Headsup: Disney's Hulu - mafia tool?! First warning already sent to the Knox series production team about the hoaxes and mafia connections. The Daily Beast's badly duped Grace Harrington calls it "the true story of Knox’s wrongful conviction of the murder of her roommate". Harrington should google "rocco sollecito" for why Italians hesitate to talk freely.

Category: Hoaxes against Italy

Tuesday, April 29, 2014

Why Final RS & AK Appeal Against Guilty Verdict May Fail: Multiple Wounds = Multiple Attackers

Posted by Our Main Posters

Reports From Italy On Why AK & RS Appeal Failed

The Nencini Report has been released and we are seeing to its translation right now.

Meanwhile journalists in Italy have these reports which convey the very implacable, damning tone. There was nothing accidental about Meredith’s death; Knox premeditated it all along.

First report

From Il Messagero kindly translated by Miriam:.

FLORENCE - The knife that was seized at Raffaele Sollecito house is the knife that killed Meredith Kercher, and the blow was delivered by Amanda Knox. So writes the President of the Court of Appeal of Florence, Alessandro Nencini, in the motivation report of the sentence that was passed on Jan. 30th that saw Amanda Knox sentenced to 28 and a half years and Raffaele Sollecito to 25 years.

Over 330 pages in which the court covers the appeal and explains the conviction. Starting with the knife considered “not incompatible with the wound that was carried out on Meredith Kercher. “In the present case, writes Nencini what counts is the accessibility of the weapon by the accused, it’s concrete portability from house to house, it’s compatibility with the wound, and the presence of Meredith’s DNA on the blade. All of these elements ascertained by the court lead to the conclusion that the knifed evidenced as no. 36 was one of the knifes used in the attack, and was the knife that Knox used to strike the fatal blow to Meredith’s throat.”

The court retains to have sufficient evidence of “certain reliability” of Rudy Guede (convicted to 16 years) Amanda and Raffaele in the house where Mez was killed, on the night between the 1st and November 2, 2007 in 7 Via della Pergola “in the immediate phases following the murder.” The Court then tells how she was immobilized and Mez “was not able to put up some valid resistance because she was dominated by multiple assailants and cut at the same time with the blades of several knives.”

Rejected therefore is the defense’s strategy of both of the convicted, that have always maintained that the killer was only one.: the Ivorian Rudy Guede.

Second report

Bullet points from various Italian media.

The big knife from Sollecito’s house held by Amanda Knox caused the fatal wound to Meredith while the other was held by Raffaele Sollecito.

There is strong “multiple and consistent” evidence of all three in the house immediately following the murder. All three worked to suppress Meredith.

There was an escalating quarrel between Knox and Meredith leading to a progressive aggression and murder with sexual components.

Between Amanda and Meredith there was no mutual sympathy and Meredith harbored serious reservations about the behavior of AK.

The biological trace found on the bra clasp that Meredith Kercher was wearing the night she was murdered was left by Raffaele Sollecito

Third report

No especially accurate reports in English have appeared yet and the erroneous “new trial” is still surfacing. Andrea Vogt tweets that she will be posting an analysis soon.

The mischievous defense-inspired “sex game gone wrong” and “satanic theory” mantras are still widely showing up in the duped media, but are nailed hopefully finally in this new report.

Judge Nencini has closely followed and endorsed the “from all angles” Massei trial analysis, but with the inclusion of some more credible explanations from Prosecutor Crini which Judge Micheli had also espoused back in 2008.

In particular, Rudy Guede is not now highly improbably seen as the one initiating the attack on Meredith, and sex was not at all the primary driving force for the attack (the prosecution never ever said it was). Knox carried the big knife from Sollecito’s for a purpose.

The bad blood between the girls resulting from Knox’s crude, brash, very lazy, drug-oriented behavior was well known in Meredith’s circle. All of them had backed away from her, as also had her employer and the patrons in his bar.

There was a probable theft of money by Knox who was unable to account for a sum similar to what Meredith would have stashed away for the rent and that is seen as the probable spark for the explosive argument and attack.

Fourth report

Barbie Nadeau in The Daily Beast

Amanda Knox apparently did not kill Meredith Kercher in a “sex game gone wrong,” as had been previously decided by a lower court in Perugia, according to a Florentine appellate judge who released today a 337-page document explaining his decision to convict Knox and her erstwhile Italian boyfriend, Raffaele Sollecito, for Kercher’s murder. Rather, the judge claims, Knox allegedly killed Kercher, her 21-year-old British roommate, because she didn’t like her.

All Italian courts require judges to explain the reasoning behind their rulings, and it likely represents the penultimate step in a seven-year case that has seen Knox and Sollecito first convicted in 2009 then acquitted in 2011 then convicted again in January 2014. Rudy Guede, an Ivory Coast native who was also convicted for his role in the murder back in 2008, is serving a 16-year jail sentence. He is currently eligible to apply for work furloughs from prison.

Judge Alessandro Nencini, along with a second judge and six lay jurors, were tasked with hearing a second appeal that began in September 2013 after Italy’s high court threw out the acquittal that set Knox and Sollecito free in 2011. Italy’s high court cited “inconsistencies” and “legal mistakes” and tasked Nencini’s court with hearing the appeal again. It was not a retrial per se, but rather a fresh look at the appeal process that freed Knox.

Nencini decided that the appellate court that set Knox free erred in evidentiary and legal matters. That court will now have to rule definitively on the case, using Nencini’s reasoning and whatever appeal Knox and Sollecito file for their final judgment. If the high court accepts Nencini’s verdicts, the two will be required to serve their prison sentences in Italy. Knox has vowed she will not return to Europe, but Sollecito, unless he escapes, won’t be as lucky.

The court’s explanation of its decision comes down hard on the first appellate court that overturned Knox’s guilty verdict, at times seemingly scolding them for misapplication of penal codes and for throwing out witness testimony without explanation. “It was an operation of evaluating evidence with using logic,” Nencini wrote, accusing the first appellate court of essentially throwing out testimony that allegedly proved Knox’s involvement, but keeping testimony that supposedly supported her innocence.

He used Knox’s prison diary as a prime example. “Look at the contradictions in the evaluation of the diary written in English by Amanda Knox,” he wrote, referring to a handwritten prison diary taken fromKnox’s cell as part of the investigation to determine why she accused her pub boss Patrick Lumumba of Kercher’s murder during early interrogations. “On one hand, the appellate court of Perugia completely devalued the writings when she admitted wrongdoing by accusing Patrick Lumumba. On the other side, they valued it when she defended herself.”

Nencini also ruled that there was plenty of forensic evidence tying Knox and Sollecito to the crime scene, writing “they left their tracks in the victim’s blood” more than once in the document. He accepted testimony that supported the theory that a knife found in Sollecito’s apartment was one of the primary murder weapons, and he reasoned that a second knife was also used that matched a blood stain left on Kercher’s mattress.

The first knife in question was the only hard evidence reexamined in the second appeal, and forensic experts ruled that a previously untested spot on the knife’s handle consisted of 100 percent Knox’s DNA. An earlier court heard testimony that a tiny smidgeon of DNA on the groove of the blade was Kercher’s, but the first appellate court agreed with witnesses who testified that the sample was too small to be considered a perfect match. The second appellate court not only considered the knife to be the murder weapon, it also ruled that Knox “plunged the knife into the left side of Kercher’s neck, causing the fatal wound.”

The second appellate court also reasoned that Kercher’s bra clasp, which had been cut from her body after she was killed, had Sollecito’s DNA on the tiny metal clasp. “The biological trace found on the bra clasp that Meredith Kercher was wearing when she was assassinated belonged to RaffaeleSollecito,” Nencini wrote, agreeing with the judge in the original murder conviction. “The clasp was manipulated by the accused on the night of the murder.”

The court also scoffed at certain rulings laid out by the first appellate court, saying that the court’s reasoning that it would have been easy for “a young athlete” like Rudy Guede to scale the wall and enter the apartment, was borderline racist.

Nencini also ruled that with regard to motive in the murder, it was subjective and personal. “It is not necessary for all the assailants to share the same motive.”

The court picked out small details of Knox’s presumably errant testimony, including how she told police the morning Kercher’s body was found that Kercher always locked her door “even when she takes a shower,” which was later contested by the girls’ other roommates.

Nencini also clearly believed ample forensic testimony, presented by experts examining the original autopsy, that Kercher was killed by more than one person. “”She was completely immobilized when she was murdered,” he said, reasoning that Guede could not have acted alone, and instead likely held her back as Sollecito and Knox knifed her.

The judge also pointed out incongruences in Knox’s testimony about the night of the murder, but noted problems with the other witnesses, which included a homeless man, an elderly woman who said she heard screams. Still, he ruled that Knox’s accusation of Lumumba is vital evidence against her. “It is impossible to separate the two acts,” he wrote.

Using Nencini’s reasoning, Knox’s lawyers now have the roadmap for planning their final appeal to Italy’s high court, likely later this year or in early 2015. However, this same high court threw out the acquittal in the first place, so Knox may need more than luck to walk free. If she is definitively convicted, she will likely face an extradition order to come back to Italy to serve out her sentence. There are very few legal loopholes that would allow an American citizen to escape a court decision by a country, like Italy, that shares extradition treaties with the U.S.

[Judge Massei at crime scene; report says why Knox & Sollecito appeal against his 2009 verdict has failed]

[The Supreme Court in Rome is expected later this year to confirm this outcome]

Posted by Our Main Posters on 04/29/14 at 04:54 PM • Permalink for this post • Archived in Various hypotheses, Various scenarios, Evidence & Witnesses, The pack attack, The two knives, DNA and luminol, Other physical, Appeals 2009-2015, Nencini Report, Hoaxes against Italy, 3 No evidence hoax, 5 No pack attack hoax, 6 No staging hoax, Hoaxes Knox & team, 13 AK persona hoax, 15 Single alibi hoax, Hoaxes re Guede, 33 Sole attacker hoax • Comments here (17)

Sunday, April 27, 2014

Knox & Sollecito Actions In The Week Prior To Arrest: An Incriminating Behavior Pattern For Sure

Posted by James Raper

</p><p>

[Video above: Sollecito slams Knox’s weird behavior, while not explaining numerous examples of his own ]

1. Today’s Context To This Post

A very strong case for guilt has been made at trial and endorsed at the first-level appeal.

This series hammers home the growing hundreds of incriminating stark differences between the official evidence record, Sollecito’s and Knox’s two books, and Sollecito’s and Knox’s multiple conflicting claims since.

The focus of this post as with the one immediately below is upon the described behaviours of Knox and Sollecito, from the very beginning to this very day. This pattern has more than contributed to the certainty of their involvement in the murder of Meredith Kercher.

2. How The Behavior Speaks To Guilt

The early pointer of the staged break-in aside this behaviour gave investigators an insight into the pair’s possible involvement back on Day One: Behavioral pointers have continued on a par with corroborated developments in the case.

It has even continued, incredibly, since their release from prison. For me it is the thread that runs through this case having as much to do with the overall picture of culpability as the other elements .

This behaviour - to include what they have to say for themselves - is a catalogue of the inappropriate, of the implausible, of inconsistencies and contradictions, of evasions and obfuscations, to be gleaned from the accounts of Knox and Sollecito themselves and highlighted in the accounts of other witnesses. It is also to be gleaned from phone and computer records.

Taken together it is a formidable body of evidence which goes to character and culpability. It cannot be attributed to a railroading job, the machinations of a corrupt and evil prosecutor or character assassination by the media. It is also implausible if not impossible to explain it as being due to naivety, confusion or some quirkiness of character.

It amounts to the pair of them concocting stories, telling lies and misleading investigators and the general public.

3. Physical Evidence Array Is Already Substantial

There are numerous items of evidence which are building blocks in the prosecution case and with which we are all familiar.

locked door.

4. Behaviors In The First Week Of November 2007

I don’t want to make this an unduly long post. Accordingly I am going to concentrate on the period up to that famous police interrogation analysed just below. As to that critical period I will be selective but it should be enough.

The Lady With The Mop?

The story (in Knox’s e-mail) that she had visited the cottage to collect a mop, have a shower and get a change of clothing, earlier on the morning of the 2nd November, but did not notice that Filomena’s window had been broken and her room trashed is just that - a made up story. It is entirely implausible and the account unreliable for a number of reasons including-

The Two Stayed At Home?

The story that Knox and Sollecito had spent the previous night (the night of Meredith’s murder) indoors, critically from 9 pm onwards, that both had slept and that Knox had been the first to rise at about 10.30 am the next morning is implausible and uncorroborated, not only because this alibi is directly contradicted by the testimony of Curatolo and Quintavalle, and Sollecito’s statement to the police that Knox had gone out and not returned until about 1 am, but also in view of the following facts.

GCM: Can you say what time this was?

AK: umm, around, umm, we ate around 9.30 or 10, and then after we had eaten, and he was washing the dishes, well, as I said, I don’t look at the clock much, but it was around 10. And”¦he”¦umm”¦well, he was washing the dishes and, umm, the water was coming out and he was very bummed, displeased, he told me he had just had that thing repaired. He was annoyed that it had broken again. So”¦umm

LG: Yes, so you talked a bit. Then what did you do?

AK: Then we smoked a joint together”¦”¦we made love”¦..then we fell asleep.

The Fake Call To Knox’s Mum in Seattle?

Knox falsely claims in her book that having had her shower she called her mother on her way back to Sollecito’s apartment as she was beginning to have concerns as to what she had seen at the cottage. Her mother tells her to raise her concerns with Raffaele and the other flatmates and Knox says that she then immediately called Filomena. Filomena tells her to get hold of Meredith by phone which she tries to do by calling Meredith’s English phone first, then her Italian one.

“”¦.and I returned to Raffaele’s place. After we had used the mop to clean up the kitchen I told Raffaele about what I had seen in the house over breakfast. The strange blood in the bathroom, the door wide open, the shit in the toilet. He suggested I call one of my roommates, so I called Filomena”¦”¦”¦..
Filomena seemed really worried so I told her I’d call Meredith and then call her back. I called both of Meredith’s phones the English one first and last and the Italian one in between. The first time I called the English phone it rang and then sounded as if there was disturbance, but no one answered. I then called the Italian phone and it just kept ringing, no answer. I called the English phone again and this time an English voice told me the phone was out of service.”

Ist call of the day @ 12.07.12 (to Meredith’s English phone) - 16 seconds

2nd call @ 12.08.44 (to Filomena) - 68 seconds

3rd call @ 12.11.02 (to Meredith’s Italian phone) - 3 seconds

4th call @ 12.11.54 (to Meredith’s English phone) - 4 seconds

8th call @ 12..47.23 (first call to her mother) - 88 seconds

Observations:

The Real Call To Knox’s Mum In Seattle?

As to the 12.47 call to her mother itself (4.47 am Seattle time and prior to the discovery of Meredith”˜s body) Knox not only did not mention that in her e-mail but in her trial testimony she steadfastly declined to recall that it had occurred.

She clearly did not want, or could not be trusted, to discuss why the call had occurred and what had transpired in conversation with her mother before the discovery of Meredith’s body.

Not only was the timing of the 12.47 call inconvenient to her mother but I found it interesting to note from Knox’s phone records (covering 2nd Oct - 3rd November) that mother and daughter do not appear to have called or texted each other once up until that 12.47 call.

It would appear then that in so far as they remained in direct communication with each other for that period it must have been by e-mail. One can therefore imagine that her mother was very surprised to receive that call.

It is also very difficult to accept that Knox could not recall a phone call she was not in the habit of making. (On the other hand the same records show that it was not at all unusual for Knox and Meredith to communicate with other on Meredith’s English phone.)

Sollecito’s Call From His Dad?

At the cottage, and prior to the above call, Sollecito received a call from his father at 12.40 am. Do we know what they discussed? It would in any event have been after the discovery of Filomena’s broken window and (allegedly) Sollecito’s (rather feeble) attempt to beak down Meredith’s door.

Did the responsible adult advise his son to do the obvious and call the police? One would think so, but then why was there a 10 minute delay before he called his sister in the Carabinieri at 12.50 am? Indeed, why call his sister at all? Filomena had also urged Knox to call the police when she called at 12.35.The delay might be explained by the unexpected arrival of the postal police and if this was the case then it was before Sollecito called the 112 emergency services.

The Claims Of Finding Meredith’s Body?

Neither Knox nor Sollecito saw into Meredith’s room when the door was broken down and her body discovered on the floor under a quilt. Yet in the immediate aftermath it is as if they have wanted others to believe that it was they who discovered her body and in the bragging about this there have been disclosures, not only as to what they should not have been aware but also suggestive of disturbed personalities. This behaviour was remarkable for all the wrong reasons.

“Yes I knew her. I found her body.”

“It is something I never hope to see again,” he said. “There was blood everywhere and I couldn’t take it all in.”

“My girlfriend was her flatmate and she was crying and screaming, ‘How could anyone do this?’”

Posted by James Raper on 04/27/14 at 11:58 PM • Permalink for this post • Archived in Various hypotheses, The psychology, The officially involved, Police and CSI, Hoaxes against Italy, 3 No evidence hoax, 5 No pack attack hoax, Hoaxes Knox & team, 14 AK/RS got-on hoax, Hoaxes Sollecito etc, 26 RS/AK got-on hoax, Hoaxes re Guede, 33 Sole attacker hoax, Hoaxers from 2007, Knox-Marriott PR, Raff Sollecito PR • Comments here (21)

Wednesday, April 16, 2014

The Incriminating Bathroom Evidence: Visual Analysis shows the Footprint IS Sollecito’s

Posted by Machiavelli

[Please click on each image for a larger and more high-resolution version]

The sheer depth and width of the hard evidence

The defenses really don’t want you to know this: in both width and depth, the full panoply of the evidence against Knox and Sollecito is absolutely overwhelming.

As we remarked in our post below there are far more and far stronger evidence points than UK and US courts normally require for conviction. But only the trial panel of judges observed anything like their full array.

The 2010 Massei Trial Report (which the Nencini Appeal court validated this past January) is a SUMMARY of what was presented to the judges in the courtroom. Those presentations in court were in turn something of a SUMMARY of the hard evidence buried in all the evidence files and the minds of witnesses.

Italian media SUMMARISED for Italians what was to be seen in the courtroom and to be read in the Massei Report. They were barely able to do even summaries for the 1/4 of all the trial hearings that were not open to the media or the public.

UK and US media for the most part didn’t even bother to provide comprehensive summaries (the very fine on-the-spot reportings of Andrea Vogt, Barbie Nadeau and Ann Wise were the main exceptions).

So in effect people in the UK and US attempting to follow the story didnt for the most part receive even a summary of a summary of a summary!

Not one US or UK newspaper or TV network translated the Micheli Report, or the vital Massei Report, or the Supreme Court appeal, or the Supreme Court outcome - only the (mostly professional) translators on PMF dot Org did all that translation.

This post is another example of how far down - beyond even Massei - it’s possible to drill into the evidence, and see it still hold up.

Some past posts on TJMK drilled down to similar depths, on the knives, on the DNA, on the mixed-blood traces, on the phone-events, on the motives and psychologies, and so on. All that evidence too all held up.

Visual analysis of the bathroom-mat footprint

This post mainly consists of high-resolution pictures and measurements. Presented like this, the pictures and measurements largely speak for themselves, and show the real strength of the bathroom-mat footprint evidence.

You will see that as SomeAlibi previously concluded using other methods, this footprint was quite undeniably Sollecito’s. It bears no similarity at all to Rudy Guede’s.

Please click on all images for larger versions in scalable PDF format

1 . [Below] the bathmat and the print, with measurement reference

2 . The bathmat print and the surrounding area

3 . The bathmat print (photo from Polizia Scientifica).

4 . The bathmat print, with vertical and horizontal sizes, from Rinaldi’s report

5. The bathmat print, photo with enhanced contrast.

The photo above was modified by highly enhancing contrast.

6 . Enhanced contrast helps to spot some features

Contrast may help to highlight especially some parts of the print outline.

For example the area on the left labeled as “important area” in the picture (which was “forgotten” in the notorious photo elaborations disseminated by the ‘Friends of Amanda’ group), shows the actual left outline of the “˜big toe’ of the bathmat print.

The toe includes the area indicated in this picture (here the picture is shown again in its original colours).

7. The bathmat, with enhanced contrast

The contrasted image is showing the presence of other stains

There are other stains on the carpet (about another 10, factually situated in one half of the mat area), and also there shows a second diluted footprint (apparently from a foot of smaller size).

8. The selection of a set of red colour shades, outlined by an automatic outline generator

Shows the shape and the possible “˜outline’ of the stain

Reference measurements indicate the width of the “˜big toe’ in millimetres.

9 . A hand drawing of the outline (detail).

The photography above was modified

The modifications are: +28% contrast, -8% luminosity, + 20% colour saturation, from the original.

An outline has been drawn manually on the photoshop image, trying to be as faithful as possible to the actual stain.

You can notice that, apart from some minor “˜disputable’ very faint areas (such as the area between the toe and the metatarsus) there are only minimal differences between an automatically generated outline and a manually drawn one.

The shapes of the “˜big toe’ are extremely similar in both contours (images 8 and 9), in fact all meaningful features are basically identical.

We consider this manually drawn outline as good for comparison.

10 . The complete hand-drawn outline

11 . Minor detail: small dots separated from the main stain

Observe the small red ‘dots’ in the picture above

Although we can’t draw any conclusion about their possible significance, we note the existence of these very small “˜spots’ of a faint red colour shade, separated from the big stain.

They are detected by the computer generated outline above, and that we also see as distinguishable with the naked eye thus we considered them in drawing manually the outline.

We don’t draw any conclusion about them; but because of their sensitive position (they may suggest a “˜small toe’ mark) we take note of them.

The green arrows in the picture point out their position (green circles).

12 . An image in electronically modified colours

Distribution and intensity of the colouration

As a part of the preliminary study of the stain, we also produced this image above where the computer assigned an artificial colour to an array of shades of ‘red’, thus allowing to further isolate the stain from the background for further assessments about its shape.

This picture shows the distribution and intensity of the colouration. (note: the existence of some above mentioned tiny marks is recorded by this technique too)

13 . The bathmat has a spiral-shaped relief decoration

The footprint’s toe obviously balancing on top of the relief decoration.

We think the outline of the “˜toe’ mark of the bloody footprint is affected by the shape of the decoration, in particular the missing part of the toe on the right side, which is remarkably coincident with the margin of the decoration.

So that on that side there is a striking correspondence between the outline of the “˜negative area’ ““ the fabric surface around the spiral, which is lower ““ and the big toe’s outline

This indicates that the outline of that mark on that side was affected by the decoration margin, thus the print there has a “˜missing part’. So the “˜crooked’ bloody area in fact follows the margin of a larger toe.

Because of such coincidence, we can logically assume that the actual shape of the big toe mark appears to be part of a big toe, with larger surface which left its print only partly because part of its surface did not have contact with the fabric, in correspondence of the “˜negative area’.

14. The “negative area”

15. Mat decoration in relief and the toe mark

Observe above one single, unitary stain

The remarkable coincidence between the outlines of the decoration in relief and of the toe mark is shown in the picture above.

The rough contour of the print obtained through a smooth curve highlights the shape of the big toe.

Part of the relief decoration outline coincides with the toe mark outline, which shows, highlights and explains how all parts of the red toe mark, that you can see left of the relief decoration, they all belong to one single, unitary stain.

Thus we can deduce that the “missing” area on the right of the toe is determined by the decoration, and coincides with the negative area.

16. Picture (by Kermit) showing a rough shape of the stain

Observe shape, curvature and size

This drawing by Kermit above highlights the rough shape, curvature of left margin and overall size of the big toe.

17. Rudy Guede’s sample print

Take note of this image

A copy of this picture together with one of Sollecito’s print at the same scale will be used for comparisons.

18 . Raffaele Sollecito’s sample print

Take note of this image

A copy of this picture together with one of Guede’s print at the same scale will be used for comparisons.

19. Part of Rudy Guede’s sample print with Rinaldi’s reference measurements

20. Part of Sollecito’s sample print, with Rinaldi’s reference measurements:

21. Bringing all photographs down to the same scale

An accurate exercise of scaling was done

This was based on Rinaldi’s referenced pictures. Each one of the Rinaldi’s sample pictures has multiple measurements on several points of reference which allow a high precision determination of their scale and sizes, and thus comparison at the same scale.

In order to further increase scaling precision, the scale was calculated previously and separately for each comparative measurement in the three photos; this was done multiple times for each measurement and the average was picked in order to reduce error as for statistical measurement method.

The resulting final error in the scale is extremely small, far below a threshold of significance that could affect comparison (which was set arbitrarily at 1%, but it’s probably significantly higher, while the actual error is much lower).

In other words, the scale error that may affect your screen pictures will be definitely smaller than any possible perceivable (either significant or tolerated) difference that would be noticed or that may affect the attribution of the stain, when this is compared to the sample.

22. The hand drawn outline is shown again here

23 . The outline (matched scale) overlapped on Sollecito’s sample footprint

The array of compatibilities with Sollecito

The bathmat stain does not seem to have major incompatibilities with Sollecito’s print; it shows rather an array of compatibilities that can be perceived visually.

One interesting feature is the shape, size and position of a ‘big toe’, that appears as a remarkable coincidence; the toe also has a kind of cleft (see 28 below) on the curvature of its left margin. Another outstanding coincidence is the curvature of the plantar arch on the left.

24 . The same outline overlapped on Guede’s footprint

Compare with Guede’s - matched scale.

If you look at the overlapping of the stain outline (see pic 22.) with the sample of Guede’s print (see pics 17. 19.), you may notice 7 major differences, showing a failure of compatibility. Those differences are indicated by numbers (1-7) in the picture .

Each one indicates an area of major difference between the outline of the bathmat stain and the outline of Guede’s sample print. Those measurement differences are remarkably larger than those that can be detected on the overlapping with Sollecito’s sample print.

On the other hand, the compatibility between Sollecito’s print and some very peculiar aspects of the bathmat print (such as a 30mm wide and short toe) were absolutely remarkable.

The differences between the bathmat stain and Guede’s print are :

1) Toe mark of stain is significantly SHORTER than the big toe in Guede’s sample print (a difference of about 7 millimetres). Some people may want to attempt an objection, by suggesting that such a difference may be just a consequence of the position chosen for the overlapping, that maybe the bathmat print was just positioned too low in the picture, the problem may be solved by shifting it up about 7 millimeters so as to make the tip of the bathmat toe ‘coincide’ with the tip of Guede’s print toe.

However, such objection wouldn’t work; it’s a wrong argument. In fact the only possibly correct position for overlapping the bathmat stain outline is determined by the left curvature of the ball of feet and plantar arch (the area of the picture near number 6), which is by the way the most clearly outlined part of the bathmat stain. If you shift the bathmat stain upwards, the outline will miss the match with the curvature of the left margin of the ball of the feet. You will notice that the plantar arch in this area is already very incompatible with Guede’s plantar arch. It tends to become even more incompatible the more you shift the bathmat stain outline towards the toe.

The problem has no solution, since the more you shift the stain outline upwards (in the direction of the toe) in an attempt to make it look more ‘compatible’ with the length of Guede’s toe (or with an upper margin) the more it will become incompatible with the plantar arch. In order to limit the incompatibility of the plantar arch, and in order to keep an overlapping of at least the left margin of the ball of the feet, you need to place it as shown in the picture, this is the position of ‘maximum’ compatibility between the bathmat stain and Guede’s print. Conclusion: the bathmat toe is too short.

2) Toe mark of stain is TOO WIDE (30 mm). It is much wider (30 mm) than Guede’s toe. The number 2. indicates the protruding mark at the upper right, the mark which Giulia Bongiorno desperately insisted on calling a “second toe” mark. In fact, not only would the mark miss completely any hypothetical Guede’s ‘second toe’ in any possible position of the print; also you may notice (highlighted by pics 8. and 9.) how it is not a “mark” itself, but actually it just part of the same area which is entirely continuous in shape and coloration with the rest of the toe mark, and - the most remarkable feature - its right outline is coincident with the outline of the spiral-shaped relief decoration, so that you can reasonably conclude that it is determined by that (the missing area at the lower right of the ‘big toe’ is determined by the existence of the “negative area” of the bathmat decoration).

Conclusion: the bathmat stain has a wider toe mark, however one likes to call it (“big toe”, or “big toe + second toe”) that fails to match any possible part of Guede’s print. The bathmat print is clearly different and incompatible with Guede’s print. It simply cannot be overlapped to any part of Guede’s sample print. Such area is a very significant difference that points outright to incompatibility between the stain and Guede’s print.

3) The toe mark is larger also in the area located at the lower portion of the toe. The toe of the bathmat print in fact has a ‘right margin’ which actually has some additional small marks, small drops protruding towards the right, like droplets maybe produced by the wet cotton fibres of the part in relief which protrude towards the right. This tends to suggest the toe area of the stain may in fact be considered wider: the object that produced it was definitely wider than 22mm, in this area of the toe as well. So also a look at this area confirms that the bathmat stain is wider than 22-23 mm (more towards 30 mm) not just when measured at the upper corner (number 2.) but also at its “lower” parts; here, the small marks caused by the liquid suggest that a larger surface has squeezed liquid from some fabric threads leaving some trace also on the lower area.

4) Bigger incompatibility of Guede on the metatarsus front outline. This area is the front outline of metatarsus: the stain is almost 1cm shorter than Guede’s metatarsus. This happens when you chose the overlapping so as to make the left outline and plantar arch (6.) of metatarsus coincide, as in the picture. Sollecito’s sample print also shows some difference from the stain in this area (pic. 23.) but the difference between the stain and Sollecito’s print is significantly smaller than what you can see in Guede’s print.

5) There are NO SMALL TOES in the bathmat stain. Small toes are completely absent from the bathmat stain (while the tiny blood marks around the stain don’t coincide with their expected position if it was Guede’s print). Such lack of small toes is a peculiarity of the bathmat print. This is a remarkable difference from Guede’s print, and at the same time, a considerable analogy with Sollecito’s print. In fact one outstanding feature of Guede’s print is the evidence that Guede places a big load of weight on his small toes while instead Sollecito has a posture with a weight distribution with the contrary tendency, and obviously he almost does not touch the ground with his small toes.

Thus, Guede’s small toes are all very well pressed on the ground and thus, we can reasonably infer they are somehow naturally likely to get wet if he steps on any wet surface, and anyway they should get wet for sure if the foot is immersed in water or washed (the foot that left the bathmat print must have been immersed in bloody water). The murderer supposedly washed his foot then stepped on the bathmat. In order to attribute the print to Guede we should assume that Guede “forgot” to touch the carpet with his small toes (while instead he puts a lot of weight on them) or that he managed to not rinse them.

6) The outline of the stain has a PLANTAR ARCH that COINCIDES, by curvature and angle, with the plantar arch in Sollecito’s print, while instead it is very different from the plantar arch of Guede’s print.

7) The stain is larger than Guede’s print metatarsus as visible in the right area of the stain. The difference is rather significant, almost half a centimetre, that is bigger than the difference with Sollecito’s print which instead coincides for a trait. This difference cannot be “solved” in any way since, even if one wanted to claim that the scale is wrong and that the stain should be sized down, this would make the toe, already too short (as in 1.) become even shorter.

If instead the toe length is adjusted the metatarsus becomes even less compatible with Guede. We recall that Massei found that Guede’s feet had a print overall more slender than Sollecito’s.

25 . Other features:

Curvatures of plantar arch are very different

The plantar arch curvature, highlighted in two different drawings (the second highlights also the upper outline “hunches”); the plantar arches in the two sample prints of Sollecito and Guede are shown below. The curvatures of plantar arch are very different.

26. The outline curvature generates different angles

Sollecito’s and Guede’s plantar arch curvatures have very different angles. Also the left outline of metatarsus maintains a different curvature. Sollecito’s outline has an angle (see outline tangent) intersecting the toe (the metatarsus has a “bunion”); in Guede’s print there is basically no intersection, the outline and the toe form almost a straight line.

27 . Plantar arch curvature angle differs between Sollecito and Guede

If you consider the vertical axis of the sample footprint, and its orthogonal line, you may notice how the plantar arch curvatures of the two prints accomplish different angles: the two angles are VERY different, not just three or four degrees.

The (too) narrow angle of Sollecito’s plantar arch probably has a relation with the protruding outline and angle seen in pic 26., and seems related to a hallux valgus (which Guede does not have).

28 . The “cleft” on the left side of the stain

The “cleft” on the left side

This has a correspondence with one sample print, not so with the other.

29 . Table of metric comparison (by SomeAlibi)

SomeAlibi’s post of a year ago

Comparison of measurements and analysis of correspondence degree of bathmat print, with both Guede’s and Sollecito’s sample prints.

Posted by Machiavelli on 04/16/14 at 10:59 PM • Permalink for this post • Archived in Evidence & Witnesses, Real crimescene, The pack attack, DNA and luminol, Other physical, Trials 2008 & 2009, Massei prosecution, Hoaxes against Italy, 3 No evidence hoax, 4 No firm DNA hoax, 5 No pack attack hoax, 6 No staging hoax, Hoaxes Sollecito etc, 27 Single alibi hoax, 28 Not at house hoax, Hoaxes re Guede, 33 Sole attacker hoax, Hoaxers from 2007, Raff Sollecito PR • Comments here (38)

Wednesday, February 26, 2014

How Claims By Perpetrators & Their PR That THEY Are Victims Get Equal Pushback

Posted by Peter Quennell

[Florence prosecutor Giambartolomei will soon confront many false claims ]

To the considerable pain of victims and their loved ones, Italy’s has become one of the most pro-defendant justice and penal systems in the world.

That doesn’t mean that it has become a complete pussycat. Push it, and it usually pushes back harder in its search for the truth. And the quality Italian media goes along.

Time and again the ill-conceived short-term PR and legal tactics for Knox and Sollecito based on a hurricane of lies have left them in terms of the ultimate end-game worse off than they were before.

Judge Matteini and Judge Micheli (the judges in 2008) both took firm lines with the copious evidence and the psychological tests of AK and RS in front of them.

Both judges took a line as firm as the prosecution (as firm as the “evil Mignini”) in concluding that there was a drug-fueled hazing escalating to murder with sexual aspects (however short the timescale of the intent).

[Ed note: See comment by Yummi below which explains the above a little differently. PQ.]

Though his panel of judges voted unanimously for guilt, Judge Massei in 2009 did take a somewhat less firm line in the sentences, after observing one daffy defendant and one very nervous defendant sitting in front of him for nearly a year. Judge Massei for no especially convincing reason

(1) pinned the initiating of the attack on Rudy Guede (really?!) and

(2) handed Knox and Sollecito (and thus Guede) quite a break with his supposed “mitigating circumstances” (the duvet over Meredith’s body) resulting in 20 years lopped off their combined sentences.

Both the defenses and the PR were weak and largely futile in that year. But come 2010 the dirty tricks moved into overdrive.

Cassation reverted to the firmer line in January 2011 when it ruled on Guede’s final appeal: Guede was a party to the murder, but copious evidence proved he did not act alone.

The Hellmann appeal court and DNA consultancy and verdict of 2011 were corrupted (counter-measures are still quietly playing out) which fully explains its startling soft line.

Thereafter the Italian courts observed the illegal blood-money binge with the essentially fictional books of Sollecito and Knox, and two years of them each claiming to ill-prepared interviewers “we’re the real victims” on TV.

Cassation observed all of this, annulled the corrupted Hellmann court verdict, and issued instructions in June 2013 to the Florence appeal court to ensure that the firm line should be maintained. Unsurprisingly, we have seen a firm line from the chief prosecutor (Crini) and a seeming firm line from the lead judge (Nencini) in recent weeks.

In the rest of this year Italy will see at minimum these events where the court’s firm line will go on and the babbling and unhelpful legal and PR tactics may finally dry up.

his saliva or sneezing

Honor Bound

Waiting To Be Heard

Oggi

And when prosecutor Giambartolomei Firenze announces which claims are radiocative, hopefully a major hush will come over Heavey, Fischer, Bremner and Moore.

Posted by Peter Quennell on 02/26/14 at 06:25 PM • Permalink for this post • Archived in Defendants in court, Amanda Knox, Raff Sollecito, Rudy Guede, The officially involved, The prosecutors, Appeals 2009-2015, Florence 2014+, Cassation 2015, Hoaxes against Italy, Hoaxes Knox & team, Hoaxes Sollecito etc, 31 Aviello hoax, Hoaxers from 2007, Preston & Spezi, Francesco Sforza, Hoaxers from 2011, Amanda Knox #2, Raff Sollecito #2 • Comments here (19)

Wednesday, February 19, 2014

Our Reviews Of The Painstaking BBC-3 Report First Aired In The UK On 17 February 2014

Posted by Our Main Posters

Review by SomeAlibi

Watching “Is Amanda Knox Guilty” was a funny thing. I suspect for people following the case closely, on either side, it was a sobering experience. Not because it changed perspectives, but simply to see how quickly one hour passed and the necessary trade offs that had to be made to fit within that schedule. The opportunity cost was a level of detail to which in-depth followers have become accustomed.

Just one example: Sollecito and Knox’s partial alibi that they were checking their emails on the night of November 1st was explained as being challenged by two broken computers. Perhaps, (although unlikely to be the material issue) but where was the much more salient fact that their ISP records showed that was conclusively untrue? Where was the challenge: if you say you’re checking emails to establish part of your alibi against a murder and it is shown to be absolutely untrue, what does that suggest…?

There were many other “clinchers” that had to be let go in the name of brevity. But it wasn’t that sort of documentary - it was neither a case for the prosecution or a case for the defence: it put the main suggestions at the level of detail that was possible and it allowed both sides to speak to the points at that level of detail.

I find it interesting that there has been such a howl of bias from those supporting Knox and Sollecito. Objectively there’s no good ground for it: the documentary allowed both sides forward in equal measure and no pro-justice watcher would celebrate it as a pro-conviction piece.

The arguments were balanced, the video, audio and picture quality eye-opening. For those on the other side, their markedly different reaction appears to be that the documentary has broken the taboo that The Evidence Shall Not be Told. The idea that there is an easy-to-consume piece that puts forth the case and defence equally is seen as a disaster.

The campaign for Knox continues to be obsessed, beyond all things, with trying but now failing to make sure the public doesn’t know the basis of the case. For a long time they hoped to drown out the multitude of terribly inconvenient truths within it by screaming “no evidence”. ‘Is Amanda Knox Guilty’ put the lie to that conclusively, but fairly, and now many hundreds of thousands, perhaps soon to be millions will ask themselves why those supporting Knox and Sollecito have had to adopt this tactic at all.

If they really are innocent, why has the case against them been so comprehensively white-washed in the US?

The conclusion, is rather simple and I saw it encapsulated on a large television screen last night with the repeated clips of Amanda Knox and Raffaele Sollecito outside the cottage kissing and “comforting” each other: there for a fraction of a second, shown several times, is Amanda Knox, unable to stop herself glancing at the camera filming her and stealing her gaze away again very quickly pretending she hasn’t.

It’s a look that says everything: furtive, pretending it didn’t happen, immediately covering up in a way that poses a stark proposition: why on earth would you do that if you had nothing to hide? And like so much of the multiple collapsing alibis and non-working answers and the desperately dishonest fingers-in-the-ear “no-evidence” pretence of those supporting her, is a proposition that can withstand no scrutiny.

Review by SeekingUnderstanding

What a relief to watch a very clear and unbiased narrative. The quality of the visual information was top rate - seeing so much original footage, and presented as it was in a logical time sequence.

Even though I was already familiar with the evidence, including the photographic material, I found it very helpful to see it all presented in this way. I appreciated, too, hearing and seeing the excerpts in original Italian (along with English translations). It added even more authenticity.

I hope that, at long last, this will have helped some - or hopefully many- people to see that the two ‘camps’ in this case do not divide into AK supporters and AK ‘haters’. There are the FoA and their followers ...and there are the others who seek the objective truth and justice.

If hate has been generated in some quarters, then the Knox (and Sollecito) camps need to look to themselves and their own behaviour. This programme was important in the tone it set.

I actually found it to be quite lenient towards the defence on a number of counts.

There were several instances where the defence point of view could have been strongly countered by known and established facts, but, bending over in fairness, these were left unanswered.

Here are just four instances :

1) In the discussion around the blood and DNA left in the bathroom - Dr. Gino’s assertion that ‘the blood/DNA ‘could have come from anywhere’ might have been countered with AK’s own declaration that the bathroom was previously clean. Dr. Gino also suggested a very improbable scenario of ‘it could be saliva’ (on the bidet?). Cassation emphatically said that it must be shown HOW any suggested contamination could have occurred.

2) There was a missed opportunity in discussing the knife presumed to be the murder weapon to mention Sollecito’s lame, unreal excuse of ‘Meredith pricked her hand’ etc.

3) Anne Bremner stated ‘Amanda could not have turned overnight…into a murderer’. Attention could have been drawn to many things, both physical events (her predilection for cruel pranks, including a staged burglary in the US, and wild parties, etc), and also many psychological indicators that would have clearly shown how her behaviour has, in fact, demonstrated consistency.

4) In the discussion re the bra clasp, the delay partially being caused by the defence themselves was not mentioned. Also, detailed discussion re the one bare footprint on the bathmat was omitted.

Since there is, in fact, so much evidence, it must have been difficult to chose and balance what did go into the hour long programme. All in all, I feel Andrea Vogt and her team worked hard, and did very well to let the facts speak for themselves.

I hope it will lay a few fictions and myths to rest.

Review by Earthling

What is the “Amanda Knox trial” (really the Meredith Kercher murder trial) really about? Is it about an innocent 20-year-old pretty white girl being railroaded by the medieval Italian justice system?

Or is this actually a murder trial, about the fact that a beautiful, intelligent, ambitious young woman, innocently trying to improve her life by study abroad, was brutally murdered?

I believe it’s the latter, and the BBC3 production gives us one of the first truly balanced reports on this trial.

The filmmaker starts from the beginning, and takes us through the murder, investigation, and various trials and appeals up to the present day. Instead of the breathless “Perils of Penelope” tone (toward Amanda Knox) that most such previous “documentaries” have taken, this one takes a sober look at the actual evidence.

Did you realize that there are luminol-revealed bare footprints in Knox’s size in the apartment? Luminol reveals blood and a few other substances; but those substances can be ruled out because the test was done six weeks after the murder, by which time those substances would have dissipated.

Blood doesn’t dissipate. This documentary shows you those bloody footprints in all their creepy glory, something never shown on American TV before.

“Is Amanda Knox Guilty” also speaks of the actual DNA evidence in the cottage linking Knox to the murder, including five mixed-DNA spots (Knox and Kercher) that tested positive for blood. Both prosecution- and defense-oriented experts are allowed to comment on this evidence, and the viewer is allowed to make up his or her own mind.

My one criticism is that a lot of the evidence against Knox (witness statements, cell phone data, fake break-in) is skimmed over or not even mentioned. Also, because the documentary quotes Rudy Guede’s position at length without any contradictory narrative, it is confusing as to whether the filmmaker might have believed him.

In the end, the filmmaker says, he was convicted of participating in the group murder. However, a stronger statement against his “I’m entirely innocent” defense would have been good.

Other than these quibbles, this is the best documentary on the Meredith Kercher murder case that I have ever seen.

Review by ZiaK

I watched the BBC programme on the Meredith Kercher case hoping for a more balanced view of the case than has been presented in the English-speaking media to date.

The documentary does present some of the evidence against Knox and Sollecito - including the bloody footprints, the mixed blood/DNA traces in the bathroom and corridor, the bra clasp, the knife DNA evidence, the strange timings of phone calls to police, the unlikelihood of the “break-in” being anything other than staged - but omits to point out that none of the other flatmates’ DNA was found in the blood traces, so saying that “it’s because Meredith and Amanda shared a flat” is misleading.

Nor does it point out that, although the murder knife was found in Sollecito’s flat, none of HIS DNA was found on it: it had only Amanda’s and Meredith’s DNA.

The programme didn’t cover the cell-phone evidence, showing that neither Knox nor Sollecito were where they said they were, at the times that they claimed. The programme also repeated the “Friends of Amanda” PR soundbites, such as “there was no evidence of Amanda in the murder room” - whereas the fact that her footsteps tracked blood OUT of the room are actually evidence of her having been present IN the room before it was locked (i.e. at the time of the murder).

Furthermore, in my opinion, the narrator’s voice seemed to evince sympathy towards Amanda, rather than describing events with a passive or objective tone of voice.

As one of the translators who has participated in translating case documents (such as the judges’ reports describing why they came to their decisions), I am only too aware of the extent of evidence against Knox and Sollecito, and I would like to see knowledge of this evidence become more widespread throughout the English-speaking world.

The BBC programme is a step towards this, but in my mind, only a very small step. I hope the pace will pick up soon, and more objective and extensive knowledge of the true facts of this case will be made available to everyone so they can form a rational opinion of the case based on true understanding.

Review by Cynthia

I’ve just watched this, and it’s very good - with a huge amount of footage hitherto unseen (directed by Andrea Vogt).

For what it’s worth, I note the following points:

1) There’s no mention of Meredith’s friends who heard Amanda say ‘she fucking bled to death’ before the fact was known to anyone else. Perhaps they didn’t testify, being too distressed? If so, it’s a great pity, because it seems a veritable clincher that hasn’t been used at all.

2) The bra DNA arguments are quite extraordinary. If we can determine that we all have Neanderthal DNA (tho’ I know a lot of American fundamentalists don’t believe that mankind goes back more than 6,000 years!) I can’t for the life of me see why DNA would be unusable after a poxy delay of 12 days ...

3) The argument that the Luminol traces may indicate not barefoot treading in blood but in bleach seems absolutely unbelievable to anyone who does housework (like me!) Bleach is horrible stuff, and you really, really don’t want to be getting it on your bare skin. Even Amanda, with her vestigial domestic skills, would have noticed if she’d trodden in it.

4) Bremner says Amanda was an honor student. She wasn’t; she had funded herself (not that that’s discreditable). (Also, are honor students unable to write cursive script? The shots of her handwriting show that she can’t do joined-up writing. [Or thinking.] I don’t know whether the phrase exists in American English, but not doing joined-up writing is a term of great intellectual contempt in English.)

5) We saw Amanda’s ‘mask’ speech. This is really interesting - who would even think that masks were being put on them if they weren’t using them themselves?

6) The programme mentions the little-reported fact that another, smaller knife found at Sollecito’s also had Meredith’s DNA on it.

7) The film omits to mention Hellman’s lack of any experience in criminal trials.

8) Every shot of Amanda in the film has her talking about ‘me’ and ‘I’. She never, ever mentions Meredith - it’s all about HER suffering. She never even says ‘the murderer is out there - I wish you’d stop persecuting me and get them’.

Presumably this is because Guede is supposed to be the sole murderer - and nobody seems in the slightest bit worried that there’s no murder weapon with HIS DNA on it! (Yes, there are his turds - but that wasn’t what killed Meredith.)

9) FOA has used the fact that the recent jury took 12 hours to deliberate over the verdict as an indication that they couldn’t agree. But why not just that they were being extremely careful and re-examining everything?

10) Finally, just an observation: Maresca speaks the most beautiful Italian - you can hear every word calmly flowing past.

Review by Miriam

Much appreciated. Outside of the Porta a Porta transmissions on the case, the best I’ve seen.

I understand they had to give both sides, but I felt that the defense came out on the losing side. I thought it funny that it was implied that since they only tested for blood it could of been saliva.

I don’t believe even her supporters would argue that Knox was so quirky as to brush her teeth in the bidet! Or maybe she spit in the bidet, in which case Meredith would have had every reason to complain about her bathroom habits!

Now if only this or something like this would air in the U.S.

Review by Sara

This is actually one of the most objective and well-researched reports I have seen on the case and I am very happy that BBC has managed to be so unbiased.

It presents both sides of the story equally well and does an excellent job of countering the extremely silly “no evidence” argument that the FOAkers like to repeat at equal intervals.

Regardless of what one believes, I think the documentary will at least succeed in convincing most people that there is indeed sufficient evidence against the two of them, and Italy’s judicial system is not crazy to convict people without any evidence.

My favourite part was when the defense DNA expert (can’t recall her name) tried to explain away the mixed blood evidence by saying that one of them could have had a nose bleed, and the other could have cut her hand in the same place leading to mixed blood.

Come on already, what are we? Kindergartens making excuses for not handing in homework? What is the possibility that both of them would bleed in exactly the same places not once or twice but multiple times? I think anyone with a bit of sense can see that they are clutching at straws.

However, I was a bit disappointed that few things were missed out. For instance, the fact that Guede’s footprints led straight out of the house, the fact that Amanda’s lamp was found without any obvious reason in Meredith’s room, Amanda’s extremely odd midnight call to her mom that she conveniently “forgot”, her million showers despite her concern towards “water conservation” etc.

Sollecito’s multiple changing stories were not really elaborated upon (the story in which he went to a party, the one in which he checked emails, the one in which he pricked Meredith etc etc).

Also, inconsistencies between their accounts of various events could have been pointed out (Was Filomena’s door open or close? Did AK call Filomena from the cottage or from Sollecito’s house? etc).

Witness accounts were not given any screen space either. I think touching upon these would have made the documentary even more impressive.

That said, I understand that the team has done the best they would within the limited time they had, and everything just cannot be accommodated within one hour.

So, all in all, kudos to the team and BBC for a job well done.

Review by Odysseus

I though it was a very competent overview of the case. After so much pro-defendant spin in the MSM (no doubt engineered by the American defendant’s PR outfit), it was refreshing to have a sane, measured and rational presentation. The victim deserves no less.

Congratulations to BBC3 and to the programme makers. It’s good to know that the BBC of blessed memory hasn’t been entirely dumbed-down nor intimidated by “partial outside interests”, the latter being director Andrea Vogt’s own description of the forces intent on muddying the waters in this case.

Posted by Our Main Posters on 02/19/14 at 06:32 PM • Permalink for this post • Archived in Evidence & Witnesses, Various timelines, Real crimescene, Faked breakin, News media & movies, Excellent reporting, Hoaxes against Italy, 2 Italian mileu hoax, 3 No evidence hoax, 9 Mignini v Knox hoax, 12 Rabid media hoax, Hoaxes Knox & team, 20 No-PR hoax, Hoaxes re Guede, 33 Sole attacker hoax, Hoaxers from 2007, Knox-Marriott PR, Raff Sollecito PR, Hoaxers from 2011, Amanda Knox #2, Raff Sollecito #2 • Comments here (36)

Tuesday, February 18, 2014

Congratulations To The BBC For A Report Emphasizing The Sheer Extensiveness Of The Evidence

Posted by Our Main Posters

[From the BBC report: Meredith the night before the cruel, deadly attack with her Halloween friends]

This is the painstaking and obviously expensive report by Andrea Vogt and Paul Russell with interviews in London, Seattle and Perugia.

It was aired by the BBC on 17 February. Considerable time is allocated to defense lawyers and experts and the Knox family and Ann Bremner of the FOA taking their best shots at explaining how Knox could maybe have not been involved.

Still, the sheer mass of the evidence remains as the 80,000 pound elephant in the room, lacking any hint of a realistic alternative explanation. Three people committed the horrific attack, including Rudy Guede and two others.

Only Knox and Sollecito remain pointed to by dozens of evidence points as those two others. Not one single evidence point indicates anyone else was involved. The Masssei trial court got it right as the Nencini appeal court just confirmed.

We will enquire if we can embed the hour-long video. But as it may be picked up by US and other foreign media outlets, we will start by simply summarizing it soon. Assessents by those who have already seen it are welcomed.

Posted by Our Main Posters on 02/18/14 at 09:20 AM • Permalink for this post • Archived in Evidence & Witnesses, Various timelines, Real crimescene, Faked breakin, News media & movies, Excellent reporting, Hoaxes against Italy, 2 Italian mileu hoax, 3 No evidence hoax, 9 Mignini v Knox hoax, 12 Rabid media hoax, Hoaxes Knox & team, 20 No-PR hoax, Hoaxes re Guede, 33 Sole attacker hoax, Hoaxers from 2007, Knox-Marriott PR, Raff Sollecito PR, Amanda Knox #2, Raff Sollecito #2 • Comments here (30)

Friday, February 14, 2014

Hard Questions By Italian Journalist Giuseppe Castellini For Sollecito

Posted by Peter Quennell

[Above: Giuseppe Castellini of Giornale dell Umbria has long exposed the Knox/Sollecito lies]

1. Overview Of Italian Media Takes

The fast-growing satires of Knox and Sollecito in Italy described in our previous post are not just emerging in a vacuum.

The many tough crime-show comperes and crime reporters in Italy have rarely let Knox or Sollecito get away with any of their lies. One example was when Bruno Vespa, the host of Porta a Porta, Italy’s most popular crime show, forced Francesco Sollecito to admit to Italy that his son lied extensively in Honor Bound. Another example is when Oggi published some of Knox’s lies and they were rapidly exposed. For seemingly endorsing Knox’s lies Oggi will face trial for obstruction of justice.

There are countless other examples where Sollecito and Knox have been exposed as liars. The super-sharp editor of the Giornale dell Umbria, Giuseppe Castellini, has just published this challenge to Sollecito who had absurdly had claimed that nobody ever wanted to ask him any questions in court.

2. Giuseppe Castellini Questions RS

The translation is by Miriam.

Murder of Meredith: a few questions for Raffaele Sollecito

Raffaele Sollecito, found guilty and condemned to 25 years by the Appeals Court of Florence, for the murder of the English student Meredith Kercher (for the same crime Amanda Knox was also found guilty and Rudy Guede is already serving a definite sentence of 16 years) has stated that he was never questioned in court, because no one ever asked him.

For the record and in order to have a complete picture at, it should be remembered that during the investigation, Sollecito twice took advantage of his right to not respond to the questions of the PM Mignini.

So if it’s true that the prosecutors, in all the trials never asked to question him in court, neither did he ask to be, limiting himself to giving several times making spontaneous statements, without being cross examined.

However, this is not the real point. The fact is that Raffaele could not or did not want to respond to the questions of the investigators.

His version was always brought forth in detail by his lawyers, obviously, but that is not the same thing.

Important questions remain to which Raffaele did not answer directly during cross examination by the Prosecutors. Let’s try to summarize some crucial unanswered ones. Who knows if Raffaele will ever decide to respond in detail right here on these pages even though ““ at the moment ““ it seems improbable. We address him directly, sure that he reads these pages.

1. The first time that you were questioned in Questura you said that the first of November 2007 (Meredith was murdered the night between the first and the second of November) after a walk through downtown Perugia (before that you and Amanda have been in the house in via della Pergola). You came home around 08.00pm while Amanda come back much later around 01.00am, you then changed your version saying that you had always been together. Your first statement seem like a distancing from Amanda, in those hours nobody knows what she did, while the second one has a complete different flavor. Why did you radically changed your version?

2. It’s proved by the findings (even if your lawyers contested it) that the computer in your house was activated for about half an hour from 05.32am till little after 06.00am of the second of November. For the experts of the Police it was certainly a human interaction. You, instead declare that you and Amanda were sleeping. So who was it then that was using your PC at that hour?

3. Your and Amanda’s cell phones were turned off at the same time around 08.40pm of the first of November and they were turned on, practically at the same time, a little after 06.00am of the second of November (at that time you received the “good night” sms sent from your father the night before). How do you explain all this?

4. You stated that you were not in the house in via della Pergola. How it is possible that your DNA is on the bra clasp (17 loci that shows your genetic profile, and for the father of Italian genetics, Prof. Vescovi, that with the current processes are not only enough, but more than enough to match your DNA). And why did luminol revealed a bare right foot print compatible with yours, in addition to the one on the bathmat in the small bathroom? (the size of the big toe, just to point out one thing, is just like yours, while Rudy’s is a lot smaller).

5. Why, if Rudy was the only assassin, in the corridor would he cancel only the bare foot prints, leaving in plain sight always his, but left with the shoe print of his left foot? Doesn’t it come to mind that whoever cleaned up the prints thought to cancel theirs (specifically the ones ascribed to you and Amanda) leaving behind those recognizable as Rudy’s?

6. You and Amanda were seen by the homeless Antonio Curatolo late the night of the murder and Amanda was seen by the shopkeeper ““ that knew you well and already saw you with Amanda ““ enter in the shop at about 07.45am to buy something and go back toward piazza Grimana. You and Amanda say that at that hour you were sleeping in your house. Is there something that can demonstrate this, that up to now has slipped away and that would give you the missing alibi?

3. Questions For RS Of Our Own

We have advanced plenty of questions for the evasive Sollecito of our own. Here are seven examples.

Questions For Sollecito Do You Stand By Your Smear Of Reasonable Doubt In Italian Law?

Questions For Sollecito Why Claim Guede Did It Alone When Vast Evidence Contradicts That?

Questions For Sollecito Why So Many Contradictory Explanations Of How DNA Got On The Knife?

Questions For Sollecito Did Your Father & Lawyers Pre-Approve This Crazed Rant?

Questions For Sollecito Can You Realistically Account For The Hard Evidence On The Bathroom Mat?

Questions For Sollecito Katie Couric, Push Back Against Sollecito’s Bluster And False Facts #2

Questions For Sollecito Katie Couric, Push Back Against Sollecito’s Bluster And False Facts #1

Posted by Peter Quennell on 02/14/14 at 02:38 AM • Permalink for this post • Archived in Defendants in court, Raff Sollecito, News media & movies, Excellent reporting, Many hard questions, Hoaxes against Italy, 3 No evidence hoax, Hoaxes Sollecito etc, 25 RS persona hoax, 27 Single alibi hoax, 28 Not at house hoax, 32 No-PR hoax, Hoaxers from 2007, Raff Sollecito #1, Raff Sollecito PR, Hoaxers from 2011, Raff Sollecito #2 • Comments here (35)

Tuesday, February 11, 2014

The Much-Demonized Rudy Guede Is Back In The News And Increasingly Threatening

Posted by Peter Quennell

Rudy Guede has long DELIBERATELY been demonized so that the attack on Meredith can be assigned to him alone.

This description of Guede’s early days in the Ivory Coast and Perugia in the excellent Darkness Descending by Paul Russell and Graham Johnson remains the ONLY one that fully checks out. Certainly not that by the dishonest PR shill Nina Burleigh.

Guede wasn’t especially an angel, and some in Perugia were iffy about him. But he had real friends, and up north he held a real job with a real career future, until that prospect imploded and sent him haplessly back to Perugia.

Late in October 2008 Judge Micheli discounted all that Guede ever said about his role in the attack on Meredith in various conversations and statements, and sentenced Guede to 30 years.

But Judge Micheli also concluded that there was no firm evidence either that Guede acted alone or that Guede was a drifter, drug dealer, knife wielder or burglar (Micheli was very sharp with one witness who claimed Guede may - may - have broken into his house).

In 2009 through his lawyers Guede enquired of the prosecution whether he might testify at the Knox-Sollecito trial.

But the prosecutions’ hands were already tied by the indictments and they (rightly) believed they had a really strong case regardless of anything Guede could add.

At the 2009 trial the defenses pussyfooted around and never settled for a firm position on Guede. They floundered in their subdued attempts to prove that Guede or somebody else unknown was the so-called Lone Wolf.

The Lone Wolf theory is really a zombie theory with so many stakes through its heart that no court will ever take it seriously.

Guede’s steadfast fallback position before and since was that he was only in the house on the night of the attack because Meredith invited him to come in and they began love-making.

At his late-2009 first appeal and also at Sollecito’s and Knox’s 2011 appeal before Judge Hellmann, he increasingly firmly pointed the finger at Knox and Sollecito as the murderers.

Guede had been initially inclined to let sleeping dogs lie after he was mysteriously beaten up in the sex offenders wing of Viterbo prison, where prisoners are meant to be kept very safe.

But Judge Massei’s scenario of the attack on Meredith in his March 2010 Sentencing Report, with Rudy Guede as the lead instigator, really bothered him.

And in mid 2010 he became even more bothered when claims were made by a fellow prisoner the baby killer Mario Alessi that Guede confided that he really had committed the murder, along with two others. Not with Knox and Sollecito.

A very angry Rudy Guede in turn wrote a letter denying this which very rapidly went public.

In 2011 there was a tense confrontation in the Hellmann court (which several times descended into chaos) when this letter, in which by now Guede firmly accuses Knox and Sollecito, was read out for him.

Guede stuck to this position on the stand, and he was not required to face full cross-examination by the shrill, frustrated defenses because he was already convicted and no longer the one on trial.

Seemingly fed up with all the dirty tricks against him and the now-incessant Knox and Sollecito mantras in the media that Guede had acted alone, he has come out with another letter.

Italy’s AGI News Service has posted this letter to an unidentified recipient, along with this report.

(AGI) Perugia, February 11 “Against me are being repeated false imaginated reconstructions of the crime for the sole purpose of wanting to denigrate my figure and person, systematically and in a negative way, in the public eye and not just in Italy.”

He apparently also posted what he wrote in his own hand on the Facebook page “Legal processes and their surroundings”...

The letter is on a sheet of notebook paper handwritten and signed by Guede.

“To my regret I am again forced to take a pen and paper and write for the sake of the truth.. to all those thousands of people who still believe in justice.”

“They can not access all the pleadings and components of this sad and extremely complex legal case which was dramatically painful for those who lived it . My sentence and judicial reasoning have been for too long subject to a continuous and willful manipulation and alteration of the data of the proceedings.”

“Against me are made continuous false and imaginary reconstructions for the sole purpose of wanting to denigrate my figure and person, systematically and in a negative way in the public eye and not just the Italian.”

“In the final judgment, as far as I’m concerned about these false and imaginative reconstructions, is that I was acquitted of theft and simulation of crime, a fact that I never hear mentioned in the various journalistic reconstructions.”

“I also want to point out I do not accept in any way to be passed off and continually held up as a drifter, a thief, a homeless man, seeing my person and my dignity offended continually, denigrated and stereotyped by facts and things that do not realte to me… when I had a beautiful family and precious squeaky clean and friendly relations in Perugia.”

Fast-forward to today, where reports say that Guede is getting close to day-release for study purposes and may only be months away from making more evidence against Sollecito and Knox public.

Our posting lawyer TomM has looked at the issue of Guede being allowed out to study, and finds it regular and humane in this assessment.

I respect the Italian system of criminal justice. Just as I recognize that the Italian courts have much better information than anyone posting on the internet relating to the culpability of the defendants in this case, I also think that the people who oversee Guede’s stay in prison are better informed as to his fitness to be reintegrated into society. That he would be allowed out during work days to become better educated, returning to his prison cell at the end of the day seems to me a more enlightened approach than what we do here.

We used to have training programs in prisons. I don’t know that they were “cushy”, but they did work, so that when these convicts were released they were equipped with a marketable skill and rarely re-offended. But, the public thinks these were too cushy, so more Draconian circumstances and longer sentences are now the norm. It used to be people were sent to prison as punishment, now they are sent for punishment.

Sometimes when a prisoner who has spent his or her entire adult life in prison completes the sentence imposed, they have to be physically dragged from their cells, so ill-prepared are they for anything other than doing time. With no skills, social or job-related, they re-offend—surprise, surprise. Sometimes re-offense is for the purpose of being returned a world that, for all its dangers is, to them, relative safety.

While it is certainly true that prison doesn’t have much impact on sociopaths, the one thing they are attached to is money. Taking away their money does impact their behavior, so there is an alternative to killing them.

Posted by Peter Quennell on 02/11/14 at 07:11 PM • Permalink for this post • Archived in Defendants in court, Rudy Guede, Hoaxes against Italy, 6 No staging hoax, Hoaxes Knox & team, Hoaxes Sollecito etc, Hoaxes re Guede, 35 Good guy hoax, Hoaxers from 2007, Knox-Marriott PR, Raff Sollecito PR, Amanda Knox #2, Raff Sollecito #2 • Comments here (22)

Monday, February 03, 2014

Guide For Smart Media: Note Extensive Hard Evidence In Exceptionally Fair, Careful Legal Process

Posted by Media Watcher

[Accurate Italian media recreation of attack based on masses of closed court evidence 2009]

Vital media history in 2009

In Italy and Europe generally the guilt of the two is almost universally perceived.

One reason is that although about 1/4 of the trial in 2009 was behind closed doors (quite the opposite of the “tabloid storm” and “show trial” Americans have been told about) Italians in particular got to find out about the long (15 minutes), remorseless, highly sadistic attack on Meredith.

Please click here for more

Posted by Media Watcher on 02/03/14 at 02:56 PM • Permalink for this post • Archived in Various hypotheses, Defendants in court, Amanda Knox, Rudy Guede, The officially involved, Evidence & Witnesses, Various timelines, Appeals 2009-2015, Florence 2014+, Hoaxes against Italy, 3 No evidence hoax, Hoaxes Knox & team, 15 Single alibi hoax, 20 No-PR hoax, Hoaxes Sollecito etc, 27 Single alibi hoax • Comments here (29)

Saturday, February 01, 2014

Harvard Professor Alan Dershowitz And Philly Lawyer Ted Simon Both Claim The Devil’s In The Details

Posted by Peter Quennell

Alan Dershowitz sees plenty of evidence against Knox. He really has absorbed the key details, and in this case, the devil is in the details.

Alan Dershowitz has spoken out quite accurately a number of times on the case previously, and he shows great respect for the carefulness of the Italian system.

Philadelphia lawyer and Knox advisor Ted Simon also thinks there is a devil in the details. Or rather, he did back in 2008 (below) before he got on the Knox payroll and his foolish mantra became “There is no evidence”.

Wrong. There is stacks of evidence that Knox was in that room - and it wasnt even tested for DNA.

Why was her lamp in the room? Why cannot she explain that? Why are there zero fingerprints? Who wiped them? Who moved Meredith’s body? How did Knox’s and Meredith’s blood get co-mingled? In half a dozen different locations? Outside a locked bedroom door?

Why are there footprints in blood outside the locked bedroom door of both Knox and Sollecito? Why do Guede’s shoeprints head straight out the front door? And if Knox didnt start to rearrange the crime scene, who staged the break-in, and why?

And why do the various presentations in closed court in 2009 (all-day testimony by crime-scene and autopsy experts and a 15-minute video recreating the attack) which proved THREE attackers still remain unchallenged?

Those pesky details…

Posted by Peter Quennell on 02/01/14 at 04:34 PM • Permalink for this post • Archived in Various hypotheses, Various scenarios, Hoaxes against Italy, 1 Ital justice hoax, 2 Italian mileu hoax, Hoaxers from 2007, Knox-Marriott PR, More hoaxers • Comments here (73)

Page 7 of 21 pages ‹ First < 5 6 7 8 9 > Last ›

Category: Hoaxes against Italy

Tuesday, April 29, 2014

Why Final RS & AK Appeal Against Guilty Verdict May Fail: Multiple Wounds = Multiple Attackers

Posted by Our Main Posters

Reports From Italy On Why AK & RS Appeal Failed

First report

Second report

Third report

Fourth report

Sunday, April 27, 2014

Knox & Sollecito Actions In The Week Prior To Arrest: An Incriminating Behavior Pattern For Sure

Posted by James Raper

1. Today’s Context To This Post

2. How The Behavior Speaks To Guilt

3. Physical Evidence Array Is Already Substantial

4. Behaviors In The First Week Of November 2007

The Lady With The Mop?

The Two Stayed At Home?

The Fake Call To Knox’s Mum in Seattle?

The Real Call To Knox’s Mum In Seattle?

Sollecito’s Call From His Dad?

The Claims Of Finding Meredith’s Body?

Wednesday, April 16, 2014

The Incriminating Bathroom Evidence: Visual Analysis shows the Footprint IS Sollecito’s

Posted by Machiavelli

The sheer depth and width of the hard evidence

Visual analysis of the bathroom-mat footprint

Please click on all images for larger versions in scalable PDF format

1 . [Below] the bathmat and the print, with measurement reference

2 . The bathmat print and the surrounding area

3 . The bathmat print (photo from Polizia Scientifica).

4 . The bathmat print, with vertical and horizontal sizes, from Rinaldi’s report

5. The bathmat print, photo with enhanced contrast.

6 . Enhanced contrast helps to spot some features

7. The bathmat, with enhanced contrast

8. The selection of a set of red colour shades, outlined by an automatic outline generator

9 . A hand drawing of the outline (detail).

10 . The complete hand-drawn outline

11 . Minor detail: small dots separated from the main stain

12 . An image in electronically modified colours

13 . The bathmat has a spiral-shaped relief decoration

14. The “negative area”

15. Mat decoration in relief and the toe mark

16. Picture (by Kermit) showing a rough shape of the stain

17. Rudy Guede’s sample print

18 . Raffaele Sollecito’s sample print

19. Part of Rudy Guede’s sample print with Rinaldi’s reference measurements

20. Part of Sollecito’s sample print, with Rinaldi’s reference measurements:

21. Bringing all photographs down to the same scale

22. The hand drawn outline is shown again here

23 . The outline (matched scale) overlapped on Sollecito’s sample footprint

24 . The same outline overlapped on Guede’s footprint

25 . Other features:

26. The outline curvature generates different angles

27 . Plantar arch curvature angle differs between Sollecito and Guede

28 . The “cleft” on the left side of the stain

29 . Table of metric comparison (by SomeAlibi)

Wednesday, February 26, 2014

How Claims By Perpetrators & Their PR That THEY Are Victims Get Equal Pushback

Posted by Peter Quennell

Wednesday, February 19, 2014

Our Reviews Of The Painstaking BBC-3 Report First Aired In The UK On 17 February 2014

Posted by Our Main Posters

Review by SomeAlibi

Review by SeekingUnderstanding

Review by Earthling

Review by ZiaK

Review by Cynthia

Review by Miriam

Review by Sara

Review by Odysseus

Tuesday, February 18, 2014

Congratulations To The BBC For A Report Emphasizing The Sheer Extensiveness Of The Evidence

Posted by Our Main Posters

Friday, February 14, 2014

Hard Questions By Italian Journalist Giuseppe Castellini For Sollecito

Posted by Peter Quennell

1. Overview Of Italian Media Takes

2. Giuseppe Castellini Questions RS

Murder of Meredith: a few questions for Raffaele Sollecito

14. The “negative area”

28 . The “cleft” on the left side of the stain