 1, 2007, Amanda and I were carefree students at the beginning of a cross-cultural love affair in a beautiful Umbrian hill town. Within days, we were thrown into solitary confinement in a filthy prison, without access to lawyers or loved ones, accused of acts so heinous and disturbing we may never be able to banish them from our thoughts, or our nightmares.

Raffaele was sent to preventative prison on Tuesday November 6. Capanne Prison was almost brand-new then, and far from crowded. Cells contain TVs and private bathrooms.

All questioning had been stopped early on 6 November until Sollecito could have a lawyer present. He himself wrote to his father in his “prison diary” on November 7:  “I may see you tomorrow, at least that is what I was told by Tiziano [Tiziano Tedeschi, his lawyer at the time], who I saw today and who defended me before the judge.”

Mr Tedeschi made no complaint about any delay in the first meeting with his new client. In Italy, a judge must determine within 48 hours whether to hold or release detained suspects. Judge Matteini did so meticulously and refused his release.

3. That the prosecution and Italian media demonized the pair

In the newspapers and on the nightly news, we were turned into monsters, grotesque distortions of our true selves. It did not matter how thin the evidence was, or how quickly it became apparent that the culprit was someone else entirely. Our guilt was presumed, and everything the prosecution did and fed to the media stemmed from that false premise.

In the real world, the prosecution fed nothing at all secretly to the media and publicly very little, none of it self-servingly biased. Italian reporting was sporadic and very mild compared to anything one can see said daily about possible perps in the US and UK newspapers and on US TV. Besides, any coverage, which was in part deliberate in the situation as dozens of students were fleeing Perugia, had no influence on anything, neither on the investigation nor the trial.

The Italian system is set up so media can have less influence than almost any other media on any other justice system in the world. The Micheli and Massei sentencing reports show the judges were not unduly influenced even by the lawyers right in front of them, let alone by mild media reports 1 or 2 years before that.

4. That four years were wasted showing where the prosecution went wrong.

By the time we had dismantled the case and demonstrated its breathtaking absurdity [in the annulled Hellmann appeal] we had spent four of what should have been the best years of our lives behind bars.

“We” meaning the defense lawyers did very little in the annulled Hellmann appeal that they hadn’t flailed uselessly against in the trial. Except of course maybe shopping for an inexperience and pliable judge, and for DNA consultants who they could then spoon-feed. Much of the hard evidence they simply kept well away from in the trial and annulled appeal. Such as the extensive evidence in the corridor and bathroom and Filomena’s room, which were all considered parts of the crime scene.

On the other hand, RS’s claim could well apply to what Dr Galati and Cassation did for the Hellman sentencing report. Dismantled the appeal verdict, and demonstrated its breathtaking absurdity.

5. That Knox was made a target because timid Italy was scared of her.

Amanda and I certainly made our share of mistakes. At the beginning we were too trusting, spoke too frivolously and too soon, and remained oblivious to the danger we were courting even after the judicial noose began to tighten. Amanda behaved in ways that were culturally baffling to many Italians and attracted a torrent of gossip and criticism.

An inaccurate and xenophobic remark originated by the American Nina Burleigh, who was having severe culture shock of her own and surrounded only by other foreigners with similar mindsets. What EXACTLY was so baffling about Knox to the very hip Italians? That Knox was pushy, obnoxious, humorless, rather lazy, rather grubby, and not especially bright or funny or pretty?  That she put off Patrick, Meredith, her other flatmates, the boys downstairs, the customers in the bar, and just about everybody else except for the distasteful druggie loner Sollecito?

Read this post by the Italian-American Nicki in Milan. To quote from it “As many of us were expecting, Amanda’s testimony has backfired. She came across not as confident but arrogant, not as sweet but testy, not as true but a fake who has memorized a script, an actress who is playing a part but not well enough to fool the public….. Amanda Knox is not on trial because she is American and therefore too “emancipated”....Italians don’t much like Amanda primarily because they perceive her as a manipulative liar, who is suspected of having committed a heinous crime for which there is a whole stack of evidence.”

6. That Knox and Meredith were really great, great friends.

We were young and naive, unthinking and a little reckless. Of that much we were guilty.  But what we did not do””and could not have done, as the evidence clearly showed””was murder Meredith Kercher.

Meredith was Amanda’s friend, a fellow English speaker in the house they shared with two Italian women just outside Perugia’s ancient city walls. She was twenty-one years old, intelligent, and beautiful. She and Amanda knew each other for a little over three weeks, long enough to feel their way into their new surroundings and appreciate each other’s interests and temperaments. I never heard about a single tense moment between them.

Plenty of other people did know of tensions. Meredith’s family and friends all knew Meredith was finding the noisy dirty lazy loud unfocused Knox and her one-night-stands hard to take.  Her other flatmates found her hard to take. Her employer Patrick found her hard to take. His customers in the bar found her hard to take.  The Lifetime movie got this strident angle pretty straight.

Remember, Meredith enrolled for a full academic load at the main university. Knox in sharp contrast took only one undemanding language course - which anyone could walk into - requiring maybe 10 hours of study a week.  They increasingly did less together. In fact after several weeks nobody was lining up to have anything to do with Amanda Knox.

Seemingly unable to reverse herself, she was headed to being among the least popular of students in Perugia.  It should be recalled that the callous remarks by Amanda Knox about the death of her so-called friend Meredith included “Shit happens”, “She fucking bled to death”, and “‘I want to get on with the rest of my life”.

7. That an intruder knew about the rent money and so murder ensued.

Meredith, of course, suffered infinitely worse luck than we did: she came home, alone, on an ordinary Thursday night and had her throat slit by an intruder hoping to steal the household rent money.

There is zero evidence that this was the case. Knox herself ended up with a similar amount of cash that she has never been able to explain. There is zero possibility that Guede would know that any money was lying around - or not lying around, as it was concealed in Meredith’s drawer.

And take a look at the many images of the brightly lit house at night. There are several dozen other houses behind it in the dark which any smart burglar would have chosen first.  In 2008 two real break-ins occurred at the house - both were in the dark behind the house, which is by far the easiest place to break in.

So much for the spurious lone-wolf theory, which Judge Micheli first ruled out even before trial.

8. That the media got hysterical and portrayed heartless killers.

But the roles could easily have been reversed. If Meredith’s Italian boyfriend had not gone away for the weekend and if Amanda had not started sleeping over at my house, she””not Meredith””might have been the one found in a pool of blood on her bedroom floor. That reality was quickly lost amid the hysteria of the media coverage. But it continued to hover over both of us””Amanda especially””as we sank into the legal quagmire and struggled in vain to overcome the public image of us as heartless killers.

There was zero media hysteria. This silly claim was addressed above. Watch the Porta a Porta YouTubes and dozens of other Italian reports and try to find ONE that is not fair and cautious and mature.

How precisely did the two struggle in vain to overcome their public image? By coming up repeatedly with stories which didnt even tally with others of their own, let alone with one another’s? They never between them made even one helpful statement which actually helped the police.  And even their respective parents strongly suspected or knew of their guilt and were all caught incriminatingly on tape.

9. That Rudy Guede did it alone; ignore vast evidence that proves not.

This should not have been a complicated case. The intruder was quickly identified as Rudy Guede, an African immigrant living in Perugia with a history of break-ins and petty crimes. His DNA was found all over Meredith’s room, and footprints made in her blood were found to match his shoes. Everything at the crime scene pointed to a lone assailant, and a single weapon. Guede repeatedly broke into houses by throwing a rock through a window, as happened here, and he had been caught by the authorities in the past with a knife similar to the one that inflicted Meredith’s fatal wounds.

This is laughable. It has in fact been demonstrated in numerous ways that the attack involved multiple assailants and this was accepted by the Supreme Court.

Sollecito’s own lawyers never forcefully argued this. They produced two non-credible witnesses in the appeal trial (Alessi and Aviello) to actually prove that Guede had some other accomplices or that several others did it. Also Amanda Knox if anything diverted attention AWAY from Guede as he did in turn from her. He wasn’t quickly identified precisely because Knox had rather credibly fingered Patrick.

There is no proof Guede was an intruder. The trial court concluded Knox invited him in. Guede had zero proven history of break-ins or petty crimes or drug-dealing, and late in 2008 at his trial Judge Micheli became angry at such claims. Guede had no prior criminal record at all. He had only been back in Perugia for a few weeks, after an extended stay up north.  His DNA was not found “all over” Meredith’s room. A major surprise, in fact, was how few traces of him were found.

The recreation of the crime scene and the autopsy both pointed AWAY FROM a lone assailant, not toward.  From Meredith’s wounds, it was quite evident that two and perhaps three knives had been used, and not a single weapon. What lone intruder carries or uses two or three knives?  And footprints in blood outside the door matched the feet of both RS and AK. This is why the Supreme Court confirmed Guede’s guilt only “in concorso” (with others).

10. That the cops could have caught Guede fast, despite Knox’s frame

Guede did not call the police, as Amanda and I did, or volunteer information, or agree to hours of questioning whenever asked. Rather, he fled to Germany as soon as the investigation began and stayed there until his arrest two and a half weeks later.

Guede’s apprehension and eventual conviction on murder charges should have been the end of the story. But by the time Guede was identified, the police and the public prosecutor’s office had convinced themselves that the murder was, incredibly, the result of a sexual orgy gone wrong, in which Amanda and I had played leading roles. Their speculations ignited a media firestorm, inspiring sensationalist headlines across the world about the evil lurking behind our seemingly innocent faces.

The authorities had no shred of evidence to substantiate this story line, only erroneous suppositions and wild imaginings. We had an alibi for the most likely time of death, and none of the initial forensic evidence tied us to the scene of the crime. Nothing in our backgrounds gave any hint of a propensity for violence or criminality. We were both accomplished, hardworking students known to our friends and families for our gentleness and even tempers.

Four more untrue remarks. All three were convicted of a murder with a sex-crime element and nobody was wrongly “convinced”. Which alibi is Sollecito talking about now? He himself admits in chapter 1 (Love and Death) that they had no “real alibi”. They still have no alibis at all for the second half of the evening, neither of them, when Meredith’s murder indisputably occurred.

Extensive forensic evidence within days tied them both to the scene. Not a single element of it has been discredited in the eyes of the Massei trial and Nencini appeal court. Not even one. Nothing was falsified.

Neither of their backgrounds was squeaky clean. Both had long been into illegal drugs, the loner Sollecito had to be watched by his father and teachers, the increasingly disliked Knox had a history of doing and saying crass off-putting things. Both were lagging behind their brighter peers in their studies and Knox was taking a year off.

11. That the prosecution fed the media a huge number of false claims.

Yet the authorities stuck to their guns. They fed the media a steady diet of sensationalist stories of how Amanda, the promiscuous American she-devil, and I, her sex-and-drug-addled Italian helpmeet, had tried without success to drag Meredith into our depravity and punished her by plunging an outsize kitchen knife into her neck.

Complete fiction. Again, in the real world, as the media reporters all confirm, the prosecution fed nothing at all secretly to the media, and publicly very little, none of it self-servingly biased.

Italian reporting was sporadic and very mild compared to anything one can see daily on possible perps in the US and UK newspapers and on US TV crime shows. There is zero sign this mild coverage mattered to the courts. As the media reporters all confirm, they were fed next to nothing by the police or prosecution on the case,

But whereas Mr Mignini famously never leaks, the defenses are widely claimed to have leaked throughout like sieves. So did Sollecito’s own family - they leaked an evidence video to Telenorba TV, for which they were considered for trial. Even we at TJMK and PMF received several offers of juicy leaks. Here is one example of where the Knox forces leaked - wrongly in fact - and then nastily slimed the prosecution and defenseless prison staff.

12. That the authorities had lots and lots and lots of scenarios.

It might have been funny if the consequences had not been so devastating. Listening to the tortured language of the prosecution””“one can hypothesize that . . . ,” “it is possible that . . . ,” “one can imagine that . . . ,” “this scenario is not incompatible with . . .”””it became clear that the authorities, like the media, were treating our case with the bizarre levity of an after-dinner game of Clue, or an Agatha Christie mystery. Everyone, even the judges in their black robes, had theories they were itching to air.

Have Sollecito and Gumbel ever before been in any other court in Italy or the UK or the US?  Every judge and/or jury has to arrive at a scenario on lines not unlike this. That is the whole POINT of having courts - to weight the probabilities in what happened in the crime.  The only difference in Italy is that the judges have to think their verdict through for weeks, and then write it all out, and then see it scrutinized by a higher court. This is hardly a requirement to be sneered at.

Gumble and Sollecito should have studied how US and UK juries arrive at their own scenarios. Very few US and UK lawyers think they do a better job. Ask those who watched the OJ Simpson and Casey Anthony trials and bitterly criticised the outcomes. And Italy has a vastly lower rate of false imprisonment than the US does.

13. That Italy is a medieval country with a primitive justice system.

It could have been Colonel Mustard in the drawing room with the revolver; instead it was Amanda and Raffaele in the bedroom with the kitchen knife. How was it conceivable that a democratic country known for its style and beauty and effortless charm””the Italy of the Renaissance and la dolce vita””could allow two young people to be catapulted to international notoriety and convicted of a horrific crime on the basis of nothing at all?

This is not remotely what happened. There was very far from nothing at all. Convictions in the US and UK regularly result based on evidence 1/10 or 1/100 of that here - sometimes from one single evidence point. Any one or several of maybe 100 evidence points here could have convicted them in a US or UK court.

Italy gives defendants every possible break, and the justice system is seriously loaded against victims and their families. Read here and here.

14. That the prosecutors office and media were in a grim embrace.

The answer has something to do with the grim embrace that developed between the prosecutor’s office and the sensationalist media. Like addicts constantly looking for the next fix, each fed the other’s insatiable appetite for titillation and attention. The casual cruelty of “Foxy Knoxy” and her Italian lover became too good a story line to abandon, even when it became apparent it was overheated and unsustainable. Our suffering was the price to be paid for the world’s continuing entertainment.

WHAT grim embrace? WHAT addicts? WHAT fix? WHAT insatiable appetite? WHAT titillation and attention? This is clearly defamatory if it can’t be proven, and we can turn up no evidence that any of it is true. It has to be one of the most foolish lies in the entire book, it is so easy to disprove. These who are being accused of crimes here are career police and prosecutors secure in their jobs, and none have the slightest gain to make from false convictions.

15. That in the justice system speculation and hearsay run rampant

The meandering complexities of the Italian legal system, where speculation and hearsay are allowed to run rampant and time invariably slows to a maddening trickle, did little to help our cause.

Total mischaracterization. First note that by comparison with any country in the world THERE IS NOT MUCH CRIME IN ITALY.  There is some minor corruption and still some minor mafia action, but thefts and burglaries and assaults are few and murders even fewer. The main crime if you can call it such is not lining up to pay taxes.  Italy’s murder rate is 1/6 that of the United States and its prison incarceration rate is 1/30 that of the United States, so where IS all this crime about which the claimed speculation and hearsay are running rampant?

The legal process could have been fully over by the end of 2009 if (1) there was not the entitlement to two automatic appeals; in UK and US terms there was very little to appeal about;  and (2) the Hellmann appeal court had not been fixed to produce a corrupt outcome, as the displaced judge Sergio Matteini Chiari and Cassation and the Council of Magistrates have all made plain.

And compared to American police and prosecutors, their Italian counterparts are famously taciturn under their unusually firm rules. There is media interest, for sure, as there should be when there are crimes, but that also is comparatively restrained. Watch the various Porta a Porta shows on YouTube and you will see how sedate crime discussion tends to be.

The Constitution and judicial code set out to achieve the exact opposite of speculation and hearsay affecting justice, and they do so.  Creating this restraint is a primary reason for the judges’ sentencing reports and all the magistrates’ checks of investigations along the way.

This whole series of dishonest claims about the the Italian system in the preface of the book and in a later chapter have clearly not been read through or okayed by even a single Italian lawyer.

16. That in Italy proof beyond a reasonable doubt scarcely exists

For reasons deeply embedded in the country’s history, the concept of proof beyond a reasonable doubt scarcely exists in Italy, and the very notion of undisputed fact is viewed with suspicion, if not outright aversion.

So Gumbel and Sollecito are historians and legal experts now? It would be nice, wouldn’t it, if either were able to explain the remark. This may be an ignorant swipe at the Napoleonic Code on which the law of a lot of continental Europe is based. Ignored is that Italy carried out its own reforms to the Code in 1990 and more subsequently. Much of that reform, it should be pointed out, was procedural or structural rather than substantive law.

There are two things wrong with “..the concept of reasonable doubt scarcely exists in Italy.”

1. It is factually wrong. Italian jurists, the courts, and so on, are well acquainted with the concept as it has been a fundamental aspect of criminal proceedings in Italy as elsewhere for many decades if not centuries.

2. It suggests that Italians are not intelligent enough to understand the concept anyway. That of course is an insult to Italians.  Actually they are no less intelligent than the rest of us elsewhere who strive to understand it.

Until the 1990 Reforms the relationship between criminal and civil proceedings in Italy were governed by the principles of unity of jurisdiction and the prevailing status of criminal proceedings. Hence, if the facts were the same then criminal proceedings (to punish the guilty) and civil proceedings (to render liable the guilty for damages) were heard at the same time and still sometimes are, as in the Meredith Kercher case.

What has changed (relevant to the above quote) is that civil cases can be and are more likely to be heard independently from the related criminal cases and, where not, the standard of proof in civil cases (the preponderance of evidence or, as we usually refer to it, the balance of probabilities) is to be applied to the civil case, and the civil case only, rather than be confused with or overriden by the criminal standard of proof (beyond reasonable doubt).

Not an easy task, admittedly, to apply different standards to different tasks, based on the same facts, in the same proceedings, but Italian judges are trained to do this because that is their system. No judge would EVER confuse “beyond reasonable doubt” with “the balance of probabilities” when the issue at stake is depriving an individual of his freedom.

17. That the Italian judiciary has vast, unfettered powers

Few in Italian society wield as much unfettered power as the robed members of the judiciary, whose independence makes them answerable to nobody but themselves.

Radically the opposite of the truth. The paranoid claim reads like it came from ex PM Berlusconi fearful of his own conviction or one of his parliamentary lackeys such as Girlanda.

The checks and balances on judges in the Italian system are enormous, perhaps the toughest checks and balances in the world. Read here and here about them.

All of the best judges in the world are independent and they all follow a demanding career path, not elected (as ex-Judge Heavey was) under zero criteria, or appointed under the political sway of politicians. We wonder if Gumbel and Sollecito have ever heard of the US Supreme Court? Do those judges answer to anybody? No? How unfettered. 

18. That the courts are the most reviled institution in Italy.

Many Italians retain a healthy skepticism about the reliability of their procedures and rulings. The courts””tainted by politics, clubbishness, pomposity, and excruciating delays””are the most reviled institution in the country.

As our Sollecito Book pages make clear again and again and again, the Italian system is remarkably NOT tainted by politics, as even the most surperficial watcher of the trials of ex Prime Minister Sylvio Berlusconi would know.

And on the issue of popularity we have previously posted this and this and also this.

Our Italian poster Machiavelli (Yummi), who posted our deep analysis of the appeal to the Supreme Court by Dr Galati, has provided these hard facts:

For comparison, in 2011 the percentage of Italians who declared they trust the justice system “a lot” or “enough” was 53.3%. By comparison, the percentage of Italians who declared they trust the government “a lot” or “enough”  were 14.7%, and those who trust the parliament were only 15%.

In 2012, the percentage of Italians who trust the parliament is now only 9.5%, and those who trust the Mario Monti administration are only 21.1%.

Over the eight years from 2004 to 2012 the percentage of Italians who trust the justice system was always bigger than those who trust parliament or government by at least ten points, and in some years we can see a spread of 20, 30, even 39 percentage points achieved by the judiciary over the parliament and government.

However, some cases of corruption (such as our Hellmann-Zanetti case, but also several others indicated by the Rapporto Italia 2012) do hamper trust.

The most trusted institutions in Italy above all are the Carabinieri (74% of Italians trust them) and the Polizia di Stato (71%).

Which means the most trusted institutions are precisely those law enforcement instruments which are deployed to enforce the orders of prosecutors.

19. That prosecutors can spin their cases into any shape they please.

Because the Italian legal system is almost completely blind to precedent and relies on a tangle of impenetrable codes and procedures, prosecutors and judges have almost boundless freedom to spin their cases into any shape they please and create legal justifications on the fly. Often, they are more interested in constructing compelling narratives than in building up the evidence piece by piece, a task considered too prosaic and painstaking to be really interesting.

Whoever wrote this either wasnt an Italian or a lawyer, and either way didnt have much of a clue. The entire Italian system under the post WWII constitution was designed to PREVENT what Sollecito & Gumbel claim it allows here.

There are checks and balances and reviews every step of the way. Magistrates (initially Matteini here) determine what a prosecutor may do in developing and presenting a case. Parties may appeal to the Supreme Court AT ANY TIME as Knox’s lawyers did over her second written confession - which she herself had demanded to make in front of Dr Mignini after he finished warning her of her rights.

Hard for Sollecito & Gumbel to believe, perhaps, but the defense is actually present in the same courtroom. They can raise points of order at any time. So can the defendants themselves, at any time, something maybe unique in the world.

And judges actually have minds of their own. And then there are the unique written sentencing reports, and the two automatic appeals if any parties want to pursue them.

Sollecito & Gumbel should have read the 2012 Galati appeal more closely. The Prosecution’s Appeal To The Supreme Court is available in English here.  Precedent has a section to itself - “The non-observance of the principles of law dictated by the Cassation Court in the matter of circumstantial cases (Article 606(b)) in relation to Article 192 paragraph 2 Criminal Procedure Code.”

Well, that’s precedent, via the Court of Cassation no less! How surprising from Gumbel/Sollecito that they should make that claim about ignoring precedent when in fact there it is, going right to the heart of the flawed Hellmann/Zanetti judgement on circumstantial evidence!  What else is a Code but in effect a codification, a gathering together, a rationalisation, of best law - and precedent? 

There is an absurd irony here, were they aware of it. Perhaps they are. Surely it is Hellmann and Zanetti who have displayed “a boundless freedom” in spinning the case “into any shape they please”, and who have “created legal justifications on the fly”?  As for prosecutors doing this, at least Dr Mignini followed the evidence, and American readers may recall the infamous Jim Garrison, the DA hero of Oliver Stone’s movie “JFK” but who in reality, unlike Dr Mignini, was a total and utter crackpot.

And what issue exploded the Porta a Porta TV show in Italy in September 2012? It was Sollecito’s false claim that the prosecution had secretly tried to offer him a deal if he would roll over on Knox.  NOBODY including his own father and his own lawyers confirmed him. Evidence against both was overwhelming. Nobody needed such a deal, and Italian prosecutors are highly rules-bound against ever offering such deals.

Sollecito was in effect accusing Dr Mignini of a felony with this much-repeated false claim in his book. (In her book Knox also accused Dr Mignini of a felony.)

20. That the prosecutors and judges in Italy are far too close.

Prosecutors and judges are not independent of each other, as they are in Britain or the United States, but belong to the same professional body of magistrates. So a certain coziness between them is inevitable, especially in smaller jurisdictions like Perugia.

Yes, prosecutors and judges in Italy belong to the same professional body of magistrates. But then so does the defense lawyer Ms Bongiorno. The claim that there is no independence between prosecutors and judges in Italy, in fact a coziness between them, is a bit rich.

Consider, say, the UK. It is true cases are prosecuted by the Crown Prosecution Service, a government body, but in serious cases the CPS will employ barristers from the Inns of Court. There is scarcely a judge in the UK, even up to the highest level, who was not and who is not still a member of one of the Inns of Court from whence barristers, for the prosecution or for the defence, ply their trade.

You can’t walk past an Inn without seeing the names of judges on the roll call on the plaques outside. A judge is still a barrister, just fulfilling a different function, although, of course, now paid by the State.  The old school boy tie? Corruption? No, the fulfilling of different roles by members of the same body is called professionalism. 

Judges and lawyers all belong to the American Bar Association in the US and attend the same conferences. No sign that this lack of “independence” ever affects trials.  This claimed excess of coziness is often ranted about online by the Knoxophile David Anderson who lives near Perugia. Nobody who pays him any attention can get where he derives this from. Maybe he heard it from Hellman?

Perugia prosecutors and magistrates are all known to do a fine job, and the national Olympics & earthquake relief cases involving powerful Rome politicians were assigned for competent handling to where? To Perugia… Defense lawyer Ghirga and Prosecutor Mignini have the reputation of being good friends. And Mignini and Massei would both draw their salaries from the State. But so what? Do not judges and DAs in the the USA do likewise? Are Gumbel and Sollecito impugning the professionalism of the counterparts of Mignini and Massei all over the world? It sure reads like it.

5. About Relevant Forthcoming Postings

Akk of this above analyzes only the first seven pages, out of a book which has several hundred pages. We will post one or two times more during April. Later in the book, there is a lot of venomous sneering addressed at Dr Mignini, although his performance at trial was excellent - and he is now for Perugia’s region (Umbria) the Deputy Prosecutor General.

In Italy Dr Mignini is now and then on national TV along with Michele Giuttari, who pursued the main Monster of Florence theory - not the crackpot theory Preston and Spezi attempted to use to frame someone. At impugning him,  Sollecito and Gumbel have failed miserably, and for that are now in the crosshairs of the system.

*******

Many posters contributed to this analysis and to what is to come. Special thanks to James Raper and Sara, and also to Vivianna and Kermit.


[Kermit’s take on Katie Couric, one of several smart TV hosts who suspected a giant con]

Monday, March 03, 2014

As Knox & Sollecito Try To Separate Themselves, Each Is Digging The Other In Deeper

Posted by willsavive

1. Sollecito Blabs Yet Again

One of an increasingly long list of “gotchas” for the prosecution, flowing from their tendencies to talk way, way too much. 

In a recent exclusive interview on an Italian TV news broadcast, Sollecito said he has several “unanswered questions” for his former girlfriend, Amanda Knox.

“You all know that the focus was only through Amanda to her behavior, to her peculiar behaviour, but whatever it is, I’m not guilty for it. “Why do they convict me? Why do put me on the corner and say that I’m guilty just because in their minds I have to be guilty because I was her boyfriend. It doesn’t make any sense to me.”

This adds yet another waiver to the many different explanations Sollecito provided over the years about the same details.

In their “official” story, in the part that remained consistent, Knox and Sollecito both claimed that Knox left his flat the morning after Kercher’s murder and returned home, where she noticed the door left wide open and witnessed blood spots in the bathroom.

Knox claimed that she found it odd and just assumed that one of her roommates was menstruating and left blood behind. She proceeded to take a shower and returned to Sollecito’s flat and ate breakfast.

2. Telling Narrative Change

“Certainly I asked her questions,” Sollecito explained in his latest interview. “Why did she take a shower? Why did she spend so much time there?” When asked what responses he had for these question Sollecito replied, “I don’t have answers.”

In the interview, Sollecito said Knox left his apartment to take a shower, then returned hours later looking “very agitated.”

Yet, in an interview with Kate Mansey on 4 November 2007 just two days after the murder, and two days prior to arrest, Sollecito said:

But when she went into the bathroom she saw spots of blood all over the bath and sink. That’s when she started getting really afraid and ran back to my place because she didn’t want to go into the house alone.

3. RS Differs Sharply From Knox

This is a far cry from what Knox said in her email also dated 4 November 2007 to friends and family, Knox wrote:

I returned to raffael’s place. after we had used the mop to clean up the kitchen i told raffael about what i had seen in the house over breakfast. the strange blood in the bathroom, the door wide open, the shit left in the toilet. he suggested i call one of my roommates, so I called filomena.” (6th paragraph).

The discrepancies between Knox’s version and Sollecito’s version is strikingly different.

• Raffele claims Knox was visibly distraught when she returned and that this was the focus of discussion (i.e. being the first thing they discussed).


• Knox claims that she did not even bring up the bizarre circumstances back at her apartment until “after” they finished mopping the kitchen floor.

4. My Analysis Of The Above

In his latest statement, Sollecito is clearly trying to distance himself from Knox, believing that there is far more evidence against her than against him. But:

• Sollecito forgets to mention the bloody barefoot prints at Knox’s apartment, found to be in Kercher’s blood attributed to him.


• Also the knife found in his apartment that scientists say was the murder weapon.


• Also his DNA found on Meredith Kercher’s bra that was found in her room, even though Sollecito claims that he was never ever in that room.


• Also his own strange behavior, which includes providing a false alibi (saying he and Knox were at a party with a friend on the night of the murder).

Also several conflicting other versions.

But what’s there to question if you [Raffaele] were with Knox the whole day and night of Meredith Kercher’s murder?

It appears as though Sollecito is alluding to the notion that he knows something far more than he is saying; yet, he is being very careful with his words””only providing us with a hint of this.

His latest statement is a clear attempt to distance himself from Knox.

5. Sollecito Freaks Out On Twitter

Sollecito appeared on Twitter recently, for what he claimed was to answer questions and clear his name.

He was very outspoken of his innocence and had no problem in his witty, sarcastic responses to those who questioned his innocence.

However, when I asked him about the Mansey interview he denied claiming that he was with Knox at a friend’s party on the night of the murder [huh?!].

Sollecito disappeared for a couple of days, came back to Twitter writing only in Italian, and ceased responding to any more questions.

Is it possible that Sollecito will turn on Knox altogether at some point when the pressure mounts over the next year? Guess we’ll have to wait and see”¦

Cross-posted from Savive’s Corner

Friday, February 28, 2014

What We Might Read Into Sollecito Lawyer Giulia Bongiornos Final Arguments To The Appeal Judges

Posted by Machiavelli

Under the table & over the top

The picture of a serene-looking Giulia Bongiorno waving a couple of knives in court on 9 January may be visual inspiration to this reflection about what we can understand from the structure and content of her closing arguments.

A very peculiar feature of her arguments was the desperate opening, suggesting to put the investigation ““ and the whole justice proceedings ““ on trial.

The introductive topic of her speech is a quote from a book by Alessandro Satta, a narrative description of the riotous irruption of the mob inside the Revolutionary Tribunal hearing room on Sep. 2. 1792, the defendants are the some of the King’s Swiss guards.

The passage by Satta describes the “horrendous” vision of a hord of sanculots slowly gathering outside the court, Bongiorno compares that to the angry mob in Perugia after the first appeal verdict.

But if you read the same text by Satta a little further, a few lines beyond the snippet Bongiorno was reading, the narration goes on describing how sanculots manage to enter the courtroom, in a force of hundreds ready to lynch the defendants, but they are suddenly halted by an authoritative order of the Judge, and they unexpectedly obey.

Just after that, Satta drops in an explanatory quote from the book Le Tribunal révolutionnaire  (by historian Lenotre) saying: “the people understood that these highly educated individuals in black robes would have gone on with the action started by the hords, and they would accomplish it more perfectly”.

It seems like Bongiorno opened her speech with an implicit depiction of the judges and magistrates of Perugia as kind of Jacobin extremists whose task is to “legitimize” the vindictive fury of a pitchforks mob.

The quote she read did not include Satta’s conclusive lines, so that the consequent thought about the judges’ role remained unexpressed and in the background.




(Photo by Machiavelli_Aki)


A side note about Bongiorno’s arguments: in fact I had the feeling that allusion to implicit subtexts was something that belonged to her speech as a method or a style, it marked the whole of her arguments. You may recall Wittgenstein’s dictum “This work consists of two part, what is written in it, and what is not written in it. The latter is the most important part.”

Such a motto might be apt to address the major feature of Bongiorno’s defensive argument, insofar as she conveyed that something that “couldn’t be talked about openly” was there and that was probably a main argument.




(photo by Ansa)


At first, as I said, she went through a brief emotional recollection of her moments while in Perugia surrounded by a raging mob, and then she unfolded the rest of her introductive section.

The purpose of this bit of revolutionary narrative first juxtaposing the Perugian citizens to Sanculots and the judges to Jacobins, and then, immediately following, a series of accessory arguments all encompassed by an introductive function, all this was clearly intended to set a framework thesis meant to work as a basis for the structure of the whole defensive arguments.

It is in fact a peculiar structure, apparently entirely resting upon one, single elaborate premise.

The thesis she places at the foundation of the entire defensive argumentation is the following: the trial as a whole, as much as its outcome, had been somehow determined and “tainted” from the beginning by events which occurred within a very short framework of time, in the very early days of the investigation, the weeks around the time of the suspects’ arrests.

Bongiorno suggested that only this “short period” ““ the early days of November 2007 - is what matters and the only topic worth of a defence analysis; since this was the time frame within which - according to Bongiorno - everything was decided, this was the time when some “errors” in the investigation occurred, before the point when a veil of prejudice and hatred fell upon people’s hearts and minds like kind of black curtain, preventing from that moment on any fair or rational judgement. 

Aggressive Digressions

After the quoting of Satta’s speech, she develops her introduction for a while, branching out into some political-sociological speculations (such as that authorities chose the crime scenario that was most reassuring for the population) as well as some political-anthropological consideration (like the theory that free spirited women are seen as suspicious as a consequence of women empowerment movements). 




(Palace of Justice of Florence ““ photo by FrederickStudio)


A speech opening as did Bongiorno’s, that is, relying on a set of over-the-top considerations, and apparently so much depending upon one extreme premise, unavoidably conveys a perception of weakness, which is at risk to be transferred to the rest of the argumentation.

Thus, it would be a logical question to ask ourselves: why did Bongiorno chose such a setting and introduction, with several risky, over-shooting arguments?

A perception that the argument was unconvincing was palpable among the public as she was unfolding her theories about Perugian police opting for “political” scenarios and about sexy and free women seen as suspicious because of the women’s political movement.

Scepticism emerged even more openly when she described a scene with Amanda Knox releasing her false accusations while speaking under the hypnotic influence of interpreter Anna Donnino - whom she called “psychic” ““ which triggered some stifled laughs among the public.

Then her long introduction dealt with the unfolding of a rhetorical structure set around the concept of “half”.

I use the word ” rhetoric” in a most technical, non-derogatory sense, to mean the setting of a clear order and concepts designed to be easily remembered, anchored to multiple implicit suggestions, so as to remain impressed in the mind of listeners what is distinctive of the style of Giulia Bongiorno.

Introducing to “˜Halves’

In the previous trial instances she didn’t miss the opportunity to borrow characters such as Jessica Rabbit, Amelie and the Venus in a Fur. I thought she would mention at least a few characters of Disney or the Harry Potter saga this time too, and I was not disappointed as she met expectations on this matter (she did mention Harry Potter, the Eskimo kiss “˜Unca-Nunca’, the Bunga Bunga,  the Aladdin Lamp and 9½ Weeks). 

She entered the topical part of the introductive section saying “˜basta’ to always focusing on Amanda’s personality alone, while considering Raffaele just Knox’s other “half”, he is not half a character, he should not be seen as reflexion of Knox.

The curse of being “half” chases him also, meaning there are only “half pieces of evidence” against him.  And this is the rhetoric structure envigorating the arguments after the introduction, the concept of “half” .






Only half pieces of evidence, almost a half admission, or the clear suggestion that there is maybe one “other half” of something (of culprits?) somewhere else, something not to be said, something that is not here.

The concept of “half” recurs and somehow pervades her defence, we should say something more about later on because she picked it up also in the subsequent hours of speech. 

Some videos from the Florence trial available may still be available at the Sky site.

Primordial Fossils

Only after recollecting all these things in the “˜aggressive digressions’ over the introductive part, she goes on with a ponderous section which is the main part of her argumentation.

It’s a topic directly stemming from the introductive themes and premises, in the sense that this main part focuses on and blows up events of the first four days of investigation. It zeroes on few small details of the investigation history, the previous introductive part functionally working to justify the choice and to limit the argumentation to these topics.   

Something the listener would notice from this first and main part of the arguments, as everyone well understands, is that these arguments are arranged in a peculiar type of architecture. A choice that makes crystal clear the actual state of the defence’s options.   

The defence strategy is to focus attention on the supposed flaws in evidence collection at the beginning of the investigation, and not on the evidence set itself.

Bongiorno’s arguments do not map out the evidence set array. They do not devolve an effort of analysis in proportion to the actual weight of the of pieces of evidence.

The bulk of her speech in fact can be summarized as a criticism of some historical happenings ““ what she sees as such ““ which allegedly occurred within a very small time frame. She devoted hours to attacking the beginning of the investigation, early errors such as that the shoe print that had been wrongly attributed to Sollecito on a first assessment.

It appears this attack against the early procedures of the investigation was really considered to be the most effective weapon the defence had left.

The “˜topics’ Bongiorno addressed in this attack as “˜main points’ of evidence against Sollecito, are only three: the wrongly attribute shoeprint, Sollecito’s side-tracking the investigation, and “˜the knife’ (a topic which gets picked up again later, with a long discussion focused on the blade length). 

In the same “˜knife’ topic she included DNA discussion, in a connected digression she dealt with the bra claps, called all the scientific evidence collection “˜the mother of mistakes’ and offered again the known criticism of Stefanoni’s alleged “suspect-centred”.

Later in her speech, she dealt with the other evidence topics, parroted the “˜principles’ expressed in the Conti & Vecchiotti report, offered the known arguments about the bathmat print, etc.

But the bulk of her defence hinged around those “˜mistakes’ in the early investigation phase, this was the actual core of her argumentation, while the other pieces of evidence were dealt with summarily, I had the impression they were almost treated as accessories.

It was clear above all that the defence was not battling the structure of the evidence actually existing today, they were battling a minuscule part of it, or better they were battling something else, something which is not directly the evidence, but rather some historical foundations of the accusation building.

Basically what Bongiorno conveyed is, the fighting terrain was the “˜investigators’ errors’, their “˜excesses’. That is, they were not actively contending Raffaele’s innocence any more.

The implicit content was rather obvious to the listener: a direct claim of Sollecito’s innocence had been already abandoned, that territory was left beyond the lines and the defensive front had been drawn back.

The topic now was not innocence, but rather how the accusation had been unfair and excessive.






At her opening, the quote of Satta was a device to draw attention to the events at the “origin”, so as to prepare listeners for the fact that defence arguments will be focused on what happened during the moments before the “black curtain” came down.

Hence the a long introduction starting from an image of the fury of a mob of sanculots, a narrative on this theme: people were willing to convict the defendants immediately and judges were legitimizing people’s violence.

She oriented the discussion towards the topic of early prejudice and excesses, so to justify the fact that she will talk about the early phases rather than the evidence set, and then she introduced the leit-motiv of the “half”.

This means, rather than disputing the pieces of evidence, Bongiorno wanted to set a “trial of the investigation”, she zeroed on just a few details actually not having much relevance in the actual evidence set.

She talked at length about elements that are kind of fossils ““ like when she went on discussing about the number of circles in the sole of Guede’s shoeprint ““ putting the alleged “errors” in the course of the investigation on trial, and her speech at times sounded as if it was a lecture about dinosaurs, recalling curious things now extinct. 

The explicit function of her introduction was to justify her setting aside the evidence set, downplaying it by framing it into a historical moment, maintaining that it was collected and interpreted when investigators were already beyond the “black curtain” of bias, therefore tainted by prejudice, while judges were like sycophants before an angry mob.

The purpose behind the Black Curtain

The implicit, most important function of the introduction was accomplished via the concept of “half” and all the subliminal suggestions attached. 

We should ask ourselves: is it reasonable to believe Bongiorno was so naïve to expect that the court may accept a theory about a dismissal of evidence in limine?

The answer is no. Bongiorno knew perfectly well that her preliminary criticism of the investigation would not lead to a dismissal of the evidence. 

Bongiorno also knew that the series of preliminary arguments she would offer would be considered ineffective by judges. Such as that the knife DNA should be seen as unreliable preliminarily, that Stefanoni’s work lacked “transparency”, that Vecchiotti and Conti’s “method” should be taken at face value (Bongiorno knows C&V’s intellectual honesty was called manifestly questionable by the Supreme Court ), that this and that allele in the bra clasp DNA should not be considered because, etc.

She also knows that this court will not allow pieces of evidence to be considered separately from each other in a parcelled out way, and that imperfection of single pieces themselves do not work as a logical argument.  Even less could she dismiss the evidence based on political and anthropological theories.

From the fact that she was setting afoot on a trial of the investigation instead of battling the evidence,  the rational listener infers that she is well aware of the weakness of her position, since it implies that the evidence set as the battleground would be indefensible. She needs to search for another terrain of attack, a different structure, as the only possible move.

But there is also another implication. She does need to engage and draw attention to areas where she could “win” something, but this also means that her intent was to “soften” the accusation, to work it out at the flanks rather than face it frontally; to reduce the size of some fundamentals, the “excess” of the accusation.

In other words, to shorten the sentence. And if possible, to separate Sollecito’s position from that of Amanda Knox, albeit within the boundaries of her client’s plea.






Her strategy of attack had a reason, that was to try to soften the accusatory attitude against Sollecito. Besides being risky (may sound extremely unconvincing) the strategy was also loaded with implicit meanings.

What was most stunning to me ““ as it was a recurrent topic through her whole speech ““ was   the concept of “half”. She picked up this introductive theme several times, such as while speaking about the medical findings explaining that only “half” the length of the blade would be used, if a knife so large as Sollecito’s kitchen knife was used, saying that, in this event, this would mean the perpetrator did not intend to kill and killing was the effect of “mistake”, an involuntary movement. 

The importance of the length of the big blade and its “half” was emphasized by a waving of knifes, in a quite impressive theatrical performance: “Either the big wound was made by a smaller knife”  that was held by “someone else” or the knife was “plunged only by half” showing there was no intent to kill.

All this is to be coupled with the fact that, as said above, she devoted a main portion of her 6-hour speech to discussing things that are fossils, elements not existing any more.

She dealt later with other pieces of evidence too, though in a way that seemed somehow marginal, and she did not deal with some of them at all - the inconsistencies in Knox’s account, for example, were left completely out.

She was not that kind with Knox’s written memorials either, calling them “farneticanti”  (waffling, raving).

I noted her complaining about Raffaele being “halved”, as his character is portrayed as depending on Amanda’s and thus seen as equally guilty insofar he was Amanda’s half ““ and this effect is somehow transferred to pieces of evidence.

Bongiorno’s rhetoric emphasizes that Sollecito was accused on “half” pieces of evidence (you perceive that the metaphorical repeating of “half” implies that evidence actually exists,  “by half”, and at the same time this complaint about being seen as “half” of something is a subliminal suggestion that the defendants should be considered separately, and their charges as well, thus maybe their responsibilities if considered separately may be different;  and when it comes to discussing how the murderer used only half of the blade, the subliminal suggestion is bring down the charge by half, involuntary event/manslaughter versus voluntary murder). 

The Mark of Infamy

Giulia Bongiorno picked on the investigators and acted as if she was putting the investigation on trial not because she thought that this would lkead to the defendants being found innocent, but exactly for the opposite reason, because she expected them to be found guilty.

Insults against Prosecutor General Crini, against witnesses and and gratuitous accusations are a risky path but they are also an overt attempt to “soften” the investigation scenario, rather than fight it frontally.

She had no hope to make her client look innocent, her only hope was to soften the strength of the accusation, to make him look less guilty, not so bad as the investigators saw him.

She pursued this in two ways, by suggesting that he should not be seen as the “half” of another perp but rather his responsibility should be considered separately, only that evidence which proves directly against him (Bongiorno repeatedly pointed out that Knox did not utter his name in her interrogation and statement), his actual responsibility might be much lesser than the charge for which he is accused.

The other arm of the defence’s pincer move, the second way to try diminish the accusation, was to portray the investigators in bad light. The “˜excess’ of accusation was to lay blame on investigators for their bias and errors.

Bongiorno’s attack against the investigation might be intended to achieve a psychological effect due to comparative process.

If you consider how the police are responsible for “˜excesses’ and disputable behaviours, you may think the investigators have been prone to gross mistakes that lead to exaggerating Sollecito’s implication, thus the accusation should be not be taken at face value and should be corrected. Maybe the correct assessment of evidence proves he not as much implicated as they had thought.






This seemed to be Sollecito’s own defence strategy, albeit implicit, since Bongiorno must restrain her action within the boundaries of her client’s plea. 

In order to follow her strategy, however, Giulia Bongiorno decided to take a few steps which must be pointed out as particularly reprehensible and infamous.

I was surprised and stunned by those action because they qualify the character of Giulia Bongiorno as far worse than I thought, I really did not expect her to stoop so low. 
 
The infamous part of Bongiorno’s speech is her gratuitous name calling and defamatory attack against Anna Donnino, her attempt to smear her professional reputation and the rude insult in calling her a “˜psychic’. 
 
In real life Anna Donnino is a very respected professional, she has been working for the Questura on tasks of interpreter and language mediator (not as a “˜translator’).

She is also an intelligent person, she is precise and expresses herself with the utmost clarity as her lucid testimony shows.

She is known not only for having unquestionable professional ethics, but also she has an excellent reputation as a person; she is honest and humane and known by everybody for her extremely reassuring, protective temperament, and for her expertise and excellent performance of working with people.

She would help immigrants in difficulty to express themselves and understand their rights and was priceless helping the police to obtain precise information in their investigations.

As an expert in chuchotage and linguistic mediation from two foreign languages, the professional quality of her work is excellent. Her training and work is of interpreter and language mediator although sometimes shee is given translating tasks such as the translation of recordings and wiretappings.

The Questura of Perugia used to hire “˜language mediators’ at the time. You don’t know what a language mediator is? See a university course for a degree in Language Mediation.

The Questuras of some bigger cities also have “˜cultural mediators’ in addition. They are mother-tongue trained to deal with African or Chinese immigrants (one of the many young people having their internship as cultural mediator in a Questura is shown here.) 

To me, this defamatory attack against Donnino was most disturbing. By doing this Bongiorno came across as surprisingly mean, I’d say what she did was really infamous.

Indeed this was not the only virulent attack, it came after insults to the city of Perugia as she was comparing its citizens to a mob of blood-thirsty fanatics.

This attack too is also particularly vicious, since it exploits, inflames and is subtly synergic with the tones of lies and prejudices disseminated by a perfidious propaganda strategy.

But at a certain point, Bongiorno focused the defamation against one person. As she unfolded a narrative about Anna Donnino acting as a “˜psychic’ who managed to hypnotize, to gaslight Knox to the point of inducing a state of trance in which she mistook a dream for reality, some people couldn’t help laughing in the courtroom.

But even if we consider the surreal and comical rather than the convincing effect, the defamatory intent stands out as reprehensible and humanly vicious.

This is because, as I said above, these particular insults were directed against a person distinguishable for her being a most decent, honest and trustworthy character, and also ““ a further reason ““ because of the recent events for which this person experienced personal suffering: Anna Donnino, a mother of teenagers, has been struck with cancer, and has undergone surgery.

She is under treatment but still currently remains in very bad health. 

The attack against Anna Donnino is an action that rebounds as an ugly stain on the reputation of those who launched it.  A young man from Perugia created a Facebook group to express a the citizens’ “hate”  for those who lead a defamatory campaign of lies against the city. He collected over two thousand likes within three days.

Some of the comments were about Bongiorno’s insults against the city and against respected citizens, pointing out her outrageous hypocrisy since Giulia Bongiorno poses as a campaigner for the respect and dignity of women.




(a StripBit comment by a poster on a Facebook group)


Criticism of Giulia Bongriorno pointing out her hypocrisy is actually not a novelty, it has appeared long since in the press and on the internet.

But it’s hard to understand how someone like her, promoting   an image of herself as an advocate for women and for correctness and respect in language and culture, could take such a an egregiously visible false step, come out with such stupid stereotypical rants, only for what looks like an awkward and useless cause. 

Conclusion

A note for the record: we may recall Bongiorno has also attacked the Perugian police officers, citing the recording of some of their phone conversations in which they say bad words about the Sollecito family.

We can understand her outrage (at least we could, if only she were not the hypocrite she is) but at the same time we can’t fail to notice that she “forgot”  to mention another half of the phone call recordings.

Specifically those where the members of the Sollecito family were speaking about the police officers;  and the kind of language they were using, while attempting to plot “˜under the table’ help from some politician.

Expressing their intent to “˜scorch’ officers and “˜destroy’ magistrates, and one person even suggested that if he met Monica Napoleoni on the road, he would kill her by “˜running over her with the car’ then flee without telling anything, pretending that nothing happened.

Never mind.






After these last sparkles and the knife waving Bongiorno’s performance was over. In the following day’s hearing it was Maori’s turn. As a really last resort, he was taking on the task of disputing evidence in a more “traditional” way, objecting to points of evidence.

Possibly this revealed even more the extreme weakness of the defensive argument (a commenter called it “˜pathetic’).  I did not listen to his argument myself,  I only notice that he did not get much space neither in the press nor in the pro-Knox commenting sites; this might be a clue of how unconvincing he might have been.

One thing that however I could learn about it, is about the feeling, the perception that Maori pointed out even more the separation between the two positions of Amanda Knox and Raffaele Sollecito. 

A hint about this comes in the words of a journalist who was questioning Alessandro Nencini in the lounge immediately after the verdict: the journalist pointed out how Sollecito defence “tried to split the positions of the two accused”.






This mild attempt of a separation was the last act by the defence. As for Raffaele Sollecito himself, we were left with his rather different claim, his book where he described himself as sticking to a “˜honour bound’.

He reportedly bragged about this also with his ex-girlfriend Kelsey Kay, who described him as feeling very entitled because of his loyalty to Amanda Knox and believing she owes him a vital a favour; but Knox won’t even respond to his messages.

Then, we had his final admission in an interview that his friendship with Amanda Knox has “˜deteriorated’, because apparently Knox in practice no longer supports him as before. 

If his defence advisors understood that they needed to somehow “˜separate’  his position from Knox’s at any cost, despite his plea, to suggest he may be implicated but just “˜less’ guilty, we may only agree with them on this. It would also be convenient for him to confess even if he shared the same degree of guilt of Knox.

Sadly, instead he still felt compelled to offer further lies and changing stories such as”˜I noticed no blood on the bathmat’ when questioned by Kate Couric; he offered again a story of pricking Meredith’s hand while cooking together at the cottage.






Other murderers, who committed even more heinous crimes, have recovered and rehabilitated themselves after time spent in prison; even some of those deemed among the worst serial killers managed to do this by expressing remorse ““ for example the rather psychopathic “˜Ludwig’ (Furlan & Abel) killers.

Sure after the years he will spend in jail for the gang-like crime he is found guilty of,  there would be a possibility for a “˜casual murderer’ such as he is to be perceived as rehabilitated.  But to see him as “˜less guilty’ or as “˜rehabilitated’ would be impossible as long as he remains silent or denies.   

Wednesday, February 26, 2014

How Claims By Perpetrators & Their PR That THEY Are Victims Get Equal Pushback

Posted by Peter Quennell

[Florence prosecutor Giambartolomei will soon confront many false claims ]


To the considerable pain of victims and their loved ones, Italy’s has become one of the most pro-defendant justice and penal systems in the world.

That doesn’t mean that it has become a complete pussycat. Push it, and it usually pushes back harder in its search for the truth. And the quality Italian media goes along. 

Time and again the ill-conceived short-term PR and legal tactics for Knox and Sollecito based on a hurricane of lies have left them in terms of the ultimate end-game worse off than they were before.

Judge Matteini and Judge Micheli (the judges in 2008) both took firm lines with the copious evidence and the psychological tests of AK and RS in front of them.

Both judges took a line as firm as the prosecution (as firm as the “evil Mignini”) in concluding that there was a drug-fueled hazing escalating to murder with sexual aspects (however short the timescale of the intent).

[Ed note: See comment by Yummi below which explains the above a little differently. PQ.]

Though his panel of judges voted unanimously for guilt, Judge Massei in 2009 did take a somewhat less firm line in the sentences, after observing one daffy defendant and one very nervous defendant sitting in front of him for nearly a year. Judge Massei for no especially convincing reason

(1) pinned the initiating of the attack on Rudy Guede (really?!) and

(2) handed Knox and Sollecito (and thus Guede) quite a break with his supposed “mitigating circumstances” (the duvet over Meredith’s body) resulting in 20 years lopped off their combined sentences.

Both the defenses and the PR were weak and largely futile in that year. But come 2010 the dirty tricks moved into overdrive.

Cassation reverted to the firmer line in January 2011 when it ruled on Guede’s final appeal: Guede was a party to the murder, but copious evidence proved he did not act alone. 

The Hellmann appeal court and DNA consultancy and verdict of 2011 were corrupted (counter-measures are still quietly playing out) which fully explains its startling soft line.

Thereafter the Italian courts observed the illegal blood-money binge with the essentially fictional books of Sollecito and Knox, and two years of them each claiming to ill-prepared interviewers “we’re the real victims” on TV.

Cassation observed all of this, annulled the corrupted Hellmann court verdict, and issued instructions in June 2013 to the Florence appeal court to ensure that the firm line should be maintained. Unsurprisingly, we have seen a firm line from the chief prosecutor (Crini) and a seeming firm line from the lead judge (Nencini) in recent weeks.

In the rest of this year Italy will see at minimum these events where the court’s firm line will go on and the babbling and unhelpful legal and PR tactics may finally dry up.

1) RS and AK continuing to babble for a while on TV as they each dig the other one deeper. Sollecito has just said that his saliva or sneezing may explain why his DNA was on the clasp of the bra.

2) The sentencing report of Judge Nencini is due at the latest on 30 April and he seems likely to give space to rebuttals of any bizarre new claims made by Knox and Sollecito before 30 April like the one just above. 

3)  The obstruction of justice trials of witness Luciano Aviello and incessant meddlers Mario Spezi and Frank Sforza will continue, probably though into 2015. Each of those trials could result in others (like Spezi ally Doug Preston and Sforza allies Bruce Fischer and Steve Moore) being declared at minimum persons of interest if not actually charged.

4) Florence prosecutor Giambartolomei Firenze (image above) may soon be announcing which passages in Sollecito’s book Honor Bound criminally defame Italian officials or deliberately miscontrue hard facts in evidence in an illegal attempt to to poison public opinion against the court.

5) Similarly soon after on Amanda Knox’s book with the surreal title Waiting To Be Heard (and on Knox articles and interviews in Oggi) by the chief prosecutor in Bergamo. 

6) Cassation’s First Chambers should be the one to handle Knox’s and Sollecito’s final appeal. They handle murder cases and they issued the guidance to Florence in 2010.

7) If so, they should take note of such revelations by way of Judge Nencini’s and Prosecutor Crini’s reports; and this next autumn or winter may finally declare a firm “confirmed guilty” final-appeal outcome and invite Knox to come back.

And when prosecutor Giambartolomei Firenze announces which claims are radiocative, hopefully a major hush will come over Heavey, Fischer, Bremner and Moore.

Wednesday, February 19, 2014

Our Reviews Of The Painstaking BBC-3 Report First Aired In The UK On 17 February 2014

Posted by Our Main Posters

Review by SomeAlibi

Watching “Is Amanda Knox Guilty” was a funny thing. I suspect for people following the case closely, on either side, it was a sobering experience. Not because it changed perspectives, but simply to see how quickly one hour passed and the necessary trade offs that had to be made to fit within that schedule. The opportunity cost was a level of detail to which in-depth followers have become accustomed.

Just one example: Sollecito and Knox’s partial alibi that they were checking their emails on the night of November 1st was explained as being challenged by two broken computers. Perhaps, (although unlikely to be the material issue) but where was the much more salient fact that their ISP records showed that was conclusively untrue? Where was the challenge: if you say you’re checking emails to establish part of your alibi against a murder and it is shown to be absolutely untrue, what does that suggest…?

There were many other “clinchers” that had to be let go in the name of brevity. But it wasn’t that sort of documentary - it was neither a case for the prosecution or a case for the defence: it put the main suggestions at the level of detail that was possible and it allowed both sides to speak to the points at that level of detail.

I find it interesting that there has been such a howl of bias from those supporting Knox and Sollecito. Objectively there’s no good ground for it: the documentary allowed both sides forward in equal measure and no pro-justice watcher would celebrate it as a pro-conviction piece.

The arguments were balanced, the video, audio and picture quality eye-opening. For those on the other side, their markedly different reaction appears to be that the documentary has broken the taboo that The Evidence Shall Not be Told. The idea that there is an easy-to-consume piece that puts forth the case and defence equally is seen as a disaster.

The campaign for Knox continues to be obsessed, beyond all things, with trying but now failing to make sure the public doesn’t know the basis of the case. For a long time they hoped to drown out the multitude of terribly inconvenient truths within it by screaming “no evidence”. ‘Is Amanda Knox Guilty’ put the lie to that conclusively, but fairly, and now many hundreds of thousands, perhaps soon to be millions will ask themselves why those supporting Knox and Sollecito have had to adopt this tactic at all.

If they really are innocent, why has the case against them been so comprehensively white-washed in the US?

The conclusion, is rather simple and I saw it encapsulated on a large television screen last night with the repeated clips of Amanda Knox and Raffaele Sollecito outside the cottage kissing and “comforting” each other: there for a fraction of a second, shown several times, is Amanda Knox, unable to stop herself glancing at the camera filming her and stealing her gaze away again very quickly pretending she hasn’t.

It’s a look that says everything: furtive, pretending it didn’t happen, immediately covering up in a way that poses a stark proposition: why on earth would you do that if you had nothing to hide?  And like so much of the multiple collapsing alibis and non-working answers and the desperately dishonest fingers-in-the-ear “no-evidence” pretence of those supporting her, is a proposition that can withstand no scrutiny.

Review by SeekingUnderstanding

What a relief to watch a very clear and unbiased narrative. The quality of the visual information was top rate - seeing so much original footage, and presented as it was in a logical time sequence.

Even though I was already familiar with the evidence, including the photographic material, I found it very helpful to see it all presented in this way. I appreciated, too, hearing and seeing the excerpts in original Italian (along with English translations). It added even more authenticity.

I hope that, at long last, this will have helped some - or hopefully many- people to see that the two ‘camps’ in this case do not divide into AK supporters and AK ‘haters’. There are the FoA and their followers ...and there are the others who seek the objective truth and justice.

If hate has been generated in some quarters, then the Knox (and Sollecito) camps need to look to themselves and their own behaviour. This programme was important in the tone it set.

I actually found it to be quite lenient towards the defence on a number of counts.

There were several instances where the defence point of view could have been strongly countered by known and established facts, but, bending over in fairness, these were left unanswered.

Here are just four instances :

1) In the discussion around the blood and DNA left in the bathroom - Dr. Gino’s assertion that ‘the blood/DNA ‘could have come from anywhere’ might have been countered with AK’s own declaration that the bathroom was previously clean. Dr. Gino also suggested a very improbable scenario of ‘it could be saliva’ (on the bidet?). Cassation emphatically said that it must be shown HOW any suggested contamination could have occurred.

2) There was a missed opportunity in discussing the knife presumed to be the murder weapon to mention Sollecito’s lame, unreal excuse of ‘Meredith pricked her hand’ etc.

3) Anne Bremner stated ‘Amanda could not have turned overnight…into a murderer’. Attention could have been drawn to many things, both physical events (her predilection for cruel pranks, including a staged burglary in the US, and wild parties, etc), and also many psychological indicators that would have clearly shown how her behaviour has, in fact, demonstrated consistency.

4) In the discussion re the bra clasp, the delay partially being caused by the defence themselves was not mentioned. Also, detailed discussion re the one bare footprint on the bathmat was omitted.

Since there is, in fact, so much evidence, it must have been difficult to chose and balance what did go into the hour long programme. All in all, I feel Andrea Vogt and her team worked hard, and did very well to let the facts speak for themselves.

I hope it will lay a few fictions and myths to rest.

Review by Earthling

What is the “Amanda Knox trial” (really the Meredith Kercher murder trial) really about? Is it about an innocent 20-year-old pretty white girl being railroaded by the medieval Italian justice system?

Or is this actually a murder trial, about the fact that a beautiful, intelligent, ambitious young woman, innocently trying to improve her life by study abroad, was brutally murdered?

I believe it’s the latter, and the BBC3 production gives us one of the first truly balanced reports on this trial.

The filmmaker starts from the beginning, and takes us through the murder, investigation, and various trials and appeals up to the present day. Instead of the breathless “Perils of Penelope” tone (toward Amanda Knox) that most such previous “documentaries” have taken, this one takes a sober look at the actual evidence.

Did you realize that there are luminol-revealed bare footprints in Knox’s size in the apartment? Luminol reveals blood and a few other substances; but those substances can be ruled out because the test was done six weeks after the murder, by which time those substances would have dissipated.

Blood doesn’t dissipate. This documentary shows you those bloody footprints in all their creepy glory, something never shown on American TV before.

“Is Amanda Knox Guilty” also speaks of the actual DNA evidence in the cottage linking Knox to the murder, including five mixed-DNA spots (Knox and Kercher) that tested positive for blood. Both prosecution- and defense-oriented experts are allowed to comment on this evidence, and the viewer is allowed to make up his or her own mind.

My one criticism is that a lot of the evidence against Knox (witness statements, cell phone data, fake break-in) is skimmed over or not even mentioned. Also, because the documentary quotes Rudy Guede’s position at length without any contradictory narrative, it is confusing as to whether the filmmaker might have believed him.

In the end, the filmmaker says, he was convicted of participating in the group murder. However, a stronger statement against his “I’m entirely innocent” defense would have been good.

Other than these quibbles, this is the best documentary on the Meredith Kercher murder case that I have ever seen.

Review by ZiaK

I watched the BBC programme on the Meredith Kercher case hoping for a more balanced view of the case than has been presented in the English-speaking media to date.

The documentary does present some of the evidence against Knox and Sollecito - including the bloody footprints, the mixed blood/DNA traces in the bathroom and corridor, the bra clasp, the knife DNA evidence, the strange timings of phone calls to police, the unlikelihood of the “break-in” being anything other than staged - but omits to point out that none of the other flatmates’ DNA was found in the blood traces, so saying that “it’s because Meredith and Amanda shared a flat” is misleading.

Nor does it point out that, although the murder knife was found in Sollecito’s flat, none of HIS DNA was found on it: it had only Amanda’s and Meredith’s DNA.

The programme didn’t cover the cell-phone evidence, showing that neither Knox nor Sollecito were where they said they were, at the times that they claimed. The programme also repeated the “Friends of Amanda” PR soundbites, such as “there was no evidence of Amanda in the murder room” - whereas the fact that her footsteps tracked blood OUT of the room are actually evidence of her having been present IN the room before it was locked (i.e. at the time of the murder).

Furthermore, in my opinion, the narrator’s voice seemed to evince sympathy towards Amanda, rather than describing events with a passive or objective tone of voice.

As one of the translators who has participated in translating case documents (such as the judges’ reports describing why they came to their decisions), I am only too aware of the extent of evidence against Knox and Sollecito, and I would like to see knowledge of this evidence become more widespread throughout the English-speaking world.

The BBC programme is a step towards this, but in my mind, only a very small step. I hope the pace will pick up soon, and more objective and extensive knowledge of the true facts of this case will be made available to everyone so they can form a rational opinion of the case based on true understanding.

Review by Cynthia

I’ve just watched this, and it’s very good - with a huge amount of footage hitherto unseen (directed by Andrea Vogt).

For what it’s worth, I note the following points:

1) There’s no mention of Meredith’s friends who heard Amanda say ‘she fucking bled to death’ before the fact was known to anyone else. Perhaps they didn’t testify, being too distressed? If so, it’s a great pity, because it seems a veritable clincher that hasn’t been used at all.

2) The bra DNA arguments are quite extraordinary. If we can determine that we all have Neanderthal DNA (tho’ I know a lot of American fundamentalists don’t believe that mankind goes back more than 6,000 years!) I can’t for the life of me see why DNA would be unusable after a poxy delay of 12 days ...

3) The argument that the Luminol traces may indicate not barefoot treading in blood but in bleach seems absolutely unbelievable to anyone who does housework (like me!) Bleach is horrible stuff, and you really, really don’t want to be getting it on your bare skin. Even Amanda, with her vestigial domestic skills, would have noticed if she’d trodden in it.

4) Bremner says Amanda was an honor student. She wasn’t; she had funded herself (not that that’s discreditable). (Also, are honor students unable to write cursive script? The shots of her handwriting show that she can’t do joined-up writing. [Or thinking.] I don’t know whether the phrase exists in American English, but not doing joined-up writing is a term of great intellectual contempt in English.)

5) We saw Amanda’s ‘mask’ speech. This is really interesting - who would even think that masks were being put on them if they weren’t using them themselves?

6) The programme mentions the little-reported fact that another, smaller knife found at Sollecito’s also had Meredith’s DNA on it.

7) The film omits to mention Hellman’s lack of any experience in criminal trials.

8) Every shot of Amanda in the film has her talking about ‘me’ and ‘I’. She never, ever mentions Meredith - it’s all about HER suffering. She never even says ‘the murderer is out there - I wish you’d stop persecuting me and get them’.

Presumably this is because Guede is supposed to be the sole murderer - and nobody seems in the slightest bit worried that there’s no murder weapon with HIS DNA on it! (Yes, there are his turds - but that wasn’t what killed Meredith.)

9) FOA has used the fact that the recent jury took 12 hours to deliberate over the verdict as an indication that they couldn’t agree. But why not just that they were being extremely careful and re-examining everything?

10) Finally, just an observation: Maresca speaks the most beautiful Italian - you can hear every word calmly flowing past.

Review by Miriam

Much appreciated. Outside of the Porta a Porta transmissions on the case, the best I’ve seen.

I understand they had to give both sides, but I felt that the defense came out on the losing side. I thought it funny that it was implied that since they only tested for blood it could of been saliva.

I don’t believe even her supporters would argue that Knox was so quirky as to brush her teeth in the bidet! Or maybe she spit in the bidet, in which case Meredith would have had every reason to complain about her bathroom habits!

Now if only this or something like this would air in the U.S.

Review by Sara

This is actually one of the most objective and well-researched reports I have seen on the case and I am very happy that BBC has managed to be so unbiased.

It presents both sides of the story equally well and does an excellent job of countering the extremely silly “no evidence” argument that the FOAkers like to repeat at equal intervals.

Regardless of what one believes, I think the documentary will at least succeed in convincing most people that there is indeed sufficient evidence against the two of them, and Italy’s judicial system is not crazy to convict people without any evidence.

My favourite part was when the defense DNA expert (can’t recall her name) tried to explain away the mixed blood evidence by saying that one of them could have had a nose bleed, and the other could have cut her hand in the same place leading to mixed blood.

Come on already, what are we? Kindergartens making excuses for not handing in homework? What is the possibility that both of them would bleed in exactly the same places not once or twice but multiple times? I think anyone with a bit of sense can see that they are clutching at straws.

However, I was a bit disappointed that few things were missed out. For instance, the fact that Guede’s footprints led straight out of the house, the fact that Amanda’s lamp was found without any obvious reason in Meredith’s room, Amanda’s extremely odd midnight call to her mom that she conveniently “forgot”, her million showers despite her concern towards “water conservation” etc.

Sollecito’s multiple changing stories were not really elaborated upon (the story in which he went to a party, the one in which he checked emails, the one in which he pricked Meredith etc etc).

Also, inconsistencies between their accounts of various events could have been pointed out (Was Filomena’s door open or close? Did AK call Filomena from the cottage or from Sollecito’s house? etc).

Witness accounts were not given any screen space either. I think touching upon these would have made the documentary even more impressive.

That said, I understand that the team has done the best they would within the limited time they had, and everything just cannot be accommodated within one hour.

So, all in all, kudos to the team and BBC for a job well done.

Review by Odysseus

I though it was a very competent overview of the case. After so much pro-defendant spin in the MSM (no doubt engineered by the American defendant’s PR outfit), it was refreshing to have a sane, measured and rational presentation. The victim deserves no less.

Congratulations to BBC3 and to the programme makers. It’s good to know that the BBC of blessed memory hasn’t been entirely dumbed-down nor intimidated by “partial outside interests”, the latter being director Andrea Vogt’s own description of the forces intent on muddying the waters in this case.